{"id":60,"date":"1996-06-01T12:00:27","date_gmt":"1996-06-01T12:00:27","guid":{"rendered":"http:\/\/josephaleo.com\/blog\/?p=60"},"modified":"2015-01-01T19:48:36","modified_gmt":"2015-01-01T19:48:36","slug":"june-1-1996%ef%bb%bf-wmfo-91-5-fm","status":"publish","type":"post","link":"http:\/\/josephaleo.com\/blog\/june-1-1996%ef%bb%bf-wmfo-91-5-fm\/","title":{"rendered":"June 1, 1996\ufeff | WMFO 91.5 FM"},"content":{"rendered":"<body><p>The Wayback Machine is set for June 1, 1996. The format? Freeform. This is a lovely show chock full of reggae and dub, a rare demo of The Beatles \u201cStrawberry Fields Forever\u201d, some exotica from Lalo Schifrin and the Vampyros Lesbos soundtrack, some punk, metal and rock for good measure. We also pay our respects to Timothy Leary, who passed the day before. Come on in, the water\u2019s fine!<\/p>\n<p>Freeform as usual but here are a few highlights. I played a track from Alice Coopers foray into new wave rom their Flush the Fashion LP. You heard me. Alice Cooper. New wave. We\u2019ll also hear Tom Z\u00e9 deconstructing Tropic\u00e1lia. John Cage doesn\u2019t play 4\u203233\u2033 of silence. Keola Beamer plays some mournfully beautiful Hawaiian slack-key guitar. And some how I manage to play Enya and Pantera on the same show. Yeah, I did that.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fbazookajoeshow%2Fjune-1-1996-part-1-wmfo-915-fm%2F&amp;embed_uuid=4b74fd11-b8f9-47c7-845a-cd42fbad1aa6&amp;replace=0&amp;hide_cover=1&amp;light=1&amp;embed_type=widget_standard&amp;hide_tracklist=1\" width=\"100%\" height=\"180\" frameborder=\"0\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fbazookajoeshow%2Fjune-1-1996-part-2-wmfo-915-fm%2F&amp;embed_uuid=a2280d2e-f8fa-4a17-9b2b-c5fdafb3a749&amp;replace=0&amp;hide_cover=1&amp;light=1&amp;embed_type=widget_standard&amp;hide_tracklist=1\" width=\"100%\" height=\"180\" frameborder=\"0\"><\/iframe><\/p>\n<ol>\n<li>PSA: Vote<\/li>\n<li>Rice-A-Roni \u201cThe San Francisco Treat\u201d<\/li>\n<li>H. Vars &amp; B. Dunham \u201cFlipper\u201d<\/li>\n<li>Deee-Light \u201cDeee-Light Theme\u201d<\/li>\n<li>The Firesign Theater \u201cNick Danger: The Case of the MIssing Shoe, Pt. 1\u201d<\/li>\n<li>Xavier Cugat \u201d Brazil (Aquarela Do Brasil)\u201d<\/li>\n<li>Bob Marley &amp; the Wailers \u201cHypocrites\u201d<\/li>\n<li>Bob Marley &amp; the Wailers \u201cMellow Mood (Dub)\u201d<\/li>\n<li>ID<\/li>\n<li>Vampyros Lesbos Soundtrack \u201cNecromania\u201d<\/li>\n<li>P \u201cDie Anne\u201d<\/li>\n<li>Timothy Leary \u201cYou Can Be Anyone This Time Around\u201d<\/li>\n<li>Moody Blues \u201cLegend of a Mind\u201d<\/li>\n<li>Marshall McLuhan \u201cMen Without Art\u201d<\/li>\n<li>ID<\/li>\n<li>Claude Young \u201cChamber of Dreams\u201d<\/li>\n<li>The Beatles \u201cStrawberry Fields Forever (Demo 4)\u201d<\/li>\n<li>Band of Susans \u201cAhead\u201d<\/li>\n<li>Ruby \u201cHoops\u201d<\/li>\n<li>Meat Beat Manifesto \u201cMad Bomber\/The Woods\u201d<\/li>\n<li>ID\/Ticket Giveaways<\/li>\n<li>Psychick Warriors Ov Gaia \u201cKraak (Coil Remix)<\/li>\n<li>ID<\/li>\n<li>William Gibson\u00a0<em>Neuromancer<\/em>, Excerpt 10<\/li>\n<li>Minor Threat \u201cOut of Step\u201d<\/li>\n<li>Slayer \u201cGuilty of Being White\u201d<\/li>\n<li>Kid Creole &amp; the Coconuts \u201cYolanda\u201d<\/li>\n<li>Toots &amp; the Maytals \u201cDon\u2019t Trouble Trouble\u201d<\/li>\n<li>Roots Radics \u201cInformer Dub\u201d<\/li>\n<li>Lalo Schifrin \u201cMission Impossible\u201d<\/li>\n<li>PSA: Child Abuse<\/li>\n<li>ID<\/li>\n<li>Resevoir \u201cGeite 21\u201d<\/li>\n<li>Prong \u201cSlicing\u201d<\/li>\n<li>Alice Cooper \u201cAspirin Damage\u201d<\/li>\n<li>Tom\u00a0Z\u00e9 \u201cToc\u201d<\/li>\n<li>David Byrne \u201cAde\u201d<\/li>\n<li>Sons of Agula \u201cAsian Rebel\u201d<\/li>\n<li>Keola Beamer \u201cHe Ponahele No De\u201d<\/li>\n<li>ID<\/li>\n<li>John Cage \u201cFour Walls, Scene 12\u201d<\/li>\n<li>Underworld \u201cTo Dream of Love\u201d<\/li>\n<li>God Within \u201cRaincry\u201d<\/li>\n<li>Sounds from the Ground \u201cDrawn to the Woman\u201d<\/li>\n<li>PSA: Toxic Waste<\/li>\n<li>The Congos \u201cOpen Up the Gate\u201d<\/li>\n<li>Jah Stitch \u201cAfrican People\u201d<\/li>\n<li>Conjunto De Clave Y Guaguanc\u00f3 \u201cNosotros Tenemos Por Norma\u201d<\/li>\n<li>Carl Perkins \u201cLend Me Your Comb\u201d<\/li>\n<li>N\u00f3ir\u00edn N\u00ed Riain\u00a0\u201cSuantraithe (Lullabies)\u201d<\/li>\n<li>Enya \u201cCaribbean Blue\u201d<\/li>\n<li>ID<\/li>\n<li>Push Stars \u201cCan\u2019t Shake It\u201d<\/li>\n<li>Gone \u201cBicycle Riding Assassin\u201d<\/li>\n<li>Metallica \u201cUntil It Sleeps\u201d<\/li>\n<li>ID<\/li>\n<li>Pantera \u201cFloods\u201d<\/li>\n<\/ol>\n<\/body>","protected":false},"excerpt":{"rendered":"<p>The Wayback Machine is set for June 1, 1996. The format? Freeform. This is a lovely show chock full of reggae and dub, a rare demo of The Beatles \u201cStrawberry Fields Forever\u201d, some exotica from Lalo Schifrin and the Vampyros Lesbos soundtrack, some punk, metal and rock for good measure. We also pay our respects &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/josephaleo.com\/blog\/june-1-1996%ef%bb%bf-wmfo-91-5-fm\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;June 1, 1996\ufeff | WMFO 91.5 FM&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2,3],"tags":[],"class_list":["post-60","post","type-post","status-publish","format-standard","hentry","category-listen","category-the-bazooka-joe-show"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/comments?post=60"}],"version-history":[{"count":1,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/60\/revisions"}],"predecessor-version":[{"id":61,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/60\/revisions\/61"}],"wp:attachment":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/media?parent=60"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/categories?post=60"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/tags?post=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}