Today’s guest deejay is Mike Cadoo, the founder of n5MD, a much loved and respected independent record label based out of Oakland, California. n5MD focuses on ambient, modern composition, post-rock, and experimental electronic music.
As a long-time fan of n5MD, I showcased Mike’s label on solipsistic NATION, my electronic music show, years ago. Mike guest deejayed on Soundwave in 2021 and returns today with a much-needed mix for me.
I can’t go into the details, but last week I nearly died. You’d never know it by looking at me. Physically I’m fine. But I’m shaken. I find that I quickly get emotional about things. Sometimes I have a profound respect for life, all lives. Sometimes I’m filled with existential despair. I’m told this will pass in a few months. In the meantime, I’m having these overwhelming experiences.
Mike doesn’t know this, but his mix helped get me through the week.
Mike has some words about today’s mix below.
Join us next week when our guest deejay will be Giulio Aldinucci.
See you then.
My song, “Sunrise at Ironhorse Trail,” included in today’s mix, is from a release that I will be releasing on my personal Bandcamp page on World Alzheimer’s Day. My father passed this January in what can best be described as complications due to mixed dementia. All proceeds will be donated to Hope Hospice, which was very integral in the comfort of my father in the last days of his life, as well as, and maybe even more importantly, my mother’s grief counseling after his passing.
I’ve been a fan of Alex’s music since the last century. It feels strange to write that, but it’s true.
I discovered Alex on his Cypher 7 album, Decoder that he recorded with Jeff Bova. Decoder came in all all-back CD jewel case. Very mysterious and very sexy. Decoder was released on Strata, Bill Laswell’s sub-label of Subharmonic Records, and that was all I needed to know in my decision-making process to purchase the album. I was not disappointed. Decoder was as mysterious and sexy as its CD case. The music was minimal, sinuous, and entrancing.
Alex Haas
I’ve been listening to Alex’s music over the decades. When his album, The Woods, recorded with Michel Banabila and Bill Laswell, popped up on my Spotify Discover Weekly playlist, I immediately invited Alex to guest deejay on Soundwave.
Alex’s mix is exactly what I expected and delights with music from unexpected sources. You’re in for a treat.
Before I get out of here, I want to wish everyone happy holidays.
I also encourage you to followGenius and Soul on your favorite podcast app. Genius and Soul is a weekly show featuring jazz, Black classical music, and more, with mixes lovingly selected by our guest deejays. Our first guest deejay will be legendary composer, pianist, singer, and flautist Brian Jackson. Genius and Soul launches on January 1, 2022.
Join us next week when our guest deejay will be iu takahashi.
I follow all the guest deejays on Twitter (check my SOUNDWAVE list here), and the Hypnagogue Podcast kept turning up on Kirk Markarian’s Twitter feed. I trust Kirk’s taste in music, so I listened to a few episodes of Hypnagoge. I loved everything I heard and invited John to guest deejay on SOUNDWAVE.
John’s mix is everything you’d expect in a SOUNDWAVE mix, but what especially delighted mas his selected dub tracks.
I’ve been a fan of dub since last century.
I first became aware of dub when I read William Gibson’s cyberpunk classic, Neuromancer. In the novel, Case, our protagonist, finds himself in a Jamaican space colony called Zion.
Case gradually became aware of the music that pulsed constantly through the cluster. It was called dub, a sensuous mosaic cooked from vast libraries of digitalized pop; it was worship, Molly said, and a sense of community.
I was intrigued by that mysterious description. Shortly afterwards I came across the 21st Century Dub album on ROIR. I was hooked and became a dub devotee. I even adopted the persona of a character called King Dub. I’d speak with an Jamaican patois, and combined with some echo and pitch-shifting, I became a deejay from the deepest realm of dub spinning tracks from everyone from Ras Michael and The Sons of Negus to The Orb.
When I launched SOUNDWAVE I assumed there would be a lot of dub. The genre is a natural fit for the format of those show. I’ve been disappointed that dub has been a blind spot and I’m relieved that John is the first guest deejay to include dub tracks in the mix. Hopefully he won’t be the last.
Join us next week when our guest deejay will be Roedelius. Check out his livestream concert here.
John Shanahan
The Hypnagogue Podcast began over a decade ago as an offshoot of the Hypnagogue Reviews site, which I ran from 2003 until 2017, when I decided I didn’t have anything worth saying anymore. Now the music does the eclectic talking for me every two weeks, built from the amazing range of music sent my way.
I laid down this Soundwave mix as I do my own show—picking an interesting place to start and following a stream of semi-conscsiousness through my library to see what associations arise. So we kick off with haunting sound-sculptor Joe Frawley and move with the piano into the sparse, emotional spaces of Memory Bell. The Detroit76, a Matt Borghi side project, shifts us smoothly into beat-driven groove territory, segueing into tasty licks from Austin funk-dub duo Canartic, which melts neatly into into vintage Cyberchump. Forest Robots offer a bridge by way of plucked-string tones in a wash of electronica, and Corciolli & Emmanuele Baldini use it to escort us further intro electro-acoustic territory. That put me in mind of the modern chamber music of Domingues and Kane, after which we flick the switch to Tim Story’s brand of electronic chamber music. At the end, the ride finishes courtesy of the person who brought my show to Joseph’s attention in the first place, Neuro…No Neuro, aka Kirk Markarian.
Innesti’s mix concludes my deep dive of musicians I’ve discovered on Bandcamp and invited to deejay on SOUNDWAVE.
Innesti
When I found Innesti on Bandcamp, I immersed myself in their music. I think it was Brian Eno who described ambient music in a metaphor of a painting: you can either have the painting as something that’s part of your background and enjoy it on that level, or you can choose to shift your focus to the painting and experience it at that level. Innesti’s music definitely fulfills those categories but awards active listening.
I’m listening to some of Innesti’s music as I write this. It’s the golden hour, and the kitchen I am writing you from is magically lit, and Innesti is providing the soundtrack to this enchanting moment.
I’ll most definitely feature more artists on Bandcamp on the show in the future, but not at the same volume.
If you’re unfamiliar with Bandcamp, it’s a service that sells music and gives musician and music labels a fair percentage of money generated from sales on Bandcamp.
The pilgrimage to Amoeba Music
Speaking of buying music, yesterday we took our son to Amoeba Music in Los Angeles. He recently got into vinyl, so and I’m happy to indulge him. California has leveled off on COVID-19 infections enough that the state is opening business to the public. Even so, there was a long line to get in the building because they can only admit people in at lowered numbers for everyone’s safety.
As soon as you feel safe enough, I encourage you to head out to your local music store and pick up some albums for yourself or someone as a gift. You or they deserve it, and your local music store needs your support.
Join us next week when our guest deejay will be John Shanahan, host of the Hypnagogue Podcast.
I ask each guest to deejay who they know who would be interested in participating in the show with a mix. Harrold Roeland, who was a guest deejay on Soundwave back in December, suggested Peter. I’ve known about Ambientblog for years and have listened to many of Peter’s mixes on Mixcloud. I’m thankful that Harrold made the introduction because Peter’s mix is exceptional.
Peter’s Soundwave mix.
Mix is not the word for what Peter does on today’s show.
It’s more accurate to say that Peter composed a concept album masterfully weaved from a multitude of sampled material. Take a look at the “playlist” below to get an idea of the scope of today’s show. It’s a work of art you get to immerse yourself in for the next hour.
Peter’s mix, like all of his Ambientblog shows, is an experience. Follow Ambientblog on Mixcloud to hear more of his work.
I’ve included an excerpt about today’s show from Peter’s website below.
Today’s show is special because it’s also Soundwave’s one-year anniversary.
I launched Soundwave to help me cope with the stress and isolation of COVID-19.
This close to what we all hope is the finish line of the pandemic its easy to forget that we were all white-knuckling it for the first couple of months. Every day was filled with existential dread. Would this trip to the grocery store kill me or someone I love? It’s exhausting to live that way.
During that time, I could not watch tv or movies or listen to music because they were not speaking to the truth of our new reality. I’d watch a tv show and fret how there was no social distancing and why the cast wasn’t wearing masks. Pop music was particularly difficult to listen to because it was so painfully vapid. How am I supposed to enjoy a love song when I might be a patient or a vector in this pandemic?
The only music that I could tolerate and gave me solace was ambient, classical, experimental, and instrumental music. It was the soundtrack for my stay-at-home lockdown. And if I found some relief with this music, why not share it with others? Any why not ask people I respect to share their mixes?
I’m humbled by everyone’s gift of generosity of time and effort. We’re all going through this together, each in our way. I’m grateful that during this pandemic that each guest deejay lovingly crafted mixes to share with us.
My first vaccination shot.
Today’s show is also special because today, I also got my first shot for the COVID-19 vaccination.
I was shopping for groceries when the Mercy Plaza Pharmacy called me and told me they had extra doses. Could I stop by for a vaccination? Most definitely.
My cilantro stymied the woman who was ringing up my items at the grocery store: were they regular cilantro or organic? She was about to do a price check when I explained that I needed to get the hell out of there to be vaccinated. I didn’t care about the cilantro’s cost; ring me up so I can leave! She understood.
The folks at Mercy Plaza Pharmacy couldn’t be nicer. They’re a family-owned business, and the owner checked up on me after my shot to see how I was feeling. We talked about San Diego, Sacramento, and our kids. This is going to sound weird, but I had such a great time that I can’t wait to go back.
So here we are a year later. We’re almost at the finish line. Hopefully, next year, this will be behind us, and we can all enjoy each other’s company. I’m looking forward to meeting some of you in person. Maybe I’ll even get to meet Peter.
Join us next week when our guest deejay will be Michał Milczarek.
See you then!
Ambientblog album art.
It’s my honour to open the second year of this series with my contribution. Of course, we can only hope that the series will continue for musical reasons, not because of the pandemic.
Clicking through the list of contributions, you’ll find that most of them are what I call mixtape-style compilations: a head-tail-mix of (full) tracks. Traditionally, my (Ambientblog) mixes are different (which does not mean necessarily ‘better’, by the way) in that they incorporate many sampled parts of tracks (a full-length track is either an exception or a very short track itself), mixed in a layered collage-style. I always try to shuffle the collage’s fragments so that they seem to melt together and thus start telling a different story.
Whether this is successful or not can only be determined by the listener.
This mix is simply named after the podcast Soundwave. It is a happy coincidence that it literally starts with waves—sonically manipulated by Jos Smolders—and ends with the same waves morphing into the sound of a cheering crowd.
Different kinds of soundwaves are all around us, every moment. Sometimes we’re aware; most of the time, we are not. This mix (hopefully) shows that it can be rewarding to take a moment’s rest to really listen and let the sounds affect you.
Some months ago, Jason Engling was a guest deejay on SOUNDWAVE (you can hear his mix here). After Jason’s show I asked who he thought might be interested in contributing to SOUNDWAVE, and he recommended Steve.
I’ve been a fan of Jason’s music since discovering him through my electronic music show, solipsistic NATION. If Jason recommended Steve, then as far as I was concerned, it was a done deal. I’m not disappointed with Steve’s mix, and neither will you. It’s a thing of beauty. It’s also a perfect way to wind down four years of a corrupt and inept presidency and an attempted coup. Whew!
Steve has some words about his mix below.
I want to note that Steve included a lovely track from Brian Eno. That’s not anything remarkable, given that Eno practically invented the ambient genre. What is impressive is that Eno pitch-shifted his voice, creating a vocoder-like effect. I usually hate that sort of thing, but Eno being Eno, the song gave me goosebumps. And when I looked over Steve’s playlist and saw that the track was by Eno, I thought to m myself, “That makes sense.”I thank Steve for introducing me to an Eno track I had not heard before.
W. David Oliphant’s Remote Listening: Rag Dun vs Life Garden album
Before we get to Steve, I want to share with you the latest release from W. David Oliphant, who guest deejayed on SOUNDWAVE in September. The album is called Remote Listening: Rag Dun vs Life Garden. Oliphant describes remote listening as “the practice of seeking impressions about a distant or unseen target, purportedly ‘sensing’ with the mind.” Like everything else I’ve heard from Oliphant, his music is stepping into someone’s fever dream.
Join us next week when our guest deejay will be Ishmael Cormack.
See you then!
Steve Swartz
I don’t know anyone who escaped the intense gravity of 2020. In addition to a pandemic, this year also saw the unexpected passing of my father. A loss I’m still trying to process. I’ve spent a great deal of time contemplating death, disease, and division over the last several months. Music has always been my primary outlet of expression. As a result, I made a lot of music in 2020. (Four releases!) But as I land on the other side of them, I find myself increasingly feeling lost and out of place. I am often daydreaming about being somewhere else and unreachable. This sense has carried over into my music listening habits as well. I’ve desired quieter sounds that feel less tethered to a place or time. Fewer words. More feeling. To, perhaps, communicate something words cannot yet find. And that is what I have found in these songs over the last several months. To me, each of these pieces feels like rivers that drift or breeze stirring trees in a geography I would prefer to dwell. So I sit in these songs and let them fill my house throughout the days and evenings until, hopefully, I embody the spirit of their imagined origins.
I discovered Pavlo while perusing artists on the Cryo Chamber label on Bandcamp. Cryo Chamber has been one of my favorite music labels since being introduced to them through a friend who played music from their catalog to provide the soundtrack to our Vampire: The Masquerade game sessions. I’ve never heard a Cryo Chamber release I didn’t like; there are just some I like more than others. I was hooked when I heard Pavlo’s Exo album. It’s as dark, ominous, and cinematic as everything else on Cryo Chamber but with a science fiction-horror vibe.
That’s not to say that Pavlo’s mix for today’s show sounds like that. But it's undoubtedly moody, atmospheric, and beautiful. I’ve been listing to it all week, and it’s exactly what I needed to help get me through Trump’s attempted coup here in the U.S. and 4,000+ dying a day from COVID-19. It’s surreal that I just wrote that sentence, but here we are.
Elliott Sharp’s Filiseti Mekidesi album
Before I go, I wanted to mention that last month Elliott Sharp (who did a mix for SOUNDWAVE) released his new album, Filiseti Mekidesi. The album is a meditation on the search for safety and neutrality, a place free from danger. It’s an opera, yes, but it’s an opera by Elliott Sharp, so it’s as unique and distinct as the rest of his oeuvre.
Join us next week when our guest deejay will be Mike Cadoo, founder of the record label, n5MD.
Frank Riggio’s Empreinte Initiale EP
