{"id":4940,"date":"2024-03-03T00:00:00","date_gmt":"2024-03-03T08:00:00","guid":{"rendered":"http:\/\/josephaleo.com\/blog\/?p=4940"},"modified":"2024-03-02T20:03:37","modified_gmt":"2024-03-03T04:03:37","slug":"soundwave-181-extreme","status":"publish","type":"post","link":"http:\/\/josephaleo.com\/blog\/soundwave-181-extreme\/","title":{"rendered":"SOUNDWAVE : 181 : EXTREME"},"content":{"rendered":"<body>\n<p>Today\u2019s guest deejay is Roger Richards, the head honcho of <a href=\"http:\/\/extrememusic.com.au\" title=\"Extreme\">Extreme<\/a>.<\/p>\n\n<p>Today\u2019s show was years in the making. Decades.<\/p>\n\n<p>Last century, I was a deejay at WMFO. I came across a lot of great things in the new bin. One day, I came across a compilation album titled <em><a href=\"https:\/\/www.discogs.com\/master\/627842-Various-X-X-Section\" title=\"X - X Section\">X \u2013 X Section<\/a><\/em> that featured tracks from musicians who explored ambient, experimental, and sheer noise. That album contained deep eddies and pulled me in. In particular, I played <a href=\"https:\/\/www.discogs.com\/artist\/19961-C-Schulz\" title=\"C-Schulz\">C-Schulz<\/a>\u2019s \u201cFirn\u201d over and over again. From then on, I purchased any CD that bore the Extreme label.<\/p>\n\n<p>When I launched my electronic music show, <a href=\"http:\/\/josephaleo.com\/blog\/category\/listen\/solipsistic-nation\/\" title=\"Solipsistic Nation\">Solipsistic Nation<\/a>, I interviewed Roger and played select tracks from his label (you can listen to that show <a href=\"http:\/\/josephaleo.com\/blog\/solipsistic-nation-no-49-extreme-records\/\" title=\"solipsistic NATION No. 49: Extreme Records\">here<\/a>). I got a thrill talking to the man responsible for so many of the albums I had grown to love over the years. Naturally, I had to have Roger on Soundwave. We\u2019re all busy people, Roger especially. Still, after a couple of years, he\u2019s agreed to come on the show and feature music from Extreme. It\u2019s quite the mix, and I know you\u2019re going to love it as much as I do.<\/p>\n\n<p>If you want more Extreme music, Rob Vincs recently released his new album, <em><a href=\"https:\/\/chaomorphic.bandcamp.com\/album\/chaomorphic\" title=\"Chaomorphic\">Chaomorphic<\/a><\/em>. If you dig the first track for this mix, then Chaomorphic is the LP for you!<\/p>\n\n<p>Join us next week when our guest deejay will be <a href=\"https:\/\/www.bruederselke.com\/\" title=\"Brueder Selke\">Brueder Selke<\/a>.<\/p>\n\n<p>See you then.<\/p>\n\n<ol>\n\t<li><a href=\"https:\/\/chaomorphic.bandcamp.com\/album\/chaomorphic\" title=\"Robert Vincs\">Robert Vincs<\/a> \u201cChaomorphic\u201d<\/li>\n\t<li><a href=\"https:\/\/www.amazon.com\/Stygian-Vistas-Soma\/dp\/B000005R2R\" title=\"Soma\">Soma<\/a> \u201cStygian Vista\u201d<\/li>\n\t<li><a href=\"https:\/\/www.amazon.com\/Zulm-Muslimgauze\/dp\/B00005Y93F\" title=\"Muslimgauze\">Muslimgauze<\/a> \u201cFakir\u201d<\/li>\n\t<li><a href=\"http:\/\/extrememusic.com.au\/artists\/maju\/\" title=\"Maju\">Maju<\/a> \u201cpale blood-coloured recollections\u201d<\/li>\n\t<li><a href=\"https:\/\/www.discogs.com\/release\/134372-C-Schulz-4-Film-Ton\" title=\"C-Schulz\">C-Schulz<\/a> \u201cPl\u00e4tze Part 1, 2, 3\u201d<\/li>\n\t<li><a href=\"https:\/\/www.amazon.com\/Garage-DOr-Makers-Dead-Travel\/dp\/B008PW1VBC\" title=\"The Makers Of The Dead Travel Fast\">The Makers of the Dead Travel Fast<\/a> \u201cRow Boat\u201d<\/li>\n\t<li><a href=\"https:\/\/endgamerecords.bandcamp.com\/album\/the-world-behind-you\" title=\"Social Interiors\">Social Interiors<\/a> \u201cModern Sleep\u201d<\/li>\n\t<li><a href=\"https:\/\/www.amazon.com\/Music-Bondage-Performance-Merzbow\/dp\/B000005R1T\" title=\"Merzbow\">Merzbow<\/a> \u201cHara-Kiri Video \u2018Lost Paradise Theme\u2019\u201d<\/li>\n\t<li><a href=\"https:\/\/www.discogs.com\/release\/176417-Otomo-Yoshihide-The-Night-Before-The-Death-Of-The-Sampling-Virus\" title=\"Otomo Yoshihide\">Otomo Yoshihide<\/a> \u201cHonda\u201d<\/li>\n\t<li><a href=\"https:\/\/terminalsoundsystem.bandcamp.com\/album\/compressor\" title=\"Terminal Sound System\">Terminal Sound System<\/a> \u201cGridlike\u201d<\/li>\n\t<li><a href=\"https:\/\/www.discogs.com\/release\/232048-Pablos-Eye-You-Love-Chinese-Food\" title=\"Pablo\u2019s Eye\">Pablo\u2019s Eye<\/a> \u201cAbsolute\u201d<\/li>\n\t<li><a href=\"http:\/\/extrememusic.com.au\/catalog\/XCD-059\/\" title=\"Robert Vincs\">Robert Vincs<\/a> \u201cAvatar\u201d<\/li>\n\t<li><a href=\"https:\/\/www.amazon.com\/Jijimuge-Mo-Boma\/dp\/B000005R1Z\" title=\"Mo Bama\">Mo Boma<\/a> \u201cIturi Spaceman\u201d<\/li>\n\t<li><a href=\"https:\/\/music.apple.com\/us\/album\/untitled-ten\/214146063\" title=\"Pablo\u2019s Eye\">Pablo\u2019s Eye<\/a> \u201cThe switchback\u201d<\/li>\n<\/ol>\n\n\n\n<p style=\"font-size: 125%;\">Subscribe to SOUNDWAVE on <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/soundwave\/id1508915331\" title=\"Subscribe to SOUNDWAVE on iTunes\">iTunes<\/a>, <a href=\"https:\/\/overcast.fm\/itunes1508915331\/soundwave\" title=\"Subscribe to SOUNDWAVE on Overcast\">Overcast<\/a>, <a href=\"https:\/\/castro.fm\/podcast\/c68ccce2-c6e8-45cc-9fd5-4fcb4172b287\" title=\"Subscribe to SOUNDWAVE on Castro\">Castro<\/a> and <a href=\"https:\/\/pca.st\/1wlp26cx\" title=\"Subscribe to SOUNDWAVE on Pocketcasts\">Pocketcasts<\/a>.<\/p>\n\n<p>Logo by <a href=\"https:\/\/www.behance.net\/rikoostenbroek\" title=\"Rik Oostenbroek\">Rik Oostenbroek<\/a><\/p>\n<\/body>","protected":false},"excerpt":{"rendered":"<p>Today\u2019s guest deejay is Roger Richards, the head honcho of Extreme. Today\u2019s show was years in the making. Decades. Last century, I was a deejay at WMFO. I came across a lot of great things in the new bin. One day, I came across a compilation album titled X \u2013 X Section that featured tracks &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/josephaleo.com\/blog\/soundwave-181-extreme\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;SOUNDWAVE : 181 : EXTREME&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":4941,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2,194],"tags":[],"class_list":["post-4940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listen","category-soundwave"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/josephaleo.com\/blog\/wp-content\/uploads\/2024\/03\/soundwave_181_1080x1080.jpg?fit=1080%2C1080","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/4940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/comments?post=4940"}],"version-history":[{"count":1,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/4940\/revisions"}],"predecessor-version":[{"id":4943,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/4940\/revisions\/4943"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/media\/4941"}],"wp:attachment":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/media?parent=4940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/categories?post=4940"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/tags?post=4940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}