{"id":90,"date":"1996-02-17T12:00:16","date_gmt":"1996-02-17T12:00:16","guid":{"rendered":"http:\/\/josephaleo.com\/blog\/?p=90"},"modified":"2015-01-04T23:08:30","modified_gmt":"2015-01-04T23:08:30","slug":"february-17-1996-%ef%bb%bf%ef%bb%bfpart-2%ef%bb%bf%ef%bb%bf-wmfo-91-5-fm","status":"publish","type":"post","link":"http:\/\/josephaleo.com\/blog\/february-17-1996-%ef%bb%bf%ef%bb%bfpart-2%ef%bb%bf%ef%bb%bf-wmfo-91-5-fm\/","title":{"rendered":"February 17, 1996 \ufeff[\ufeffPart 2\ufeff]\ufeff | WMFO 91.5 FM"},"content":{"rendered":"<body><p>This week the Wayback Machine unceremoniously dumps into the middle of a show in February 17, 1996. Do I even need to say it at this point? Lot of new followers on Mixcloud this week so I will\u2013this your typical freeform show. Which is ti say there\u2019s nothing typical about it. This one has a lot of melancholy indie pop, some electronica, some reggae\/dub and a whole lot more.<\/p>\n<p>This one goes out to Eric and Charlotte and their family unit.<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"180\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fbazookajoeshow%2Ffebruary-17-1996-part-2-wmfo-915-fm%2F&amp;embed_uuid=0c194e21-1375-45eb-8c68-f1c0d83a74a6&amp;replace=0&amp;hide_cover=1&amp;light=1&amp;embed_type=widget_standard&amp;hide_tracklist=1\" frameborder=\"0\"><\/iframe><\/p>\n<ol>\n<li>PSA: Greed<\/li>\n<li>Winston Cigarettes \u201cWinston Tastes Good\u201d<\/li>\n<li>D. Kahn, M. Greene &amp; M. Leonard \u201cLeave it to Beaver (The Toy Parade)\u201d<\/li>\n<li>ID<\/li>\n<li>Sin\u00e9ad\u00a0O\u2019Connor \u201cJust Call Me Joe\u201d<\/li>\n<li>Chris Connelly \u201cThe Hawk, The Butcher, The Killer of Beauties\u201d<\/li>\n<li>Butthole Surfers \u201cSweat Loaf\u201d<\/li>\n<li>P \u201cDie Anne\u201d<\/li>\n<li>ID<\/li>\n<li>Tailgators \u201cTico Tico\u201d<\/li>\n<li>The Frogs \u201cThese Are The Finest Queen Boys (I\u2019ve Ever Seen)\u201d<\/li>\n<li>Idea Fire Company \u201cPure Joy\u201d<\/li>\n<li>Kathy Acker \u201cO and Ange\/First Whore Song\u201d<\/li>\n<li>Don Percival \u201cOne More Kiss Dear\u201d<\/li>\n<li>ID<\/li>\n<li>Burning Sea \u201cEmbryonic Particle Evocation\u201d<\/li>\n<li>Hardfloor \u201cYimtrop\u201d<\/li>\n<li>ID\/Ticket Giveaways<\/li>\n<li>PSA: Vote<\/li>\n<li>Olivier Messaien \u201cMediation Sur Le Myst\u00e9re De La Sainte Trinite\/VII\u201d<\/li>\n<li>Telonious Monk \u201cBrilliant Corners\u201d <em>REQUEST<\/em><\/li>\n<li>Vijaya Anand \u201cDheem Thana Thana Nana\u201d<\/li>\n<li>Bas Sheva \u201cLust\u201d<\/li>\n<li>Sian Ditta Quandri, Nubarak Ali, Rehmet Khaw &amp; Jalit Hussain \u201cLangaga Pata N Chanada\u201d<\/li>\n<li>Marshall McLuhan \u201cDiscarnate Man\u201d<\/li>\n<li>Marshall McLuhan \u201cOne Wheel, All Square\u201d<\/li>\n<li>ID<\/li>\n<li><span style=\"color: #515151;\">Jiri Ceiver \u201cRatio (Remix)\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Ministry \u201cReload\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">The Magnetic Fields \u201cWhen You\u2019re Old and Lonely\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Keola Beamer \u201cE Ku\u2019u Morning Dew\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Tori Amos \u201cMr. Zebra\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">The Beatles \u201cHappiness is a Warm Gun\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">PSA: AIDS<\/span><\/li>\n<li><span style=\"color: #515151;\">ID<\/span><\/li>\n<li><span style=\"color: #515151;\">Bob Marley &amp; the Wailers \u201cRedder Than Dub\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Bob Marley &amp; the Wailers \u201cRedder Than Red\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Jim\u2019s Big Ego \u201cRoom\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Shu-De \u201cDurgin Chugan (Tongue Twisting)\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Art Blakey &amp; the Jazz Messengers \u201cGee Baby, Ain\u2019t I Good to You\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">George Harrison \u201cArt of Dying\u201d <em>REQUEST<\/em><\/span><\/li>\n<li><span style=\"color: #515151;\">PSA: Ecology<\/span><\/li>\n<li><span style=\"color: #515151;\">ID<\/span><\/li>\n<li><span style=\"color: #515151;\">Yabby You &amp; Tommy McCook \u201cCrisis\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Yabby You \u201cCarnal Mind\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Miss Ann Margaret \u201cThirteen Men\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Pucho &amp; His Latin Soul Brother \u201cTequila\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Vision Thing \u201cNow and Forever\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Morphine \u201cYou Look Like Rain, Live\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Los Lobos \u201cPeace, Live\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Ani DiFranco \u201cBuildings and Bridges, Live\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">PSA: Use the T<\/span><\/li>\n<li><span style=\"color: #515151;\">ID<\/span><\/li>\n<li><span style=\"color: #515151;\">Xavier Cugat &amp; His Orchestra \u201cLa Dolce Vita\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">MSBR \u201c1000 Pulses In Bosnia\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Daniel Menche \u201cFace First Lesson in Shrapnel Skinnco Jackal Hunting\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">ID<\/span><\/li>\n<li><span style=\"color: #515151;\">Mouse On Mars \u201cSubnubus\u201d<\/span><\/li>\n<\/ol>\n<\/body>","protected":false},"excerpt":{"rendered":"<p>This week the Wayback Machine unceremoniously dumps into the middle of a show in February 17, 1996. Do I even need to say it at this point? Lot of new followers on Mixcloud this week so I will\u2013this your typical freeform show. Which is ti say there\u2019s nothing typical about it. This one has a &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/josephaleo.com\/blog\/february-17-1996-%ef%bb%bf%ef%bb%bfpart-2%ef%bb%bf%ef%bb%bf-wmfo-91-5-fm\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;February 17, 1996 \ufeff[\ufeffPart 2\ufeff]\ufeff | WMFO 91.5 FM&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2,3],"tags":[],"class_list":["post-90","post","type-post","status-publish","format-standard","hentry","category-listen","category-the-bazooka-joe-show"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/90","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/comments?post=90"}],"version-history":[{"count":1,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/90\/revisions"}],"predecessor-version":[{"id":91,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/90\/revisions\/91"}],"wp:attachment":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/media?parent=90"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/categories?post=90"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/tags?post=90"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}