{"id":1373,"date":"2006-10-20T00:00:37","date_gmt":"2006-10-20T07:00:37","guid":{"rendered":"http:\/\/josephaleo.com\/blog\/?p=1373"},"modified":"2017-08-13T12:12:40","modified_gmt":"2017-08-13T19:12:40","slug":"solipsistic-nation-no-8-chiptunes","status":"publish","type":"post","link":"http:\/\/josephaleo.com\/blog\/solipsistic-nation-no-8-chiptunes\/","title":{"rendered":"solipsistic NATION No. 8: Chiptunes"},"content":{"rendered":"

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Chiptune is music written in sound formats where the sounds are synthesized by a computer or video game console sound chip. The so-called \u201cgolden age\u201d of chiptunes was the mid 1980s to early 1990s, when such sound chips were the only way for creating music on computers.<\/p>\n

The composers had a great degree of flexibility in creating music while at the same time they had to operate under the strict limitions imposed by the medium they were working within because the early computer sound chips had only simple tone generators and noise generators.<\/p>\n

While chiptunes are closely related to video game music the term is also used for music that uses these distinct-sounding synthesizer instruments for their artistic value.<\/p>\n

Special thanks to x|k<\/a> for provinding the incidental music that appears on today\u2019s show.<\/p>\n

\"8bit8 Bit Movie<\/a><\/b>
8 BIT is a hybrid documentary examining the influence of video games on contemporary culture directed by Marcin Ramocki and co-directed by Justin Strawhand. A melange of a rocumentary, art expose and a culture-critical investigation, 8 BIT ties together seemingly disconnected phenomena like the 80\u2019s demo scene, chiptune music and contemporary artists using machinima and modified games.<\/p>\n\n

8 BIT insists that in the 21st century Game-Boy rock, machinima and game theory belong together and share a common root: the digital heritage of Generation X.<\/p>\n

\"\"Role Model<\/a><\/b>
Role Model is Johan Kotlinski, the creator of Little Sound Disk Jockey<\/a>. LSDJ enables the user to sequence and program music to run on the Game Boy\u2019s sound processor. LSDJ is primarily used by chiptune artists, however it is also popular with many other musicians for writing songs featuring gameboy sounds.<\/p>\n

Johan Kotlinski is a Media Engineering & Computer Science student at KTH, Stockholm, Sweden. Johan also runs Rebel Pet Set<\/a>, a record label; and Microdisko<\/a>, a Stockholm chip music club.<\/p>\n

\"One\"One<\/a><\/b>
Swedish born Tobias von Hofsten started breaking the silence in the late nineties. Music and poetry has since then been his main form of self therapy. Tobias enjoys a light case of robophilia and is spiritual from Z to A, with connections both upstairs and below. After a complete rebirth ONE was born and Tobias continues expanding self-boundaries of reality and balancing consciousness, exploring the soul of life and the music contained within. Approved by the Interplanetary Funk Federation, and given the Wisdom of Trees, ONE is a key channel for the cosmic love on planet earth, communicating organic machine soul.<\/p>\n

\"Laromlab\"Laromlab<\/a><\/b>
Laromlab is a chiptune music project created by Brandon Harrod in Bowling Green, Kentucky around 1998. Laromlab started out as Kid 8 Bit but was cemented as Laromlab around 2001 when Harrod desired a name change and was currently living on Balmoral Avenue in Chicago, IL. Laromlab has been through a whole slew of genres in electronic music inluding digital hardcore ( see 2004 release \u201cThat Blood Is For Real\u201d on Komplott Records), gameboy pop, IDM, breakcore,drum n bass, and most recently the genre in which Harrod coined the term Crisco Disco. Laromlab has played over 50 shows in the United States and is currently putting together a solo tour of the entire country and some festival shows.<\/p>\n

\"Nullsleep\"Nullsleep<\/a><\/b>
Nullsleep uses Game Boys and NES consoles to create conceptually unique music that blends subversive hardware hacking with powerful melodic pop. In 1999, he cofounded the 8bitpeoples<\/a> \u2014 a collective of artists interested in the audio\/video aesthetics of early computers and videogames. In the time since, Nullsleep has released a number of recordings which demonstrate his constant push for new ways to force the most out of yesterday\u2019s machines and an unparalleled romantic chiptune intensity. A very active live musician, he recently completed a 20-date world tour with chiptune compatriot Bit Shifter and is now organizing the upcoming Blip Festival<\/a> in New York City.<\/p>\n

\"TheThe Mikro Orchestra Project<\/a><\/b>
The Mikro Orchestra Project is an experimental sound \u2013 visual project, basing on the use of game console as a music instrument. The main assumption of project\u2019s authors is to create new sound space on the base of tones generated live from console during the performance.<\/p>\n

They use elements from archives and current pop culture, in relation to peculiar choreography of their concerts (no move at all) create a kind of an anti-performance commenting quasi avant-garde attempts to place electronic music on the stage next to the spectacular concerts of pop stars. They are also inspired by the aesthetic of 8 bit computers and old school games. The kitschy setting of their performances is purposeful, however it would be a mistake to perceive it as a mean of any ideology.<\/p>\n

\"Goto80\"Goto80<\/a><\/b>
Towards the end of the 1980\u2019s, together with his brother, Anders Carlsson bought a Commodore 64 homecomputer. Anders changed lifestyle from sporty to geeky and spent most of the following decade infront of either a C64 or its big brother Amiga, making music and collecting massive amounts of soft and hardware. In 2001, after numerous obscure demo recordings, he released Papaya EP on Bleepstreet Records. It was schlagerdubrockelectro made with Commodore 64 and a vocoder. Goto80\u2019s eclectic approach to music was tied together by his experience in lo-tech sound programming, and Papaya EP was a hit.<\/p>\n

In 2002 he released Bushrunner EP and Goto80 started appearing on compilations and internet releases, such as Philemon Arthur and the Vic, the 8 Bits of Christmas on 8bitpeoples and the mad C64 mega drum\u2019n\u2019bass track Monkeywarning on Monotonik. In 2003 he escaped fame and fortune by emigrating to Australia, to return to Sweden in 2004. He\u2019s now living in Gothenburg, continuing his task to realise new ideas with old hardware.<\/p>\n

\"8<\/a>8 Bit Weapon<\/a><\/b>
8 Bit Weapon is the brainchild of Seth Sternberger. Seth has performed across two continents with an arsenal of 8 bit weapons, which include a Commodore 64 and 128, a couple of Nintendo Gameboy classics, an Intellivision synthesizer, hybrid lo-fi acoustic-electric drums, and an assortment of other vintage and toy synthesizers.<\/p>\n

Inspired by classic videogame soundtracks and electronic music from the 70s and 80s, 8 Bit Weapon delivers a sound that is as unique as it is original. Clever melodies, nostalgic atmosphere, and energetic beats create a decidedly modern sound while maintaining a fun, lo-tech aesthetic.<\/p>\n

Photo Credit: small ape<\/a><\/i><\/p>\n