This week\u2019s show is kind of a milestone for me because I have now done more episodes of solipsistic NATION<\/b> as a podcast than I did when it was a radio show.<\/p>\n
I\u2019m proud what I\u2019ve accomplished on the show so far. Not only am I playing the best of all genres of electronic music, I\u2019m play the best of all genres of podsafe<\/a><\/i> electronic music. While there are venues of podsafe music like Ioda Promonet<\/a> and the Podsafe Music Network<\/a> I also built relationships with music labels and artists, for which I am very grateful.<\/p>\n Another thing I am very proud of is that I also got to do a lot things I never got to do with solipsistic NATION<\/b> when it was a radio program. I\u2019ve experimented with the format of the show with the Exquisite Corpse<\/a> mix. I also got to interview artists such as Rena Jones<\/a> and music labels such as Woodson Lateral Records<\/a>. I even had my dad<\/a> on the show!<\/p>\n What has been the most rewarding experience of doing solipsistic NATION<\/b> is you. It\u2019s a rather trite thing to say but it\u2019s true. solipsistic NATION<\/b> doesn\u2019t fit into any easy catagories because I jump from genre to genre so much, which is not to everyone\u2019s liking. I think it takes a special kind of person with discerning tastes and a hunger for new experiences to enjoy the show. I\u2019m also thankful to those of you who have been listening to solipsistic NATION<\/b> since it\u2019s inception as a radio show.<\/p>\n Enough from me. You\u2019re here for music. For your listening pleasure, today\u2019s edition of solipsistic NATION<\/b> is a mix of drum and bass I kow you\u2019re going to love!<\/p>\n Photo credit: B. Baltimore Brown<\/a><\/i><\/p>\n