Anne’s music is a beautiful blend of ambient, experimental, and modern classical styles. I was introduced to Anne’s through Soundwave guest deejay Peter van Cooten (listen to his mix here and here), host of Ambientblog and DreamScenes on Concertzender.
Anne Bakker
Based in the Netherlands, Anne Bakker is a multi-instrumentalist, composer, and producer. Her music often incorporates field recordings, found sounds, and electronic elements to create unique and immersive soundscapes.
Anne has released several albums and EPs on labels such as Dronarivm, Whitelabrecs, and Rusted Tone Recordings. Her music has been described as “a delicate and hypnotic work that shines with an inner light” and “a moving and atmospheric experience.”
Many of the tracks in Anne’s mix feature minimalistic arrangements and slowly evolving textures, often exploring the sonic nuances of single notes or simple harmonic progressions. Using drones and sustained tones is also prevalent, creating a sense of sonic stasis or timelessness. Several pieces also feature acoustic instruments, such as piano, guitar, and strings, woven into the electronic soundscapes to create a delicate interplay between the organic and synthetic elements.
Join us next week when our guest deejay will be zaké.
I was first introduced to Jolanda through her captivating work in Peter van Cooten’s mix for Soundwave (listen here), and I’ve been hooked ever since. I invited Jolanda to share a mix with us.
Jolanda’s mix features artists whose works are marked by their unique approach to sound and a profound sense of introspection. It is a haunting and deeply introspective exploration of the mystical power of sound.
Hailing from Italy, Jolanda has been making waves with her unique blend of organic and electronic soundscapes, drawing inspiration from her love of nature and the cosmos. Her album, Full Moon Session, was just released earlier this month, which includes live performances of songs from her Nine Spells album.
Jolanda also led the folk band She Owl, delivering two full-length albums and performing more than 300 concerts across Europe and the US. But in the past two years of isolation, Jolanda focused on a deeply personal project, one that connects her to her ancestral roots and promotes healing.
Jolanda has some words about her mix below.
Join us next week when our guest deejay will be Sanderson Dear.
See you then.
Jolanda Moletta
When I started working on my debut solo album Nine Spells, I wasn’t aware of other artists doing ambient/neoclassical/experimental music except for a few names. I didn’t know how my album would fit into these genres. I just had a vision of wanting to create something with only vocals and I imagined something meditative that was like a prayer, or an invocation. In months following the release of the first singles, it became clear that there was actually a community, and a scene, of these genres. My mix aims to put a spotlight on the many incredible women who are also creating beautiful music within this community. I am happy to now call some of these artists my friends, and others I would love to meet one day and maybe even collaborate with. So I truly do hope that you’ll warm to this mix and come to love their music as much as I have.
I invited Sam to guest deejay on Soundwave because he is the founder of Projekt Records. I didn’t ask Sam because Projekt explores genres of music I love, such as ambient, darkwave, and goth, although that’s part of it. No, it’s because Sam has been running Projekt and releasing breathtaking music for nearly 40 years!
For a lot of us, Projekt has become an institution. It feels like it’s always been a part of our lives. Incredibly, I’ve been listening to music released by Projekt for nearly half my life. Sam’s Black Tape for a Blue Girl has always been a favorite. Steve Roach, of course, who makes an appearance on today’s mix. And I’ve been listening to Anji Bee and Ryan Lum’s Lovespirals for years. And so many compilation albums.
I fully expect Sam will be releasing more music from Projekt well into the middle of the 21st century. And Sam will be the house deejay at my funeral. Wow, that got dark. Sam, I hope you took that in the spirit that was intended.
Sam has some words about his mix below.
Join us next week when our guest deejay will be DJ Bulut.
See you then.
Sam Rosenthal, founder of Projekt Records
I put together a mix of tracks selected from the 600+ electronic/ambient/drone albums released on Projekt over the last 39 years (founded in 1983!) Three are my collaborations with label artists; for the other four, rather than selecting “hits” I programmed deep tracks that I quite enjoy. With over 50 releases on Projekt in 2022 there is an abundance of wonderful music to chose from. My intention for Soundwave was to create an hour flow of the mood of Projekt — an exploration and overview for listeners discovering the label for the first time.
I met Peter through Harrold Roeland and I invited Peter to guest deejay on the show (listen to his mix here). I did not anticipate that a mix from Peter would be something of an event. Peter’s mixes are more like epic tone poems that contain both the cosmic and the mundane in one listening experience.
Cloudwatching Sequence
Furthermore, Peter meticulously crafts his mixes. Peter might use a passage once from a song or as a leitmotif. His mixes are dense and multilayered. Peter’s skill is that despite the complexity of his mixes, they are seamless and fluid. You don’t need to know the immense effort that produced the mix you are listening to appreciate its beauty and artistry.
Because Peter mixes feel like an event, it felt appropriate to release today’s show for Halloween as we celebrate the darker half of the year.
Peter has some words about his mix below.
Join us next week when out guest deejay will be Mike Lazarev.
See you then.
Cloudwatching
Most (if not all) previous Ambientblog mixes always had some dark moments; they are never “just” relaxing. You can only feel release if you also feel tension.
This time, I wanted to avoid the darkness and create a “lighter mood mix.” Not of the “Ibiza Chillout Lounge” kind, but one that can be played in the background and is still exciting enough to listen to. I hope I succeeded, but of course, you’re the one to decide about that!
With two hours, Cloudwatching is longer than usual. Only a few tracks are included in their full length, but most are heavily edited or even just short fragments. Also, they are often overlayed, so you’ll hear the music in a different context. The extensive playlist below may help you track down the original in their full-length versions.
I hope you’ll enjoy watching these -imaginary- clouds!
Today’s guest deejay is Robert Farrugia, co-founder of Complex Holiday, an itinerant label for inside-out ambient and sound art tomfoolery.
Robert was our guest deejay last fall, and he returns to Soundwave sharing another lustrous mix.
For me, Robert’s mix captures the essence of ambient music, as explained by Brian Eno, who compared ambient music to a painting. You can enjoy a painting on two levels. On one level, you engage with the painting, looking at it, studying it, and reacting to it. But on another level, the same painting is on the periphery of your consciousness. But it’s still there, subtly affecting you.
I’d find myself immersed in Robert’s mix and then be distracted by an email or text message, lost in thought, and slowly becoming aware that Robert had shifted the territory in his sonic landscape. And then the cycle began again.
Robert Farrugia, Photograph by Chris Vella / Storbju
Robert has included a few releases from Complex Holiday on today’s show. Ben Mifsud Joslin album, New Life (Robert was involved in the recording process and performed additional instrumentation on Ben’s album), and Daniel Vujcic’s album, Palinopsia, will be released later this year. Robert himself makes an appearance with “Iota.”
Join us next week when our guest deejay will be Riz Maslen.
I discovered Lecu a few months ago when Soundwave guest deejay Ishmael Cormack asked folks on Twitter for musical recommendations. Lecu suggested Sebastian Mullaert and Erland Cooper. Those were both great recommendations. Who was this Lecu? I checked out how Twitter profile, which led me to his Bandcamp page and listened to his albums. I extend an invitation to join us on Soundwave, and here we are today.
It was a breath of fresh air after last week’s mix from Line Spectrum. Don’t get me wrong, last week’s show was great, but listening to it on my AIrPod Pro with transparency mode felt more like an auditory hallucination than a mix. Lecu’s mix feels whimsical by comparison but no less fantastic than Line Spectrum’s mix.
If you’d like to hear more music from Lecu, check out show on 1020 Radio, every first Thursday of every month from 10 PM – 11 PM Pacific.
Lecu has some brief words about his mix below.
Join us next week when our guest deejay will be Inner Travels.
Leo, AKA Lecu
I’m happy to share my mix with you today. Lots of nice textures, both abstract and familiar, with some lush tracks along the way — one of which is a new one from me, which feels like the start of a new record and a new direction for me as an artist.
It was really fun to make, and I’m so honoured to be in very good company with your other guests
Much love from Plymouth, England, and wishing you all the very best.
I met Michael when he posted an interview with Daniel Fuzztone on Micro.blog. I enjoyed the interview and Michael’s other blog posts and Daniel’s music, so I invited both of them to guest deejay on Soundwave. We’ll hear Daniel’s mix in December.
I’m happy about the Micro.blog connection. It’s one of the aspects of social media I still like. When I joined Twitter 2006, it was easier to have actual conversations with people and establish friendships. It was also easier to chat with musicians, label owners, directors, etc and bypass the dual intermediaries. Those days are gone, and Micro.blog’s network is currently too small to be useful to me in that way, what it has going for it that’s invaluable is the conversations and connections you have there. It’s cosier. And because Micro.blog is subscription based, it eliminates the riff raft.
Michael Donaldson
I got a kick out of Michael’s blog. It’s got a lot of 80/90s feel to it, so for me hearing Michael’s mix was like putting on a comfortable, worn-in sweater. Michael’s mix is wonderful, but the track that got me in the feels was My Bloody Valentine/Skylab’s “Incidental Peace.” It’s such an unlikely collaboration but somehow weaves a seamless blend of shoegaze and electronic music. It’s all kinds of wonderful and “Incidental Peace” is buttressed between music that is equally gorgeous.
I think what I love most about Michael’s mix is how dreamy it it. I’ll find myself listening to the it, and lose myself in the music and my own thoughts and feelings, only to resurface laster in the mix, uncertain how much time has passed.
Okay, time for me to pack it in. Tomorrow is my boy’s first baseball game of the season. I’ll be honest, even with social distancing I think it’s going to be unsettling being around so many people. At least we’ll all be outdoors.
Join us next week when our guest deejay will be Gert De Meeseter.
Today’s guest deejays are Potsdam-based Brueder Selke, brothers Sebastian and Daniel Selke (CEEYS).
Over the years, I’ve gotten quite good at jotting down notes on how I meet people. But sometimes, I forget to capture that information, and in this case, I don’t recall how I met Sebastian and Daniel. If I had to guess, I believe I discovered them while perusing Bandcamp for new music.
CEEYS’s albums explore and combine experimental, minimalist, avant-garde, pop, jazz, ambient, and classical chamber music. I love all that stuff, and Sebastian and Daniel distill all those forms of music into a heady listening experience, something you can lose yourself in. I’ve had “Yes, Brick By Brick” on repeat for few hours, for example.
Their mix for today’s show was a surprise. I trusted they would craft a mix worth hearing, and while it captures their musical sensibilities, it also subverted my expectations. And the mix is dense. In the space of 40+ minutes, you’re going to hear music from 28 different artists.
Sebastian and Daniel have some words about their mix below.
Paleowolf’s Cenozoic album
Before I wrap things up, I want to mention that Paleowolf has released a new album, Cenozoic. Paleowolf continues to create music inspired by totems of prehistoric animals and describes Cenozoic as the spiritual successor to Megafauna Rituals. It’s impressive how much material Paleowolf has churned up within his self-created genre. Listen to the Soundwave Paleomix here.
Joins us next week when our guest deejay will be Roel Funcken.
See you then!
Brueder Selke (CEEYS)
For us, two brothers coming from beyond the Iron Curtain, the Wall, with a strikingly serene sense of modesty and humility, rooted in the daily improvisation to manage and resolve shortcomings during Communist-era GDR times and the later reunion of Germany, the most intrinsic part of being a musician is the encounter with like-minded friends and fellows.
The aim of this handpicked list of talent is to blend established and emerging artists from diverse genres and origins. Some even shared already the stage with us while others are invited to come over to our little filmtown Potsdam, in the future.
Thanks to Joseph, who gave us the opportunity to curate this cozy playlist.
Carmen Rizzo introduced me to Naneum when he was a guest deejay on Soundwave. Carmen’s mix was gorgeous and I invited each musician he featured on his mix to guest deejay on Soundwave as well.
Jon’s mix is equally gorgeous. Whenever I listen to it I’m transported from sunny San Diego to a snow morning in the woods of Massachusetts when I was a boy. I can’t explain why but there is something about the delicacy of the music Jon selected that evokes that experience. That’s the beauty of the mixes on Soundwave, they take you on a journey. I’m curious to know where Jon’s mix takes you.
Naneum: solo piano
If you want to hear more music from Jon, you can begin with his January 2021 release, Solo Piano. You can hear more of his music here.
I’m going to keep today’s show notes brief. I just drove over eight hours to Sacramento to spend the next few weeks with my wife. I’m looking forward to catching up, having a nice meal, and getting some shuteye. I want to get up early so we can go kayaking.
Innesti’s mix concludes my deep dive of musicians I’ve discovered on Bandcamp and invited to deejay on SOUNDWAVE.
Innesti
When I found Innesti on Bandcamp, I immersed myself in their music. I think it was Brian Eno who described ambient music in a metaphor of a painting: you can either have the painting as something that’s part of your background and enjoy it on that level, or you can choose to shift your focus to the painting and experience it at that level. Innesti’s music definitely fulfills those categories but awards active listening.
I’m listening to some of Innesti’s music as I write this. It’s the golden hour, and the kitchen I am writing you from is magically lit, and Innesti is providing the soundtrack to this enchanting moment.
I’ll most definitely feature more artists on Bandcamp on the show in the future, but not at the same volume.
If you’re unfamiliar with Bandcamp, it’s a service that sells music and gives musician and music labels a fair percentage of money generated from sales on Bandcamp.
The pilgrimage to Amoeba Music
Speaking of buying music, yesterday we took our son to Amoeba Music in Los Angeles. He recently got into vinyl, so and I’m happy to indulge him. California has leveled off on COVID-19 infections enough that the state is opening business to the public. Even so, there was a long line to get in the building because they can only admit people in at lowered numbers for everyone’s safety.
As soon as you feel safe enough, I encourage you to head out to your local music store and pick up some albums for yourself or someone as a gift. You or they deserve it, and your local music store needs your support.
Join us next week when our guest deejay will be John Shanahan, host of the Hypnagogue Podcast.
