Tag: orchestral

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SOUNDWAVE : 123 : SURVEY CHANNEL

SOUNDWAVE : 123 : SURVEY CHANNEL

Today’s guest deejay is Matt Donatelli, AKA Survey Channel.

I met through Francisco Dominguez. After Francisco shared his fantastic mix earlier this year, I asked him who he thought would want guest deejay on Soundwave. Francisco recommended Matt, and after doing a deep dive on Matt’s music, I wholeheartedly agreed.

If you love today’s mix, and you will, then you’ll be happy to know that Matt spins on CAMP Radio. His show is called Aural Dogma. Tune in!

Matt has some words about his mix below.

I am increasingly grateful for Soundwave. I initially launched the show to help cope with the stress and isolation of the first months of the quarantine lockdown. I told myself that I would wrap the show up once the pandemic was reasonably under control: Soundwave would have severed its purpose. But the pandemic is not done with us. Over the last few months, I’ve seen more and more people who are frayed and exhausted. I’m a bit worn out myself, and Soundwave continues offering respite and delight. I hope you feel the same.

 

The Metallic Ratio by Eva Kierten
The Metallic Ratio by Eva Kierten

Before I go, I want to let you know that Other Forms of Consecrated Life (listen to their mix for Soundwave here) just released Eva Kierten’s new album, The Metallic Ratio. Kierten continues to gently plumb emotional depths.

Join us next week when our guest deejay will be John de Reybekill.

See you then.

 

Matt Donatelli, AKA Survey Channel
Matt Donatelli, AKA Survey Channel

Lately, I’ve been seeking out a variety of cleansing soundwaves in countless flavors. From the oddly contemporary sounds of “early” electronic group Syrinx, the the folksy-pivot of ex-Sneaker Pimps vocalist Kelli Ali, to the wonderfully weird Iasos. I find myself constantly visiting old favorites, as well. This mix is a snapshot in time of the tunes that spoke to me; working through me as I built it. I’ve added a few minor soundbytes to a couple of the tracks — I find the mixes with a personal touch that can tell a story to be the most successful.

Overall, I hope this mix acts as an inspiration for listeners to continue to seek out music in any genre; there is always something waiting to be heard.

  1. Ela Orleans “Beatrice”
  2. oldboy “Sun Behind the Clouds”
  3. Kelpe “Panpipe Dreams (Goodbye)”
  4. Five Nine Alaska “Calos One”
  5. Kelli Ali “Throw It to the Dogs”
  6. Ciaran Byrne “Audry Hugo”
  7. Pye Corner Audio “Sleep Chamber”
  8. Seefeel “Rupt”
  9. Casino Vs Japan “Stolen”
  10. Syrinx “Father of Light”
  11. Autechre “Slip”
  12. Jessy Lanza “Giddy”
  13. Iasos “Siren Shallows”
  14. Thom Yorke & Robert del Naja “Dead Editors”
  15. Bibio “Vidiconia I”
  16. arovane “windy wish trees”
  17. Amon Tobin / Two Fingers “Wooden Toy (Bibio Rework)”
  18. Violent Age “Alone at Noon

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SOUNDWAVE : 113 : JAMES VELLA

SOUNDWAVE : 113 : JAMES VELLA

Today’s guest deejay is James Vella.

We have Robert Farrugia from Complex Holiday to thank for James’s mix. I asked Robert who he knew who he thought would share a mix on Soundwave, and he recommended James. Oh, listen to Robert’s mix for Soundwave here.

Robert had not steered me wrong. James runs Phantom Limb, a record label, a music publishing, and touring and label management company. I dipped into his roster of artists, which ranges from everything from experimental hip hop to music inspired by Pre-Columbian Central and South American myths and folktales.

James’s mix explores a lot of terrain and includes a song he recorded under the name A Lily that’s beautiful. There’s also a track in James’s mix that is almost too painful to listen to. You’ll know when you hear it.

I know you’ll love today’s show. If you’d like to hear more music from James, you’ll be delighted to learn that he has new music coming out soon on the Bytes label.

Join us next week when our guest deejay will be Raziel Panic.

See you then.

  1. Visible Cloaks & dip in the pool “Valve (Reanimated Feat. Miyako Coda)”
  2. UCC Harlo “Lyricist of Panic”
  3. Tralala Blip “Castles of Golden Sound”
  4. Waclaw Zimpel “Lines”
  5. Nate Scheible “With Any Kind of Luck”
  6. Wayne Phoenix “I Gave You Power”
  7. Dear Laika “Ubi Sunt”
  8. A Lily “Mbira Heart”
  9. NIAGARA “Dia 1, Parte 2, Música 3”
  10. David Darling & The Wulu Bunun “Mataisah-hik Sagan”
  11. Ki Oni “Dream World”
  12. Volkan İncüvez “Black Hole”
  13. Ulla “leaves and wish”
  14. Throbbing Gristle “Still Walking”

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SOUNDWAVE : 90 : SEAN SLEIGHT

SOUNDWAVE : 90 : SEAN SLIGHT

Today’s guest deejay is Sean Sleight.

A year ago, while perusing Boing Boing I read a post about Hollow Earth Radio, a Low Power FM (LPFM) non-commercial DIY radio station based out of Seattle. I was intrigued about the station’s promise of “local music, found sound, paranormal encounters, crank calls, dreams, etc.! 24 hours a day!” and tuned it. The station is a delight, and I became Sean’s show, Aquanautic Frequencies, and invited him to guest deejay on Soundwave.

Aquanautic Frequencies broadcasts every Wednesday from 11 am-1 pm PST. Spinning strange and groovy and tunes from the deep. Featuring clangy krautrock and kosmische musik, brain-melting prog, afrobeat, and jazz from Saturn, pulsing psych, weird Bungley rock, Pacific Northwest favorites, outsider music from Finland and beyond, turntable experiments, avant-metal, random radio transmissions, and even the occasional jangled pop number as long as it fits the mood. His shows are broadcasted live at the station with vinyl only, programmed from his music collection, or home recorded with two turntables and mixer fed into a recording console.

In addition to the radio show, Sean is a scientist and has made music a creative outlet for about 20 years. He is the co-founder of Fringe Biology Recordings (fringebiologyrecords.com), a Seattle-based record label of outsider/self-educated recording artists specializing in experimental rock, avant-electronic music, sci-fi soundtracks, kosmische musik, and science-inspired music.

What I love about Sean’s mix is that it took Soundwave’s instrumental aspect and ran with it. And Sean’s mix obviously showcases some of his obsessions in music. I always welcome music from Secret Chiefs, Sun City Girls, Can, and Sun Ra, and I was happy to be introduced to artists like Bo Hansson, Thomas Dinger, and Diminished Men.

Sean has some words about his mix below.

Join us next week when our guest deejay will be Alex Haas.

See you then.

 

Sean Sleight
Sean Sleight

Many thanks for the invitation to contribute a mix. I wanted it to have a positive vibe in these weird times and thought of Winter Solstice when daylight is at its minimum. Now that it’s almost the darkest time of the year, I thought maybe it was time to reverse polarity and share some warmth for the days ahead.

  1. Secret Chiefs 3 “Book T: Exodus”
  2. Sun City Girls “The Shining Path”
  3. Diminished Men “Hoarding Light”
  4. Bo Hansson “Excursion With Complications”
  5. Grumbling Fur “Acid Ali Khan”
  6. Cavern of Anti-Matter “Echolalia”
  7. Brian Eno “Golden Hours”
  8. Daniel Brandt “Chaparral Mesa”
  9. Can “Sing Swan Song”
  10. Thomas Dinger “Fur Mich (Excerpt)”
  11. Neu! “Euphoria”
  12. Sun Ra “Sun Song”
  13. Ulver “Shadows of the Sun”

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SOUNDWAVE : 85 : JOSÉ SOBRANES

SOUNDWAVE : 85 : JOSÉ SOBRANES

Today’s guest deejay is José Sobranes.

I met José through Mauricio Sotelo, AKA Haiteku, who I met through Axel Arturo Barceló, who guest deejayed on Soundwave here and here. Soundwave has been around just long enough that it is beginning to form a rhizome-like network. I like that.

I also like José’s mix. I’m never quite sure where one song ends, and the next begins. The only boundary is the start and end of his mix. It exists in some liminal space that is akin to being awake and being asleep. I’m doing my best to describe José’s mix, but really, you need to let it wash over you and take you where it may.

José is a self-taught composer and recordist based in Mexico. His compositions explore the balance between electronics and environmental sounds, chaining narratives, context, and movement, all based on the felt of direct presence.

He is the current label manager and founder of Nova Fund Recordings an independent label focused on contemporary arts and music. All his productions was released in many countries around the globe for mention some: Whitelabrecs (UK), Faint (ES), Ediciones Éter (CO), Blaq Records (MX), WOS Colectivo (MX), Frente Pulquero (MX), Shimmering Moods Records (NL), USON (ES) and more…

José has some words about his mix below.

Because Soundwave was borne out of the isolation and stress of the pandemic, I feel obligated to mention it on the show. But what is there to say? The pandemic has become part of our lives, and we’ve come to expect the peaks and valleys of infections and deaths. We go about our days trying to maintain some semblance of normality while at the same time incorporating the disruption across the world as part of our new routine. We simultaneously desire to return to our lives before the pandemic while re-evaluating what’s important in our lives and where we want to go next. What will happen?

Join us next week when our guest deejay will be Alisú.

See you then!

 

José Sobranes
José Sobranes

Thanks to Joseph for the invitation, Mauricio Sotelo for trusting in my project, and all my listeners and artists friends who encourage me every day to keep going. Thanks to my girlfriend Brenda for inspiring me every day to keep going ahead on this path.

  1. José Soberanes feat. Kiiote “Fallaos”
  2. Dzyan “Orquídeae”
  3. Alex Bober “Shielded”
  4. Darren McClure “Smooth Manifold”
  5. Francesco Giannico “Litania”
  6. Kate Carr “Under An Ancient Fort”
  7. Machinefabriek “Entrance ”
  8. PCCL + Through “Ehécatl”
  9. William Ryan Fritch “Floats feat. Powerdove”
  10. Booka Shade “Moonstruck”
  11. Brett Nauke “Executable Dreamtime”
  12. Pepo Galán & Lee Yi “Zaragoza Rosa”
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SOUNDWAVE : 70 : BRUEDER SELKE (CEEYS)

SOUNDWAVE : 70 : CEEYS

Today’s guest deejays are Potsdam-based Brueder Selke, brothers Sebastian and Daniel Selke (CEEYS).

Over the years, I’ve gotten quite good at jotting down notes on how I meet people. But sometimes, I forget to capture that information, and in this case, I don’t recall how I met Sebastian and Daniel. If I had to guess, I believe I discovered them while perusing Bandcamp for new music.

CEEYS’s albums explore and combine experimental, minimalist, avant-garde, pop, jazz, ambient, and classical chamber music. I love all that stuff, and Sebastian and Daniel distill all those forms of music into a heady listening experience, something you can lose yourself in. I’ve had “Yes, Brick By Brick” on repeat for few hours, for example.

Their mix for today’s show was a surprise. I trusted they would craft a mix worth hearing, and while it captures their musical sensibilities, it also subverted my expectations. And the mix is dense. In the space of 40+ minutes, you’re going to hear music from 28 different artists.

Sebastian and Daniel have some words about their mix below.

 

Paleowolfs Cenozoic alnum
Paleowolf’s Cenozoic album

Before I wrap things up, I want to mention that Paleowolf has released a new album, Cenozoic. Paleowolf continues to create music inspired by totems of prehistoric animals and describes Cenozoic as the spiritual successor to Megafauna Rituals. It’s impressive how much material Paleowolf has churned up within his self-created genre. Listen to the Soundwave Paleomix here.

Joins us next week when our guest deejay will be Roel Funcken.

See you then!

 

Brueder Selke (CEEYS)
Brueder Selke (CEEYS)

For us, two brothers coming from beyond the Iron Curtain, the Wall, with a strikingly serene sense of modesty and humility, rooted in the daily improvisation to manage and resolve shortcomings during Communist-era GDR times and the later reunion of Germany, the most intrinsic part of being a musician is the encounter with like-minded friends and fellows.

Collaboration has become an essential element of our musical approach manifesting itself in the 2020 EP, THESIS 17, alongside CONSTANT PRESENCE, the project between Peter Broderick and Daniel O’Sullivan, on Gregory Euclide’s Thesis Project.

In fact, it was musicians like these and collaborations with others like Ólafur Arnalds, Masayoshi Fujita, Carlos Cipa , and Martyn Heyne (who mixed and mastered almost the entire CEEYS catalogue) that inspired us to found Q3AMBIENTFEST.

The aim of this handpicked list of talent is to blend established and emerging artists from diverse genres and origins. Some even shared already the stage with us while others are invited to come over to our little filmtown Potsdam, in the future.

Thanks to Joseph, who gave us the opportunity to curate this cozy playlist.

  1. Otto Lindholm “Lehena”
  2. Jakob Lindhagen “Tema”
  3. Anna von Hausswolff “The Miraculous”
  4. Midori Hirano “Night Traveling”
  5. Oneohtrix Point Never “Transmat Memories”
  6. David Allred “For Catherine E. Coulson (Solo Piano)”
  7. Sarah Neufeld “Where The Light Comes In”
  8. Shida Shahabi “Main Theme (Piano Version)”
  9. Matt Stewart-Evans “Horizon”
  10. Galya Bisengalieva “Kantubek”
  11. Takeshi Nishimoto “Straßenlaterne”
  12. Nils Frahm “Über”
  13. Brueder Selke x Eric Maltz “Crossing”
  14. Peter Broderick “Eyes Closed And Traveling”
  15. Library Tapes “Silhouettes”
  16. Aidan Baker “The Sea Swells A Bit 2006 (Full Album)”
  17. Mary Lattimore “II”
  18. Anne Müller “Heliopause”
  19. A-Sun Amissa “Out Past the Dark”
  20. Marie Awadis “Lounas Waltz”
  21. Hoshiko Yamane “Threads”
  22. Vargkvint “Utåt”
  23. Diane Barbé “Terra Sonus”
  24. Kinbrae “Isolated Sketch”
  25. Grand River “All There Now”
  26. Rauelsson “Hourglass I”
  27. Julia Kent “Heavy Eyes”
  28. Rone “Tempelhof”

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SOUNDWAVE : 49 : LESS BELLS

SOUNDWAVE : 49 : LESS BELLS

Today’s guest deejay is Julie Carpenter, AKA Less Bells.

Several months ago, I did a deep dive on musicians on Bandcamp who explored ambient, classical, experimental, and instrumental music. Julie explores all those genres, so naturally, I invited her to join us on SOUNDWAVE. I expected to be surprised, but I didn’t expect how surprised by her mix. Dirty Projectors? Buddy Sainte-Marie? Big Star? What the hell?!? I’m not complaining. In fact, I’m delighted!

Speaking of delights, I urge you to go on your music streaming platform of choice and listen to Julie’s music. I’ve been listening to her albums constantly since first discovering her music, and I have a feeling you’ll do the same. Better yet, if you like what you hear, and you will, why not spend a few dollars on some of her songs or her albums. You can thank me later.

Julie will talk about her mix below.

I need to wrap this up because my wife will visit me for the next week and I need to tidy up around the house. The pandemic and work have kept us apart for months at a time. While I’m used to a solitary life, I don’t like being apart from her this long. But I have relapsed into my former bachelor ways and need to get things shipshape before she’s back in town.

Join us next week when our guest deejay will be Emil Zapffe, AKA João Guimarães.

See you then!

 

Julie Carpenter, AKA Less Bells
Julie Carpenter, AKA Less Bells

Putting together a coherent playlist makes me feel like I’m having a party and leaving some of my favorite guests standing outside in the cold. I start with way too many ideas and then eliminate the various contestants. This is how I write music, too. It isn’t until I’m done that I can see what I was trying to do. This list revealed itself as a collection of my favorite sound palettes.

I love music that makes me ask, “how on earth did they do that?” The whole Bitte Orca album from Dirty Projectors is a cabinet of wonders, but this is the crowning gem for me. They hung this beautiful melody on reversed swelling strings, and it’s sculptural.

The Clint Heidorn piece that follows has its own kind of dimensionality but pursues it through timbres. The way the sax, strings, guitar, and upright bass move together creates one gorgeous multi-faceted instrument.

Windy & Carl have such a deep body of work, it was hard to choose, but I love the little chimes that litter the winter landscape of “Snow Covers Everything.” Guitar and vocal sounds are their trademark, but it’s the attention to little sonic details that sets them apart.

“Sleep Walk” is a song I’ve loved my whole life because it’s one of those perfect melodies that embodies yearning and satisfaction in the same moment. Also, it’s got the best reverb.

Christina Vantzou’s piece that follows is from a completely different planet, but the dialogue between the elements she’s chosen is so subtle and warm. It’s a piece you can wrap up in.

The Books take us in yet another direction, a frantic scramble of chopped acoustic bits that comes together in an emotionally resonant way.

Buffy Sainte-Marie is a hero of mine in many ways, but I especially love Illuminations for her experimentation with processing. “Poppies” shows off her acrobatic voice in such a chilling atmosphere.

I debated putting “Kanga Roo” on this list as it’s such a well-known song, but it’s got so many elements that draw me in. It’s the ultimate beautiful mess: distortion clashing with strings, dissonance, and melody, timing fluid to the point of falling apart.

I closed out the playlist with “Queen of Crickets” from the most recent Less Bells album Mourning Jewelry because I feel like its one of our most successful experiments with texture. I loved bringing together the sound of a 120-year-old banjo with synthesizers and strings. In the end, it’s all just vibrations and how they move the listener.

  1. Dirty Projectors “Two Doves”
  2. Clint Heidorn “Pasadena”
  3. Windy & Carl “Snow Covers Everything”
  4. Santo & Johnny “Sleep Walk”
  5. Christina Vantzou “Entanglement”
  6. The Books “That Right Ain’t Shit”
  7. Buffy Sainte-Marie “Poppies”
  8. Big Star “Kanga Roo”
  9. Less Bells “Queen of Crickets”

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SOUNDWAVE : 3 : SEAN HORTON

SOUNDWAVE : 3

Let me rehash some stuff with you before we got to today’s excellent show featuring a lustrous mix from Sean Horton.

I launched SOUNDWAVE because it was my way of coping with COVID-19. My wife is away for the next month with her unit and our kids our with their dad for the foreseeable future. It’s just me and my dog. Work keeps me busy during the day but at night it gets lonely. I found myself listening to a lot of ambient, classical, experimental and instrumental music and I decided to share it with my friends and created the show you’re listening to now.

My intention was to release a new show once a month. After the first show I decided I would release SOUNDWAVE weekly until the stay at home order ends. But then it occurred to me that pretty much everyone else on the planet is also stuck at home so I invited friends, deejays, musicians, producers, etc to participate on the show. And that brings us to our first guest deejay, Sean Horton.

I interviewed Sean Horton for solipsistic NATION to talk about Decibel Festival, an annual music and digital arts festival in Seattle that ran from 2004 to 2015. Decibel Festival was unique platform for exposing attendees to leading-edge multimedia art from around the globe. With a focus on live performance, interactive multimedia art, state-of-the-art sound and technology based education; Decibel solidified itself as one of the premier electronic music festivals and promotional organizations in the world. In 2014, Sean was named #43 on Rolling Stone’s “50 Most Important People in EDM.”

Sean also records under them name Nordic Soul where he distills his love for techno, house, hip hop, jazz, soul, industrial, ambient and dub. As Nordic Soul, Sean has shared the stage with an eclectic mix of musicians from Grimes to Moby to The Orb to Major Lazer to… well, the list goes on. Sean has also performed at several major festivals world-wide, including Dimensions (Croatia), MUTEK (Montreal) and Communikey (Boulder). Nordic Soul has released music on a wide variety of labels including K Records, Buttermilk Records, Peloton and basic_sounds.

Given all that, you understand Sean was one of the first people I invited to join me and SOUNDWAVE. Funny thing, Sean and I have struck up a friendship online which moved from talking about music to our favorite books, tv shows and movies and then to living under COVID-19. An unexpected and welcome development of the pandemic. I look forward to meeting Sean in Los Angeles after this dies down a bit and hoisting a pint with him. From a safe six feet, of course.

Sean has crafted a beautiful mix, but I expected no less from him. Prepare for an emotional journey and see where it takes you. I’ll let Sean introduce his mix below. I know you’re going to love it just as much as I do.

I’ll see you all next week when we are joined by our next guest deejay, my old and dear friend, Steven Howard.

 

Sean Horton
Sean Horton

During this time in isolation I’ve been rediscovering my love of ambient music. I first discovered ambient music working at Harmony House records in Detroit my junior year in high school in 1992. It was the early days of the Rave Movement and Detroit was a hot bed for warehouse parties and Techno Music at the time. This was also a remarkable time where nearly every Rave would have two rooms, a “Dance Room” and an “Ambient Room.” I was an “Ambient Room” individual largely in part because I fell in love the music.

Out of all of the ambient music albums I’ve encountered over the years, the two that I come back to the most are the first and second ambient albums I ever knowingly experienced, Brian Eno’s Apollo: Atmospheres and Soundtracks and Aphex Twin’s Selected Ambient Works Vol. 2. This mix features two of my favorite selections from each album.

Historically ambient music has predominantly been characterized as synthetic, but over the past fifteen years or so there has been growing movement of more organic forms of ambient music and film scores which are often referred to as neo classical (i.e. Nils Frahm, Max Richter, Ólafur Arnalds, Hauschka, Jóhann Jóhannsson , Hildur Guðnadóttir, Stars of the Lid, etc.). Where Ambient music fueled my teen-early 20’s love of electronic music; neo classical music fueled my love of melody and organic tone. I firmly believe that both ambient and neo classical music can and should co-exist.

This particular mix evolved out of a playlist I put together in late March 2020 featuring some of my favorite ambient and neo classical artists and songs. As common with a lot of ambient music, these selections are all void of rhythm and nearly void of all voice. That said, this is an ideal mix for reading, writing, sleeping, meditation, yoga, etc. My hope is this mix will instill a sense of calm and mental clarity with the listener.

  1. Cliff Martinez “Will She Come Back”
  2. John Foxx and Harold Budd “Subtext”
  3. Eluvium “Individuation”
  4. Aphex Twin “#20”
  5. Apparat “44”
  6. Hauschka “Destination Unknown”
  7. bvdub “Your Painted Armor Aches to Crack”
  8. Windy & Carl “Forest Trails”
  9. Tim Hecker “Radiance”
  10. Stars of the Lid “A Meaningful Moment Through a Meaning(less) Process”
  11. David August “MUSES AND ASHES”
  12. Brambles “To Speak of Solitude”
  13. Grouper “Parking Lot”
  14. Ólafur Arnalds & Nils Frahm “20:17”
  15. Jon Hopkins “The Wider Sun”
  16. Jonsi & Alex Somers “Daníell In The Sea”
  17. Ben Lukas Boysen “Sleeper Beat Theme”
  18. Helios “Seeming”
  19. Ólafur Arnalds “Doria”
  20. Robert Fripp & Brian Eno “Wind on Wind”
  21. Brian Eno “An Ending (Ascent)”

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