SOUNDWAVE : 135 : AMBIENTBLOG

Today’s guest deejay is Peter van Cooten, host of Ambientblog and DreamScenes on Concertzender.

I met Peter through Harrold Roeland and I invited Peter to guest deejay on the show (listen to his mix here). I did not anticipate that a mix from Peter would be something of an event. Peter’s mixes are more like epic tone poems that contain both the cosmic and the mundane in one listening experience.

 

Cloudwatching Sequence
Cloudwatching Sequence

Furthermore, Peter meticulously crafts his mixes. Peter might use a passage once from a song or as a leitmotif. His mixes are dense and multilayered. Peter’s skill is that despite the complexity of his mixes, they are seamless and fluid. You don’t need to know the immense effort that produced the mix you are listening to appreciate its beauty and artistry.

Because Peter mixes feel like an event, it felt appropriate to release today’s show for Halloween as we celebrate the darker half of the year.

Peter has some words about his mix below.

Join us next week when out guest deejay will be Mike Lazarev.

See you then.

 

Cloudwatching
Cloudwatching

Most (if not all) previous Ambientblog mixes always had some dark moments; they are never “just” relaxing. You can only feel release if you also feel tension.

This time, I wanted to avoid the darkness and create a “lighter mood mix.” Not of the “Ibiza Chillout Lounge” kind, but one that can be played in the background and is still exciting enough to listen to. I hope I succeeded, but of course, you’re the one to decide about that!

 

With two hours, Cloudwatching is longer than usual. Only a few tracks are included in their full length, but most are heavily edited or even just short fragments. Also, they are often overlayed, so you’ll hear the music in a different context. The extensive playlist below may help you track down the original in their full-length versions.

I hope you’ll enjoy watching these -imaginary- clouds!

Cloudwatching Playlist (includes start length, artist title, album title, year, and label).

  1. Francisco López “Untitled #373”
  2. Lawrence English “Pre-Approach”
  3. William Basinski & Janek Schaefer “. . . on reflection (four)”
  4. Arve Henriksen & Eivind Aarset & Jan Bang “The Swans Bend Their Necks Backward To See God”
  5. Masayoshi Fujita “Harp”
  6. Mombi Yuleman “Mental Telepathy”
  7. ASMUS TIETCHENS “Paralelle Ebene 1”
  8. Abul Mogard “Like Water”
  9. KEDA “La Lune De Corée”
  10. Tapani Rinne & Teho Majamäki “Reflection”
  11. Radboud Mens “Convolution”
  12. Alex Haas & Michel Banabila “The Woods (ft. Bill Laswell)”
  13. Imperial Valley “Fields North Of Kane Spring, Oct 8, 1938”
  14. James Murray “Clearings”
  15. Raum “Daughter”
  16. Tierro Cosmico “Eres Nocturna”
  17. Emmanuel Holterbach “Rivage (Shore)”
  18. Holland Patent Public Library “a road I’ve passed but never taken”
  19. Thomas Ragsdale & Richard Arnold “The View”
  20. David Cordero & Kenji Kihara “Grazalema”
  21. Abul Mogard “The Rain Has Gone”
  22. Robyn Miller “Gateroom”
  23. From The Mouth of the Sun “Paint & Stories”
  24. Olga Wojciechowska “Recreating Worlds”
  25. Biosphere “Aura In The Kitchen With The Candlesticks”
  26. Jolanda Moletta “Spell II: Daydream And Nightbloom”
  27. Budhaditya Chattopadhay “Dhvani”
  28. Cell “Geiger”
  29. Clarice Jensen “Fear”
  30. Erik Wøllo “Peace Bells”
  31. Tarotplane “Auximenes”
  32. NORMAN W. LONG “Return & Recovery”
  33. Marine Eyes & Antarctic Wastelands “Enshrouded”
  34. Ryoji Ikeda “Data.Tron (2007-14)”
  35. Masayoshi Fujita “Pons”
  36. Tetsuroh Konishi “Kevaan Aania”
  37. Madeleine Cocolas “Presence”
  38. PINKCOURTESYPHONE “Comfortable Predictability”
  39. Clarice Jensen “Love”
  40. Radboud Mens “Modular”
  41. Arve Henriksen “The Farmers Of Sonic Alchemy”
  42. Daigo Hanada “Kage”
  43. Ivan Cebrian | Victor Cerdan “Snow in silence”
  44. Robert Rich and Luca Formentini “First Day”
  45. Sofie Birch & Antonina Nowacka “Outro”
  46. Sven Laux & Fione “Stay”
  47. loscil “Dub For Cascadia”
  48. Powlos & Holt “Our Shimmering Breath”
  49. Anne Chris Bakker “Johan (In Memoriam)”
  50. Glåsbird “Sirsa”
  51. Trio Ramberget “D Minor Postlude”
  52. Galya Bisengalieva “The Crash”
  53. Madeleine Cocolas “Enfold”

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SOUNDWAVE : 85 : JOSÉ SOBRANES

Today’s guest deejay is José Sobranes.

I met José through Mauricio Sotelo, AKA Haiteku, who I met through Axel Arturo Barceló, who guest deejayed on Soundwave here and here. Soundwave has been around just long enough that it is beginning to form a rhizome-like network. I like that.

I also like José’s mix. I’m never quite sure where one song ends, and the next begins. The only boundary is the start and end of his mix. It exists in some liminal space that is akin to being awake and being asleep. I’m doing my best to describe José’s mix, but really, you need to let it wash over you and take you where it may.

José is a self-taught composer and recordist based in Mexico. His compositions explore the balance between electronics and environmental sounds, chaining narratives, context, and movement, all based on the felt of direct presence.

He is the current label manager and founder of Nova Fund Recordings an independent label focused on contemporary arts and music. All his productions was released in many countries around the globe for mention some: Whitelabrecs (UK), Faint (ES), Ediciones Éter (CO), Blaq Records (MX), WOS Colectivo (MX), Frente Pulquero (MX), Shimmering Moods Records (NL), USON (ES) and more…

José has some words about his mix below.

Because Soundwave was borne out of the isolation and stress of the pandemic, I feel obligated to mention it on the show. But what is there to say? The pandemic has become part of our lives, and we’ve come to expect the peaks and valleys of infections and deaths. We go about our days trying to maintain some semblance of normality while at the same time incorporating the disruption across the world as part of our new routine. We simultaneously desire to return to our lives before the pandemic while re-evaluating what’s important in our lives and where we want to go next. What will happen?

Join us next week when our guest deejay will be Alisú.

See you then!

 

José Sobranes
José Sobranes

Thanks to Joseph for the invitation, Mauricio Sotelo for trusting in my project, and all my listeners and artists friends who encourage me every day to keep going. Thanks to my girlfriend Brenda for inspiring me every day to keep going ahead on this path.

  1. José Soberanes feat. Kiiote “Fallaos”
  2. Dzyan “Orquídeae”
  3. Alex Bober “Shielded”
  4. Darren McClure “Smooth Manifold”
  5. Francesco Giannico “Litania”
  6. Kate Carr “Under An Ancient Fort”
  7. Machinefabriek “Entrance ”
  8. PCCL + Through “Ehécatl”
  9. William Ryan Fritch “Floats feat. Powerdove”
  10. Booka Shade “Moonstruck”
  11. Brett Nauke “Executable Dreamtime”
  12. Pepo Galán & Lee Yi “Zaragoza Rosa”

SOUNDWAVE : 79 : LINE SPECTRUM

Today’s guest deejay is Oleg Puzan of Line Spectrum.

Oleg, AKA Dronny Darko, was our guest deejay over a year ago. Dronny mix was drenched in atmospherics and utterly enchanting. It was like looking through the glass darkly. It was a no-brainer to ask Oleg to return to Soundwave with yet another mix, this time as Line Spectrum.

Line Spectrum is a sound art project that expands sonic boundaries through sound manipulations often in a form of severe minimalism using a vast palette of microscopic sounds. Line Spectrum blends deep ambiences, musique concrète, avant-garde elements and silence. It is recommended that you listen to Line Spectrum with high quality headphones.

Yeah, about that…

Last week I took my dog for her evening walk. I find that’s the best time to listen to music and so I played Oleg’s mix. Ordinarily, Oleg’s Line Spectrum mix would have been a relaxing experience, but I used the transparent mode on my Apple AirPods Pro, which lets outside sound in. I use it when I walk my dog because I like to be aware of my surroundings. In this case in induced a state of anxiety because I couldn’t tell what I was hearing was from the Line Spectrum mic or from the outside world. Were the crickets I heard part of Oleg’s mix or my environment? Was that a jet flying overhead or what I was hearing over my AirPods? Were the chatter of people talking coming from a nearby house or from the mix I was listing to?

It was an unsettling experience. I couldn’t trust what I was hearing. It was what I imagine having auditory hallucinations would feel like.

Don’t let my experience detract from your enjoyment of Oleg’s mix. It’s truly wonderful. But please be wary if you should listen to the mix with Transparency mode on.

 

Oleg Puzan, AKA Line Spectrum
Oleg Puzan, AKA Line Spectrum

Before I get out of Dodge, if you want to hear more music from Oleg, head over to Bandcmap and purchase his new album, Bruma, available through the Shimmering Moods Records.

Join us next week when our guest deejay will be Lecu.

See you then!

  1. France Jobin “D orbital”
  2. Line Spectrum “Other People’s Thoughts”
  3. Eleh + Richard Chartier “LINELEH II”
  4. Francisco López “Untitled #372”
  5. Simon Whetham “Part First (An Uncertain Distance)”
  6. Line Spectrum “A Set of Events at the Shore”
  7. Yann Novak “San Marino”

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SOUNDWAVE : 73 : JONATHAN AMMONS

Today’s guest deejay is Jonathan Ammons.

Jonathan guest deejayed on the show last October. Jonathan’s mix was so moving that I invited him back to Soundwave. Today’s mix is equally remarkable. I had the unique opportunity to listen to it while driving from San Diego to Sacramento to visit my wife this weekend. It’s wildfire season in California (it’s always wildfire season), and Jonathan’s mix provided the soundtrack to my apocalyptic drive. The skies were tinted dirty brown from the ashes from the wildfires, but somehow the sun managed to blast the landscape with glaring light: grass and trees parched from California’s megadrought. Every 20 miles or so, I’d pass an abandoned car to the side of the highway. And yet, Jonathan’s mix somehow lent some beauty to such desolate scenery.

Jonathan has some words about his mix below.

Join us next week when our guest deejay will be anthéne.

See you then!

 

Jonathan Ammons
Jonathan Ammons

I think that my past year has looked like many people’s lives during the middle of one of the largest global pandemics in history. A lot of isolation, a lot of finding ways to busy yourself or occupy your mind. In the past, as someone who worked from home, I had enjoyed drone, ambient, and all of those experimental genres for the way they occupied a space without dominating it. If ambient music was created to generate music that did not evoke strong and tumultuous emotions — as Brian Eno claims— that was exactly what I wanted droning on in the background of my house while I pecked away at a keyboard for work. As a journalist, it provided this stoic, emotionless wallpaper for the background of my daily existence.

Covid changed a lot of that. They daily monotony left me just craving a change of emotion. But I didn’t want words; I didn’t want lyrics that would remind me of how things were when we were able to go places, meet people, kiss strangers at a bar… I wanted the same stability that the drone I’d come to love gave me, but I wanted something a little more expressive.

I also noticed that the more I used any streaming platform, the more the algorithm would eventually whittle things down to the same handful of artists. I wanted new things. I wanted variety in a locked-down life with no chance of spontaneity. So I decided to cut all algorithmic music out of my life. I stopped listening to Spotify or Pandora or any of those generated playlists and dialed back in to the radio.

I have to give a giant shoutout to Noods Radio out of Bristol, England, because they have been a major lifesaver. A station dedicated to the wild and weird sounds of Bristol. You never know what you’ll find, but the rich spread of creativity has introduced me to a slew of new artists. Props to BBC6’s great ambient show, as well.

Northern England’s A Beautiful Burning World make’s gorgeous sounds using very simple gear and tape loops. They even have a subscription system for $15 a year, and you can get their entire discography for cheaper than that! Much of this mix comes from artists discovered through the radio or combing around Bandcamp.

Seamstress makes delightful chill-out beats. Scanner gorgeously blends drone and ambient with deep arrangements that are so subtle, but meaningful. And I don’t know why it took me till now to notice Garth Stevenson’s incredible compositions. We really are in a golden age for the reinvention of modern classical music. Just look no further than Tristan Perich’s fantastic work.

I also have to give a shoutout to Kimathi Moore. Kima is an incredibly talented sound artist here in Asheville. His style’s shift between ambient, drone, and Edgard Varèse-like tone poems. I got the chance to work with him on a music video he shot for my latest album, and got to see just what a meticulous worker he is.No wonder his sounds are so precise and pristine.

Of course, I had to include some Harold Budd. I included a selection off of his album the Serpent (In Quicksilver) because I remember hearing an interview with him in which he claimed that it was his favorite record that he’d made. A major loss for the ambient music world, losing one of the original masters to this damned virus.

And lastly, the original tracks are two previously unreleased compositions. I started messing around with more tape loops in my studio this winter, and really decided to dive into it, which is how “The Same River” originated. The closing track is actually from a much larger piece I have coming out in the Fall. “A Certain Kind of Light” is a 40-minute piece in five movements. It was an experiment to see just how far I could go using only a single chord. The incredibly talented Olivia Springer performed all of the string parts for that piece. I’ve included the final movement of that piece to close out this mix as its debut.

Endless thanks to Joseph for having me back for another Soundwave mix. It’s been a pleasure to follow along and hear what everyone is listening to these days!

  1. Jonathan Ammons “The Same River”
  2. Scanner “The Ascent”
  3. Floating Points “Apoptose Pt. 1”
  4. Kimathi Moore “Eyris”
  5. Harold Budd “Rub with Ashes”
  6. Seamstress “Save the Bees”
  7. A Beautiful Burning World “Sonder: III”
  8. Garth Stevenson “The Southern Sea”
  9. Tristan Perich “Drift Multiply: Section 3”
  10. Jonathan Ammons “A Certain Kind of Light: Movement V”

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