Tag: industrial

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SOUNDWAVE : 53 : AMBIENTBLOG

SOUNDWAVE : 53 : AMBIENTBLOG

Today’s guest deejay is Peter van Cooten, host of Ambientblog and DreamScenes on Concertzender.

I ask each guest to deejay who they know who would be interested in participating in the show with a mix. Harrold Roeland, who was a guest deejay on Soundwave back in December, suggested Peter. I’ve known about Ambientblog for years and have listened to many of Peter’s mixes on Mixcloud. I’m thankful that Harrold made the introduction because Peter’s mix is exceptional.

 

Peter’s Soundwave mix.
Peter’s Soundwave mix.

Mix is not the word for what Peter does on today’s show.

It’s more accurate to say that Peter composed a concept album masterfully weaved from a multitude of sampled material. Take a look at the “playlist” below to get an idea of the scope of today’s show. It’s a work of art you get to immerse yourself in for the next hour.

Peter’s mix, like all of his Ambientblog shows, is an experience. Follow Ambientblog on Mixcloud to hear more of his work.

I’ve included an excerpt about today’s show from Peter’s website below.

Today’s show is special because it’s also Soundwave’s one-year anniversary.

I launched Soundwave to help me cope with the stress and isolation of COVID-19.

This close to what we all hope is the finish line of the pandemic its easy to forget that we were all white-knuckling it for the first couple of months. Every day was filled with existential dread. Would this trip to the grocery store kill me or someone I love? It’s exhausting to live that way.

During that time, I could not watch tv or movies or listen to music because they were not speaking to the truth of our new reality. I’d watch a tv show and fret how there was no social distancing and why the cast wasn’t wearing masks. Pop music was particularly difficult to listen to because it was so painfully vapid. How am I supposed to enjoy a love song when I might be a patient or a vector in this pandemic?

The only music that I could tolerate and gave me solace was ambient, classical, experimental, and instrumental music. It was the soundtrack for my stay-at-home lockdown. And if I found some relief with this music, why not share it with others? Any why not ask people I respect to share their mixes?

I’m humbled by everyone’s gift of generosity of time and effort. We’re all going through this together, each in our way. I’m grateful that during this pandemic that each guest deejay lovingly crafted mixes to share with us.

 

My first vaccination shot.
My first vaccination shot.

Today’s show is also special because today, I also got my first shot for the COVID-19 vaccination.

I was shopping for groceries when the Mercy Plaza Pharmacy called me and told me they had extra doses. Could I stop by for a vaccination? Most definitely.

My cilantro stymied the woman who was ringing up my items at the grocery store: were they regular cilantro or organic? She was about to do a price check when I explained that I needed to get the hell out of there to be vaccinated. I didn’t care about the cilantro’s cost; ring me up so I can leave! She understood.

The folks at Mercy Plaza Pharmacy couldn’t be nicer. They’re a family-owned business, and the owner checked up on me after my shot to see how I was feeling. We talked about San Diego, Sacramento, and our kids. This is going to sound weird, but I had such a great time that I can’t wait to go back.

So here we are a year later. We’re almost at the finish line. Hopefully, next year, this will be behind us, and we can all enjoy each other’s company. I’m looking forward to meeting some of you in person. Maybe I’ll even get to meet Peter.

Join us next week when our guest deejay will be Michał Milczarek.

See you then!

 

Ambientblog album art.
Ambientblog album art.

It’s my honour to open the second year of this series with my contribution. Of course, we can only hope that the series will continue for musical reasons, not because of the pandemic.

Clicking through the list of contributions, you’ll find that most of them are what I call mixtape-style compilations: a head-tail-mix of (full) tracks. Traditionally, my (Ambientblog) mixes are different (which does not mean necessarily ‘better’, by the way) in that they incorporate many sampled parts of tracks (a full-length track is either an exception or a very short track itself), mixed in a layered collage-style. I always try to shuffle the collage’s fragments so that they seem to melt together and thus start telling a different story.

Whether this is successful or not can only be determined by the listener.

This mix is simply named after the podcast Soundwave. It is a happy coincidence that it literally starts with waves—sonically manipulated by Jos Smolders—and ends with the same waves morphing into the sound of a cheering crowd.

Different kinds of soundwaves are all around us, every moment. Sometimes we’re aware; most of the time, we are not. This mix (hopefully) shows that it can be rewarding to take a moment’s rest to really listen and let the sounds affect you.

Thanks to Joseph Aleo for inviting me!

  1. Jos Smolders “Plate 7”
  2. Mia Zabelka & Icostech “The Final Stop”
  3. Robert Scott Thompson “Still The Syllables Of Water Whisper”
  4. Charley van Veldhoven & Túrion “Hemellichaam IV (Henrik Meierkord Recycle)”
  5. FM Einheit & Susie Green “Joyful Pleasure”
  6. Joey Largent “Below Diorite Waters”
  7. Barbara Ellison “De Auflaan de Pussychat”
  8. Jana Winderen “The Listener”
  9. Grace Ferguson “Barnumbirr”
  10. C-drík “An Imaginary Place Inhabited By Those Who Are Asleep”
  11. James Osland & Finn Kelvin “Things That Have Form Will Alway Disappear”
  12. Daniel Thomas Freeman “Crawling Out Of The Void”
  13. William Basinski “For Whom The Bell Tolls”
  14. Morgen Würde “Mittsommer”
  15. Biosphere “Stordjupta”
  16. Randal Collier-Ford “Eyes Of The Temple (feat. Northumbria)”
  17. Merope “Alma”
  18. Space Whisper “Park Date”
  19. Innesti “Dark Describes An Arc”
  20. Joost Lijbaart “Twinkling Night”
  21. Pinkcourtesyphone “Another Interior”
  22. f5point6 “Natural Selection”
  23. Andrew Heath “I Sleep Above The Forest”
  24. Lustmord “Journey Of The Dead Man”
  25. Bow Quintet feat. Aidan Baker “Bryanbaum Variation”
  26. Aase Frejadóttir “Saying It”
  27. James Rushford “Musica Callada, Book I – Angelico”
  28. Nick Luscombe “Tokyo Spring Birdsong”
  29. Akropolis Reed Quintet “Homage to Paradise Valley: I. Ghosts of Black Bottom”
  30. Kate Carr “I Spotted Some Backyard Dancing”
  31. Olivier Alary “Khaltoum”
  32. Kazuya Nagaya “the Book Of Sunken Memory”
  33. Jos Smolders “Plate 5”
  34. A Winged Victory For The Sullen “Every Solstice & Equinox”

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SOUNDWAVE : 47 : OUT OF HELL

SOUNDWAVE : 47 : OUT OF HELL

Today’s guest deejay is Boris Tyurin, AKA Out of Hell.

Out of Hell continues my exploration of musicians who mine the ores of ambient, classical, experimental, and instrumental on Bandcamp. It’s been a successful endeavor, and previous Bandcamp artists who have been guest deejays on SOUNDWAVE are Ishmael Cormack, Tim Six of ΠΑΝΘΕΟΝ Records, and Ivan Somov, AKA Notnotice.

I’ll be honest, what made me listen to Out of Hell’s was the influence of horror writer H.P. Lovecraft on his music.

It’s interesting because Lovecraft’s books are in the public domain Lovecraft permeates popular culture. In particular, his Cthulhu mythos. You can find Lovecraft’s tentacled Elder God in the form of crochet toys, tiki mugs, and pajamas. The sublime terror of Cthulhu has been diminished into a safe, consumer item. The only people who tap into the nihilistic horror of Cthulhu are comic book writer Alan Moore, role-playing game creators, and bands such as Rudimentary Peni and Skinny Puppy.

Not everything Out of Hell records is touched by the tentacles of Cthulhu, but the influence is there. Out of Hell explores the realm of dark ambient. His music can be just as delicate and pretty as a lot of ambient music, but it’s mysterious and often tinged with dream and anxiety. His mix is more than a selection of some of his best work. It’s an experience to be had.

Join us next week when our guest deejay will be Dani, founder of Kloob Music.

See you then!

 

Boris Tyurin, AKA Out of Hell
Boris Tyurin, AKA Out of Hell

  1. Out of Hell “The Dark”
  2. Ouy of Hell “Symphony in Moonlight and Nightmares”
  3. Out of Hell “The Temple”
  4. Out of Hell “The Whisperer in Darkness”
  5. Out of Hell “The Voice of the Night”
  6. Out of Hell “The Ruins”
  7. Out of Hell “Introspection”

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SOUNDWAVE : 46 : IVAN SOMOV

SOUNDWAVE : 46 : IVAN SOMOV

Happy Valentine’s Day!

Today’s guest deejay is Ivan Somov, AKA Notnotice.

While I stream music like everyone else, I’m also old fashioned and still purchase songs and albums. Bandcamp is my preferred vendor because they give the music labels and artists a generous share of the money generated from Bandcamp sales.

I spend an hour at least an hour a week exploring Bandcamp and listened to great music. If I came across someone I thought would be a good fit for SOUNDWAVE, I’d invite them to be a guest deejay. It’s a no-brainer, really, and we’ve heard great mixed from folks such as Tim Six, who runs ΠΑΝΘΕΟΝ Records with his wife, Mila, and Ishmael Cormack . Next week’s show will feature Out of Hell, and in the weeks to come our guest deejays will be Less Bells, Emil Zapffe, and Rhucle.

Ivan is yet another talented musician I discovered after searching Bandcamp for ambient, classical, experimental, and instrumental music to listen to. These are difficult genres. It’s easy to record music in those genres that are awful, hard to do mediocre, hard still to record something great, and a challenge to create something great. When I find something great, as I said, I am compelled to reach out to the artist and invite them to be a guest deejay on SOUNDWAVE. And that brings us to today’s show, which I’m listening to as I write this.

Ivan’s mix is going to take you on a journey. To me, that is the point of art. It’s not enough to craft a pretty or catching sound. Evoking emotion is one thing, but if the music can transport you to somewhere else and spur your imagination, that’s magic. And Ivan’s mix is magic and will be your soundscape for today’s sonic safari. The mix is the map. Your destination will be your own for you to discover.

Quick note: Ivan begins today’s mix with a track from Symphocat, a Russian musician and label owner. Tim Six also featured Symphocat on last week’s show. I’m taking that as a sign that I need to extend an invitation to guest deejay on the show.

Ivan has some words about Notice that he’d like to share with you below.

Join us next week when our guest deejay will be Out of Hell.

See you then!

 

Ivan Somov, AKA Notnotice
Ivan Somov, AKA Notnotice

Notnotice – a project created to implement the ambient and not only the mood of the author. Originally was written only dark ambient, but later decided not limited by the rigid framework, but at the same time, the music has not lost the original dark and cold, Notnotice tries to embody in their tracks the idea of loneliness and alienation.

  1. Symphocat “Svifa I Himininn”
  2. Forest Management “Fill In The Blank”
  3. unknown “Way number 3”
  4. Notnotice “Stockholm Syndrome”
  5. Acronym “Rails”
  6. очень длинный кот “v parallelnih mirah”
  7. Bad Sector & Tommaso Lisa “Untitled”
  8. kmerl “Constellation”
  9. Stanislav Tolkachev “Borderland”
  10. Canadian Rifles “1812”
  11. FH HF “Seconds Remain As Abstract Strokes”
  12. gacha bakradze “Broken Keyboard”
  13. Jeremiah M. Carter & Chelsea Bridges “White Rose Royale”
  14. Appropriate Savagery “Makeup & Ketamine, During a Quiet Evening”
  15. Christian Michael Filardo “Charm Syndicate”
  16. Concrete Fantasies “stealth2 (Agadez Magi)”
  17. Varg2™ “600 Lives To Become Nothing But A Memory (ft. Soho Rezanejad)”
  18. Cio D’Or “Triplet”
  19. EyeScream “(A)(ny)(thing)(ll)”

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SOUNDWAVE : 43 : STEVE SWARTZ

SOUNDWAVE : 43 : STEVE SWARTZ

Today’s guest deejay is Steve Swartz.

Some months ago, Jason Engling was a guest deejay on SOUNDWAVE (you can hear his mix here). After Jason’s show I asked who he thought might be interested in contributing to SOUNDWAVE, and he recommended Steve.

I’ve been a fan of Jason’s music since discovering him through my electronic music show, solipsistic NATION. If Jason recommended Steve, then as far as I was concerned, it was a done deal. I’m not disappointed with Steve’s mix, and neither will you. It’s a thing of beauty. It’s also a perfect way to wind down four years of a corrupt and inept presidency and an attempted coup. Whew!

Steve has some words about his mix below.

I want to note that Steve included a lovely track from Brian Eno. That’s not anything remarkable, given that Eno practically invented the ambient genre. What is impressive is that Eno pitch-shifted his voice, creating a vocoder-like effect. I usually hate that sort of thing, but Eno being Eno, the song gave me goosebumps. And when I looked over Steve’s playlist and saw that the track was by Eno, I thought to m myself, “That makes sense.”I thank Steve for introducing me to an Eno track I had not heard before.

Remote Listening: Rag Dun vs Life Garden
W. David Oliphant’s Remote Listening: Rag Dun vs Life Garden album

Before we get to Steve, I want to share with you the latest release from W. David Oliphant, who guest deejayed on SOUNDWAVE in September. The album is called Remote Listening: Rag Dun vs Life Garden. Oliphant describes remote listening as “the practice of seeking impressions about a distant or unseen target, purportedly ‘sensing’ with the mind.” Like everything else I’ve heard from Oliphant, his music is stepping into someone’s fever dream.

Join us next week when our guest deejay will be Ishmael Cormack.

See you then!

Steve Swartz
Steve Swartz

I don’t know anyone who escaped the intense gravity of 2020. In addition to a pandemic, this year also saw the unexpected passing of my father. A loss I’m still trying to process. I’ve spent a great deal of time contemplating death, disease, and division over the last several months. Music has always been my primary outlet of expression. As a result, I made a lot of music in 2020. (Four releases!) But as I land on the other side of them, I find myself increasingly feeling lost and out of place. I am often daydreaming about being somewhere else and unreachable. This sense has carried over into my music listening habits as well. I’ve desired quieter sounds that feel less tethered to a place or time. Fewer words. More feeling. To, perhaps, communicate something words cannot yet find. And that is what I have found in these songs over the last several months. To me, each of these pieces feels like rivers that drift or breeze stirring trees in a geography I would prefer to dwell. So I sit in these songs and let them fill my house throughout the days and evenings until, hopefully, I embody the spirit of their imagined origins.

  1. John Carroll Kirby “Canyon (Waiting Alive In A Canyon)”
  2. Brian Eno “And Then So Clear”
  3. 3617 “Orphans of The Sky”
  4. Dedekind Cut “Tahoe”
  5. Warmth “The Creek”
  6. Toshifumi Hinata “Misldsummer Night”
  7. Johnny Nash & Suzanne Kraft “Time, Being”
  8. The Blue Nile “From A Late Night Train”
  9. Gigi Masin “The Word Love (Original Mix)”
  10. Windy & Carl “Forest Trails”
  11. Arve Henriksen “Sorrow and Its Opposite”

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SOUNDWAVE : 41 : TINEIDAE

SOUNDWAVE : 41 : TINEIDAE

Today’s guest deejay is Pavlo Storonsky, AKA Tineidae.

I discovered Pavlo while perusing artists on the Cryo Chamber label on Bandcamp. Cryo Chamber has been one of my favorite music labels since being introduced to them through a friend who played music from their catalog to provide the soundtrack to our Vampire: The Masquerade game sessions. I’ve never heard a Cryo Chamber release I didn’t like; there are just some I like more than others. I was hooked when I heard Pavlo’s Exo album. It’s as dark, ominous, and cinematic as everything else on Cryo Chamber but with a science fiction-horror vibe.

That’s not to say that Pavlo’s mix for today’s show sounds like that. But it's undoubtedly moody, atmospheric, and beautiful. I’ve been listing to it all week, and it’s exactly what I needed to help get me through Trump’s attempted coup here in the U.S. and 4,000+ dying a day from COVID-19. It’s surreal that I just wrote that sentence, but here we are.

Tineidae
Elliott Sharp’s Filiseti Mekidesi album

Before I go, I wanted to mention that last month Elliott Sharp (who did a mix for SOUNDWAVE) released his new album, Filiseti Mekidesi. The album is a meditation on the search for safety and neutrality, a place free from danger. It’s an opera, yes, but it’s an opera by Elliott Sharp, so it’s as unique and distinct as the rest of his oeuvre.

Join us next week when our guest deejay will be Mike Cadoo, founder of the record label, n5MD.

See you then!

Tineidae
Tineidae

  1. 36 “Cocoon”
  2. Burial “Forgive”
  3. Blackhill Transmitter “Five Twenty Seven”
  4. Access to Arasaka “char *argv[]”
  5. Valance Drakes “Until Either Comes To Pass”
  6. Lorn “SILHOUETTE”
  7. Bad Sector “Ampòs”
  8. Ghost Factory “It Will Be Okay. We Can Walk Through This Forest Together.”
  9. Subheim “Streets”
  10. the_empath “silberstreif”
  11. Glanko “AC”
  12. Mønic “Morse”
  13. Tineidae “Gas Mask (Ambient Version)”

Subscribe to SOUNDWAVE on iTunes, Overcast, Castro and Pocketcasts.

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SOUNDWAVE : 6 : JAMES CURCIO

SOUNDWAVE : 6

Today’s guest deejay is James Curcio.

I met James years ago back when I was hosting the small WORLD podcast. I was part of the second wave of podcasting and I was small WORLD as the punk rock Fresh Air. If by punk rock, you mean badly played music on out of tune instruments. Anyway, James Curcio was one of my guests and I believe we we talked about his book, Join My Cult!

During the course of producing small WORLD I noticed that James would pop up again again in various circles. Into culture jamming? James was there. Interested in philosophy. James is your man. Writing? James. Music? James again. Magick? Also James.

When I was putting together a list of guest deejays for SOUNDWAVE I included James because I was curious what kind of mix he’d put together. I suspected it would be a playlist that included Coil, Current 93 and Dead Moon. You know, some sort of musical art project attempting to turn lead into gold. Instead, I got a mix of David Bowie interspersed with industrial and Nordic folk music. Did not see that coming.

Before I let James introduced this week’s show, I want to thank everyone who is listening to the show and the kind words they’ve shared. I just ask that you do it in on iTunes. Leave SOUNDWAVE a quick review and whatever algorithm Apple uses pushes the show up their podcast charts. SOUNDWAVE is a super niche show so I don’t expect that it’d take much.

Come back next week. Out guest deejay will be electronic musician Frank Riggio.

 

James Curcio
James Curcio

This mix was probably inspired by spending 3 years writing and researching MASKS: Bowie & Artists of Artifice (especially the themes that come up in this long-form blog post, Masks All The Way Down). But it’s not a “Bowie mix” as such: mortality, futility, transience, being lost in the simulacra, isolation during coronavirus… and some great beats. Everything in our lives feel so fragile now, but of course the truth is it always was. The outro track is an original remix of Nine Inch Nail’s “Me I’m Not” that I did like 10 years back, and some live studio outtakes from a mushroom party.

  1. IAMX “Stardust (Video Mix)”
  2. David Bowie “No Plan”
  3. Forest Swords “Panic”
  4. David Bowie “Love is Lost (Hello Steve Reich Mix)”
  5. Eivør “Í tokuni” (lyrics translation)
  6. David Bowie “The Motel/Sunday”
  7. Onuka “Zenit (intercut with sections of Davi Bowie’s ‘Sunday’)” (lyrics translation)
  8. Perturbator “Tactical Precision Disarray”
  9. Igorrr “Downgrade Desert”
  10. SKYND “Tyler Hadley”
  11. David Bowie “Killing A Little Time”
  12. Nine Inch Nails “Me I’m Not (James Curcio Original Remix)”
  13. James Curcio “Mother Hive Brain (Recorded at OrangeFace)”

Subscribe to SOUNDWAVE on iTunes, Overcast, Castro and Pocketcasts.

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Weekly Mix 27: July 9, 2017

Last night my girlfriend watched I T2 Trainspotting. I haven’t seen Trainspotting since it was released back in 1996 and I thought it’d be fun to revisit those lovable junkies and hooligans from the first movie. And it was fun. The dialogue was whip-smart and the cinematography was was breathtaking and the actors were fantastic. But it was fun in a Trainspotting sort of way because it you remember the first movie it was about a bunch of Gen X kids who use heroin because they’re lives have been hallowed out by Thatcherism, consumerism and boredom. In T2 Trainspotting we get to revisit those characters except this time they’re older, a little thicker in the middle and they’re nostalgic while at the same time they’re considering they’re mortality.

I’m a Gen X kid. I’m older. I’m a little thicker in the middle. I think about my mortality. But I’m not nostalgic. The 90s were just another decade for me and then I moved on. Each decade had it’s peaks and valleys and some friends dropped out of my life but they were replaced by new friends. But the 90s were special, special to me, anyway, because I was a young man with a bright future ahead of me and my life was so vivid because I was experiencing everything for the first time. I got to fall in love as an adult for the first time. I also got to experience my first heartbreak as an adult. I got to meet friends for the first time that I’ll probably know until the day I die. Or until they die. Hopefully they go first.

And I was always listening to music and the first five songs you’ll hear on today’s show were part of the soundtrack to my life at that time. The stuff is heavy. As usual, I listened to a lot of different kinds of music back in the 90s, everything from hip hop to avant-garde jazz, but hardcore and industrial was the music that I really responded to. Can you blame me? America was fighting in the first Gulf War and it was clear that it was going to come back and bite us in the ass further down the road. The Republican and Democratic parties were just starting to become recalcitrant and hyper-consumerism was becoming a cultural value.

I’ll see you again next week. I promise it won’t be as heavy as today’s show. See you then!

  1. Godflesh “Love Is A Dog From Hell”
  2. Bastro “(I’ve) Ben Brown”
  3. Loving Six “U.S. World”
  4. Gore “Mean Man’s Dream”
  5. Head of David “Dog Day Sunrise”
  6. The Bug & Earth “Dog (feat. JK Flesh)”
  7. Pale Sketcher “Plans That Fade (Faded Dub)”

Illustration: GDBee ©2017

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Weekly Mix 8: February 26, 2017

From time to time The Weekly Mix features interviews. In the past we’ve chatted with artist Geneva B, KAOS Radio Austin co-founder, Nick Dement and Bondfire Radio founder Keisha Dutes. On today’s show we’ll talk with the members of The Brevet, who I had the pleasure of chatting with before the performed at Lestat’s here in beautiful San Diego. There’s a bit of static that creeps into the interview here and there and I apologize for that. It’s the first time I’ve done an interview on live streaming video and I’m learning how to do it on the fly.

Today’s show has a lot of introductions. The most introductions ever, in fact. We’ll hear from Indian Handcrafts, All Natural Lemon & Lime Flavors, Pulco, Ash Walker and Tangents.

Click the links below to download and purchase the songs you heard on today’s mix that you liked. Show the bands and musicians your love and support!

You can listen to The Weekly Mix every Sunday on KAOS Radio Austin at 6PM Central and every Friday on Bondfire Radio out of Brooklyn at 11:30 AM Eastern Standard Time.

Okay, I’m Audi 5000. See you next week!

  1. The Brevet “Moving Mountains”
  2. Interview with The Brevet
  3. Indian Handcrafts “Bruce Lee”
  4. All Natural Lemon & Lime Flavors “Saturn Jig”
  5. Nisennenmondai “#1”
  6. Klara Lewis “Beaming”
  7. Pulco “Oxbow Lake (feat. Adam Leonard)”
  8. Ash Walker “Thunder (feat. Lord Saville)”
  9. Tangents “Oberon”

Illustration: GDBee ©2017

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solipsistic NATION No. 27: Industrial Strength

Industrial music’s roots go back to the Futurims movement with works like Luigi Russolo‘s The Art of Noises and later in composer Edgard Varèse‘s Poème Électronique.

In the 1970s bands like Throbbing Gristle and NON utilized tape editing, stark percussion, and loops to create their dark and distorted music. Bands like Cabaret Voltaire and SPK adopted these elements into their own work, often mixing repeating samples of speeches and dialogue from movies and speeches into their music.

What most people now consider industrial music came from Ministry. For better or worse, Ministry left their stamp on the genre with a sonic barrage of distorted drum machines and bludgeoning guitars. While I love Skinny Puppy and their nightmarish soundscapes it’s easy to understand why so many bands followed Ministry’s lead. Not only is the music dark and aggressive but you can also thrash about in a mosh pit. It is this subgenre of industrial music that inspired today’s show.

Photo Credit: N3CR0N0M1C0N

  1. DieselKopf “Carcrash”
  2. Die Warzau “Insect”
  3. Sister Machine Gun “Influence”
  4. eulogy XL “SpeedBall”
  5. 2FB “Unknow Enemy”
  6. Spôr “Dilate”
  7. 5 Factor Model “Can’t Wait”
  8. Pig Hut “Uber”
  9. Uranium 235 “Uranium 235”
  10. Aeon “Starve”
  11. 3-Hole Face “Hands of God”
  12. Scanalyzer “Anywhere But Here”
  13. Zombie Girl “Creepy Crawler”
  14. Caffeine Kill “Sonic”
  15. I:Scintilla “Scin”
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solipsistic NATION No. 18: Master of Dead Contortions

Hello to all of you in Berlin who tuned in for today’s show.

In the early eighties there was a punk band called MDC and they frequently changed their name to a different acronym with every new record released. Some of the names included Millions of Dead Cops, More Dead Cops, Millions of Dead Children, Multi Death Corporations, Millions of Damn Christians and Missile Destroyed Civilization. The woman I was dating at the time and her friend would come up with their own acronyms for MDC and one them that struck me was Master of Dead Contortions. If there was ever a more appropriate name for today’s mix then Master of Dead Contortions is it.

I’ve noticed that a lot of electronic music podcasts are usually 30 minutes in length while my shows usually clock in an hour. Even without the interviews that sometimes occur on Solipsistic Nation I feel that I need an hour to really take you on a journey.

So here’s the question: would you prefer 30 minute installments of solipsistic NATION or do you think the show should continue to run for an hour? You can post your answer at solipsisticnation.com or email me at solipsisticnation@gmail.com.

Photo Credit: Sarah Glidden

  1. solipsistic NATION “Bad Acid”
  2. Riothead vs. Andrako “Under the Skin (Viral Remix by Bleedr)”
  3. compUterus “Exhaust Head”
  4. Mind Disruption “Sick Minds”
  5. Punch Drunk “Robotopia”
  6. Neikka Rpm “Sacrifice (Sever The Delusion)”
  7. Cristian Paduraru “Pentateuch”
  8. Reverend Rye “The Boom Boom Room”
  9. BioUtopia “A New Origin of Species”
  10. Mel “Waiting”
  11. Insideamind “Twinkle Twinkle”
  12. Junkyard Connection & Montana “Conestoga Bounce”
  13. Raven Chacon “Overheard Song”
  14. Electric Skychurch “Full Moon Generator”