SOUNDWAVE : 83 : WIFE SIGNS

SOUNDWAVE : 83 : WIFE SIGNS

Today’s guest deejay is Kellen Perry, AKA Wife Signs.

Daniel Chamberlin turned me on to Wife Signs with his Cosmic Chambo mix for Soundwave. As is my want, I asked Daniel who he know that would want to share a mix on Soundwave and he suggested Kellen. Daniel was spot on, because Kellen’s mix is a delight.

 

Kellen Perry, AKA Wife Signs
Kellen Perry, AKA Wife Signs

I mentioned last month how Line Spectrum’s mix blended so seamlesslessly with the sounds of my environment that caused me no small amount of anxiety. Kellen’s mix also merged with the sounds around me, but it was so ephemeral that it was a soothing experience. It made the sound of clanking flatware musical. Some of the mixes heard on Soundwave are sublime, and some, like Kellen’s, make the mundane seem magical.

While you can stream Kellen’s new album, Beneath the Weight of Care, on Spotify, I encourage you to pushase his album on Bandcamp. You can also follow Kellen on Twitter.

I hope you have a Happy Halloween. I know I will, because I’m taking my grandkid on his first trick or treating he’ll remember. Talk about magical!

Join us next week when our guest deejay will be protoU.

See you then!

  1. Klara Lewis “Seascape”
  2. More Eaze “Leave”
  3. Offthesky & The Humble Bee “Fallen Fruit to Navigate By”
  4. Wife Signs “Burning Off the Nuance”
  5. Austin Rockman “Kissed By Her Witness”
  6. Vanessa Amara “Manos”
  7. Lusine ”Without Standing”
  8. Wife Signs “Small Art and Love”
  9. Listening Mirror “Outside Heaven”
  10. Tom James Scott “Green Wren”

SOUNDWAVE : 82 : PCM

SOUNDWAVE : 82 : PCM

Today’s guest deejays are PCM, who are Francesco Perra (P), Matteo Cantaluppi (C), Matteo Milea (M).

n5MD founder Mike Cadoo put me in touch with PCM when I asked him after guest deejayed on Soundwave who he thought would want to share a mix on the show. PCM has crafted a mix that I adore. There’s so much to love.

One of the things I find exciting about Soundwave is that our guest deejays introduce me to music and artists I’m unfamiliar with. On the other hand, some musicians that I’ve been surprised have made an appearance on Soundwave nearly two years into the show. PCM remedy that with today’s mix. I’m talking about talent like Fennesz, Rafael Anton Irisarri, Coil (I’m surprised Coil aren’t on every show), and Morton Subotnick.

 

PCM: Francesco Perra (P), Matteo Cantaluppi (C), Matteo Milea (M)
PCM: Francesco Perra (P), Matteo Cantaluppi (C), Matteo Milea (M)

PCM themselves make an appearance at the end of today’s show. You’ll want to hear more of their music. You can listen to their latest album, Macro, which came out earlier this year. Macro is equal parts expansive and constrained, and the magic happens between those two extremes.

Join us next week when our guest deejay will be Wife Signs.

See you then.

  1. Fennesz “Liminality”
  2. zakè “Infinite Ocean”
  3. Takehisa Kosugi “Wave Code #E-1”
  4. Nils Frahm “Talisman”
  5. Rafael Anton Irisarri “Empire System”
  6. Coil “Red Birds Will Fly Out Of The East And Destroy Paris In a Night”
  7. Boards Of Canada “Everything You Do Is A Balloon”
  8. loscil “Drained Lake”
  9. Valentino Mora “Morphosa”
  10. John Foxx “Oceanic II”
  11. William Basinski “Melancholia”
  12. Morton Subotnick “Touch. Pt. 1”
  13. Floating Points, Pharoah Sanders & The London Symphony Orchestra “Promises”
  14. Perry Frank “Janas”
  15. Global Communication “9:25”
  16. PCM “Macro”

SOUNDWAVE : 73 : JONATHAN AMMONS

Today’s guest deejay is Jonathan Ammons.

Jonathan guest deejayed on the show last October. Jonathan’s mix was so moving that I invited him back to Soundwave. Today’s mix is equally remarkable. I had the unique opportunity to listen to it while driving from San Diego to Sacramento to visit my wife this weekend. It’s wildfire season in California (it’s always wildfire season), and Jonathan’s mix provided the soundtrack to my apocalyptic drive. The skies were tinted dirty brown from the ashes from the wildfires, but somehow the sun managed to blast the landscape with glaring light: grass and trees parched from California’s megadrought. Every 20 miles or so, I’d pass an abandoned car to the side of the highway. And yet, Jonathan’s mix somehow lent some beauty to such desolate scenery.

Jonathan has some words about his mix below.

Join us next week when our guest deejay will be anthéne.

See you then!

 

Jonathan Ammons
Jonathan Ammons

I think that my past year has looked like many people’s lives during the middle of one of the largest global pandemics in history. A lot of isolation, a lot of finding ways to busy yourself or occupy your mind. In the past, as someone who worked from home, I had enjoyed drone, ambient, and all of those experimental genres for the way they occupied a space without dominating it. If ambient music was created to generate music that did not evoke strong and tumultuous emotions — as Brian Eno claims— that was exactly what I wanted droning on in the background of my house while I pecked away at a keyboard for work. As a journalist, it provided this stoic, emotionless wallpaper for the background of my daily existence.

Covid changed a lot of that. They daily monotony left me just craving a change of emotion. But I didn’t want words; I didn’t want lyrics that would remind me of how things were when we were able to go places, meet people, kiss strangers at a bar… I wanted the same stability that the drone I’d come to love gave me, but I wanted something a little more expressive.

I also noticed that the more I used any streaming platform, the more the algorithm would eventually whittle things down to the same handful of artists. I wanted new things. I wanted variety in a locked-down life with no chance of spontaneity. So I decided to cut all algorithmic music out of my life. I stopped listening to Spotify or Pandora or any of those generated playlists and dialed back in to the radio.

I have to give a giant shoutout to Noods Radio out of Bristol, England, because they have been a major lifesaver. A station dedicated to the wild and weird sounds of Bristol. You never know what you’ll find, but the rich spread of creativity has introduced me to a slew of new artists. Props to BBC6’s great ambient show, as well.

Northern England’s A Beautiful Burning World make’s gorgeous sounds using very simple gear and tape loops. They even have a subscription system for $15 a year, and you can get their entire discography for cheaper than that! Much of this mix comes from artists discovered through the radio or combing around Bandcamp.

Seamstress makes delightful chill-out beats. Scanner gorgeously blends drone and ambient with deep arrangements that are so subtle, but meaningful. And I don’t know why it took me till now to notice Garth Stevenson’s incredible compositions. We really are in a golden age for the reinvention of modern classical music. Just look no further than Tristan Perich’s fantastic work.

I also have to give a shoutout to Kimathi Moore. Kima is an incredibly talented sound artist here in Asheville. His style’s shift between ambient, drone, and Edgard Varèse-like tone poems. I got the chance to work with him on a music video he shot for my latest album, and got to see just what a meticulous worker he is.No wonder his sounds are so precise and pristine.

Of course, I had to include some Harold Budd. I included a selection off of his album the Serpent (In Quicksilver) because I remember hearing an interview with him in which he claimed that it was his favorite record that he’d made. A major loss for the ambient music world, losing one of the original masters to this damned virus.

And lastly, the original tracks are two previously unreleased compositions. I started messing around with more tape loops in my studio this winter, and really decided to dive into it, which is how “The Same River” originated. The closing track is actually from a much larger piece I have coming out in the Fall. “A Certain Kind of Light” is a 40-minute piece in five movements. It was an experiment to see just how far I could go using only a single chord. The incredibly talented Olivia Springer performed all of the string parts for that piece. I’ve included the final movement of that piece to close out this mix as its debut.

Endless thanks to Joseph for having me back for another Soundwave mix. It’s been a pleasure to follow along and hear what everyone is listening to these days!

  1. Jonathan Ammons “The Same River”
  2. Scanner “The Ascent”
  3. Floating Points “Apoptose Pt. 1”
  4. Kimathi Moore “Eyris”
  5. Harold Budd “Rub with Ashes”
  6. Seamstress “Save the Bees”
  7. A Beautiful Burning World “Sonder: III”
  8. Garth Stevenson “The Southern Sea”
  9. Tristan Perich “Drift Multiply: Section 3”
  10. Jonathan Ammons “A Certain Kind of Light: Movement V”

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Logo by Rik Oostenbroek

SOUNDWAVE : 69 : FROM OVERSEAS

This week’s deejay is Kévin Séry, AKA From Overseas. Kévin is also the label manager for Past Inside the Present, a label, and resource for the ambient listener.

From Overseas is Kévin’s ambient project. Using his guitar as his tool of expression and looping techniques, he creates a multiplicity of layers, intense drones, and mesmerizing soundscapes both in the studio and in live performances.

Originally from the tiny French Overseas Department and Region, Reunion Island, he routinely bounces between his home island, a small port town on the east coast of the US, and continental Europe, picking up fresh ideas and inspiration along the way.

Kévin’s mix is very familiar, even though I’m unfamiliar with every song and musician featured in his mix. There’s something about Kévin’s mix that evokes the sound and feel of 4AD, a label that was known for alternative rock, post-punk, gothic rock, and dream pop albums. But if I had to narrow it down, I’d say that Kévin captures the spirit of 4AD’s This Mortal Coil. There’s something haunted in the selection of his songs but still quietly triumphant.

Kévin has some words below about his mix.

Join us next week when our guest deejays will be brothers Sebastian and Daniel Selke of CEEYS.

 

Kévin Séry, AKA From Overseas
Kévin Séry, AKA From Overseas

It’s an honor to be part of the Soundwave series. I love doing mixes like this. It’s a great way to go on a unique journey and to immerse yourself in the work of amazing and influential artists. This mix was made on February 23rd, 2021, when winter was slowly giving space to spring. Hopefully, people feel what I feel and can discover a few gems.

  1. 36 & awakened souls “Guide Me Home (awakened souls – Shoegaze Version) ”
  2. Lucy Gooch “Ash and Orange”
  3. Emily A. Sprague “Woven”
  4. Chuck Johnson “Raz-de-Marée”
  5. Illuvia Iridescence”
  6. Ilyas Ahmed & Jefre Cantu-Ledesma “Ocean Blue”
  7. From Overseas “Rêve”
  8. Christina Giannone “Untitled111”
  9. Alex Somers “Sooner”
  10. Mogwai “Dry Fantasy”

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Logo by Rik Oostenbroek

SOUNDWAVE : 66 : COREY PARLAMENTO

SOUNDWAVE : 66 : COREY PARLAMENTO

Today’s guest deejay is Corey Parlamento.

Corey was on Soundwave last summer, and his mix was unique because it was an extension of his show on AshevilleFM, where he played instrumental soundtracks. Sadly, Corey no longer produces that show. Fortunately for us, Corey kept to that format for today’s mix.

When I invite guest deejays on Soundwave, I’ll ask them to write up a description of their mix: the reason they chose songs, if there was a theme or story they wanted to convert through their mix, etc. The mixes speak for themselves, but I think it adds another level of appreciation for understanding their intentions.

If they don’t send me a description, I’ll usually write my impressions of their mix. But for today’s show, I decided to call Corey and hear in his own words the motivations behind his mix.

 

Corey Parlamento
Corey Parlamento

Corey’s mix is built around the kernel of Black to Comm’s “Stolen Androgens.” Corey said he listened to this track repeatedly long before he assembled today’s show. The song begins so abruptly and then loops itself around some fascinating accompaniment. He liked how voice is used in this track.

Corey has had Yasuaki Shimizu’s Music for Commercials album for quite some time and incorporated it into his radio show for segues. The faint sound of water drops is what attracted him to Shimizu’s “Seiko 2.”

Fatima Al Qadiri’s “Souleiman’s Theme” is taken from the Atlantic film score, Corey’s current favorite soundtracks of the last couple of years, and transitions nicely into Kali Malone’s “Hagakyrka Bells,” from her album, The Sacrificial Code.

Corey also selected a track from the remastered soundtrack for Lady Macbeth by Third Ear Band, followed by Mary Steele’s “Al Rosana (My Rose),” which is available through Canary Records. This label specializes in archival music. “Al Rosana (My Rose)” is recorded from the 1920s in New York City and features a sonic blend of many cultures. Corey told me this piece is eery and conveyed a sense of decaying time.

Lustmord follows Mary Steele with a piece from the First Reformed soundtrack. Up next is a track by Michael Gordon, a composer for the movie Decasia, directed by Bill Morrison, who assembles found damaged footage.

Loren Connors takes it down a notch after Gordon, who is one of Corey’s favorite guitarists.

Corey wanted to follow Connors with a longer track from Sean McCann’s “Puck” but settled on “Nightfall.” Corey describes the album that track was taken from as having a lot of space, weird vocalizations, subtle noises, drones, and crashing sounds.

Corey closes his mix with a track of his own which he recorded under the name Livingdog. The track is taken from his album, The Four Times, released by Cold Moon Records out of New York City. This is the one-year anniversary of The Four Times, and Corey says the album was inspired by Le Quattro Volte. The movie has no soundtrack, but Corey’s imagination was capture by the meditations on a goat farmer who is reincarnated into a goat, then reincarnated into a tree which then turns into smoke.

And there you have it, Corey’s mix.

Oh, and Corey wanted me to tell you that he’s got a new album coming out on July 23 called Many Aways. I will, of course, remind you when the album is released

 

Jon Hassell
Jon Hassell

Before I leave you to Corey’s wonderful and mysterious mix, I have some sad news. When I launched Soundwave, I didn’t anticipate having to say farewell to so many talented and wonderful musicians in one short year. Today it saddens me to tell you that Jon Hassell, a trumpet player pioneering electronic musician, left planet earth last week. Jon played with everyone, from Brian Eno to Peter Gabriel to Techno Animal. I first became aware of Jon on his appearance on the Myths 3 : La nouvelle sérénité compilation album, and he’s been part of the soundtrack to my life ever since. You owe it to yourself to make Jon part of the soundtrack to your own life. I encourage you to purchase his music or stream him on your favorite streaming service.

Join us next week when our guest deejay will be felt body.

See you then!

  1. Black To Comm “Stolen Androgens”
  2. Yasuaki Shimizu “Seiko 2”
  3. Fatima Al Qadiri “Souleiman’s Theme”
  4. Kali Malone “Hagakyrka Bells”
  5. Third Ear Band “LADY MACBETH”
  6. Mary Steele “Al Rosana (My Rose)”
  7. Lustmord “Hanstown Kills”
  8. Michael Gordon “Decasia, Part 5”
  9. Loren Connors “No Goodbyes”
  10. Sean McCann “Nightfall”
  11. Livingdog “Body Of A Tree”

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Logo by Rik Oostenbroek

SOUNDWAVE : 60 : NATE HEARD

SOUNDWAVE : 60 : NATE HEARD

Today’s guest deejay is Nate Heard.

Fitz Gitler introduced me to Nate after I asked him who would be interested in doing a mix for Soundwave (listen to Fitz’s mix here). If Fitz recommends anything then I’m going to listen because that guy has excellent taste in music, so invited Nate to guest deejay on Soundwave without hesitation.

Nate did not disappoint. I’ve listened to his mix many times, usually with a cup of coffee while I’m starting my workday. Despite each listen, Nate’s mix sounds fresh even as it’s burnished with another lacquer of familiarity.

Nature said that today’s mix inspired him to dust off his Ableton and begin composing again. I look forward to whatever he decides to share.

Nate is a medical geographer who uses maps to support health programs around the world. When I asked him if there was anything I should mention on today’s show notes, he said he wanted to promote efforts such as 80,000 Hours (a London-based organization that conducts research on which careers have the most significant positive social impact and provides career advice based on that research), GiveWell (an American non-profit charity assessment and effective altruism-focused organization, focusing primarily on the cost-effectiveness of the organizations that it evaluates, rather than traditional metrics such as the percentage of the organization’s budget that is spent on overhead), and Animal Charity Evaluators (a US-based non-profit charity evaluator and effective altruism-focused organization that finds and promotes the most effective ways to help animals).

Nate was some words about his mix below.

As of Monday, I am fully vaccinated. Outwardly, you’d never know that being vaccinated has changed my life. I still wear my mask when I go out into the world. I still keep my distance from people. I don’t want to pass on the virus even though I may be immune to it, and I certainly don’t want to risk catching one of the variants. Inwardly, I feel like a weight has been lifted. I feel a little bit invincible.

Before the pandemic, I purchased tickets to see Swans perform in Los Angeles. The concert was rescheduled, rescheduled again, and finally canceled. I’m hoping that once enough people have been vaccinated that I’ll finally get to see them.

This week I’ve been putting my CDs in storage. While packing, I came across fantastic music by C – Schulz, Coil, Zoviet France, Techno Animal, Z’EV , and others that I plan to share on a future mix.

Okay, that’s it for me.

Join us next week when our guest deejay will be Jon Solo, AKA Naneum.

See you then!

 

Photo of Nate Heard taken by Miles Heard at Battleground National Cemetery, which was established after The Battle of Fort Stevens where President Abraham Lincoln came under direct fire from Confederate troops.
Nate Heard
Photo Credit: Miles Heard

Like many mixes that appear on Soundwave, this one captures a specific moment, even though these selections come together from a span of about 50 years. I received Joseph’s kind invitation to be a guest deejay the day after seditious white supremacists stormed the Capitol building. I was a mess. I happen to live in Washington, D.C., and have spent some time in those office buildings. Terre Thaemlitz’s “D.C. D.O.A.” (1997) came to mind and ended up anchoring this mix.

“I got a phone call. He wants us to join him.”

“In Washington.”

“Some kind of big demonstration.”

“They think they’ve finally got a shot.”

“I can’t go to Washington. I can’t even get out of bed!”

Julianna Barwick goes straight for catharsis with “Inspirit” (2020). It’s a purification. Listening to it feels like participating in a rite. Like “Inspirit,” Haruomi Hosono and Bill Laswell’s “Unfinished Screams” (1996) washes over you, but in alternating waves of drum & bass and ambient synth & insect passages. The outro forms a bridge to the musique concrète and collage pieces that compose the mix’s core.

The one electronic music class I’ve taken focused primarily on tape processing and the studio techniques Delia Derbyshire used, such as cutting and splicing magnetic tape with a razor. This excerpt of “Circle of Light” (1969) is a nod to Derbyshire’s brilliance with this medium and, like other excerpts in the mix, encourages seeking out the complete pieces.

“Espace/Escape” (1989) is one of the most tonally rich pieces of musique concrète I know and endlessly rewarding on repeated listening. Holger Czukay’s “Träum Mal Wieder” (1984), roughly “dream again,” is also built from ethereal, dreamlike sources but is held together by driving percussion and has much more structure than its name suggests.

The album “Pan De Sonic – Iso,” which includes the track “Evening Night fall – Fire, cricket, wine glass etc” (2021), will be available by the time this mix appears on Soundwave. Ai Yamamoto composed it entirely of “domestic field recordings” from the artist’s COVID lockdown in Melbourne. It promises to be an extraordinary release.

Chris Burke’s “Everything I Need” (1995) is at once jagged and tender, much like Joe Cocker’s source vocals. To my ear, Burke captures the essence of Cocker’s song with only variations on a four-second sample.

“Avril 14th” (Aphex Twin) is recognizable from the opening bar of loscil’s remix of Wagner and Murcof’s cover (2017). But unlike the original or the cover, the melody doesn’t hit until 2:03, which for me, was one of the biggest payoffs in music I’d heard in a long time. It’s patient and brilliantly arranged.

The opening track on Pauline Oliveros, Stuart Dempster & Panaiotis‘s “Deep Listening” is “Lear” (1993) which, the more I thought about it, evoked the 45th president. The greed. The king’s solicitation of flattery. King Lear does not want the responsibility of power. Only the benefits. Shakespeare’s tragedies typically end with a restoration of order after chaos. Maybe less so with Lear.

I’d wanted to end this mix on an up note but settled for something absurd. Negativland’s “Time Zones” fit the moment and make for a clear bookend to Thaemlitz. The madness of Lear and the brain worms of conservative political talk radio. Some kind of big demonstration? “It’s not even funny.” Eleven tracks. “It’s ridiculous.”

  1. Terre Thaemlitz “D.C. D.O.A.”
  2. Julianna Barwick “Inspirit”
  3. 細野晴臣 & Bill Laswell “Unfinished Screams”
  4. Delia Derbyshire & Elsa Stansfield “Circle of Light – Part Two, excerpt”
  5. Francis Dhomont “Espace/Escape, excerpt”
  6. Holger Czukay “Traum Mal Wieder”
  7. Ai Yamamoto “Evening Night fall – Fire, cricket, wine glass etc”
  8. Chris Burke “Everything I Need”
  9. Vanessa Wagner x Murcof “Avril 14th – Loscil remix”
  10. Pauline Oliveros, Stuart Dempster, and Panaiotis “Lear, excerpt”
  11. Negativland “Times Zones, excerpt”

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Logo by Rik Oostenbroek

Your Dream

Your Dream

I’ve been a deejay for more than half my life.

I don’t hear music the way you hear music.

When I listen to a song, there’s always a part of me thinking how that song would work in a mix. What song would go before it? What would go after it? What would be the shape of the mix?

I can’t turn that part of me off.

Today, on a whim, I listened to my Liked Songs playlists on Spotify while running errands. I dug what I was listening to (I did like the songs, after all). And as is my way, I heard songs in the playlist that just felt right together. It’d be a shame not to share it.

So here it is. I hope you like it.

Oh, and you can also find the playlist for today’s show here on Spotify.

  1. Kim Jung Mi “Your Dream”
  2. Yamasuki Singers “Yamamoto Kakapote”
  3. Gaye Su Akyol “Laziko”
  4. Flo Morrissey & Matthew E. White “Govindam”
  5. El Michels Affair “Zaharila”
  6. Kelly Lee Owens “8”
  7. Don Cherry “Malkauns”