{"id":38,"date":"1997-04-12T12:00:48","date_gmt":"1997-04-12T12:00:48","guid":{"rendered":"http:\/\/josephaleo.com\/blog\/?p=38"},"modified":"2015-01-01T18:58:05","modified_gmt":"2015-01-01T18:58:05","slug":"april-12-1997-%ef%bb%bf%ef%bb%bfpart-2%ef%bb%bf%ef%bb%bf-wmfo-91-5-fm","status":"publish","type":"post","link":"http:\/\/josephaleo.com\/blog\/april-12-1997-%ef%bb%bf%ef%bb%bfpart-2%ef%bb%bf%ef%bb%bf-wmfo-91-5-fm\/","title":{"rendered":"April 12, 1997 \ufeff[\ufeffPart 2\ufeff]\ufeff | WMFO 91.5 FM"},"content":{"rendered":"<body><p>This is definitely one of my more freeform shows. It kicks off with William Gibson reading from his classic cyberpunk novel, Neuromancer, and then very quickly devolves into a hot mess of punk and hardcore. Things get switched up with a request for Galaxy 500 and morphs from indie pop to Gaelic music to dub (and one of my all time fave dub tracks) to some Icelandic music (I think) and beyond. Ph, and some Pat Boone and Billy Joel, too boot!<\/p>\n<p>Today\u2019s show finds me in Chicago. Tweet or follow me on Twitter at\u00a0<a class=\"mx-link\" href=\"https:\/\/twitter.com\/josephaleo\" target=\"_blank\" rel=\"nofollow\">https:\/\/twitter.com\/josephaleo<\/a>\u00a0to tell me what record stores to check out and whatever else I should know what\u2019s going on in that toddling\u2019 town.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fbazookajoeshow%2Fapril-12-1997-part-2-wmfo-915-fm%2F&amp;embed_uuid=19f6b2a9-253f-495d-ab0d-753b0c4ec717&amp;replace=0&amp;hide_cover=1&amp;light=1&amp;embed_type=widget_standard&amp;hide_tracklist=1\" width=\"100%\" height=\"180\" frameborder=\"0\"><\/iframe><\/p>\n<ol>\n<li>PSA: Seat Belt Safety<\/li>\n<li>Gene Kelley \u201cSingin\u2019 In the Rain\u201d<\/li>\n<li>Nina Simone \u201cSpring is Here\u201d<\/li>\n<li>Meat Beat Manifesto \u201cRadio Mellotron\u201d<\/li>\n<li>Pop Will Eat Itself \u201cPsychosexual\u201d<\/li>\n<li>Adrian Belew \u201cBallet for A Blue Whale\u201d<\/li>\n<li>ID<\/li>\n<li>The Orb \u201cUbiquity\u201d<\/li>\n<li>Kroker, Kroker and Gibson \u201cSlash and Burn\u201d<\/li>\n<li>Huun-Huur-Tu \u201cDaglarim\u201d<\/li>\n<li>Bj\u00f6rk \u201cYou\u2019ve Been Flirting Again\u201d<\/li>\n<li>Download \u201cSidewinder (Remix)\u201d REQUEST<\/li>\n<li>William S. Burroughs \u201cNaked Lunch, Excerpt 4\u201d<\/li>\n<li>Muggs Presents \u201cThe Time Has Come\u201d<\/li>\n<li>ID<\/li>\n<li>African Dub \u201cEcho\u201d REQUEST<\/li>\n<li>Peter Frampton \u201cShow Me the Way, Live\u201d REQUEST<\/li>\n<li>ID<\/li>\n<li>The Beastie Boys \u201cSomething\u2019s Got To Give, Live\u201d<\/li>\n<li>Funkadelic \u201cMommy, What\u2019s A Funkadelic?\u201d<\/li>\n<li>PSA: Peace Corps<\/li>\n<li>Hunter S. Thompson \u201cFear and Loathing in Las Vegas\/A Terrible Experience with Extremely Dangerous Drugs\u201d<\/li>\n<li>King Tubby and Santic Allstars \u201cShooter Dub\u201d<\/li>\n<li>King Chubby \u201cMaira\u201d<\/li>\n<li>Future Sound of London \u201cHer Face Forms In Summertime\u201d<\/li>\n<li><span style=\"color: #515151;\">William Gibson \u201cNeuromancer, Excerpt 48\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">PSA: Child Abuse<\/span><\/li>\n<li><span style=\"color: #515151;\">The Misfits \u201cNight of the Living Dead, Live\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Fugazi \u201cJoe Number One\/Song Number One, Live\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Angry Samoans \u201cCarson Girls\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Declino \u201cInutile Trionfo\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Christ On A Crutch \u201cParanoid World Vision\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">The Proletariat \u201cReligion is the Opiate of the Masses\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">ID<\/span><\/li>\n<li><span style=\"color: #515151;\">Galaxy 500 \u201cIsn\u2019t It A Pity\u201d REQUEST<\/span><\/li>\n<li><span style=\"color: #515151;\">Trader Horne \u201cMorning Way\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Blur \u201cCountry Sad Ballad Man\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Talitha Mackenzie \u201cTh\u00e9id Mi Dhachaigh (The Mackenzie Lullabye)\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">I Roy \u201cSuperfly (Extended Mix)\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">ID<\/span><\/li>\n<li><span style=\"color: #515151;\">John Lee Hooker \u201cThe Healing Game\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Pat Boone \u201cLove Hurts\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Billy Joel \u201cNew York State of Mind\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Sneaker Pimps \u201cTesko Suicide\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Foetus \u201cVerklemmt (Queer Mix)\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Powerman 5000 \u201cTokyo Vigilante #1\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Alice in Chains \u201cDown In A Hole\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">ID<\/span><\/li>\n<li><span style=\"color: #515151;\">R.E.M. \u201cHow the West was Won and Where It Got Us\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Sp\u00e6limenninir \u201cUppi \u00c1 Einum K\u00e1si-1\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Tiriltunga \u201cThe Twenty Dollar Bill\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Prince Jimmy and The Aggrovators \u201cDrums of Africa\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Don Byron \u201cSiberian Sleighride\u201d<\/span><\/li>\n<li><span style=\"color: #515151;\">Porcupine Tree \u201cThe Sky Moves Sideways Phase 1\u201d<\/span><\/li>\n<\/ol>\n<\/body>","protected":false},"excerpt":{"rendered":"<p>This is definitely one of my more freeform shows. It kicks off with William Gibson reading from his classic cyberpunk novel, Neuromancer, and then very quickly devolves into a hot mess of punk and hardcore. Things get switched up with a request for Galaxy 500 and morphs from indie pop to Gaelic music to dub &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/josephaleo.com\/blog\/april-12-1997-%ef%bb%bf%ef%bb%bfpart-2%ef%bb%bf%ef%bb%bf-wmfo-91-5-fm\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;April 12, 1997 \ufeff[\ufeffPart 2\ufeff]\ufeff | WMFO 91.5 FM&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2,3],"tags":[],"class_list":["post-38","post","type-post","status-publish","format-standard","hentry","category-listen","category-the-bazooka-joe-show"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":1,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/38\/revisions"}],"predecessor-version":[{"id":39,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/posts\/38\/revisions\/39"}],"wp:attachment":[{"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/media?parent=38"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/categories?post=38"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/josephaleo.com\/blog\/wp-json\/wp\/v2\/tags?post=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}