Sasha’s been on Soundwave twice as protoU (listen to her mixes here and here). Sasha accepted my invitation to guest deejay a third time and shared a mix celebrating Pride. No ethereal mixes on today’s show; we’re all about getting a groove on.
Last weekend I spent the day with my grandkid. We had plans to go to our favorite playground, but there was no parking to be had. I decided to take him to the beach instead. We got caught up in Pride traffic on the way there, which seemed like the perfect time to play Sasha’s mix. People dressed in rainbow gear, butterfly wings, and leather chaps darted between cars as we slowly inched forward. It was a magical afternoon.
Join us next week when our guest deejay will be Hessel Veldman.
Last May, I discovered Iu on Bandcamp’s The Best Ambient Music blog post and instantly became a fan. Iu’s songs delicately unfold as you listen to them. It feels that her music might immediately unravel with any sudden movement. Calmness and patience are required, which reinforces the experience of Iu’s gentle songs.
Iu herself does not appear in her mix, but I encourage you to listen to her new releases, both of which were released in December.
One release is her “Stay” EP from A RED THREAD. Iu made this work thinking about her grandparents, who have dementia. Both of them are now living in a facility. She stayed for a few days at their house, where no one lived, and was inspired by the clothing, dishes, and plants left there. For the sound source, she used environmental sounds coming from the house’s windows and an old electronic organ that she used to play when she was a kid. In the midst of realizing the changes in her daily life, the sounds of construction, cars, and crows cawing that may otherwise sound like noise make it feel as if time has stopped only in this house.
Iu’s second release is her “Interspace” EP from The Slow Music Movement. In these three tracks, she intentionally created gaps by reducing the number of notes, and she wanted to enjoy the coincidence and awareness with the outside sounds.
I can’t think of a better way to be in the New Year than listening to Iu’s music. And today’s mix, of course.
Genius and Soul is a weekly show featuring jazz, Black classical music, and more, with mixes lovingly selected by our guest deejays. Our first guest is Brian Jackson, an American keyboardist, flautist, singer, composer, and producer. Brian has recorded and performed with everyone from Gil Scott-Heron to Stevie Wonder, and recently released an album with Jazz Is Dead’s Adrian Younge and Ali Shaheed Muhammad.
You can listen to our first episode on your favorite podcast app or listen here.
Join us next week when our guest deejay will be Christoph Berg.
When I listen to a song, there’s always a part of me thinking how that song would work in a mix. What song would go before it? What would go after it? What would be the shape of the mix?
I can’t turn that part of me off.
Today, on a whim, I listened to my Liked Songs playlists on Spotify while running errands. I dug what I was listening to (I did like the songs, after all). And as is my way, I heard songs in the playlist that just felt right together. It’d be a shame not to share it.
So here it is. I hope you like it.
Oh, and you can also find the playlist for today’s show here on Spotify.
A lot of new listeners tuned in to last week’s show and one of them was Jon Fine, who played with David Grubbs in the band Bitch Magnet. Jon was really excited to hear Loving Six on last week’s mix. He had heard about Loving Six and had been waiting to hear their music for almost 30 years. We got to talking and it turns out that Jon has also written a book called Your Band Sucks: What I Saw at Indie Rock’s Failed Revolution (But Can No Longer Hear), which has been described as a cult favorite musician’s memoir. Jon said his book touches on some of the things Chip and I talked about on last weeks show. You should go buy it because I’m going to read the Your Band Sucksand have Jon on the show in a couple of weeks to talk about his book.
On last week’s show I also played a song that was a collaboration between The Bug and Earth. I’ve known about Earth for at least 20 years but had never listened to their music before. I went on Twitter and asked what songs or albums I should listen to and I got a lot of excellent suggestions. Ben Burnham said I should start off with Earth’s album, Hex: Or Printing in the Infernal Method.Corey Brewer suggested I listen to their songs ”Ouroboros is Broken” or “Old Black” and Holly Carson said I should listen to their Pentastar: In the Style of Demons album. Thanks for the suggestions! I’ll be listening to Earth for the next few weeks and will play them on a future Weekly Mix.
Okay, let’s get to today’s show. See you next week!
I subscribe to several newsletters but I usually delete them as soon as they hit my inbox because they’re uninteresting or sharing links to other articles. The only newsletter I read from start to finish is Bob Lefsetz‘s newsletter. Lefsetz is a music industry analyst and critic and the reason I read his newsletter while I delete the rest is because he always has a fresh take on things, whether it’s music, politic or sports or just talking about his life.
Recently Lefsetz wrote a response to an article on the Washington Post about the decline of electric guitar sales. In short, rock is dead. Or on life support. As Lefsetz pointed out, rock is still around but it has all the relevancy of jazz or folk music. Why? Because rock has been so thoroughly corporatized that rock has been de-fanged. It’s no longer dangerous. Songs are no longer crafted, they’re manufactured on spreadsheets and ProTools and and any spontaneity left over is autotuned out. Not only that, rock has nothing new to say. It’s an exhausted genre. Furthermore, rock is reductive. It simplifies more complex music like blues or folk or Cajun music, etc. But now rock is reductive of rock music. It’s become pablum.
The only thing fresh and exciting happening in music today is hip hop and electronic music. It’s taking chances. It’s experimenting. Even the stuff you hear on the radio (who even listens to radio these days?) is more inventive than what passes for rock these days.
The electric guitar is dead. I mourn it’s passing. But to put things in perspective, there was a time when the accordion was huge. Now it’s an instrument regarded as hokey and old-timey.
Before we get to today’s show I wanted to tell you about a game I just started playing called Vampire: The Masquerade. It’s a role playing game like Dungeons & Dragons but instead of warriors and wizards it’s based on vampires. And we’re playing the game with dice and paper and not on a laptop.
I confess, vampires aren’t really my thing but I’ve been having a blast. It’s been ages since I’ve been part of a role playing game and usually I’m the person running the game, so it’s fun to be a player character. I’m also tickled that my girlfriend is playing, too. When I tell her that she is my dream girl I don’t think she understands how much I mean that.
I won’t go into the game too much because I don’t know too much about it myself aside from what I’ve read on Wikipedia. But I’m really digging how the game incorporates the mythology of vampires and also how morality and humanity is also a very important part of the game. What I can tell you is that there are a bunch of clans of vampires and each clan has their strengths and weaknesses. There’s been a murder within the clans that could possibly throw everything into turmoil and me and my fellow players have been tasked to get to the bottom of things. Pretty dramatic, huh?
There are four of us. My girlfriend is playing a Nosferatu-like vampire who is also a hacker. Our friend Becky is playing a corporate-raider type on vampire and our friend Glenn is a biker vampire. Me? I’m playing an effete, club-footed vampire from the 19th century who is a cross between Oscar Wilde and Percy Bysshe Shelley.
I’ll tell you more about the game as we go along. And if you’re listening to today’s show and you also play role playing games I’d love to hear about your own experiences.
Queen “Bohemian Rhapsody (Played by 100+ year old fairground organ)”
I’m going to keep the introduction to today’s show short because I only have a little time to record this before we head out to see The LEGO Batman Movie at the nearby park. The kids and I have already seen it but my girl hasn’t. She’s not the comic book nerd that I am but she likes those kinds things well enough and indulges me in my nerdy. We’re also going to meet up with my new friend Blanca, and her family. So let’s get to today’s show before I have to leave.
On today’s show we’ll chat with Ned Raggett about the art of writing album reviews. Ned has been published in AllMusic, The Quietus, Pitchfork and many other fine publications. While I’ve been a deejay and a podcaster for several decades, I’ve only done the odd album review. If I’m going to do The Weekly Mix properly, I need to hone my skills at album reviews and who better to learn from than a master like Ned Raggett?
I’ve known Ned online for quiet a while and discovered him through my friend Steve Howard’s Facebook feed. I’ve always been impressed with his insightful album reviews as well as his political commentary. When I launched the Pop Culture Intelligentsia podcast I invited him to become a co-host because I respect his skill as a wordsmith and I knew he’d really add to the roundtable. Due to Ned’s busy schedule he rarely appears on the show but when he does he delivers the goods. The best example I can give was when Ned came on Pop Culture Intelligentsia to review Kendrick Lamar’s To Pimp A Butterfly album.
Before we get to today’s show I want to wish everyone a Happy Easter. I’m not a religious guy myself but any chance to spend a day with the people I love is okay by me. This Easter we had lunch with our friends Alex and Thelma. We get together with them on a regular basis for outdoor movie nights, Halloween parties and trips to wineries in Ensenada. This time Alex and Thelma had us over for barbecue and it was delicious! With summer around the corner I really need to step up my grill game. Fortunately, I have my Patio Daddy-O cookbook my friend Diana gave me for a birthday present oh, a couple of decades ago. I’m going to pay it forward and give a copy to our oldest for his birthday. Cooking on a grill is a rite of passage for men and having a recipes like Cracklin’ Sugar-Charred Cowboy Steak or Dragonbreath Corn on the Cob in your back pocket is a necessity.
I ate too much at Alex and Thelma’s because later we went to our friends Jason and Tawnya’s for Easter and dinner and I barely had room for another meal. That’s a damn shame because Jason is a chef and he had cooked up some smoked ham; a salad of mint, peas and and beets; and another salad with black carrots. Black carrots, who knew there was such a thing. And Tawnya made a cheesecake dessert that was half lemon meringue. So good! Oh, yeah, and they were plying us with ice tea made with homemade limoncello! I was uncomfortably full and wished I hadn’t eaten so much earlier.
At least I could eat. Our boy Townes had a bout of food poisoning and threw up almost a dozen times during the night. Poor boy! Between me and you, I suspect when my boy throws he calculates how much collateral damage he can do because he seems to throw up everywhere. His bed, the sheets, the floor… I was up at three in the morning mopping up his vomit and washing his sheets.
Anyway, Townes felt terrible and wasn’t up for barbecue or smoked ham or chocolate eggs or jelly beans.
I’m really excited about today’s show because it’s a great way wind down after a busy week. As I mentioned on the last show, last week my girl friend and I drove up to Los Angeles from San Diego to catch a rare performance by The Firesign Theater. A few days later I drove back up to Los Angeles to get fitted for a tailor made suit from Indochino for my brother’s wedding next month. There’s a good chance you heard about Indohchino on another podcast. At least that’s how I heard about them. I could have given Indohchino my measurements online but I wanted to be measured by an actual human being. I have to admit, I was impressed by Indohchino and now that they have my measurements I’ll order more clothing from them in the future. I’ll post a photo of the suit in a couple of weeks on my blog.
Last night my girl friend and my boy drove back up to Los Angeles again for the opening of a friend Mark Casillas’ new office. The name of his studio is Warm & Fuzzy and he and his partners do visual effects and animation for commericals, TV shows and movies like The Avengers and Star Wars. The party was great! There were food trucks, a bouncy castle, a deejay and lot of fun and interesting people to meet. You know, I used to hate Los Angeles but the more I go there the more I love. Except the traffic. I hate the traffic.
And today we took the kids to the Fleet Science Center in San Diego and then I took the kids and our dog to the beach. So, yeah, a busy weekend.
Click the links below to purchase and download the songs you liked from today’s show. You can spare a few dollars and you’ll be helping out the bands and musicians who are pouring out their hearts to touch you.
If you enjoy The Weekly Mix, share it with a friend. I’m looking at you, Ben. I know you like last week’s show.
Okay, time for me to amscray. Enjoy the show. I’ll see you next week!