I met Tim through Sanderson Dear, who get deejayed on Soundwave a few months ago (listen to Sanderson’s mix here). As is my want, I asked Sanderon who he thought would share a mix on Soundwave and he highly recommended Tim.
As it happens, both Tim and I are fellow devotees of the Excursions in Ambience compilation album series (listen to my Excursions in Ambience compilation retrospective here). That may explain why Tim’s mix, which features songs completely new to me, feels so familiar. It’s a delight to share Tim’s mix with you.
Tim has words about his mix below.
Join us next week when our guest deejay will be Raziel Panic.
My 2021 album Excursion was a release born through influence. It was inspired by improvised live electronics, a deep love of electronic music from the 1990’s, and even the compilation series Excursions in Ambience, of which the album was named after. I wanted to revisit those influences for this mix, crafting a similar sonic tapestry, through a different lens. I’ve included the inspiring music that influenced me to start making music, as well as some new works that elicit that same emotional frequency. Enjoy the journey.
I was introduced to Hekla through the kind folks at Phantom Limb (listen to their mix for Soundwave here). Hekla is known for her explorations into the depths of sound, blending influences from her Icelandic roots with experimental electronic sounds. Her album, Á, was breath taking, as is her more recent album, Xiuxiuejar, both of which I encourage you to experience.
Hekla
In her mix for Soundwave, Hekla takes us on a journey through the themes of nature, spirituality, and human connection. Her selection of songs includes works by the Estonian composer Veljo Tormis, whose choral music draws on ancient folk traditions, as well as Ghédalia Tazartés’ haunting “Un amour si grand Qu’il Nie Son Objet” and Meredith Monk’s playful “Cow Song.” Hekla also includes a selection from the French composer Olivier Messiaen’s “O Sacrum Convivium,” which explores the theme of spiritual communion.
Join us next week when our guest deejay will be Jonas Munk.
Rhucle appeared on Soundwave in March of 2021 with a mix became the soundtrack to my walks with my dog. Today’s show promises to be as intimate and magical as the last.
Rhucle
Rhucle is an electronic music producer from Japan. His music is a blend of ambient, lo-fi, and field recordings featuring the sounds of nature. Rhucle’s music evokes a sense of calm and introspection and is perfect for relaxation or contemplation.
Today’s mix is like a dream of reuniting with long-lost friends and never wanting to wake from that dream.
Join us next week when our guest deejay will be Luke Entelis.
I invited Pierre to share a mix on Soundwave after hearing his 2019 album, You Disappeared. Since then, Pierre has released a new album, Sundown. Where You Disappeared felt like the soundtrack to a China Miéville novel, Sundown felt like a Koyaanisqatsisque soundtrack for a doomed planet. The album notes for Sundown tell a tale of desperate conflict in Rome in the year 2062. That works, too. The album drips with foreboding.
Pierre Laplace
The first mix Pierre shared was an unexpected delight. Then I could hear the influences of someone like, say, Ennio Morricone, in his music, Pierre’s mix didn’t convey the feeling of his own music. Pierre’s mix for today’s show is further from his albums. His mix is more unexpected and just as delightful.
Aside from three artists, I’m unfamiliar with the musicians who appear in Pierre’s mix. I’ve gone down the listening rabbit hole on Spotify because all the music in his mix is brilliant. I’m sure you’ll be doing the same.
Join us next week when our guest deejay will be KMRU.
Today’s guest deejay is Mike Cadoo, the founder of n5MD, a much loved and respected independent record label based out of Oakland, California. n5MD focuses on ambient, modern composition, post-rock, and experimental electronic music.
As a long-time fan of n5MD, I showcased Mike’s label on solipsistic NATION, my electronic music show, years ago. Mike guest deejayed on Soundwave in 2021 and returns today with a much-needed mix for me.
I can’t go into the details, but last week I nearly died. You’d never know it by looking at me. Physically I’m fine. But I’m shaken. I find that I quickly get emotional about things. Sometimes I have a profound respect for life, all lives. Sometimes I’m filled with existential despair. I’m told this will pass in a few months. In the meantime, I’m having these overwhelming experiences.
Mike doesn’t know this, but his mix helped get me through the week.
Mike has some words about today’s mix below.
Join us next week when our guest deejay will be Giulio Aldinucci.
See you then.
My song, “Sunrise at Ironhorse Trail,” included in today’s mix, is from a release that I will be releasing on my personal Bandcamp page on World Alzheimer’s Day. My father passed this January in what can best be described as complications due to mixed dementia. All proceeds will be donated to Hope Hospice, which was very integral in the comfort of my father in the last days of his life, as well as, and maybe even more importantly, my mother’s grief counseling after his passing.
Today’s guest deejay is Matt Donatelli, AKA Survey Channel.
I met through Francisco Dominguez. After Francisco shared his fantastic mix earlier this year, I asked him who he thought would want guest deejay on Soundwave. Francisco recommended Matt, and after doing a deep dive on Matt’s music, I wholeheartedly agreed.
If you love today’s mix, and you will, then you’ll be happy to know that Matt spins on CAMP Radio. His show is called Aural Dogma. Tune in!
Matt has some words about his mix below.
I am increasingly grateful for Soundwave. I initially launched the show to help cope with the stress and isolation of the first months of the quarantine lockdown. I told myself that I would wrap the show up once the pandemic was reasonably under control: Soundwave would have severed its purpose. But the pandemic is not done with us. Over the last few months, I’ve seen more and more people who are frayed and exhausted. I’m a bit worn out myself, and Soundwave continues offering respite and delight. I hope you feel the same.
The Metallic Ratio by Eva Kierten
Before I go, I want to let you know that Other Forms of Consecrated Life (listen to their mix for Soundwave here) just released Eva Kierten’s new album, The Metallic Ratio. Kierten continues to gently plumb emotional depths.
Lately, I’ve been seeking out a variety of cleansing soundwaves in countless flavors. From the oddly contemporary sounds of “early” electronic group Syrinx, the the folksy-pivot of ex-Sneaker Pimps vocalist Kelli Ali, to the wonderfully weird Iasos. I find myself constantly visiting old favorites, as well. This mix is a snapshot in time of the tunes that spoke to me; working through me as I built it. I’ve added a few minor soundbytes to a couple of the tracks — I find the mixes with a personal touch that can tell a story to be the most successful.
Overall, I hope this mix acts as an inspiration for listeners to continue to seek out music in any genre; there is always something waiting to be heard.
I met Hessel through Soundwave guest deejay Harrold Roeland (listen to Harrold’s mix here and here). I asked Harrold who he thought would share a mix on Soundwave, and he recommended Hessel. I would have extended an invitation to Hessel based solely on Harrold’s word. However, listening to Hessel’s albums on his Bandcamp page merely confirmed Harrold’s regard for Hessel’s music.
Hessel is a musician, composer, and producer. In the 60s, Hessel’s fascination with electronic audio devices, in combination with a preference for writing and performing extremely idiosyncratic music, created a wide range of experimental electro-acoustic music, sound-poetry, and contemporary music radio productions.
Hessel ran a private cassette label Exart from 1982 to 1995 and released work under various pseudonyms such as Y Create, Forbidden Photographs, and Gorgonzola Legs. More recently, he has released Ymuiden, EPoX with Martijn Comes, and has a track featured in the Daredevil Meditations compilation album.
Hessel has some words about his mix below.
Join us next weekend when our guest deejay will be Survey Channel.
Musician, composer, and publisher Peter Rehberg unexpectedly passed away at 53 on 22 July 2021. Peter Rehberg was born in the UK in 1968 and returned to his family roots in Austria after growing up in Hertfordshire. He subsequently became a crucial figure in the world of contemporary electronic ‘underground’ music after making his debut in 1995. He achieved this mainly through the Viennese label Mego, renamed Editions Mego in 2005. Rehberg made his debut as Pita on the Mego label with the 12-inch Fridge, a collaboration with General Magic. A year later, his debut album Seven Tons For Free was released. The Mego label, especially after Rehberg took over as curator, grew into an influential label for new developments in electro-acoustic music. Mego became the catalyst for the musical adventures of artists such as Christian Fennesz, Jim O’Rourke, Stephen O’Malley, Russell Haswell, and Florian Hecker. Later, under Editions Mego, the label regularly released leading works by artists such as Oneohtrix Point Never, Kevin Drumm, Bruce Gilbert, Mark Fell, Oren Ambarchi, Bill Orcutt, and Emeralds. Peter Rehberg also continued to compose, produce and publish his music, often in collaboration with others. The collaboration with Stephen O’Malley under the name KTL resulted in several albums, of which KTL’s ‘VII’ from 2020 is the most recent.
Rafael Anton Irisarri “Mellified”, Peripeteia Label: DAIS. (2020)
Irisarri’s album Peripeteia fuses drone, electronic and ambient music. His immersive compositions are visual, panoramic, and cinematic as sceneries and films inspire them. Some of his music would suit artistic sci-fi or horror movies. Irisarri’s newest album, Peripeteia is based on a sudden change of circumstances in his life.
Eli Keszler “The Basement”, The Scary Of Sixty-First (OST) Label: Deeper Into Movies Records. (2021)
For the past five years, the London / NYC film collective Deeper Into Movies has been screening essential contemporary cinema, overlooked gems, and rarely seen documentaries in reparatory cinema and DIY spaces. In December 2021, they launched the new label Deeper Into Movies Records, which promises to continue Deeper’s mission into sonic form by releasing recent scores from emerging filmmakers and lost or rereleased soundtracks. This first release from the new label is Eli Keszler’s score for Dasha Nekrasova’s notorious award-winning debut feature film The Scary of Sixty-First.
Dale Cooper Quartet & The Dictaphones “Huis Chevêchette”, Astrild Astrild Label: Denovali. (2017)
The characteristics of Astrild Astrild are classic drone soundscapes mixed with deep tone saxophone parts that became Dale Cooper Quartet’s trademark since the release of their debut album in 2006. Slowly paced, the new tracks follow the Quartet’s basic structure and classical sound. The new full-length conceals more live takes, including guitars, bass, and Rhodes keys. With these new elements, the songs of Astrild Astrild are pushed further into a large tunnel of deafening rhythmic parts and field ambient textures.
Claire Rousay “Peak Chroma”, A Softer Focus Label: American Dream Records. (2021)
A Softer Focus, released on American Dreams Records, is a leap towards a neatly holistic perspective of music-making. American percussionist and sound artist Claire Rousay is an archaeologist. She digs and sifts. Different layers overlap different substrates of meaning, emotion, and compositional complexity. Dirt gets in the way, requiring a gentle brushing aside to unveil whatever unstable nugget lies beneath. “Peak Chroma” is one of the two non-instrumental tracks on the record. With its collage feel, it generates beauty in buzz.
Cortini is best known as a longtime member of Nine Inch Nails. While NIN keeps him busy, he has also developed a reputation for collaborating with luminaries from the dimmer worlds of ambient, drone, and noise. The album Scuro Chiaro centers on one specific instrument, created by Cortini himself: the Strega. It is a semi-modular synth and effects box. With bass, percussive treble, and a flute-like whisper, Nessuno is one of Scuro Chiaro’s highlights. Cortini integrated his favorite features from various cult-legendary modular systems into one small unit. He uploaded his musical consciousness into this machine and subjugated it to his will.
Loscil “Orta”, Clara Label: Kranky. (2021)
On the album, Clara composer Scott Morgan takes the source material and breaks it down to its most basic essences. With this foundation, he paints deep colored sound-beds. Morgan uses a three-minute composition performed by a 22-piece string orchestra in Budapest for this album.
The final piece mixes Sanctuary, Hessel Veldman, and Andy Stott.
Composer Jose A. Parody says: “In my mind, ‘In Absolute’ is a very visual piece. Much like a close-up shot in a film, slowly zooming out to reveal an intricate scene, ‘In Absolute’ embodies the same feeling. A simple idea ever-expanding. Without the brilliant string and woodwind ensembles we recorded in Iceland last summer, it would not have been possible.”
Ymuiden is an experimental audio sound map of IJmuiden (1876), Noord-Holland, The Netherlands; a city where Hessel grew up and still lives today. A place that has seen much happen has seen many changes, a place of hard labor and knows a short raw history. The album, comprised of seven experimental dark ambient soundscapes, is laced with industrial elements, creating a hypnotic, dark undercurrent of sound.
Andy Stott “How It Was”, Faith In Strangers Label: Modern Love. (2014)
Faith In Strangers may be body music (in the broadest sense); it invariably favors the dripping, pulpy atmosphere over the vestigial pulse of Stott’s earlier work. “How It Was” exemplifies this approach: though a small army of drums gallops beneath the surface, we only hear the rattling of the metal wall they seem to be running into. Subdued pads carry the melody, and while they’re quieter than the stomping rhythms, they have the power to dominate the mix, smothering us with sweetness. I’m glad we published this on Production because it revealed some problems that were not apparent tint he developer device emulator.
Sasha’s been on Soundwave twice as protoU (listen to her mixes here and here). Sasha accepted my invitation to guest deejay a third time and shared a mix celebrating Pride. No ethereal mixes on today’s show; we’re all about getting a groove on.
Sasha Puzan, AKA Robocat
Last weekend I spent the day with my grandkid. We had plans to go to our favorite playground, but there was no parking to be had. I decided to take him to the beach instead. We got caught up in Pride traffic on the way there, which seemed like the perfect time to play Sasha’s mix. People dressed in rainbow gear, butterfly wings, and leather chaps darted between cars as we slowly inched forward. It was a magical afternoon.
Join us next week when our guest deejay will be Hessel Veldman.
We have Robert Farrugia from Complex Holiday to thank for James’s mix. I asked Robert who he knew who he thought would share a mix on Soundwave, and he recommended James. Oh, listen to Robert’s mix for Soundwave here.
James’s mix explores a lot of terrain and includes a song he recorded under the name A Lily that’s beautiful. There’s also a track in James’s mix that is almost too painful to listen to. You’ll know when you hear it.
I know you’ll love today’s show. If you’d like to hear more music from James, you’ll be delighted to learn that he has new music coming out soon on the Bytes label.
Join us next week when our guest deejay will be Raziel Panic.
Today’s guest deejay is Dan Haines Cohen, founder of Machine Records.
Last year Machine Records celebrated 20 years of releasing new electronic/experimental music, mostly from Wales. Described as “Cardiff’s number one underground electronic imprint” (Buzz Magazine), Machine was the winner of Best Label at the Welsh Music Awards in 2005.
Dan Haines Cohen
Dan also records as Stereo Minus One since 2001 and currently based in Wellington, New Zealand. As well as recent mixes and remixes, his eighth album will be released in June 2022.
I met Dan on Twitter. After he turned me on to new releases from his label, I asked if he’d be interested in sharing a mix on Soundwave. Happily, he said yes.
Dan’s mix showcases some recent releases and includes exclusive, as-yet-unreleased tracks. Dan’s mix also includes a new, never before heard remix by Cape Canaveral of Dan’s 2001 track “Alarums’ which features on Lodestone, as well as an exclusive track from Cape Canaveral’s upcoming new release in 2022 (“Far”).
Every morning this week, I’ve listened to Dan’s mix while drinking coffee and beginning my workday. And every morning, while Dan’s mix plays, a squirrel will sit on the railing of my roof deck, munching on nuts. Later, a blackbird will swoop down and peck through the succulents in their flower pots. We have a nice routine going.
Join us next week when our guest deejay will be James Vella.
