{"id":3237,"date":"2020-04-19T00:00:15","date_gmt":"2020-04-19T07:00:15","guid":{"rendered":"http:\/\/josephaleo.com\/blog\/?p=3237"},"modified":"2021-07-02T20:50:01","modified_gmt":"2021-07-03T03:50:01","slug":"soundwave-3","status":"publish","type":"post","link":"http:\/\/josephaleo.com\/blog\/soundwave-3\/","title":{"rendered":"SOUNDWAVE : 3 : SEAN HORTON"},"content":{"rendered":"\n

Let me rehash some stuff with you before we got to today\u2019s excellent show featuring a lustrous mix from Sean Horton<\/a>.<\/p>\n\n

I launched SOUNDWAVE because it was my way of coping with COVID-19. My wife is away for the next month with her unit and our kids our with their dad for the foreseeable future. It\u2019s just me and my dog. Work keeps me busy during the day but at night it gets lonely. I found myself listening to a lot of ambient, classical, experimental and instrumental music and I decided to share it with my friends and created the show you\u2019re listening to now.<\/p>\n\n

My intention was to release a new show once a month. After the first show I decided I would release SOUNDWAVE weekly until the stay at home order ends. But then it occurred to me that pretty much everyone else on the planet is also stuck at home so I invited friends, deejays, musicians, producers, etc to participate on the show. And that brings us to our first guest deejay, Sean Horton.<\/p>\n\n

I interviewed Sean Horton for solipsistic NATION<\/a> to talk about Decibel Festival<\/a>, an annual music and digital arts festival in Seattle that ran from 2004 to 2015. Decibel Festival was unique platform for exposing attendees to leading-edge multimedia art from around the globe. With a focus on live performance, interactive multimedia art, state-of-the-art sound and technology based education; Decibel solidified itself as one of the premier electronic music festivals and promotional organizations in the world. In 2014, Sean was named #43 on Rolling Stone\u2019s \u201c50 Most Important People in EDM.\u201d<\/a><\/p>\n\n

Sean also records under them name Nordic Soul<\/a> where he distills his love for techno, house, hip hop, jazz, soul, industrial, ambient and dub. As Nordic Soul, Sean has shared the stage with an eclectic mix of musicians from Grimes<\/a> to Moby<\/a> to The Orb<\/a> to Major Lazer<\/a> to\u2026 well, the list goes on. Sean has also performed at several major festivals world-wide, including Dimensions<\/a> (Croatia), MUTEK<\/a> (Montreal) and Communikey<\/a> (Boulder). Nordic Soul has released music on a wide variety of labels including K Records<\/a>, Buttermilk Records<\/a>, Peloton and basic_sounds<\/a>.<\/p>\n\n

Given all that, you understand Sean was one of the first people I invited to join me and SOUNDWAVE. Funny thing, Sean and I have struck up a friendship online which moved from talking about music to our favorite books, tv shows and movies and then to living under COVID-19. An unexpected and welcome development of the pandemic. I look forward to meeting Sean in Los Angeles after this dies down a bit and hoisting a pint with him. From a safe six feet, of course.<\/p>\n\n

Sean has crafted a beautiful mix, but I expected no less from him. Prepare for an emotional journey and see where it takes you. I\u2019ll let Sean introduce his mix below. I know you\u2019re going to love it just as much as I do.<\/p>\n\n

I\u2019ll see you all next week when we are joined by our next guest deejay, my old and dear friend, Steven Howard<\/a>.<\/p>\n\n

\u00a0<\/p>\n\n

\"Sean
Sean Horton<\/figcaption><\/figure><\/div>\n\n

During this time in isolation I\u2019ve been rediscovering my love of ambient music. I first discovered ambient music working at Harmony House<\/a> records in Detroit my junior year in high school in 1992. It was the early days of the Rave Movement and Detroit was a hot bed for warehouse parties and Techno Music at the time. This was also a remarkable time where nearly every Rave would have two rooms, a \u201cDance Room\u201d and an \u201cAmbient Room.\u201d I was an \u201cAmbient Room\u201d individual largely in part because I fell in love the music.<\/p>\n\n

Out of all of the ambient music albums I\u2019ve encountered over the years, the two that I come back to the most are the first and second ambient albums I ever knowingly experienced, Brian Eno<\/a>\u2019s Apollo: Atmospheres and Soundtracks<\/em> and Aphex Twin<\/a>\u2019s Selected Ambient Works Vol. 2<\/em>. This mix features two of my favorite selections from each album.<\/p>\n\n

Historically ambient music has predominantly been characterized as synthetic, but over the past fifteen years or so there has been growing movement of more organic forms of ambient music and film scores which are often referred to as neo classical (i.e. Nils Frahm<\/a>, Max Richter<\/a>, \u00d3lafur Arnalds<\/a>, Hauschka<\/a>, J\u00f3hann J\u00f3hannsson <\/a>, Hildur Gu\u00f0nad\u00f3ttir<\/a>, Stars of the Lid<\/a>, etc.). Where Ambient music fueled my teen-early 20\u2019s love of electronic music; neo classical music fueled my love of melody and organic tone. I firmly believe that both ambient and neo classical music can and should co-exist.<\/p>\n\n

This particular mix evolved out of a playlist I put together in late March 2020 featuring some of my favorite ambient and neo classical artists and songs. As common with a lot of ambient music, these selections are all void of rhythm and nearly void of all voice. That said, this is an ideal mix for reading, writing, sleeping, meditation, yoga, etc. My hope is this mix will instill a sense of calm and mental clarity with the listener.<\/p>\n\n