lofi – Page 2 – Synecdoche

SOUNDWAVE : 77 : GERT DE MEESTER

Today’s guest deejay is Gert De Meester.

Gert appeared on Soundwave last year, and I enjoyed his mix so much I invited him back. Today’s show is equally fantastic. Gert can expect another invitation from me in 2022.

Gert says today’s show features a perfect mixture of tracks that have influenced him and tracks that currently influence him. He said they’re all such beautiful tracks, and what’s best, you can find them all on Bandcamp, some of them entirely for free.

Today’s mix also includes a track form Gert’s project, Distant Fires Burning. You’re gong to love today’s mix and you’ll want to hear more music from Gert. Good news! You can find his latest album, Inperspectycon Vol.1, here.

One thing that’s interesting about the 21st century is music is so freely available, and it’s nearly endless. Consequently, I don’t think most music gets the attention due, and I’m not wagging my finger. I’m just as guilty. It’s exceedingly rare that I will listen to a song or an album repeatedly. There’s so much I want to listen to, and I’m often impatient to listen to the next song, even while I’m listening to something that very moment.

Take today’s show. It’s spectacular. But you’ll listen to it once. Some of you might even listen to it twice. And then you’re on to the next show. Or the next song. Or the next video.

As the producer of Soundwave, however, I have a very different relationship with the music you hear.

I’m sure I’ve mentioned this before, but I receive these mixes months before I publish them on Soundwave. I live with these mixes. I marinate in these mixes.

I’ve become very familiar with Gert’s mix. It’s a gorgeous experience. But after repeated listening, I’ve come to appreciate just how dense the songs that appear in today’s show are. I’ve become intimately acquainted with every snap, crackle, and pop. I lose myself in the swooshes, the sizzle, and grit.

Gert’s mix is made for repeated listening. I encourage you to do so.

Join us next week when our guest deejay will be Michael Southard of Triplicate Records.

See you then!

Taylor Dupree “Everything’s Gone Grey”
Neuro… No Neuro “Blend With Internal Mirror”
Loscil “First Narrows”
Biosphere “Endurium”
For Greater Good “Love You Terrorist (Stockholm Syndrome Mix by Distant Fires Burning)”
Boards Of Canada “XYZ (Peel Session)”
He Can Jog “My (Mother’s) Records”
Umlaut “Audio(bulbs)”
Jon Doe One “Karper”
Autistici “Edall”
Distant Fires Burning & Seigo Aoyama “Or The Horror Of It Now”
Ashtoreth & Stratosphere “The Burning Spirit”
Dadavistic Orchestra “Strung Valve Checkout”
Oubys “ToweringWindTowering”
Roel Funcken “Graydon Margolis AMB”
Sonmi451 “Hippocampus”
Darren McClure “Time Takes It’s Course”

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SOUNDWAVE : 73 : JONATHAN AMMONS

Today’s guest deejay is Jonathan Ammons.

Jonathan guest deejayed on the show last October. Jonathan’s mix was so moving that I invited him back to Soundwave. Today’s mix is equally remarkable. I had the unique opportunity to listen to it while driving from San Diego to Sacramento to visit my wife this weekend. It’s wildfire season in California (it’s always wildfire season), and Jonathan’s mix provided the soundtrack to my apocalyptic drive. The skies were tinted dirty brown from the ashes from the wildfires, but somehow the sun managed to blast the landscape with glaring light: grass and trees parched from California’s megadrought. Every 20 miles or so, I’d pass an abandoned car to the side of the highway. And yet, Jonathan’s mix somehow lent some beauty to such desolate scenery.

Jonathan has some words about his mix below.

Join us next week when our guest deejay will be anthéne.

See you then!

I think that my past year has looked like many people’s lives during the middle of one of the largest global pandemics in history. A lot of isolation, a lot of finding ways to busy yourself or occupy your mind. In the past, as someone who worked from home, I had enjoyed drone, ambient, and all of those experimental genres for the way they occupied a space without dominating it. If ambient music was created to generate music that did not evoke strong and tumultuous emotions — as Brian Eno claims— that was exactly what I wanted droning on in the background of my house while I pecked away at a keyboard for work. As a journalist, it provided this stoic, emotionless wallpaper for the background of my daily existence.

Covid changed a lot of that. They daily monotony left me just craving a change of emotion. But I didn’t want words; I didn’t want lyrics that would remind me of how things were when we were able to go places, meet people, kiss strangers at a bar… I wanted the same stability that the drone I’d come to love gave me, but I wanted something a little more expressive.

I also noticed that the more I used any streaming platform, the more the algorithm would eventually whittle things down to the same handful of artists. I wanted new things. I wanted variety in a locked-down life with no chance of spontaneity. So I decided to cut all algorithmic music out of my life. I stopped listening to Spotify or Pandora or any of those generated playlists and dialed back in to the radio.

I have to give a giant shoutout to Noods Radio out of Bristol, England, because they have been a major lifesaver. A station dedicated to the wild and weird sounds of Bristol. You never know what you’ll find, but the rich spread of creativity has introduced me to a slew of new artists. Props to BBC6’s great ambient show, as well.

Northern England’s A Beautiful Burning World make’s gorgeous sounds using very simple gear and tape loops. They even have a subscription system for $15 a year, and you can get their entire discography for cheaper than that! Much of this mix comes from artists discovered through the radio or combing around Bandcamp.

Seamstress makes delightful chill-out beats. Scanner gorgeously blends drone and ambient with deep arrangements that are so subtle, but meaningful. And I don’t know why it took me till now to notice Garth Stevenson’s incredible compositions. We really are in a golden age for the reinvention of modern classical music. Just look no further than Tristan Perich’s fantastic work.

I also have to give a shoutout to Kimathi Moore. Kima is an incredibly talented sound artist here in Asheville. His style’s shift between ambient, drone, and Edgard Varèse-like tone poems. I got the chance to work with him on a music video he shot for my latest album, and got to see just what a meticulous worker he is.No wonder his sounds are so precise and pristine.

Of course, I had to include some Harold Budd. I included a selection off of his album the Serpent (In Quicksilver) because I remember hearing an interview with him in which he claimed that it was his favorite record that he’d made. A major loss for the ambient music world, losing one of the original masters to this damned virus.

And lastly, the original tracks are two previously unreleased compositions. I started messing around with more tape loops in my studio this winter, and really decided to dive into it, which is how “The Same River” originated. The closing track is actually from a much larger piece I have coming out in the Fall. “A Certain Kind of Light” is a 40-minute piece in five movements. It was an experiment to see just how far I could go using only a single chord. The incredibly talented Olivia Springer performed all of the string parts for that piece. I’ve included the final movement of that piece to close out this mix as its debut.

Endless thanks to Joseph for having me back for another Soundwave mix. It’s been a pleasure to follow along and hear what everyone is listening to these days!

Jonathan Ammons “The Same River”
Scanner “The Ascent”
Floating Points “Apoptose Pt. 1”
Kimathi Moore “Eyris”
Harold Budd “Rub with Ashes”
Seamstress “Save the Bees”
A Beautiful Burning World “Sonder: III”
Garth Stevenson “The Southern Sea”
Tristan Perich “Drift Multiply: Section 3”
Jonathan Ammons “A Certain Kind of Light: Movement V”

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SOUNDWAVE : 62 : BRIAN SANGMEISTER

Today’s guest deejay is Brian Sangmeister.

I met Brian on Twitter, but I’m not sure how. I’m sure it had something to do with our mutual love for guitars, ambient music, and horror. I recall listening to and enjoying his music but other than that, I don’t know much about Brian, which is why I’m going to interview him briefly on Instagram today. If that goes well, you can expect to watch more interviews with guest deejays on Soundwave on Instagram.

You’re going to dig Brian’s mix. It’s of the caliber you’ve come to expect from Soundwave. There are some surprises, like a track from the Pat Metheny Group, and a track from guest deejay Roedelius’s Cluster project with Brian Eno (listen to Roedelius’s Soundwave mix here). You’re in good hands.

If you want to hear more music from Brian, he has a new song that is included in a charity album available on June 21, 2021, on Bandcamp from Audionautic Records. The label will donate all proceeds to Project Hope, which sends relief to South Asia and people worldwide. Several of the artists in today’s mix will also be on the compilation.

Brian has some words below about today’s music.

Before I leave you, I have a few things I want to mention.

Frank Riggio's Empreinte Musicale 2 album — Frank Riggio’s *Empreinte Musicale 2* album

Firstly, Frank Riggio recently released Empreinte Musicale 2, which is part of his ongoing trilogy. I’ve been listening to Frank’s music for years, and listening to his evolution as a musician has been a delight. I’m listening to Empreinte as I write today’s show notes, and I’m enjoying the sonic territory he’s trailblazing. Be sure to also listen to Frank’s mix for Soundwave here.

Secondly, Friday, my wife and I took our 11-year-old cousin to see Cruella. I had low expectations for Cruella, but the movie was surprisingly good and a whole lot of fun. Honestly, it wouldn’t have mattered if it was trash; I was just excited to go to a movie theater for the first time in over a year.

Okay, it’s time for me to head out.

Join us next week when our guest deejay will be Pierre Laplace.

See you then!

For me, music has always been about a journey. It transports you through time and space like nothing else can. Listening to music is like listening to your life story. It is full of peaks and valleys, personal moments and reflections. And above all else, emotions. I created this mix as a soundtrack to that journey. The best part is that you, the listener, will embark on your own unique voyage. A voyage that will take you through your imagination, and your soul. Each individual will experience something different. So I hope you enjoy these pieces of music, that when tied together, tell a bigger story. Your story.

Willebrant “Dell”
Sunwarper “Sunkissed”
Pat Metheny Group “Into the Dream”
Lửa “Con cáo”
King Weapon “Tare”
Etxera “How So”
Cluster & Eno “Schöne Hände”
Kh3rtis “Columbia”
Endeleas “Moonrise”
The Billows Burn Bright “18 Hours”
Hadean “New Lows (Redux)”
Brian Sangmeister “Unfold”
Carbon Based Lifeforms “Everwave”
Cpektir “You Won’t Escape Your Past”

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SOUNDWAVE : 58 : COSMIC CHAMBO

Today’s guest deejay is Daniel Chamberlin.

Daniel and I met on Twitter over our shared appreciation of Paleowolf (listen to the Paleowolf mix on Soundwave here). I learned he is the host of Inter-Dimensional Music, a syndicated weekly community radio broadcast of “heavy mellow, kosmische slop, and void contemplation tactics.” After enjoying a couple of his shows, I invited Daniel to guest deejay on Soundwave.

What I love about Daniel’s mix is that his segues are so seamless that I often am unaware that he’s transitioned into another track. Granted, the music featured on Soundwave lends itself to those kinds of segues, but Daniel is particularly deft at it.

The other remarkable thing about Daniel’s mix, for me at least, is that he selected songs that feel very familiar to me. Except that I’ve never heard them before. They feel intimate and worn in.

Finally, Daniel’s mix took me on a sonic and emotional journey. I’d get lost in his mix. When it ended, I was satisfied but would have been just as happy to have it continue indefinitely.

You can find Daniel on Instagram, Mixcloud, Twitter, YouTube, Bandcamp and his blog, Into the Green.

Before I wrap up today’s show notes, there a couple of things I want to mention.

Monday I got my second dose of the Moderna vaccination. I was prepared for the worst: a very sore arm, chills, fevers, body aches, etc. I experienced none of that. I did sleep for over 24 hours, though.

Michael Donaldson was inspired by mix from Krautrock legend Hans-Joachim Roedelius to write a post on Roedelius’s musical career on his blog. It’s a good overview of Roedelius, so please read it if you’d like to learn more about the man.

Back to Beyond and Cycle — *Back to Beyond* and *Cycle*

Guest deejay protoU has released a new album, Back to Beyond with Alphaxone. Listen to protoU’s mix for Soundwave here. Rhucle, who has also guest deejayed on Soundwave, has released his new album, Cycle. Both albums are fantastic and unique to each artist.

Join us next week when our guest deejay will be Mauricio Sotelo, AKA Haiteku.

See you then!

Here’s an hour of heavy mellow meditation.

Cosmic Chambo presents a heavy mellow ritual soundtrack for meditation, yoga, and other mindfulness practices in the service of transcending false binaries and dismantling white supremacy. Listen for hypnotic choral music, metal-informed jazz drone, heavyweight ambient dub, and organic industrial rhythms.

Wife Signs “Void Contemplation Tactic”
With Great Care “Bloodflow”
Anna von Hausswolff “Dolore di Orsini”
David Hykes and the Harmonic Choir “Solstice Kyrie”
itta “Moonlight”
Kevin Richard Martin “Back to where i belong”
Divide and Dissolve “We Are Really Worried About You”
DEAFKIDS & PETBRICK “O Antropoceno”
Azu Tiwaline “Terremer”
KMRU “behind there”
Ancestral Duo “Trajesty”
Dedekind Cut “The Crossing Guard”
Jamire Williams “God’s Morning Invitation (featuring Chassol & Carlos Niño)”
Path of the Sun “Aquatic Sun”

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SOUNDWAVE : 54 : MICHAŁ MILCZAREK

Today’s guest deejay is Michał Milczarek.

Michał is based in Warsaw, Poland, and is an ambient electroacoustic artist that explores multimedia, sound art, and ambient genre through guitar soundscapes, field recordings, and samples. He is a conceptual leader of MM3, who creates 360° concepts of composing music, sound design, audio production, visual arts, and live performances. Michał is also a member of NUDA, a polish modern jazz/avantgarde band. Michał is currently working on different multimedia concepts and audio-visual works connecting the language of music and social commitment.

Michał is yet another musician I discovered on one of my deep dives on Bandcamp. I don’t have anything else to say about Bandcamp that I haven’t said here already. If you haven’t used Bandcamp’s service, please do. They do great work, and they make sure that the artists and music labels receive a high percentage of the money they make through selling music. You can buy the music you love and know that the musicians are fairly compensated for their work.

Michał’s mix for today’s show is a surprise. I suppose all the mixes on SOUNDWAVE are surprised. What I mean is that I invite people I respect to guest deejay on the show and give them the parameters that their mix focus on ambient, classical, experimental, and instrumental music. How they choose to interpret that is up to the guest deejay.

Therein lies what I think the charm of the show is. What music do these talented musicians love and want to share with us? It would be a mistake to believe that the guest deejays would select tracks like their own music, yet I make this mistake again and again.

Take Michał’s opening track, “When the World Ended.” It’s a beautiful piece of poetry that serves as a kind of a mission statement for today’s mix. At least, that how it seemed to me. There’s nothing in Michał’s own music that prepared me for it. Nor did I expect Radiohead’s Thom Yorke to make an appearance Michał’s mix, yet here we are. Maybe I shouldn’t have been so surprised by Yorke’s appearance after hearing him on Robin Rimbaud’s mix from a few weeks ago. You’ll hear more from Yorke on upcoming mixes on SOUNDWAVE as well.

I know you will take as much delight in Michał’s mix as I did.

Before I get out of Dodge, I want to briefly share my experience of getting my first shot of the Moderna vaccine. I’ll get my second dose the first weekend of May, but I already feel invincible. I still have to take the same precautions of social distancing and wearing a mask, but the background anxiety of going out into the world has melted away. It’s remarkable how much my outlook has changed. I’ve gone from learning how to live with the pandemic on a day-to-day basis to the feeling we have this virus on the ropes and that we can soon go back to our lives.

That raises an important question: how much of our old lives do we want to go back to? The pandemic has been harrowing, but in some ways, it’s made changes in my life for the better and opened me up to possibilities. How has your life changed under the pandemic?

Join us next week when our guest deejay will be Innesti.

Envee “When the World Ended”
IDRA “Indivisibilité”
KMRU “Solace”
meeting by chance “Not Alone”
Julianna Barwick “Safe”
Palette “It’s The Little Things, Pt. I”
Thom Yorke “Not the News”
Michał Milczarek “#4”

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SOUNDWAVE : 44 : ISHMAEL CORMACK

Today’s guest deejay is Ishmael Cormack.

To date, nearly all the guest deejays on SOUNDWAVE are people I have relationships with or introduced to me through the guest deejays. Ishmael is different.

These days I purchase nearly all my music on Bandcamp. Yes, I said purchase. I’m old fashioned that way. Oh, I do more than my fair share of streaming, but if I find music I genuinely love, I’m happy to spend money on it. Bandcamp is my favorite platform to purchase music because the artists and labels are treated fairly, and they receive a higher percentage of money from sales than most other platforms. So I’m on Bandcamp a lot. And because of SOUNDWAVE, I tend to peruse releases from ambient, classical, experimental, and instrumental musicians.

If you enjoy music from any of those genres, you know from experience that most of it are dreck. The music tends to be bland or outright terrible. It isn’t easy to compose music in those genres that’s engaging and take you on an emotional journey. It’s refreshing to find musicians who do it well, and Ishmael is one of those artists.

I'm not a musician myself, so it’s difficult for me not to fall into clichés to describe Ishmael’s music using words like delicate, pretty, or sonorous. I’m reminded of an interview I once heard with Ben Frost where he complained of this very thing. I believe he said something to the effect that sommeliers have many metaphors to describe wines’ taste, but we lack the same when talking about music.

It’s almost a shame, then, that today’s mix from Ishmael does not feature his music. Almost, because Ishmael has lovingly selected tracks that are, sigh, delicate, pretty, and sonorous, but it’s true. It’s a wonderful mix.

If you enjoy today’s show, and I have no doubt you will, then support the artists by following my example and purchasing their music. And while you’re at it, listen to Ishmael’s releases on Bandcamp, and if you hear something like it, show him your appreciation by spending some money on his music.

Join us next week when our guest deejay will be Tim Six, founder of ΠΑΝΘΕΟΝ Records.

See you then!

Ishmael Cormack

Andrew Chalk “The Flood”
Taylor Deupree & Marcus Fischer “On Branches”
Richard Ginns “Faded From The Winter”
Tom Scott “Ribbon Glass”
Jens Pauly “Licht”
Cyril Secq “Huitiéme Branche”
Morimoto Naoki “Nod”
Suda Norihito “The Weather Of The Day Was To Calm Almost As If Nothing Had Happened”
Melissa Pons “Screeching Dawn”
Jodi Cave “For Sine And Breath Tones”
Federico Durand “IIu Wouter”
Van Veldhoven “First Lullaby”

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SOUNDWAVE : 42 : MIKE CADOO

Today’s guest deejay is Mike Cadoo, the founder of n5MD, an independent record label based out of Oakland, California, that focuses on ambient, modern composition, post-rock, and experimental electronic music.

I showcased n5MD on solipsistic NATION some years ago. Let me share what I said about n5MD on that episode of solipsistic NATION, which explains why I invited Mike to be our guest deejay on today’s show.

“What I’ve always found so charming is that the releases on n5MD don’t just provide music that establishes a mood. The releases on n5MD take you on an emotional journey, which I find far more compelling and interesting. Anyone can play a chord in E minor that will evoke an emotional response. Still, it’s much more difficult to build an emotionally complex song and takes you places in your imagination. Let me take that back. There are plenty of people who can do that, there are a just few people who do it well and do it with sincerity, and I think that’s what n5MD is all about.”

Mike’s mix for today’s show captures everything I just said about his label. Mike is going to take you by the hand and gently guide you through an emotional journey.

Mike explained that while waiting for the Near The Parenthesis vinyl to arrive, he made an ambient mix that features no n5MD artists. Mike usually does one of these each year, and I’m thankful he shared it with us.

As I’ve mentioned many times before, I launched SOUNDWAVE to cope with the stress and isolation brought about by COVID-19. I did not expect how much I would need SOUNDWAVE, and Mike’s mix, in particular, to provide the solace I need during our nation’s attempted coup. I suspect I will need it more in the next few weeks, if not the next few months and years.

On that sad note…

Join us next week when our guest deejay will be Steve Swartz.

See you then!

dj healer “Protectionspell”
Stars of the Lid “Mullholland”
Jon Hopkins featuring King Creosote “Immunity”
Neil Cowley & Ben Lukas Boysen “A Grain of Truth”
The Ideal Setback “Whittle”
Black Swan “Slow Oblivion, Part I”
Chronovalve “Something to Hope For”
Holy Fawn “Tethered”
loscil “Neve”
Nils Frahm “A Shine”
ILUITEQ “Moon Disconnected”
KMRU “degree of change”
r beny “Golden Larch Emerging fin Spring”
Julianna Barwick “Same”
KMRU “Whir”
Carlos Ferreira “Epilogue”
Sea Oleena “Portugal (A Lift)”
bvdub “I Would Have Waited”

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SOUNDWAVE : 40 : FITZ GITLER

Today’s guest deejay is Fitz Gitler, and he has a beautiful mix to ease us into 2021.

I met Fitz when I asked Jason Randall Smith (listen to Jason’s mix here) who he knew would be interested in sharing a mix on SOUNDWAVE. Jason did not steer me wrong. Fitz is a musician, deejay, and designs sounds for theatrical productions, many of those in collaboration with director Tim Lee. He also creates under the name Techniken Defunkus or Techdef.

I’m particularly fond of this mix because it was the perfect soundtrack for an eight-hour wintery drive to Sacramento last week. Fitz’s mix had my tapping out rhythms on my steering wheel and grooving in my seat. Don’t be lulled by some of the jazz standards because there are plenty of surprises. More than once, I found myself scrambling to purchase albums featured on Fitz’s mix. As I write this I’m listening to Dan Tepfer’s album, Goldberg Variations/Variations, which is a delight.

If you love Fitz’s mix, and you will, check out his music on Bandcamp or his sets on Mixcloud.

Fitz has some words about his mix below.

Join us next week when our guest deejay will be Pavlo Storonsky AKA Tineidae.

See you then!

Fitz Gitler
*Photo credit: Cyndi Shattuck*

Twenty years ago, I met Jason Randall Smith behind the decks in a tiny bar in New York’s East Village, and music forged our friendship. I’m honored to be in his company and the full cast of mixes that Joseph has artfully assembled.

Jason and I were thrown together by our friend, EL Soundscraper, who I’ve known since junior high, but fortuitously reconnected with because of our shared love of music. Enrique (Soundscraper) called my tracks meditation music—not the sound, but because of how it functioned for me. This mix I created for SOUNDWAVE does that; it’s a sort of spirit guide through the insomniac thoughts of the small hours, and a kind of requiem too. This year has had no shortage of tragedy; there’s enough to go around.

I already loved music in college, but then I met Bill Hileman, aka Ronin Tengu, aka DJ Payce, aka Gandalf Punk. He gave me his world: hip hop, techno, ambient, jungle, acid jazz, funk, plenty of mischief, and more. He passed last month, too young, taken by cancer, not COVID. Bill is with me in every mix, laughing and needling me to keep searching. Too few experienced his true wealth of knowledge and love, but he influenced many, and his spirit lives on in his musical descendants.

It falls somewhere among the worlds of jazz and electronic music, but really it’s a sound design of sorts. I’m still exploring the loose idea “free-format” that I first witnessed in the middle of the night on college radio in the early ‘90s.

Techniken Defunkus “Pre-show for That Time”
Teebs “The Endless”
Colin Alexander “Bells and Strings”
Tom Richards “Minor Breach”
LV feat. Tigran Hamasyan “Hammers and Roses”
Techniken Defunkus “Ash Girl Post & Almost Nothing”
The Art Of Noise “Robinson Crusoe (downshift)”
Gabriella Swallow “Linear Construction (No. 5)”
Johnny Mbizo Dyani “Afrikan blues (excerpt)”
Aaron Novik “Ballroom of Lost Faith-Lost Dignity-LostSoul”
Rahsaan Roland Kirk “Haunted Feelings”
David Boykin Reads Sun Ra “The Space Age Cannot Be Avoided”
Buddy Peace “Day 138 – Been Glorious”
Jean Grae “BITS part 2 – The Fear”
Angel Bat Dawid “Transition East”
Daniel Carter, Brad Farberman, Billy Martin “I Guess Everything Is Happening As It Should”
Ill Considered “Retreat”
Coleman Hawkins “Hawk’s Variations, Part 1”
Dodo Marmarosa “Bopmatism”
Ahmad Jamal “Ahmad’s Blues”
Roy Eldridge “Echoes of Harlem”
Dan Tepfer “Improvisation 12 / obsessive”

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SOUNDWAVE : 14 : GERT DE MEESTER

Hello again. Welcome back to SOUNDWAVE!

I just got back from a 4th of July party with my wife’s unit so I’m going to keep this short and sweet.

If you’re new to the show, I launched SOUNDWAVE to help cope with the stress of the first month of the lockdown due to COVID-19. Ambient, classical, experimental and instrumental music was the only music I could listen at that time. If it was helping me, I imagined it would help others.

Today was the first time in over four months of the lockdown I’ve been around this many people at once. It was great! It felt completely normal. And it gave me a charge. But I’d be lying if I didn’t admit that I was a little uneasy. Four months will do that to you.

If you’re in the U.S., I hope you had a fine holiday. For everyone in the world, I hope you’re having a lovely weekend.

We just got home and we’re winding down and this is the perfect opportunity to jot down today’s show notes. Our guest for today’s show is Gert De Meester of Distant Fires Burning.

I met Gert when I reached out to David Newman, founder of Audiobulb Records to participate on the show with a mix. David took pass but suggested I contact Gert and Kirk Markarian. I owe David because Kirk’s mix was fantastic and I’ve been waiting impatiently to take Gert’s mix live. I know you’re going to love it!

Gert’s going to rap with you about his mix below. Before I go, please join us again next week when our guest deejay is Carmen Rizzo. You’re in for a treat.

See you then!

Our first track is Autistici’s “Wire Cage For Tiny Birds.” Something that allways has attracted me to Autistici’s music, is the sense for new sounds and intricate sounddesign. This has allways been reflected in my music. I am quite happy with the fact that David has released my last album on his Audiobulb label. It fits there perfectly.

“K & J” is the opener of my last album. You hear a Jazzbass processed through ableton and a stockload of effects, basically my livesetup. “K & J” are the two most important people in my life.

Our third track is Taylor Deupree’s “Northern”. Taylor has allways been of great influence on me, besides Tim Hecker and Biosphere. But in Taylor’s music, I really find beauty, reminiscence, maybe a bit of wanderlust. It’s that freedom that speaks to me, that encounter with the new, but allways the hint at nature and down to earth noises.

“Scrape To Touch” is by Neuro… No Neuro and is one of my best labelmates and I saw him grow immensely in music making. His music really cought me by surprise as I host a Spotify playlist and i listen to all Audiobulb albums to give them a fair chance of getting included (me and David get along quite well, musically). But Kirk’s music really caught me on a permanent level.

“Geomagnetic Disturbance” is one of the first tracks where the Jazzbass got incorporated in my music. It was an outtake of 2010’s album Build on Me on U-Cover CDR Limited, but it got picked up by these great people of Consouling Sounds for this compilation. Quite a lot Hecker inspired, but hey, everybody’s got to learn sometimes…

Our last track is Svær’s “Broken Waltz Of Fukushima”. (Such a great 2019 discovery. He played as support of Tim Hecker in Brussels in 2019. What a great show that was, connected with him on Facebook, discovered he was a fellow Belgian too. And all of a sudden I got a message he released his debut album, the rest is history…

Cheers, I hope you enjoy this mix.

Autistici “Wire Cage For Tiny Birds”
Distant Fires Burning “K & J”
Taylor Deupree “Northern”
Neuro… No Neuro “Scrape To Touch”
Distant Fires Burning “Geomagnetic Disturbance”
Svær “Broken Waltz Of Fukushima”

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