SOUNDWAVE : 63 : PIERRE LAPLACE

Today’s guest deejay is Pierre Laplace.

I discovered Pierre while listening to his 2019 album, You Disappeared, recorded under the monicker Beyond the Ghost. You Disappeared felt like a soundtrack to a China Miéville novel. In fact, Miéville’s definition of weird fiction perfectly describes Pierre’s music; it “evokes a sense of the numinous.” His follow-up albums, Eternal Drift and his recently released The Last Resort continue to induce feelings of mystery and awe.

Inviting Pierre to be a guest deejay on Soundwave was a no-brainer. I was surprised, however, to hear his selections for today’s show.

When I extend invitations for guest deejays to participate in the show, I allow them latitude to explore the format of ambient, classical, experimental and instrumental music. Some of the guest deejays will play tracks of their own music, and that’s perfectly fine, but what I’m hoping for is a mix of songs from other musicians they love.

 

Pierre Laplace
Pierre Laplace

I expected Pierre’s mix to feature songs that are much like his own in feeling and tone. I was delighted to find his mix explored a different sonic landscape.

To begin with, he opens his mix with a track from Deru. I knew immediately that Pierre had something unusual in store for us. I’ve been a fan of Deru for over a decade (hear my interview with Deru and his live set for solipsistic NATION), so I was eager to go whatever journey Pierre was going to take me on.

There are many twists and turns.

Pierre’s inclusion of Morphine caught me by surprise but in context completely makes sense. Brian Eno and David Byrne’s My Life in the Bush of Ghosts is one of my favorite albums, and I was thrilled to hear a track from it included in Pierre’s mix. The appearance of Ennio Morricone was also a welcome surprise. I’m also a fan of The Kilimanjaro Darkjazz Ensemble and The Mount Fuji Doommjazz Corporation and have wondered when someone would play them on Soundwave. The Cinematic Orchestra makes perfect sense within Pierre’s mix, and David Bowie pops up once again on Soundwave, making him the show’s perhaps most featured artist.

Stock up on provisions because Pierre is about to take you on a dark vision quest.

Join us again next week when our guest deejay will be Sean Hocking.

See you then!

  1. Deru “Light The Pyre”
  2. Antonymes “A Fragile Acceptance”
  3. Atrium Carceri “Sheol”
  4. Morphine “Miles Davis’ Funeral”
  5. Brian Eno/David Byrne “A Secret Life”
  6. The Cinematic Orchestra “All Things”
  7. Ennio Morricone “El Castillo Encantado”
  8. Trigg & Gusset “Black Ocean”
  9. The Kilimanjaro Darkjazz Ensemble “Cotard Delusion”
  10. Deaf Center “White Lake”
  11. Bohren und der Club der Gore “Maximum Black”
  12. The Mount Fuji Doomjazz Corporation “The Admirals Game”
  13. David Bowie “Warszawa”
  14. Esbjörn Svensson Trio “Seven Days of Falling”

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Logo by Rik Oostenbroek

SOUNDWAVE : 44 : ISHMAEL CORMACK

SOUNDWAVE : 44 : ISHMAEL CORMACK

Today’s guest deejay is Ishmael Cormack.

To date, nearly all the guest deejays on SOUNDWAVE are people I have relationships with or introduced to me through the guest deejays. Ishmael is different.

These days I purchase nearly all my music on Bandcamp. Yes, I said purchase. I’m old fashioned that way. Oh, I do more than my fair share of streaming, but if I find music I genuinely love, I’m happy to spend money on it. Bandcamp is my favorite platform to purchase music because the artists and labels are treated fairly, and they receive a higher percentage of money from sales than most other platforms. So I’m on Bandcamp a lot. And because of SOUNDWAVE, I tend to peruse releases from ambient, classical, experimental, and instrumental musicians.

If you enjoy music from any of those genres, you know from experience that most of it are dreck. The music tends to be bland or outright terrible. It isn’t easy to compose music in those genres that’s engaging and take you on an emotional journey. It’s refreshing to find musicians who do it well, and Ishmael is one of those artists.

I'm not a musician myself, so it’s difficult for me not to fall into clichés to describe Ishmael’s music using words like delicate, pretty, or sonorous. I’m reminded of an interview I once heard with Ben Frost where he complained of this very thing. I believe he said something to the effect that sommeliers have many metaphors to describe wines’ taste, but we lack the same when talking about music.

It’s almost a shame, then, that today’s mix from Ishmael does not feature his music. Almost, because Ishmael has lovingly selected tracks that are, sigh, delicate, pretty, and sonorous, but it’s true. It’s a wonderful mix.

If you enjoy today’s show, and I have no doubt you will, then support the artists by following my example and purchasing their music. And while you’re at it, listen to Ishmael’s releases on Bandcamp, and if you hear something like it, show him your appreciation by spending some money on his music.

Join us next week when our guest deejay will be Tim Six, founder of ΠΑΝΘΕΟΝ Records.

See you then!

Ishmael Cormack
Ishmael Cormack

  1. Andrew Chalk “The Flood”
  2. Taylor Deupree & Marcus Fischer “On Branches”
  3. Richard Ginns “Faded From The Winter”
  4. Tom Scott “Ribbon Glass”
  5. Jens Pauly “Licht”
  6. Cyril Secq “Huitiéme Branche”
  7. Morimoto Naoki “Nod”
  8. Suda Norihito “The Weather Of The Day Was To Calm Almost As If Nothing Had Happened”
  9. Melissa Pons “Screeching Dawn”
  10. Jodi Cave “For Sine And Breath Tones”
  11. Federico Durand “IIu Wouter”
  12. Van Veldhoven “First Lullaby”

Subscribe to SOUNDWAVE on iTunes, Overcast, Castro and Pocketcasts.

Logo by Rik Oostenbroek