united kingdom – Page 2

SOUNDWAVE : 111 : ANDREW TASSELMYER

Today’s guest deejay is Andrew Tasselmyer.

I met Andrew through Robert Farrugia, co-founder of Complex Holiday. After Robert guest deejayed on Soundwave (listen to his mix here) I asked him who he thought would share a mix on the show and he suggested Andrew. I listened to some Andrew’s many releases and extended an invitation immediately.

Andrew is a musician from Baltimore currently living in Philadelphia. He utilizes samplers, field recordings, and lo-fi recording techniques to make textured and tactile sounds. In addition to his solo catalog on labels such as Laaps, Seil Records, Eilean Recs, Constellation Tatsu, Home Normal, and more, he is a member of Hotel Neon, Gray Acres, and Mordançage.

Andrew has a new album coming on June 17 called Music for Nonexistent Films on Somewherecold Records.

Andrew’s mix for today’s show has everything I love to hear on Soundwave. However, what surprised me was his inclusion of Julie Byrne’s “Wisdom Teeth Song” in his mix. Julie’s appearance in his mix isn’t incongruous. It feels inevitable.

I was so delighted to hear Julie’s music in Andrew’s mix that I was inspired to put together my own mix, which includes one of Julie’s songs. You can listen to that mix here.

Andrew has some words about his mix below.

Join us next week when our guest deejay will be Dan Haines Cohen, founder of Machine Records.

“Music for walking through piles of dead leaves.”

For this mix, I was inspired to focus on the specific time and place I was in: the peak of autumn in the northeastern US.

I love this time of year when mornings are cold, but not brutally so… just enough to smack you with a jolt of heightened awareness when you step outside. And for some reason, the sunshine feels better when it’s filtered through the exploding colors of the leaves. I have no scientific basis for saying this but trust me, it’s a fact. It also seems that the calendar has progressed far enough at this point in the year that people start to reflect on months past and look forward to the new year ahead. Everyone feels a little more thoughtful, I suppose.

For this mix, I chose songs that could accompany someone on a wooded walk through the forest (or a nap in bed, whatever), with lots of textural analog sounds like hissing tape and shaky vibrato. The idea is that cracking leaves and snapping twigs can enhance the character of these recordings, which all feature a healthy dose of guitar (acoustic and electric), lo-fi beats and rhythms, and nostalgic timbres. I would encourage listening while walking and using earbuds/headphones that don’t completely isolate you from the world… let it filter in a bit.

The Humble Bee & Benoît Pioulard “Honest”
Kane Ikin “Slow Waves”
borealism “forged by the water”
loess “Brumal”
Casino Versus Japan “Dielectric Saints”
The Remote Viewer “Last Night You Said Goodbye, Now It Seems Years”
Earthen Sea “Shallow, Shadowless”
Perila “Fallin Into Space”
Julie Byrne “Wisdom Teeth Song”
Shuttle358 “Scrapbook”
Janek Schaefer “Coda (for Sir John Dankworth)”

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SOUNDWAVE : 110 : JAKOB LINDHAGEN

Today’s guest deejay is Jakob Lindhagen.

Sofia Nystrand introduced me to several fantastic musicians after sharing her Vargkvint mix on Soundwave (you can listen to it here). Jakob was one of those musicians, and after I listened to some of his releases, I invited him to guest deejay.

Jakob is an award-winning film composer based in Stockholm, Sweden. His most recent soundtrack is Ziba, a movie about an Afghan woman living in Sweden, struggling with the realisation that she has developed romantic feelings for another woman, and the consequences that will have for her marriage and family. Jakob’s soundtrack for Ziba will be released Thursday, May 12. You can listen to a single from the soundtrack here. It’s a beautiful, moving piece.

Speaking of soundtracks, I listened to Jakob’s mix while playing the Call of Cthulhu roleplaying game on Roll20. It lent atmosphere to the game and heightened the experience.

Jakob has some words about his mix below.

Before I leave you, Soundwave guest deejay Alex Haas has released his new album, STRING OF PIECES. His album has become part of my mourning routine as I start my workday. Listen to Alex’s mix for Soundwave here.

Join us next week when our guest deejay will be Andrew Tasslemyer.

I’ve always found the duo constellation very interesting, as it’s so intimate. Whereas the solo work is the reflection of one vision, and a band can be everything from a fair democracy to a dictatorship, the duo is such a fascinating reflection of two combined minds, often resulting in a synergy effect. The mix contains some of the most inspiring duos I know (of), as well as a couple of examples where I myself have felt elevated by my collaborator.

Aaron Martin & Dag Rosenqvist “Opening”
CEEYS_Brueder Selke “Hiddensee”
Jakob Lindhagen & Dag Rosenqvist “Östersjön”
Hoshiko Yamane & Mikael Lind “Beyond The Hidden”
AVAWAVES “Waves”
Kinbrae “The River Awakens”
Hydras Dream “The Little Match Girl”
Jakob Lindhagen & Vargkvint “Bäckahäst”
Ben Frost & Daníel Bjarnason “Simulacra II”
Klangriket and Sjors Mans “Prinsengracht”
Olec Mün and Michael Sarian “Manaas”
John Hayes & Maxy Dutcher “Arrival”

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SOUNDWAVE : 92 : IU TAKAHASHI

Today’s guest deejay is Iu Takahashi.

Last May, I discovered Iu on Bandcamp’s The Best Ambient Music blog post and instantly became a fan. Iu’s songs delicately unfold as you listen to them. It feels that her music might immediately unravel with any sudden movement. Calmness and patience are required, which reinforces the experience of Iu’s gentle songs.

Iu herself does not appear in her mix, but I encourage you to listen to her new releases, both of which were released in December.

One release is her “Stay” EP from A RED THREAD. Iu made this work thinking about her grandparents, who have dementia. Both of them are now living in a facility. She stayed for a few days at their house, where no one lived, and was inspired by the clothing, dishes, and plants left there. For the sound source, she used environmental sounds coming from the house’s windows and an old electronic organ that she used to play when she was a kid. In the midst of realizing the changes in her daily life, the sounds of construction, cars, and crows cawing that may otherwise sound like noise make it feel as if time has stopped only in this house.

Iu’s second release is her “Interspace” EP from The Slow Music Movement. In these three tracks, she intentionally created gaps by reducing the number of notes, and she wanted to enjoy the coincidence and awareness with the outside sounds.

I can’t think of a better way to be in the New Year than listening to Iu’s music. And today’s mix, of course.

Before I go, I also ask that you listen to Genius and Soul, a new show that I launched with Soundwave guest deejays Fitz Gitler and Jason Smith.

Genius and Soul is a weekly show featuring jazz, Black classical music, and more, with mixes lovingly selected by our guest deejays. Our first guest is Brian Jackson, an American keyboardist, flautist, singer, composer, and producer. Brian has recorded and performed with everyone from Gil Scott-Heron to Stevie Wonder, and recently released an album with Jazz Is Dead’s Adrian Younge and Ali Shaheed Muhammad.

You can listen to our first episode on your favorite podcast app or listen here.

Join us next week when our guest deejay will be Christoph Berg.

See you then.

Grotta Veterano “Bleiweisova Cesta i (as the snow falls)”
Sarah Davachi “Third Hour”
Stijn Hüwels + Tomoyoshi Date Featuring Tadahito Ichinoseki “A Distant Fire, A Distant Cloud (遠き火、遠き雲)”
Masayoshi Fujita “Anakreon”
baechulgi “the breath of the moon”
Satoshi Ashikawa “Still Space”
Emily A. Sprague “Water Memory 1”
Yumiko Morioka “Moon Road”

SOUNDWAVE : 89 : DANIEL FUZZTONE

Today’s guest deejay is danielfuzztone.

daniel’s mix is important to me for several reasons.

One reason is that I meant daniel through Soundwave guest deejay Michael Donaldson (listen to Michael’s mix here) when he posted an interview with daniel on his Micro.blog. Initially, I read the interview simply because it was on Micro.blog, a cool social media network I am a member of. But what hooked me was the interview itself and daniel’s exploration of sound through this music.

The other reason today’s show is important to me is that while I love all the mixes on Soundwave, and I mean that, daniel’s mix hit me in all the right places. He included some familiar and precious tracks from the likes of Miles Davis, This Mortal Coil and Skinny Puppy. This is stuff I immersed myself in the 80s and 90s, so it felt like putting on a well-worn sweater. But daniel’s mix included a lot of stuff I had never heard of before, like Oliver Coates, Besombes & Rizet, and Angelo Badalamenti. It was a perfect blend of the familiar and unfamiliar that his mix provided just under an hour’s with of dopamine hits.

The final reason is that I listened to daniel’s mix many places (while working, walking my dog, doing the dishes, etc.), but the place that had the most significance was in my car while driving my grandkid to day school. The experience is already special because I enjoy watching all the adults delivering their most precious of cargos and seeing the love and concern on their faces. daniel’s mix heightened and already tender experience.

daniel has words of his own regarding today’s mix below.

Join us next weekend when our guest deejay will be Sean Slight.

See you then!

Like much of the ambient-drone music I produce, this mix was born from a live performance and then manipulated in the digital domain via Audacity. Nothing beats the hardware-software hybrid.

While I’ve DJed for three decades years — including two long stretches of college radio — my skills were a bit rusty, to say the least. I wanted to showcase some of my long-time favorite artists — Brian Eno, Boards of Canada, Spacemen 3, Jean-Michel Jarre — along with several newer ones (and maybe even a few you wouldn’t necessarily think of in the ambient realm).

I performed the set in real time using two MacBooks as playback decks, connected to a cheapo RadioShack DJ mixer from the ’90s.* Recorded in Audacity. Numerous field recordings and samples were also added at this stage — including a mix-long drone of processed shortwave static.

The result is a dark, noisy vibe with bursts of melody, strands of light, and even occasional beats. It’s mysterious and romantic, a droning, pulsing soundtrack from the past 50 years. Enjoy and #DroneOn

— danielfuzztone

POST-SCRIPT: Look for several back-to-back releases in early 2022 via Bandcamp, as well as a live performance in January.

*Due to the lo-fi-meets-hi-fi nature of the recording, you’ll occasionally hear pops and ticks from some of the aging gear. Relax. It’s all part of the ride.

danielfuzztone “Prima Facie”
Brian Eno “Triennale”
The House in the Woods "Bucolica”
Mark Pritchard “?”
Miles Davis “In a Silent Way”
Steven R. Smith “Awake”
William Basinski “The Wheel of Fortune”
danielfuzztone “Nishiki 10-Speed Dream”
Boards of Canada “XYZ”
Cult48 “Deep Calls to Deep”
Gong “Magick Mother Invocation”
Besombes & Rizet “Evelyse”
Godspeed You! Black Emperor “The Dead Flag Blues”
Skinny Puppy “Fritter (Stella’s Home)”
This Mortal Coil “Acid, Bitter and Sad”
Sonic Youth “Providence”
Windy & Carl “Antarctica”
danielfuzztone “Transient Response”
Tim Hecker “Celestina”
Oliver Coates “Honey”
My Bloody Valentine “Glider”
Spacemen 3 “Ecstasy Symphony”
Terry Riley “Poppy Nogood and the Phantom Band”
M83 “Birds”
Jean-Michel Jarre “Equinoxe Part 1”
Emerald Web “The Dragon’s Gate”
Angelo Badalamenti “The Voice of Love”
Yo La Tengo “Shortwave”

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SOUNDWAVE : 83 : WIFE SIGNS

Today’s guest deejay is Kellen Perry, AKA Wife Signs.

Daniel Chamberlin turned me on to Wife Signs with his Cosmic Chambo mix for Soundwave. As is my want, I asked Daniel who he know that would want to share a mix on Soundwave and he suggested Kellen. Daniel was spot on, because Kellen’s mix is a delight.

I mentioned last month how Line Spectrum’s mix blended so seamlesslessly with the sounds of my environment that caused me no small amount of anxiety. Kellen’s mix also merged with the sounds around me, but it was so ephemeral that it was a soothing experience. It made the sound of clanking flatware musical. Some of the mixes heard on Soundwave are sublime, and some, like Kellen’s, make the mundane seem magical.

While you can stream Kellen’s new album, Beneath the Weight of Care, on Spotify, I encourage you to pushase his album on Bandcamp. You can also follow Kellen on Twitter.

I hope you have a Happy Halloween. I know I will, because I’m taking my grandkid on his first trick or treating he’ll remember. Talk about magical!

Join us next week when our guest deejay will be protoU.

See you then!

Klara Lewis “Seascape”
More Eaze “Leave”
Offthesky & The Humble Bee “Fallen Fruit to Navigate By”
Wife Signs “Burning Off the Nuance”
Austin Rockman “Kissed By Her Witness”
Vanessa Amara “Manos”
Lusine ”Without Standing”
Wife Signs “Small Art and Love”
Listening Mirror “Outside Heaven”
Tom James Scott “Green Wren”

SOUNDWAVE : 82 : PCM

Today’s guest deejays are PCM, who are Francesco Perra (P), Matteo Cantaluppi (C), Matteo Milea (M).

n5MD founder Mike Cadoo put me in touch with PCM when I asked him after guest deejayed on Soundwave who he thought would want to share a mix on the show. PCM has crafted a mix that I adore. There’s so much to love.

One of the things I find exciting about Soundwave is that our guest deejays introduce me to music and artists I’m unfamiliar with. On the other hand, some musicians that I’ve been surprised have made an appearance on Soundwave nearly two years into the show. PCM remedy that with today’s mix. I’m talking about talent like Fennesz, Rafael Anton Irisarri, Coil (I’m surprised Coil aren’t on every show), and Morton Subotnick.

PCM: Francesco Perra (P), Matteo Cantaluppi (C), Matteo Milea (M)

PCM themselves make an appearance at the end of today’s show. You’ll want to hear more of their music. You can listen to their latest album, Macro, which came out earlier this year. Macro is equal parts expansive and constrained, and the magic happens between those two extremes.

Join us next week when our guest deejay will be Wife Signs.

See you then.

Fennesz “Liminality”
zakè “Infinite Ocean”
Takehisa Kosugi “Wave Code #E-1”
Nils Frahm “Talisman”
Rafael Anton Irisarri “Empire System”
Coil “Red Birds Will Fly Out Of The East And Destroy Paris In a Night”
Boards Of Canada “Everything You Do Is A Balloon”
loscil “Drained Lake”
Valentino Mora “Morphosa”
John Foxx “Oceanic II”
William Basinski “Melancholia”
Morton Subotnick “Touch. Pt. 1”
Floating Points, Pharoah Sanders & The London Symphony Orchestra “Promises”
Perry Frank “Janas”
Global Communication “9:25”
PCM “Macro”

SOUNDWAVE : 76 : MICHAEL DONALDSON

Today’s guest deejay is Michael Donaldson.

I met Michael when he posted an interview with Daniel Fuzztone on Micro.blog. I enjoyed the interview and Michael’s other blog posts and Daniel’s music, so I invited both of them to guest deejay on Soundwave. We’ll hear Daniel’s mix in December.

I’m happy about the Micro.blog connection. It’s one of the aspects of social media I still like. When I joined Twitter 2006, it was easier to have actual conversations with people and establish friendships. It was also easier to chat with musicians, label owners, directors, etc and bypass the dual intermediaries. Those days are gone, and Micro.blog’s network is currently too small to be useful to me in that way, what it has going for it that’s invaluable is the conversations and connections you have there. It’s cosier. And because Micro.blog is subscription based, it eliminates the riff raft.

I got a kick out of Michael’s blog. It’s got a lot of 80/90s feel to it, so for me hearing Michael’s mix was like putting on a comfortable, worn-in sweater. Michael’s mix is wonderful, but the track that got me in the feels was My Bloody Valentine/Skylab’s “Incidental Peace.” It’s such an unlikely collaboration but somehow weaves a seamless blend of shoegaze and electronic music. It’s all kinds of wonderful and “Incidental Peace” is buttressed between music that is equally gorgeous.

I think what I love most about Michael’s mix is how dreamy it it. I’ll find myself listening to the it, and lose myself in the music and my own thoughts and feelings, only to resurface laster in the mix, uncertain how much time has passed.

Okay, time for me to pack it in. Tomorrow is my boy’s first baseball game of the season. I’ll be honest, even with social distancing I think it’s going to be unsettling being around so many people. At least we’ll all be outdoors.

Join us next week when our guest deejay will be Gert De Meeseter.

See you then!

Gemini Revolution “Crumarooned”
Bjørn Torske “HemmeligOrkester”
Ralph Kinsella “Suffuse”
Bill Nelson “Night Tides”
More Ghost Than Man + San Mateo “11811 (Georgy Block 7.7)”
Holger Czukay “Radio in an Hourglass”
My Bloody Valentine meets Skylab “Incidental Peace”
Fila Brazillia “Midnight Friends”
Bill Nelson “Clothed in Light Amongst the Stars”
Elijah Knutsen “Somewhere Knows”
Q-Burns Abstract Message “The Burning City”

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SOUNDWAVE : 75 : COMPLEX HOLIDAY

Today’s guest deejay is Robert Farrugia, co-founder of Complex Holiday, an itinerant label for inside-out ambient and sound art tomfoolery.

I’m usually fastidious about tracking how I come to know guest deejays on Soundwave. Unfortunately, my initial conversation with Robert began on Facebook Messenger and that chat is lost to the ether. Well, really, Facebook has that conversation stored somewhere. But it’s as good as gone for me.

Whatever lead me to Robert, I’m glad I invited him to join us.

What you may or may not know is that I get the mixes you hear months in advance. I usually enjoy it for a week or two before I move on to listen to the next guest deejay’s mix. I’ll also re-listen to the mix a few weeks before their show is released. I listen to the mixes a lot.

Robert Farrugia, *Photograph by Chris Vella / Storbju*

Robert’s mix was a welcome companion for the last week. Nationally, the U.S. is caught between wildfires and hurricanes. Internationally, the U.S. has left Afghanistan. And on a personal note, the was my kid’s first week at high school. While our area is 75% vaccinated, I’m still anxious about how this will work out. Within the first week there’s already been a report of a student with COVID-19. Robert’s mix felt like an echo of how I’ve been feeling about all of it.

There’s a tension that builds up early in Robert’s mix that unravels nearly halfway through before exploring different sonic territory. The mix ends hauntingly and somberly.

That feels right.

Join us next week when our guest deejay will be Michael Donaldson.

See you then!

Dylan Henner “I Was Reading the News But I Felt So Sad I had to Stop”
Snap Dragon “Breathe”
Benoît Pioulard “Whose Palms Create”
Robert Farrugia “Tlellix”
Warmth “Cirrus”
David Cordero “Sevredol (Sight Below Remix)”
Marsha Fisher “Chapter House”
Kurt Buttigieg “Confiance en quoi”

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SOUNDWAVE : 73 : JONATHAN AMMONS

Today’s guest deejay is Jonathan Ammons.

Jonathan guest deejayed on the show last October. Jonathan’s mix was so moving that I invited him back to Soundwave. Today’s mix is equally remarkable. I had the unique opportunity to listen to it while driving from San Diego to Sacramento to visit my wife this weekend. It’s wildfire season in California (it’s always wildfire season), and Jonathan’s mix provided the soundtrack to my apocalyptic drive. The skies were tinted dirty brown from the ashes from the wildfires, but somehow the sun managed to blast the landscape with glaring light: grass and trees parched from California’s megadrought. Every 20 miles or so, I’d pass an abandoned car to the side of the highway. And yet, Jonathan’s mix somehow lent some beauty to such desolate scenery.

Jonathan has some words about his mix below.

Join us next week when our guest deejay will be anthéne.

See you then!

I think that my past year has looked like many people’s lives during the middle of one of the largest global pandemics in history. A lot of isolation, a lot of finding ways to busy yourself or occupy your mind. In the past, as someone who worked from home, I had enjoyed drone, ambient, and all of those experimental genres for the way they occupied a space without dominating it. If ambient music was created to generate music that did not evoke strong and tumultuous emotions — as Brian Eno claims— that was exactly what I wanted droning on in the background of my house while I pecked away at a keyboard for work. As a journalist, it provided this stoic, emotionless wallpaper for the background of my daily existence.

Covid changed a lot of that. They daily monotony left me just craving a change of emotion. But I didn’t want words; I didn’t want lyrics that would remind me of how things were when we were able to go places, meet people, kiss strangers at a bar… I wanted the same stability that the drone I’d come to love gave me, but I wanted something a little more expressive.

I also noticed that the more I used any streaming platform, the more the algorithm would eventually whittle things down to the same handful of artists. I wanted new things. I wanted variety in a locked-down life with no chance of spontaneity. So I decided to cut all algorithmic music out of my life. I stopped listening to Spotify or Pandora or any of those generated playlists and dialed back in to the radio.

I have to give a giant shoutout to Noods Radio out of Bristol, England, because they have been a major lifesaver. A station dedicated to the wild and weird sounds of Bristol. You never know what you’ll find, but the rich spread of creativity has introduced me to a slew of new artists. Props to BBC6’s great ambient show, as well.

Northern England’s A Beautiful Burning World make’s gorgeous sounds using very simple gear and tape loops. They even have a subscription system for $15 a year, and you can get their entire discography for cheaper than that! Much of this mix comes from artists discovered through the radio or combing around Bandcamp.

Seamstress makes delightful chill-out beats. Scanner gorgeously blends drone and ambient with deep arrangements that are so subtle, but meaningful. And I don’t know why it took me till now to notice Garth Stevenson’s incredible compositions. We really are in a golden age for the reinvention of modern classical music. Just look no further than Tristan Perich’s fantastic work.

I also have to give a shoutout to Kimathi Moore. Kima is an incredibly talented sound artist here in Asheville. His style’s shift between ambient, drone, and Edgard Varèse-like tone poems. I got the chance to work with him on a music video he shot for my latest album, and got to see just what a meticulous worker he is.No wonder his sounds are so precise and pristine.

Of course, I had to include some Harold Budd. I included a selection off of his album the Serpent (In Quicksilver) because I remember hearing an interview with him in which he claimed that it was his favorite record that he’d made. A major loss for the ambient music world, losing one of the original masters to this damned virus.

And lastly, the original tracks are two previously unreleased compositions. I started messing around with more tape loops in my studio this winter, and really decided to dive into it, which is how “The Same River” originated. The closing track is actually from a much larger piece I have coming out in the Fall. “A Certain Kind of Light” is a 40-minute piece in five movements. It was an experiment to see just how far I could go using only a single chord. The incredibly talented Olivia Springer performed all of the string parts for that piece. I’ve included the final movement of that piece to close out this mix as its debut.

Endless thanks to Joseph for having me back for another Soundwave mix. It’s been a pleasure to follow along and hear what everyone is listening to these days!

Jonathan Ammons “The Same River”
Scanner “The Ascent”
Floating Points “Apoptose Pt. 1”
Kimathi Moore “Eyris”
Harold Budd “Rub with Ashes”
Seamstress “Save the Bees”
A Beautiful Burning World “Sonder: III”
Garth Stevenson “The Southern Sea”
Tristan Perich “Drift Multiply: Section 3”
Jonathan Ammons “A Certain Kind of Light: Movement V”

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SOUNDWAVE : 70 : BRUEDER SELKE (CEEYS)

Today’s guest deejays are Potsdam-based Brueder Selke, brothers Sebastian and Daniel Selke (CEEYS).

Over the years, I’ve gotten quite good at jotting down notes on how I meet people. But sometimes, I forget to capture that information, and in this case, I don’t recall how I met Sebastian and Daniel. If I had to guess, I believe I discovered them while perusing Bandcamp for new music.

CEEYS’s albums explore and combine experimental, minimalist, avant-garde, pop, jazz, ambient, and classical chamber music. I love all that stuff, and Sebastian and Daniel distill all those forms of music into a heady listening experience, something you can lose yourself in. I’ve had “Yes, Brick By Brick” on repeat for few hours, for example.

Their mix for today’s show was a surprise. I trusted they would craft a mix worth hearing, and while it captures their musical sensibilities, it also subverted my expectations. And the mix is dense. In the space of 40+ minutes, you’re going to hear music from 28 different artists.

Sebastian and Daniel have some words about their mix below.

Paleowolfs Cenozoic alnum — Paleowolf’s *Cenozoic* album

Before I wrap things up, I want to mention that Paleowolf has released a new album, Cenozoic. Paleowolf continues to create music inspired by totems of prehistoric animals and describes Cenozoic as the spiritual successor to Megafauna Rituals. It’s impressive how much material Paleowolf has churned up within his self-created genre. Listen to the Soundwave Paleomix here.

Joins us next week when our guest deejay will be Roel Funcken.

See you then!

For us, two brothers coming from beyond the Iron Curtain, the Wall, with a strikingly serene sense of modesty and humility, rooted in the daily improvisation to manage and resolve shortcomings during Communist-era GDR times and the later reunion of Germany, the most intrinsic part of being a musician is the encounter with like-minded friends and fellows.

Collaboration has become an essential element of our musical approach manifesting itself in the 2020 EP, THESIS 17, alongside CONSTANT PRESENCE, the project between Peter Broderick and Daniel O’Sullivan, on Gregory Euclide’s Thesis Project.

In fact, it was musicians like these and collaborations with others like Ólafur Arnalds, Masayoshi Fujita, Carlos Cipa , and Martyn Heyne (who mixed and mastered almost the entire CEEYS catalogue) that inspired us to found Q3AMBIENTFEST.

The aim of this handpicked list of talent is to blend established and emerging artists from diverse genres and origins. Some even shared already the stage with us while others are invited to come over to our little filmtown Potsdam, in the future.

Thanks to Joseph, who gave us the opportunity to curate this cozy playlist.

Otto Lindholm “Lehena”
Jakob Lindhagen “Tema”
Anna von Hausswolff “The Miraculous”
Midori Hirano “Night Traveling”
Oneohtrix Point Never “Transmat Memories”
David Allred “For Catherine E. Coulson (Solo Piano)”
Sarah Neufeld “Where The Light Comes In”
Shida Shahabi “Main Theme (Piano Version)”
Matt Stewart-Evans “Horizon”
Galya Bisengalieva “Kantubek”
Takeshi Nishimoto “Straßenlaterne”
Nils Frahm “Über”
Brueder Selke x Eric Maltz “Crossing”
Peter Broderick “Eyes Closed And Traveling”
Library Tapes “Silhouettes”
Aidan Baker “The Sea Swells A Bit 2006 (Full Album)”
Mary Lattimore “II”
Anne Müller “Heliopause”
A-Sun Amissa “Out Past the Dark”
Marie Awadis “Lounas Waltz”
Hoshiko Yamane “Threads”
Vargkvint “Utåt”
Diane Barbé “Terra Sonus”
Kinbrae “Isolated Sketch”
Grand River “All There Now”
Rauelsson “Hourglass I”
Julia Kent “Heavy Eyes”
Rone “Tempelhof”

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Logo by Rik Oostenbroek