Tag: dub

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SOUNDWAVE : 43 : STEVE SWARTZ

SOUNDWAVE : 43 : STEVE SWARTZ

Today’s guest deejay is Steve Swartz.

Some months ago, Jason Engling was a guest deejay on SOUNDWAVE (you can hear his mix here). After Jason’s show I asked who he thought might be interested in contributing to SOUNDWAVE, and he recommended Steve.

I’ve been a fan of Jason’s music since discovering him through my electronic music show, solipsistic NATION. If Jason recommended Steve, then as far as I was concerned, it was a done deal. I’m not disappointed with Steve’s mix, and neither will you. It’s a thing of beauty. It’s also a perfect way to wind down four years of a corrupt and inept presidency and an attempted coup. Whew!

Steve has some words about his mix below.

I want to note that Steve included a lovely track from Brian Eno. That’s not anything remarkable, given that Eno practically invented the ambient genre. What is impressive is that Eno pitch-shifted his voice, creating a vocoder-like effect. I usually hate that sort of thing, but Eno being Eno, the song gave me goosebumps. And when I looked over Steve’s playlist and saw that the track was by Eno, I thought to m myself, “That makes sense.”I thank Steve for introducing me to an Eno track I had not heard before.

Remote Listening: Rag Dun vs Life Garden
W. David Oliphant’s Remote Listening: Rag Dun vs Life Garden album

Before we get to Steve, I want to share with you the latest release from W. David Oliphant, who guest deejayed on SOUNDWAVE in September. The album is called Remote Listening: Rag Dun vs Life Garden. Oliphant describes remote listening as “the practice of seeking impressions about a distant or unseen target, purportedly ‘sensing’ with the mind.” Like everything else I’ve heard from Oliphant, his music is stepping into someone’s fever dream.

Join us next week when our guest deejay will be Ishmael Cormack.

See you then!

Steve Swartz
Steve Swartz

I don’t know anyone who escaped the intense gravity of 2020. In addition to a pandemic, this year also saw the unexpected passing of my father. A loss I’m still trying to process. I’ve spent a great deal of time contemplating death, disease, and division over the last several months. Music has always been my primary outlet of expression. As a result, I made a lot of music in 2020. (Four releases!) But as I land on the other side of them, I find myself increasingly feeling lost and out of place. I am often daydreaming about being somewhere else and unreachable. This sense has carried over into my music listening habits as well. I’ve desired quieter sounds that feel less tethered to a place or time. Fewer words. More feeling. To, perhaps, communicate something words cannot yet find. And that is what I have found in these songs over the last several months. To me, each of these pieces feels like rivers that drift or breeze stirring trees in a geography I would prefer to dwell. So I sit in these songs and let them fill my house throughout the days and evenings until, hopefully, I embody the spirit of their imagined origins.

  1. John Carroll Kirby “Canyon (Waiting Alive In A Canyon)”
  2. Brian Eno “And Then So Clear”
  3. 3617 “Orphans of The Sky”
  4. Dedekind Cut “Tahoe”
  5. Warmth “The Creek”
  6. Toshifumi Hinata “Misldsummer Night”
  7. Johnny Nash & Suzanne Kraft “Time, Being”
  8. The Blue Nile “From A Late Night Train”
  9. Gigi Masin “The Word Love (Original Mix)”
  10. Windy & Carl “Forest Trails”
  11. Arve Henriksen “Sorrow and Its Opposite”

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SOUNDWAVE : 35 : MELORMAN

SOUNDWAVE : 35 : MELORMAN

On today’s show our guest deejay is Melorman.

Antonis Haniotakis is Melorman and he comes to us through Stratos Pilos. Stratos works for Inner-Ear and SDM Records, two of the most active independent labels in Greece, and contacted my way back in August about featuring music from those labels on solipsistic NATION, my defunct electronic music podcast. I suggested that an artist from his roster guest deejay and here we are with today’s show.

Melorman’s mix is short and sweet and will take you through an emotional journey. It’s been the soundtrack to my Thanksgiving week and I know you’re going to love it. I hope to have Melorman on SOUNDWAVE with another mix in 2021.

Join us next week when our guest deejay will be Joel Shearer.

See you then!

Melorman
Melorman

Melorman is the alias of Greek electronic producer Antonis Chaniotakis. For over 20 years, the Athens-based artist has been making electronic music, ranging in musical style from emotional and ambient electronica to experimental and glitch.

His sound is instantly recognizable, and his music is often described as warm and commanding, seeking to inspire nostalgia and create an emotional imagery through sound. The melodies are aerial and fluffy, often changing frequently. Melorman attempts to reach and capture the ultimate feeling and embodiment that melody has on the human emotional state.

He has released music on various labels such as Sun Sea Sky Productions, SymbolicInteraction, Archaic Horizon, Summer Rain Recordings, Shima Records, IVDT, CCT Records, Sixteen Steps Records, and Envizagae Records.

  1. Aiora “Cinnamon”
  2. Melorman “Eliquis”
  3. Hidden Orchestra “Palace End”
  4. naono “Untitled Merrow”
  5. Purl “Seraphine Tears”
  6. Porya Hatami “Fen (Segue Remix)”
  7. Illuvia “Summer Cloud”

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SOUNDWAVE : 29 : protoU

Today’s guest deejay is Sasha, AKA, protoU!

A few months ago Dronny Darko came on the show with a killer mix. As usually, I asked Dronny who he knew personally who would be interested in sharing a mix of their own for SOUNDWAVE and Dronny recommended protoU. It’s a dark and mysterious that’s both ethereal and earthy. Sasha’s mix resonates with me because it is reminiscent of the first two albums that introduced me to ambient music, Brian Eno’s Ambient 4: On Land and Apollo: Atmospheres and Soundtracks. Sasha’s mix also include’s Hivetribe’s “Uthernno”, which features one of my favorite recording of a 1950s housewife trying to describe a LSD experience.

You will not be disappointed with Sasha’s mix. I’ve had her mix on repeat for weeks and I still find something new in it.

In other news, this tiny show dedicated to niche genres of music that I launched to help cope with the stress of COVID-19 is growing ever so slightly, which is gratifying.

I don’t do much to promote SOUNDWAVE because it’s not that kind of show. It really is a form of therapy and I’m touched by every guest deejay’s generosity. I’m also moved that you, dear listener, take time out of your no doubt busy week to experience the mixes offered on this show. Maybe it’s time to share this show with more people. If you know of someone that you think would enjoy SOUNDWAVE, grab their phone and subscribe them to the podcast.

Join us again next week when our guest deejay will be… let me check my schedule… me!

protoU
protoU

  1. Alphaxone & protoU “Consumed”
  2. protoU “Transparent Clusters”
  3. protoU “Unreal Symbols”
  4. protoU “Dai Robsa Preah”
  5. Dronny Darko & protoU “Riparian Forest [300 million years ago]”
  6. Dronny Darko & protoU “Everything”
  7. Untitledcloud “Waves”
  8. Untitledcloud “Abstractions”
  9. Hivetribe “Herbquake”
  10. Hivetribe “Uthernno”

Subscribe to SOUNDWAVE on iTunes, Overcast, Castro and Pocketcasts.

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SOUNDWAVE : 9 : KIRK MARKARIAN

SOUNDWAVE : 9

When I launched SOUNDWAVE I didn’t have a plan for the show beyond being a coping mechanism for COVID-19. The first could of weeks under the safe at home lockdown I was white-knuckling it every day. We’re we going to enter a Great Depression? A lot of the shelves in the supermarket were bare. When I used the keypad to pay for my groceries there was an undercurrent of anxiety. Would touching it might end up killing me? I’m sure you experienced your own version.

It became clear one of the few things that was providing solace was the ambient, classical, experimental and instrumental music I was listening to. I reasoned that if the music was listening to was giving me some relief then other folks might as well. And producing a monthly show would also provide a welcome distraction from my fears.

That was it. That was the plan.

But I quickly decided to update SOUNDWAVE’s schedule to a weekly basis for as long as the safe at home orders were in place. Almost immediately afterwards I began inviting guest deejays to contribute mixes to the show.

I did not anticipate was everyone’s generosity. Nearly everyone I asked to sent me a mix and as I write this I have shows scheduled to September. I’m tempted to release all the shows all at once à la Netflix so you can listen to the mixes à la carte. It feels criminal to have all this wonderful music to myself only to dole it out to you once a week.

When I made the decision to invite guest deejays to share their mixes I reached out to people I knew from my electronic music podcast, solipsistic NATION. One person I contacted was David Newman, founder of Audiobulb Records. I never had the opportunity to have David on the show but I was hoping to have him contribute a mix to SOUNDWAVE. David wasn’t able to participate but he did introduce me to Gert De Meester of Distant Fires Burning and Kirk Markarian of Neuro… No Neuro.

Kirk is our guest deejay today. I knew the show was in good hands when I listened to Kirk’s Electronic Frequencies, an excellent program on Concertzender Radio in Utrecht, that features ambient and experimental composers. More great music for us to enjoy!

Before Kirk talks about his mix I encourage you to purchase one or more of the songs you enjoyed on today’s show. The artists pour their hearts into each track. Your purchase of songs or albums helps them continue working on their craft but also puts food on their tables and a roof over their heads.

See you next Sunday. Our guest deejay is Planet Boelex!

 

Kirk Markarian
Kirk Markarian

This mix begins with a track by NOEL-KIT – “Summertime” – from their album, Tokyo Noise. Sounds pan about the audio field, growing, fading; bursting from underneath NOEL-KIT’s enthusiastic interpretation of the season.

Following this, we move into “Edall” by Autistici from their album Beneath Peaks. Almost like breathing, the track pulls one in and cycles to and fro until the cycle speeds up, and becomes off-kilter, shifting the listener into a gentle, calm, yet shiny future.

From there, out of the soothing wash, we have a longer track by the artist Distant Fires Burning – “Science Stops…” – from their album Build on Me. Starting with a beautiful electric keyboard sound that echos softly into the distance, the track blends into a harmonic freeze that shifts the listener into a hazy field.

From there, a soft segue into Wil Bolton’s long play “Woven Geometry” from their album Viridian Loops begins. Field recordings exist throughout the entire track while beautiful synthetics pulsate fade in and out around the beautiful padding underneath the entire piece.

For the final track, we fade into an uplifting rhythmic piece by mg&mw – “Seagulls” – off their album All Steamed Up. Analog synths, harmonica, bass, and electric percussion all blend into a very catchy tune that places the listener directly into a moment.

  1. NOEL-KIT “Summertime”
  2. Autistici “Edall”
  3. Distant Fires Burning “Science Stops…”
  4. Wil Bolton “Woven Geometry”
  5. mg&mw “Seagulls”

Subscribe to SOUNDWAVE on iTunes, Overcast, Castro and Pocketcasts.

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SOUNDWAVE : 6 : JAMES CURCIO

SOUNDWAVE : 6

Today’s guest deejay is James Curcio.

I met James years ago back when I was hosting the small WORLD podcast. I was part of the second wave of podcasting and I was small WORLD as the punk rock Fresh Air. If by punk rock, you mean badly played music on out of tune instruments. Anyway, James Curcio was one of my guests and I believe we we talked about his book, Join My Cult!

During the course of producing small WORLD I noticed that James would pop up again again in various circles. Into culture jamming? James was there. Interested in philosophy. James is your man. Writing? James. Music? James again. Magick? Also James.

When I was putting together a list of guest deejays for SOUNDWAVE I included James because I was curious what kind of mix he’d put together. I suspected it would be a playlist that included Coil, Current 93 and Dead Moon. You know, some sort of musical art project attempting to turn lead into gold. Instead, I got a mix of David Bowie interspersed with industrial and Nordic folk music. Did not see that coming.

Before I let James introduced this week’s show, I want to thank everyone who is listening to the show and the kind words they’ve shared. I just ask that you do it in on iTunes. Leave SOUNDWAVE a quick review and whatever algorithm Apple uses pushes the show up their podcast charts. SOUNDWAVE is a super niche show so I don’t expect that it’d take much.

Come back next week. Out guest deejay will be electronic musician Frank Riggio.

 

James Curcio
James Curcio

This mix was probably inspired by spending 3 years writing and researching MASKS: Bowie & Artists of Artifice (especially the themes that come up in this long-form blog post, Masks All The Way Down). But it’s not a “Bowie mix” as such: mortality, futility, transience, being lost in the simulacra, isolation during coronavirus… and some great beats. Everything in our lives feel so fragile now, but of course the truth is it always was. The outro track is an original remix of Nine Inch Nail’s “Me I’m Not” that I did like 10 years back, and some live studio outtakes from a mushroom party.

  1. IAMX “Stardust (Video Mix)”
  2. David Bowie “No Plan”
  3. Forest Swords “Panic”
  4. David Bowie “Love is Lost (Hello Steve Reich Mix)”
  5. Eivør “Í tokuni” (lyrics translation)
  6. David Bowie “The Motel/Sunday”
  7. Onuka “Zenit (intercut with sections of Davi Bowie’s ‘Sunday’)” (lyrics translation)
  8. Perturbator “Tactical Precision Disarray”
  9. Igorrr “Downgrade Desert”
  10. SKYND “Tyler Hadley”
  11. David Bowie “Killing A Little Time”
  12. Nine Inch Nails “Me I’m Not (James Curcio Original Remix)”
  13. James Curcio “Mother Hive Brain (Recorded at OrangeFace)”

Subscribe to SOUNDWAVE on iTunes, Overcast, Castro and Pocketcasts.

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SOUNDWAVE : 5 : VINCE MILLETT

SOUNDWAVE : 5

I’m writing the show notes you’re reading from my backyard. Vince Millett’s mix, today’s guest deejay, plays in the background. The sun is out, the sky is blue, birds are chirping and my dog is smelling a flower. It is an idyllic day. Except that it’s week seven of California’s safe at home. COVID-19 has completely disrupted civilization and we’ll feel the aftershocks for years, if not decades, to come. So, yeah except for that, I’m having a fantastic day.

Today’s mix, by the way, is spectacular.

Opening the show to guest deejays has been a great idea because it’s really exposed me to so many musicians I’ve never heard before. I was counting on Vince to turn me on to some great stuff and his mix does not disappoint. It is exactly why he was one of the first people I asked to guest deejay on SOUNDWAVE.

I met Vince eight years ago on Twitter. I was impressed with his netlabel, Broken Drum Records, and his podcast, Secret Archives of the Vatican, and invited him to be a guest deejay for solipsistic NATION, my electronic music podcast. You’ll want to listen to that episode as soon as you’re done with today’s show. Vince’s taste in music leans towards the Asian and Middle Eastern and that is reflected in today’s mix. Each song is a gem. Dhafer Youssef’s “Dawn Prayer,” for example, is gut wrenchingly beautiful

Vince will talk about his musical selections below but before I go, I want to thank everyone who has sent the mixes you will hear in the upcoming months.

In just a few short weeks I’ve received a lot of mixes for SOUNDWAVE from some amazing guest deejays. It’s humbling how everyone were so quick to respond to my requests and their generosity of their time.

Last week’s show featured a gorgeous mix by Steven Howard. Next week’s guest deejay is James Curcio and his mix was inspired by the three years he spent writing and researching for his book, MASKS: Bowie & Artists of Artifice, and is a meditation on mortality, futility, transience, being lost in the simulacra and isolation during the coronavirus.

See you then.

 

Vince Millett
Vince Millett

We open with “Kemancheh” by Moving Ninja. Some years back when I was first discovering dubstep, the folk music of my hometown Croydon, I was surprised to find tracks like this that were far away from the dancefloor and had some middle eastern influences. Genre labels can be so limiting and misleading.

We then move into one of my own, “Outremer” by Thousand Yard Prayer. This is built upon a simple Viola Da Gamba line playing an Arabian musical scale with some medieval frame drums, a Persian ney flute and some subtle Croydon post-dubstep bass wobble adding to the low end.

Tunisian born oud player and vocalist Dhafer Youssef then leads us into the exquisite “Dawn Prayer.” His music gets marketed as jazz but I’m not convinced. It is unique. Listen to that voice!

Next we head towards the world of film soundtracks with “Eastern Path” by Vangelis from the film Alexander. The duduk is one of the most expressive and melancholy instruments on the planet.

We continue to head east with “Battle Remembered” by Yo Yo Ma and the Silk Road Ensemble. I’m not a huge fan of western classical music but I love to hear musicians from that world working with highly skilled musicians from other traditions.

Bassist Jonas Hellborg recorded “Suriya” live in Aleppo in 1996. The whole album, Aram of the Two Rivers, is beautiful and is another example of superb musicians from disparate traditions creating something transcendent.

I finish this mix with my favourite piece of medieval music, “Palästinalied,” here played by Kalenda Maya from their album Pilegrimreiser. I have a Spotify playlist with 42 versions of this tune, all sounding different. This is a particularly chilled rendition.

  1. Moving Ninja “Kemancheh”
  2. Thousand Yard Prayer “Outremer”
  3. Dhafer Youssef “Dawn Prayer”
  4. Vangelis “Eastern Path”
  5. Yo-Yo Ma & The Silk Road Ensemble “Battle Remembered”
  6. Jonas Hellborg “Suriya”
  7. Kalenda Maya “Palästinalied”

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Weekly Mix 27: July 9, 2017

Last night my girlfriend watched I T2 Trainspotting. I haven’t seen Trainspotting since it was released back in 1996 and I thought it’d be fun to revisit those lovable junkies and hooligans from the first movie. And it was fun. The dialogue was whip-smart and the cinematography was was breathtaking and the actors were fantastic. But it was fun in a Trainspotting sort of way because it you remember the first movie it was about a bunch of Gen X kids who use heroin because they’re lives have been hallowed out by Thatcherism, consumerism and boredom. In T2 Trainspotting we get to revisit those characters except this time they’re older, a little thicker in the middle and they’re nostalgic while at the same time they’re considering they’re mortality.

I’m a Gen X kid. I’m older. I’m a little thicker in the middle. I think about my mortality. But I’m not nostalgic. The 90s were just another decade for me and then I moved on. Each decade had it’s peaks and valleys and some friends dropped out of my life but they were replaced by new friends. But the 90s were special, special to me, anyway, because I was a young man with a bright future ahead of me and my life was so vivid because I was experiencing everything for the first time. I got to fall in love as an adult for the first time. I also got to experience my first heartbreak as an adult. I got to meet friends for the first time that I’ll probably know until the day I die. Or until they die. Hopefully they go first.

And I was always listening to music and the first five songs you’ll hear on today’s show were part of the soundtrack to my life at that time. The stuff is heavy. As usual, I listened to a lot of different kinds of music back in the 90s, everything from hip hop to avant-garde jazz, but hardcore and industrial was the music that I really responded to. Can you blame me? America was fighting in the first Gulf War and it was clear that it was going to come back and bite us in the ass further down the road. The Republican and Democratic parties were just starting to become recalcitrant and hyper-consumerism was becoming a cultural value.

I’ll see you again next week. I promise it won’t be as heavy as today’s show. See you then!

  1. Godflesh “Love Is A Dog From Hell”
  2. Bastro “(I’ve) Ben Brown”
  3. Loving Six “U.S. World”
  4. Gore “Mean Man’s Dream”
  5. Head of David “Dog Day Sunrise”
  6. The Bug & Earth “Dog (feat. JK Flesh)”
  7. Pale Sketcher “Plans That Fade (Faded Dub)”

Illustration: GDBee ©2017

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Weekly Mix 11: March 19, 2017

This week my girl friend and I started a 30-day juice fast. That’s right, 30 days of drinking vegetable and fruit juice instead of eating meals. I’ve done something like this before when I drank Soylent for a month. But this is different. It’s definitely more of a challenge. For some reason, when I was drinking Soylent for a month I barely missed food. But when I’m drinking juice all I can think about is food. Not that I’m hungry. I just want something with texture in my mouth. Crunchy things like popcorn or potato chips are always on my mind. Or barbeque. Or a wad of hot, gooey cheese. And when I go into a supermarket or a restaurant, I smell everything.

But I like challenges like this because anything that breaks you out of your routine makes you see the world and your life in a different light. For example, until I started this juice fast I didn’t realize how many little rituals I have about food. For example, on Friday nights I’ll usually eat somethingthat’s a little saltier and a little fattier than I normally eat as a reward for making it though the week. I’m sure we all do that, right? Maybe treat ourselves to an ice cream or something? I’m hyperaware about all that stuff now.

And I’ll be honest with you, I’m never excited about drinking a glass of vegetable and fruit juice. It tastes okay but I don’t crave it like I’m currently craving some rolled tacos.

And then there are the side effects: the headaches, the hunger pains, I’m tired, and my tongue is emitting a layer of white gunk. All this stuff is supposed to pass in the first few days and then I’ll start feeling energized and my cravings will change from my normal diet to a healthier, green diet. But I have to get past these first few days. On the plus side, I’ve lost almost six pounds in the first two days, so it’s not all bad.

I’m happy to chat with you about this if you’re interested. Just hit me up on Twitter. But if you want to see the documentary that inspired us to take the plunge to do this 30-day juice fast ,then I suggest going to Netflix or Amazon or whatever and watch Fat, Sick and Nearly Dead. The doc follows this guy Joe Cross on his 60-day juice fast and his trip across America. I’m not being evangelical about this, because believe me, I can’t wait to eat a cheeseburger. But if you’re interested, go watch the flick.

Okay, let’s get to today’s show. I’m sure me talking about my 30-day juice fast is not the most exciting thing in the world.

You can find me online on Twitter at josephaleo or at my website at josephaleo.com While you’re there, click the links to purchase and download any of the songs you like from today’s show. It’s a simple way to show them your love and support. And if you want to support The Weekly Mix, tell a friend about the show. No need to keep The Weekly Mix to yourself, there’s plenty to go around.

You can listen to The Weekly Mix every Sunday on KAOS Radio Austin at 6PM Central and every Friday on Bondfire Radio out of Brooklyn at 11:30 AM Eastern Standard Time.

Time for me to bug out. See you next week!

  1. Walter Martin “Sing to Me”
  2. The Exquisites “Count on Me”
  3. Mateo Katsu “Nag Hammadi 1276”
  4. Pleasurekraft “Rigel (Orginal Mix)”
  5. Kid Cudi “Kitchen”
  6. Lily Allen “Smile”
  7. Keith Hudson “Depth Charge”

Illustration: GDBee ©2017

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Weekly Mix 8: February 26, 2017

From time to time The Weekly Mix features interviews. In the past we’ve chatted with artist Geneva B, KAOS Radio Austin co-founder, Nick Dement and Bondfire Radio founder Keisha Dutes. On today’s show we’ll talk with the members of The Brevet, who I had the pleasure of chatting with before the performed at Lestat’s here in beautiful San Diego. There’s a bit of static that creeps into the interview here and there and I apologize for that. It’s the first time I’ve done an interview on live streaming video and I’m learning how to do it on the fly.

Today’s show has a lot of introductions. The most introductions ever, in fact. We’ll hear from Indian Handcrafts, All Natural Lemon & Lime Flavors, Pulco, Ash Walker and Tangents.

Click the links below to download and purchase the songs you heard on today’s mix that you liked. Show the bands and musicians your love and support!

You can listen to The Weekly Mix every Sunday on KAOS Radio Austin at 6PM Central and every Friday on Bondfire Radio out of Brooklyn at 11:30 AM Eastern Standard Time.

Okay, I’m Audi 5000. See you next week!

  1. The Brevet “Moving Mountains”
  2. Interview with The Brevet
  3. Indian Handcrafts “Bruce Lee”
  4. All Natural Lemon & Lime Flavors “Saturn Jig”
  5. Nisennenmondai “#1”
  6. Klara Lewis “Beaming”
  7. Pulco “Oxbow Lake (feat. Adam Leonard)”
  8. Ash Walker “Thunder (feat. Lord Saville)”
  9. Tangents “Oberon”

Illustration: GDBee ©2017

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solipsistic NATION No. 310: Mutamassik, Live

Today on solipsistic NATION we’ll hear a live set from Giulia Loli from Mutamassik, which was originally recorded for Fari Bradley‘s Six Pillars radio show on Resonance FM to promote Giulia’s 2012 release, Rekkez, out on Ini.itu Records. In fact, there are quite a few tracks from Rekkez on today’s live set.

We’ll also talk to Giulia about balancing artistry with industry, and her growth as an artist, musician and as a DJ.

Today’s show is eight years in the making.

When I launched solipsistic NATION podcasts were a new thing and most people didn’t know what a podcast actually was, which made it difficult when I would email labels and ask for them to send me promotional CDs for the show. And even if a label knew what a podcast was I didn’t have the audience that I do now, so why mail out music to show that only had a few hundred listeners? I can’t blame them, really.

But one label I did approach was generous enough to send a CD. I had read a review about Mutamassik’s album, Masri Mokkassar: Definitive Works in XLR8R, back when it was still a print magazine. Definitive Works had been released by Sound-Ink Records and they sent me Mutamassik’s LP without questions or hassle.

Like I said, podcasts were an unknown quantity back then, so it meant a lot to me that Sound-Ink took me seriously enough to send me Mutamassik’s album. And it was a great album! I played it on the show and I played it on my iPod constantly. Someday, I told myself, I’m going to have Mutamassik on the show as a guest so I could get to know the person behind all this fantastic music!

That day is today. It took months of planning and aligning our schedules but it finally happened.

Join us again next week. I’m still getting my ducks in a row but I think our guests will be Known Rebel‘s Germán Escandell and Jaime Irles.

See you then!

  1. Mutamassik “Babomb”
  2. Interview with Giulia Loli of Mutamassik
  3. Mutamassik “Live”