SOUNDWAVE : 30 : JOSEPH ALEO

As I write this we’re driving to Arizona to pick up our daughter who we haven’t seen her in over seven months.

Before the self-quarantine in California began we took our kids to stay with their bio-dad and his partner. We didn't know how the virus was going to play out and my wife was certain she was going to be summoned for duty and I was going to work from home. Having them with their dad and his girlfriend was our best option.

We picked up our boy from Arizona a few months ago and by the end of the day all our family will finally be under the same roof again.

So here we are in the car and we’re listening to today’s mix. That’s my wife's idea, which is very flattering. Ambient and experimental music isn’t her thing.

This mix is very special to me.

I launched SOUNDWAVE to help cope with the stress and isolation of being under self-quarantine due to COVID-19.

We’ve been living with the Corona virus for over half a year now so it’s easy to forget that the during the early days of the self-quarantine we were all white knuckling it. We were all asking ourselves how long this would go on, what can we do to protect ourselves, and will we or our family members or friends die from the virus?

I don’t know about you but during that time I found it difficult to focus on anything outside of work, and work was a blessed distraction. My television could barely hold my attention and I’d turn it off in frustration. I found myself unable to read books and would read the same paragraphs over and over again. And I discovered that music no longer spoke to the truth of my new reality. Love songs in particular seemed inane. The only music I could listen to was ambient, classical, experimental and instrumental where there were no lyrics and I could infer or impart my own meeting. And if that was the only music that gave me solace then surely others needed it to, so why not share it?

Shortly after launching SOUNDWAVE I invited folks I knew to guest deejay on the show. I was overwhelmed by the responses so I sat on today’s mix until the right time.

So here we are. Finally.

The first track on today’s mix comes from Dronny Darko’s latest album, Origin. The entire album is fantastic and I was so impressed that I invited Dronny to be a guest deejay on SOUNDWAVE. Dronny Darko is on the roster of artist on the Cryo Chamber label, as is our next artist, Sabled Sun, which is Simon Heath, the founder Cryo Chamber. And from Sabled Sun we segue into Multicast Dynamics. Samuel van Dijk is the man behind Multicast Dynamics and today’s track comes form his fifth album, Lost World.

All of these songs seamlessly blend into each other until we fade into Ecker & Meulyzer, who I discovered n the Bandcamp Daily blog. Wonderful, spooky stuff full of powerful rhythms and raw swaths of sounds.

From there we hear a piece by West Dylan Thorsdon from the Split soundtrack. That man can do a lot with just a bow and a cello that’ll raise the hair on the back of your neck.

Our next song is from the Devs soundtrack by Ben Salisbury and Geoff Barrow. If you haven’t watched Devs, please do so. It’s written and directed by Alex Garland and I think it’s Alex working in peak form. And Ben and Geoff’s music elevate Devs into sublimity. Oh, and Geoff is also a member of Portishead and you should definitely listen to his bandmate, Adrian Utley, mix for SOUNDWAVE.

We end today’s show with a piece by Those Who Walk Away from composer Matthew Patton’s album, The Infected Mass. It’s a mournful song for a mournful show. Patton’s piece is accompanied By some words by Peter Wessel Zapffe from his book, The Last Messiah. Prior to the pandemic I was knee deep in the nihilism of Thomas Ligotti and Emil Ciordan and Zapffe’s name kept popping up so naturally I had to read his stuff. Being steeped in nihilism isn’t the healthiest frame of mind to be in during the self-quarantine so I exorcised it with today’s mix.

I love this mix and I’m happy to finally share it with you after listening it to it weekly for the six months. It’s also something of a relief because today’s mix is also a touchstone to very unhappy time in my life and I’m glad to finally let go of it.

Join us again next week when our guest deejay will be E & S from one of my favorite labels, Other Forms of Consecrated Life.

See you then!

  1. Dronny Darko “Bioelectric Dive”
  2. Sabled Sun “Silo”
  3. Multicast Dynamics “Observation Deck”
  4. Ecker & Meulyzer “Carbon Cycles”
  5. West Dylan Thordson “Opening”
  6. Ben Salisbury, Geoff Barrow “Suffocation”
  7. Those Who Walk Away “First Degraded Hymn”
  8. Peter Wessel Zapffe “The Last Messiah, Excerpt”

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SOUNDWAVE : 29 : protoU

Today’s guest deejay is Sasha, AKA, protoU!

A few months ago Dronny Darko came on the show with a killer mix. As usually, I asked Dronny who he knew personally who would be interested in sharing a mix of their own for SOUNDWAVE and Dronny recommended protoU. It’s a dark and mysterious that’s both ethereal and earthy. Sasha’s mix resonates with me because it is reminiscent of the first two albums that introduced me to ambient music, Brian Eno’s Ambient 4: On Land and Apollo: Atmospheres and Soundtracks. Sasha’s mix also include’s Hivetribe’s “Uthernno”, which features one of my favorite recording of a 1950s housewife trying to describe a LSD experience.

You will not be disappointed with Sasha’s mix. I’ve had her mix on repeat for weeks and I still find something new in it.

In other news, this tiny show dedicated to niche genres of music that I launched to help cope with the stress of COVID-19 is growing ever so slightly, which is gratifying.

I don’t do much to promote SOUNDWAVE because it’s not that kind of show. It really is a form of therapy and I’m touched by every guest deejay’s generosity. I’m also moved that you, dear listener, take time out of your no doubt busy week to experience the mixes offered on this show. Maybe it’s time to share this show with more people. If you know of someone that you think would enjoy SOUNDWAVE, grab their phone and subscribe them to the podcast.

Join us again next week when our guest deejay will be… let me check my schedule… me!

protoU
protoU

  1. Alphaxone & protoU “Consumed”
  2. protoU “Transparent Clusters”
  3. protoU “Unreal Symbols”
  4. protoU “Dai Robsa Preah”
  5. Dronny Darko & protoU “Riparian Forest [300 million years ago]”
  6. Dronny Darko & protoU “Everything”
  7. Untitledcloud “Waves”
  8. Untitledcloud “Abstractions”
  9. Hivetribe “Herbquake”
  10. Hivetribe “Uthernno”

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SOUNDWAVE : 11 : DRONNY DARKO

I’m writing this from a hotel room in Phoenix, Arizona. I’m wearing a N95 mask because we’re still in a pandemic, although Arizonans don’t seen to be taking it seriously because maybe 25% of the people I see are wearing masks and observing social distancing. That probably explains why Arizona is seeing a spike in infections. Anyway, I’m wearing a mask and it is clear that I should have brushed my teeth before sitting down to write today’s show notes because I’m basically inhaling the contents of my lungs. Gross.

Let me take care of that. Be right back.

So why am I in Arizona if it is a COVID-19 hotspot you might be asking yourself? I’m here to pick up my kid and his grandmother and bring them back with me to California.

The weekend before California shutdown my wife and I made the decision to take our kids to Arizona to be with their bio dad. They were going to spend spring break with him anyhow and it seemed prudent to leave them with him a few weeks early. I was going to be working from home and it was likely my wife was going to be relocated to help deal with COVID-19. But or boy is done with Arizona and wants to come home and his grandmother will be living with us.

It’s pretty much been me and my dog for the last three months and I’ve fallen into bachelor-like routines (staying up far too late, walking around all day in pajamas, eating breakfast for dinner, etc) so this will take a bit of readjustment for me. For all three of us, really.

So that’s why I’m in Arizona. And from what I’m seeing around here and from what I’ve been hearing from friends scattered about the U.S. it seems we’re going to be living with COVID-19 for quite a while. Which means SOUNDWAVE will continue indefinitely.

Today’s guest deejay is Dronny Darko and he’s got a mix of marvelous dark ambient music for us to enjoy.

When I launched SOUNDWAVE I reached out to friends and acquaintances to guest deejay on the show but I also reached out to folks whose music I’ve been enjoying for the last few years. There’s a net label out of Oregon called Cryo Chamber I discovered when I got back into role playing games. (RPGs) Seems music from Cryo Chamber is the default soundtrack for many horror RPGs. And for good reason, the music is atmospheric and often tinged with dread.

Most people unfamiliar with ambient music often mistake it for swaths of pretty sounds and while that’s true, it’s so much more than that. Ambient music has many moods and its the reason I was drawn to it when we were all under the stay-at-home self-quarantine. Pop music seemed inane and didn’t speak the truth of our new reality. But there are no lyrics in ambient music, just moods and sounds, and that I could listen to. Ambient, classical, experimental and instrumental music spoke to me in ways pop music could not. The dark ambient music from Cryo Chamber was the soundtrack to my existential dread, which helped my process everything I was experience in and come to some sort of terms with it.

One of the artists on Cryo Chamber that I particularly enjoy is Dronny Darko. I’ve lost count of how many times I’ve listened to his album, Origin. He was the first artists from Cryo Chamber I reached out to when I began SOUNDWAVE because his music had the most impact on me. It’s darkly lush, quietly epic, and strangely beautiful. If you enjoy Dronny’s mix, and I know you will, I highly encourage you to purchase his album.

Speaking of purchasing music, if you dig any of the songs on today’s show, purchase them, too, if you have the means. As we’re all learning, we need art to help get us through the most trying of times. Musicians pour their heart and soul into their music, spending hours, days, weeks and months for something we listen to in minutes. And for most musicians are already working full time job on top of perfecting their craft. And as writer Bruce Sterling often says, “whatever happens to musicians will happen to all of us.” So out of solidarity, spend some cash on their music. They deserve it and need it.

Join us again next week when our guest deejay will be Jaime Irles. See you then!

Dronny Darko
Dronny Darko

  1. Red Fog “Arboria Institute”
  2. Dronny Darko “Noumenon”
  3. Line Spectrum “Unreleased”
  4. Richard Chartier “Sketch For Winter”
  5. protoU “Transparent Clusters”
  6. Cryogenic Weekend “Unreleased”
  7. Red Fog & Dronny Darko “Unreleased”
  8. Sleeping On Lotus Ashes “Failure of the Material”
  9. Ajna & Dronny Darko “Mutated DNA”

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Logo by Rik Oostenbroek