glitch – Synecdoche

SOUNDWAVE : 126 : JOHAN DE REYBEKILL

Today’s guest deejay is Johan de Reybekill, AKA Phaedrus.

I discovered Johan through Quasi, the album collaborated on with Dronny Darko (listen to Dronny’s mix for Soundwave here). I was swept away by the experience and listened to Johan’s projects and concerts. Of course, I invited Johan to guest deejay on Soundwave, and he’s shared something wonderful with us.

I have a routine for my four-year-old grandkid when it’s time to sleep. I tell him a story that includes events from his day and his friends, the Little Old Mouse and Purple Monster. Then I play some ambient music for him to drift away to, usually Brian Eno, whom we call Uncle Eno. My go-to’s are Eno’s Ambient 4: On Land and The Pearl, an album he recorded with the late Harold Budd. I’ve listed to a lot of Brian Eno since becoming a Dziadzia (that’s Polish for “grandpa”), and as much as I love Eno’s music, sometimes that means switching things up. Johan doesn’t know it, but I’ve used today’s mix to send my grandkid off to Sleepytime on more than one occasion.

Johan has words about today’s mix below.

Join us next week when our guest deejay will be Sunwarper.

See you then.

In this mix I have worked with subtle contrasts like: “noisy / minimalistic”, “melodic / droning”, “dark / gentle”, “static / volatile”. A majority of the pieces on the mix is from some of my favourite Scandinavian artists.

The process of creating the mix made me realise just how much I love listening to music in that special way, where I am actively listening to the music in depth; its composition, qualities and details.

I found myself going for long walks just to listen to the mix in its entirety, go home and make adjustments, go for another walk, and so on. I loved the process of working with my own and others’ music as an integral part of what came to be the mix. It was a pleasure and an honour to contribute to Soundwave.

Thanks, Joseph.

Deru “1979 (On a Snowy February Day)”
Badun “SP-0 (Space Leslie Lovers)”
Maulex & Phaedrus “Ouatim”
Phaedrus “Lnog”
Fieldhead “Sky Peals”
Sofie Birch “Begin Sync End”
Kiloton “Disarray”
Signelykke “Wetlands”
ROSYAN “Retaw”
Maulex “Reijka”
Dronny Darko & Phaedrus “Ptolemy’s Parable”
Phaedrus “Rooibos”

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SOUNDWAVE : 114 : RAZIEL PANIC

Today’s guest deejay is Raziel Panic.

I know Raziel from way back. We’re talking about the days when people would send cassette singles to radio stations for airplay. My memory is hazy, but I think I was aware that Raziel was part of the Boston music scene with his band You Shriek in the late 80s. Crazy.

When I say know, I mean more win the sense I knew of Raziel. The circles we traveled overlapped. I even had You Shriek perform on my show on WMFO. But we never really knew each other.

But thanks to social media, I get glimpses into Raziel’s life through his Instagram account, usually in beautiful black and white photos.

I extended Raziel an invitation to guest deejay on Soundwave and I was curious what I’d hear. Raziel is know for goth and industrial music, but that of course doesn’t encompass all the music he listens enjoys. It’s no incongruous that his mix ranges from Arvo Pärt to Einstürzende Neubauten to Kitaro. Marvelous stuff. But still a surprise.

The You Shriek track Raziel included in his mix was never released on digital. Contact me if you’d like a download Raziel’s track.

Raziel has a digital release in the wings, and I’ll let you know when it’s available.

I still don’t know Raziel, but I hope to hang out with him next time I’m on the East Coast.

Join us next week when our guest deejay will be Yann Novak.

See you then.

Arvo Pärt “Cantus In Memory Of Benjamin Britten”
zero zero island “From Pure Air… We Have Descended”
Jon Hopkins “Abandon Window”
Einstürzende Neubauten “Fiat Lux B) Maifestspiele”
You Shriek “14: overexposure (200 Röntgens)”
Takeshi Nakamura “River In The Ocean”
Delia Derbyshire “Ziw-zih Ziw-zih oo-oo-oo”
German and Japanese Commuter Trains, Found Sounds I
Kraftwerk “Transistor”
Kitaro “Aqua”
German and Japanese Commuter Trains, Found Sounds II
Tangerine Dream “Resurrection”
Pieter Nooten & Michael Brook “Finally”

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SOUNDWAVE : 112 : MACHINE RECORDS

Today’s guest deejay is Dan Haines Cohen, founder of Machine Records.

Last year Machine Records celebrated 20 years of releasing new electronic/experimental music, mostly from Wales. Described as “Cardiff’s number one underground electronic imprint” (Buzz Magazine), Machine was the winner of Best Label at the Welsh Music Awards in 2005.

Dan also records as Stereo Minus One since 2001 and currently based in Wellington, New Zealand. As well as recent mixes and remixes, his eighth album will be released in June 2022.

I met Dan on Twitter. After he turned me on to new releases from his label, I asked if he’d be interested in sharing a mix on Soundwave. Happily, he said yes.

Dan’s mix showcases some recent releases and includes exclusive, as-yet-unreleased tracks. Dan’s mix also includes a new, never before heard remix by Cape Canaveral of Dan’s 2001 track “Alarums’ which features on Lodestone, as well as an exclusive track from Cape Canaveral’s upcoming new release in 2022 (“Far”).

Every morning this week, I’ve listened to Dan’s mix while drinking coffee and beginning my workday. And every morning, while Dan’s mix plays, a squirrel will sit on the railing of my roof deck, munching on nuts. Later, a blackbird will swoop down and peck through the succulents in their flower pots. We have a nice routine going.

Join us next week when our guest deejay will be James Vella.

See you then.

Untiled “Void Pulse III” (Unreleased)
Cape Canaveral “Unknown”
Stereo Minus One “Alarums (Cape Canaveral remix)”
Anatomist “Drifting”
James Richards “Do You still see your son?”
Cape Canaveral ”Far”
Stereo Minus One “Switched (John Barnes remix)”
Valley Lines “Salvage”
Starlings “Four”
Lifting Gear Engineer “Oped”
Oddskool and BitBasic “Clog”
Starlings “Six-Two, Minus One (Stereo Minus One remix)”

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SOUNDWAVE : 93 : CHRISTOPH BERG

Today’s guest deejay is Christoph Berg.

Christoph is a composer and musician living and working in Berlin, focusing on chamber music and music for film. Besides releasing music on various imprints, Christoph runs his own record label Monochrome Editions. He also releases electroacoustic music as Field Rotation.

That’s all verbiage I copied and pasted from Discogs. I could use words like minimal, haunted, and mournful to describe it but you really, you need to experience Christoph’s music for yourself.

While writing this, I can tell you that I was listening to his Tape Anthology Vol. 1 album over my AirPods. My wife is asleep next to me, and I don’t want to disturb her. I was caught up in the emotions that Christoph was stirring in me when I began to be aware of the sounds of my stomach gurgling. But then it dawned on me that it wasn’t my stomach. It was gentle rumbling sounds within Christoph’s music. I’m sure that wasn’t Christoph’s intent, but for me, it gave an intimate and organic feel to his music. The experience endeared me to Christoph in an unexpected way.

Christoph’s mix, on the other hand, seems to capture the desolate spirit of our pandemic winter of 2022.

Everyone I know seems to have COVID. I have a dry, slight cough. It could be from the booster shot I received last week, a common cold I picked up, or the virus. And so, as part of my now monthly routine, I need to schedule yet another COVID test. But this is the shape of our lives now, so I square my shoulders and get on with it.

Christoph’s mix provides the soundtrack to what feels like it will be a very long winter.

Join us next week when our guest deejay will be Kazuya Nagaya.

See you then.

Strain of Laws “Ordinary Mystique”
Hildur Guðnadóttir “Gallery”
Murcof “Dropped Soul/Shadow Surfing”
Jasmine Guffond & Erik K Skodvin “The Burrower”
Egisto Macchi “Segni Preistorici”
John Wall “Stat:Unt:Dist”
Tim Hecker and Daniel Lopatin “Vaccination No. 2”
Black Merlin “Sibi”
PDP III “Walls of Kyoto”
Radiohead “The Jumbled Words of Climbing Up the Walls Read by Little Dan Clements”
Makunouchi Bento “Jubokko”
Meitei / 冥丁 “Jizo”
Twinkle³ with Sidsel Endresen “Debris in L.E.O.”
Mica Levi “Delete Beach (Japanese)
Mikado Koko みかどここ “Ten Little Kuronbo”
Demdike Stare x Il Gruppo Di Improvvisazione Nuova Consonanza “The Feed-Back Loop (excerpt)”
Robert Millis “Only Here A Short While”

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SOUNDWAVE : 85 : JOSÉ SOBRANES

Today’s guest deejay is José Sobranes.

I met José through Mauricio Sotelo, AKA Haiteku, who I met through Axel Arturo Barceló, who guest deejayed on Soundwave here and here. Soundwave has been around just long enough that it is beginning to form a rhizome-like network. I like that.

I also like José’s mix. I’m never quite sure where one song ends, and the next begins. The only boundary is the start and end of his mix. It exists in some liminal space that is akin to being awake and being asleep. I’m doing my best to describe José’s mix, but really, you need to let it wash over you and take you where it may.

José is a self-taught composer and recordist based in Mexico. His compositions explore the balance between electronics and environmental sounds, chaining narratives, context, and movement, all based on the felt of direct presence.

He is the current label manager and founder of Nova Fund Recordings an independent label focused on contemporary arts and music. All his productions was released in many countries around the globe for mention some: Whitelabrecs (UK), Faint (ES), Ediciones Éter (CO), Blaq Records (MX), WOS Colectivo (MX), Frente Pulquero (MX), Shimmering Moods Records (NL), USON (ES) and more…

José has some words about his mix below.

Because Soundwave was borne out of the isolation and stress of the pandemic, I feel obligated to mention it on the show. But what is there to say? The pandemic has become part of our lives, and we’ve come to expect the peaks and valleys of infections and deaths. We go about our days trying to maintain some semblance of normality while at the same time incorporating the disruption across the world as part of our new routine. We simultaneously desire to return to our lives before the pandemic while re-evaluating what’s important in our lives and where we want to go next. What will happen?

Join us next week when our guest deejay will be Alisú.

See you then!

Thanks to Joseph for the invitation, Mauricio Sotelo for trusting in my project, and all my listeners and artists friends who encourage me every day to keep going. Thanks to my girlfriend Brenda for inspiring me every day to keep going ahead on this path.

José Soberanes feat. Kiiote “Fallaos”
Dzyan “Orquídeae”
Alex Bober “Shielded”
Darren McClure “Smooth Manifold”
Francesco Giannico “Litania”
Kate Carr “Under An Ancient Fort”
Machinefabriek “Entrance ”
PCCL + Through “Ehécatl”
William Ryan Fritch “Floats feat. Powerdove”
Booka Shade “Moonstruck”
Brett Nauke “Executable Dreamtime”
Pepo Galán & Lee Yi “Zaragoza Rosa”

SOUNDWAVE : 78 : TRIPLICATE RECORDS

Today’s guest deejay is Michael Southard of Triplicate Records.

A couple of months ago, Soundwave guest deejay Ishmael Cormack (listen to his mix here) asked for musical recommendations from his followers on Twitter.

Ismael got a lot of responses, and I listened to every suggestion on Spotify. If I heard something I liked, I’d invite the musician to guest deejay on Soundwave. Anthéne, for example, appeared on the show back in August. And today’s show, of course, features Triplicate Records.

I remember back in the 80’s listening to the soundtrack to Birdy by Peter Gabriel and wishing some musicians would record music for imaginary soundtracks. Such music existed, but I wasn’t aware of it until the following year when I was turned on to Brian Eno’s Ambient 4: On Land and Apollo: Atmospheres and Soundtracks. Finding Eno, and musicians like him, was everything I hoped for and more.

Over the decades, I’ve seen more and more record labels dedicated to ambient, modern classical, experimental and instrumental music. 12k comes to mind, as does n5MD and Ultimae Records.

Music from Triplicate Records was already popping up on my Spotify Discover Weekly playlist and music I was discovering on Bandcamp. When Triplicate Records was recommended to Ishmael on Twitter, it felt like the universe was telling me to invite them on the show.

Triplicate Records is a boutique record label working primarily with instrumental electronic music. They are 100% artist-run, by producers Michael Southard (Time Rival), Bryan Kraft (BVSMV), and George Ernst (Suncastle). Despite the pandemic, they have gained a following with their unique musical tastes, striking artwork, and consistent output.

You’re going to love today’s mix. If you want to hear more from Triplicate Records, listen to their Spotify playlist here.

Join us next week when our guest deejay will be Oleg Puzan of Line Spectrum.

See you then!

Belly Full of Stars “Pattern 3”
Building a Building “As an Animal I Roamed Fearless and Free Over The Hills In The Warmth of the Sun”
Ian Hawgood “Flutter Echo Refrain”
Gary Rees “Flora & Fauna”
Hverheij “Inklings”
Time Rival “Light Pollution”
Belial Pelegrim “The Trillings of Nightingales”
BVSMV “Rubicon”
Survey Channel “Seppy Divide”
Crest of the Syndicate “The Orchard”
Devras Plexi “Radii Central Source”
Suncastle “Boutique”
Glass Roots “The Daily Male”
Chris Randall “Twisted Airwaves”
Chaircrusher “Freue Mich”

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SOUNDWAVE : 77 : GERT DE MEESTER

Today’s guest deejay is Gert De Meester.

Gert appeared on Soundwave last year, and I enjoyed his mix so much I invited him back. Today’s show is equally fantastic. Gert can expect another invitation from me in 2022.

Gert says today’s show features a perfect mixture of tracks that have influenced him and tracks that currently influence him. He said they’re all such beautiful tracks, and what’s best, you can find them all on Bandcamp, some of them entirely for free.

Today’s mix also includes a track form Gert’s project, Distant Fires Burning. You’re gong to love today’s mix and you’ll want to hear more music from Gert. Good news! You can find his latest album, Inperspectycon Vol.1, here.

One thing that’s interesting about the 21st century is music is so freely available, and it’s nearly endless. Consequently, I don’t think most music gets the attention due, and I’m not wagging my finger. I’m just as guilty. It’s exceedingly rare that I will listen to a song or an album repeatedly. There’s so much I want to listen to, and I’m often impatient to listen to the next song, even while I’m listening to something that very moment.

Take today’s show. It’s spectacular. But you’ll listen to it once. Some of you might even listen to it twice. And then you’re on to the next show. Or the next song. Or the next video.

As the producer of Soundwave, however, I have a very different relationship with the music you hear.

I’m sure I’ve mentioned this before, but I receive these mixes months before I publish them on Soundwave. I live with these mixes. I marinate in these mixes.

I’ve become very familiar with Gert’s mix. It’s a gorgeous experience. But after repeated listening, I’ve come to appreciate just how dense the songs that appear in today’s show are. I’ve become intimately acquainted with every snap, crackle, and pop. I lose myself in the swooshes, the sizzle, and grit.

Gert’s mix is made for repeated listening. I encourage you to do so.

Join us next week when our guest deejay will be Michael Southard of Triplicate Records.

See you then!

Taylor Dupree “Everything’s Gone Grey”
Neuro… No Neuro “Blend With Internal Mirror”
Loscil “First Narrows”
Biosphere “Endurium”
For Greater Good “Love You Terrorist (Stockholm Syndrome Mix by Distant Fires Burning)”
Boards Of Canada “XYZ (Peel Session)”
He Can Jog “My (Mother’s) Records”
Umlaut “Audio(bulbs)”
Jon Doe One “Karper”
Autistici “Edall”
Distant Fires Burning & Seigo Aoyama “Or The Horror Of It Now”
Ashtoreth & Stratosphere “The Burning Spirit”
Dadavistic Orchestra “Strung Valve Checkout”
Oubys “ToweringWindTowering”
Roel Funcken “Graydon Margolis AMB”
Sonmi451 “Hippocampus”
Darren McClure “Time Takes It’s Course”

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SOUNDWAVE : 68 : ORPHAX

Today’s guest deejay is Sietse van Erve, AKA Orphax.

I discovered Sietse on Bandcamp and, through him, his music label, Moving Furniture Records. Both Sietse’s music the artists on his label focus on drones, experimental ambient, minimalist, microtonal, and field-recordings music. Their music provides yet another example of the scope of ambient music, which is precisely why I invited Sietse to join us on today’s show.

Sietse’s mix continues his fascination who those areas of ambient music. What struck me about his mix, however, was the physical sensations it invoked. I wasn’t aware of it at first, but after repeated listening, I gradually became conscious of a gentle pulse in my ears while Sietse’s mix played over my headphones. That realization was delicious. And when I played Sietse’s mix through my speakers, I slowly noticed a delicate pressure ebbing and flowing through my body.

Furthermore, what was also remarkable was that I wasn’t playing Sietse’s mix particularly loud. Even so, I felt the music. I hope you have the same experience when you listen to today’s show.

Sietse has some words about his mix below.

The Universal by The Penitential Station — *The Universal* by The Penitential Station

Before I go, I want to alert you that one of my favorite music labels, Other Forms Of Consecrated Life (listen to their mix for Soundwave here), will be releasing a new album by The Penitential Station: The Universal by The Penitential Station. Like the album before it, The Cloud of Forgetting, The Penitential Station continues to delve into the music of Giovanni Pierluigi da Palestrina. The liner notes to The Universalexplains that the “interleaving of polyphonic voices explores German mystic Eckhart von Hochheim’s pantheistic notion of a ‘Universal Soul.’” That’s a philosophically heady description of The Penitential Station’s music. Mine is much simpler: it is an extended moment of grace.

Join us next week when our guest deejays will be Kévin Séry, AKA From Overseas.

See you then!

When I am asked to make a mix, I always think about what to do. First of all, I am not a DJ. I’m a musician with a record label. And additionally, should I go for some music of the musicians on my label, should I go for some of my favorite tunes, or should I do a mix of both?

Lately, I turn more to the first, as I love the music these people do, and I think they deserve to be heard. And even with a catalogue of over 90 releases, this is a rather difficult task, especially when limited to only 60 minutes.

For this mix, I first selected from 20 of the albums that we’re released on Moving Furniture Records, followed by trying out a combination of tracks and, in such a way scrapping nine selected tracks. The mix ended up somewhere between minimalist drones and warm ambient sounds with some weird excursions to more abstract works.

I hope you enjoy listening.

And who knows, maybe next time I will do a mix with some personal (none-Moving Furniture Records releases) music. There is so much lovely work out there.

Cheers,
Sietse

Ryan van Haesendonck “Sur La Plage”
Richard Chartier “Conitinue 4”
Gagi Petrovic “Diligence”
Coen Oscar Polack “आवारा”
Fani Konstantinidou “Winter”
Orphax “Elisabeth (Rework)”
Matthijs Kouw “Remembrance”
Machinefabriek ”Dwaal (Nicola Ratti Version)”
Frans de Waard, Peter Johan Nÿland, Richard Youngs “fpr_vii_fp_edit_(ext)”
Bruno Duplant & Alfredo Costa Monteiro “Soleils Noirs (excerpt)
Haarvöl “Small Scale And Isolated Occurrences (For Eliane)”

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SOUNDWAVE : 59 : HAITEKU

Today’s guest deejay is Mauricio Sotelo, AKA Haiteku.

I met Mauricio through Axel Arturo Barceló, our guest deejay, last October (listen to Axel’s mix here). After Axel’s mix went out, I asked him who he knew that would be interested in guest deejaying on Soundwave, and he recommended Mauricio. And here we are.

Mauricio is an excellent deejay, and his mix is fantastic. His mix included music from several projects that he’s part of.

Mauricio is an audiovisual artist from the suburbs of Mexico City suburbs. Haiteku is his Techno project since 2010. He publishes works on labels like Blaq Records (Mexico-Berlin), Nova Fund Recordings (Mexico), and the now defunct PCCL.

Mauricio is also part of the WOS Colectivo, a label for for national and international producers of electronic music, sound experimentation, plastic, and visual arts. The WOS Colectivo promotes producers who are not a part of the mainstream and support their local scene. In addition to the WOS Colectivo, Mauricio is also a member of Abolipop Records, a label that producers, and we’re open to new platforms and formats. Suplex publishes EPs, unreleased tracks, live sessions, oddities, and reissues.

Mauricio has some words about his mix below.

Before we hear from Mauricio, I wanted to share how my feelings about Soundwave have changed.

When I launched Soundwave, it was my way of coping with the stress and isolation of the pandemic. My wife’s job took her away from San Diego, and my kids were with their bio dad. It was just my dog and me. I was sad, lonely, and wondered if every time I left the house, I would contract COVID-19 and die. Grim times.

A year later, living with the pandemic has become a routine. As of Monday, I will be fully vaccinated and live in the world without fear of getting ill or dying. I work remotely so I visit my wife and kids regularly, and in a few months, we’ll all be under the same roof again. During that time, Soundwave changed from a source of succor to a font of delight. The music is wonderful, and the relationships I’ve formed through the show are dear to me.

Gert De Meester's Die Geschwächten Kinder Von Empain EP

Speaking of delight, guest deejay Gert De Meester of Distant Fires Burning has released a pay-what-you-want single on Bandcamp called Die Geschwächten Kinder Von Empain. Gert will donate the profits from his single to Dokters van de Wereld (Doctors of the World). Want to hear more music from Gert? Listen to his mix for Soundwave here.

Join us next week when our guest deejay will be Nate Heard.

See you then!

Altiplano is a short mixtape about contemporary Mexican electronic artists.

The “Altiplano” (the plateau region) is the zone of the center of Mexico, shaped for various states. From this zone, are the electronic artists that participate on this mixtape, all of them, independent producers.

The music of this material came from the independent label WOS Colectivo and Abolipop Records, on different releases and years.

PCCL “Base Bells (Huixtralizer opposite blur structure remix)”
Kiiote “Que desangraron los magueyes”
Totore “Milagro”
Broadband Star “Cereal Boreal”
Antena “Alberca”
The Hovering Cube “Windwalker”
Undead Machine “Inchewe”
José Soberanes “Disperso”

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SOUNDWAVE : 56 : JOHN SHANAHAN

Today’s guest deejay is John Shanahan, host of the Hypnagogue Podcast.

I follow all the guest deejays on Twitter (check my SOUNDWAVE list here), and the Hypnagogue Podcast kept turning up on Kirk Markarian’s Twitter feed. I trust Kirk’s taste in music, so I listened to a few episodes of Hypnagoge. I loved everything I heard and invited John to guest deejay on SOUNDWAVE.

John’s mix is everything you’d expect in a SOUNDWAVE mix, but what especially delighted mas his selected dub tracks.

I’ve been a fan of dub since last century.

I first became aware of dub when I read William Gibson’s cyberpunk classic, Neuromancer. In the novel, Case, our protagonist, finds himself in a Jamaican space colony called Zion.

Case gradually became aware of the music that pulsed constantly through the cluster. It was called dub, a sensuous mosaic cooked from vast libraries of digitalized pop; it was worship, Molly said, and a sense of community.

I was intrigued by that mysterious description. Shortly afterwards I came across the 21st Century Dub album on ROIR. I was hooked and became a dub devotee. I even adopted the persona of a character called King Dub. I’d speak with an Jamaican patois, and combined with some echo and pitch-shifting, I became a deejay from the deepest realm of dub spinning tracks from everyone from Ras Michael and The Sons of Negus to The Orb.

When I launched SOUNDWAVE I assumed there would be a lot of dub. The genre is a natural fit for the format of those show. I’ve been disappointed that dub has been a blind spot and I’m relieved that John is the first guest deejay to include dub tracks in the mix. Hopefully he won’t be the last.

John has some words about his mix below.

Before I wrap things up I want to let you know that guest deejay Frank Riggio has released his new single, Empreinte Initiale

Join us next week when our guest deejay will be Roedelius. Check out his livestream concert here.

The Hypnagogue Podcast began over a decade ago as an offshoot of the Hypnagogue Reviews site, which I ran from 2003 until 2017, when I decided I didn’t have anything worth saying anymore. Now the music does the eclectic talking for me every two weeks, built from the amazing range of music sent my way.

I laid down this Soundwave mix as I do my own show—picking an interesting place to start and following a stream of semi-conscsiousness through my library to see what associations arise. So we kick off with haunting sound-sculptor Joe Frawley and move with the piano into the sparse, emotional spaces of Memory Bell. The Detroit76, a Matt Borghi side project, shifts us smoothly into beat-driven groove territory, segueing into tasty licks from Austin funk-dub duo Canartic, which melts neatly into into vintage Cyberchump. Forest Robots offer a bridge by way of plucked-string tones in a wash of electronica, and Corciolli & Emmanuele Baldini use it to escort us further intro electro-acoustic territory. That put me in mind of the modern chamber music of Domingues and Kane, after which we flick the switch to Tim Story’s brand of electronic chamber music. At the end, the ride finishes courtesy of the person who brought my show to Joseph’s attention in the first place, Neuro…No Neuro, aka Kirk Markarian.

Thank you, Kirk!

Joe Frawley “Sunday (Recurrences)”
Memory Bell “Entropy, Obsolete”
Matt Borghi and The Detroit76 “Space Telescope”
Canartic “Aux 1”
Cyberchump “Interstellar Dub Station Freakout”
Forest Robots “On A Desolate Shore Under A Full Moon”
Corciolli & Emmanuele Baldini “Glacier”
Domingues & Kane “Lament No 7”
Tim Story “The Woman Singing”
Neuro…No Neuro “Much-needed Recharge”

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