SOUNDWAVE : 140 : BENOÎT PIOULARD

Today’s guest deejay is Thomas Meluch, AKA Benoît Pioulard.

Thomas’s music kept popping up on Soundwave mixes. It wasn’t until I asked Andrew Tasselmyer whom he knew, who might share a mix on the show, and he said Thomas that I understood the universe was trying to send me a message: get Thomas on Soundwave. At least, that’s how I interpret it.

Oh, and listen to Andrew’s mix here.

 

Thomas Meluch, AKA Benoît Pioulard
Thomas Meluch, AKA Benoît Pioulard

Thomas’s music is warm and intimate. I’m listening to the Communiqué album he recorded with Jogging House as I write this, and it’s perfect listening for a crisp winter night. I was curious to hear who’d include in his mix. When I saw Jason Corder’s offthesky project in his playlist, I knew I was in good hands. Whereas Thomas’s music is warm fire to rub your hands to, his mix feels like stepping out to a bracing day with magical side quests. Again, my subjective interpretation.

I’m glad I listened to the universe.

Speaking of Thomas’s music, he has a new vocal album called Eidetic coming out on Morr Music in March 2023. He also has a Bandcamp subscription with lots of exclusive music, and it is constantly evolving.

Join us next week when our guest deejay will be Ian Wellman.

See you then.

  1. Clever Austin “A11”
  2. zaké & T.R. Jordan “Shoreline”
  3. marine eyes “cedarwood”
  4. SYMBOL “Hyperballad”
  5. Freescha “Kid Brother”
  6. Jogging House “Renewal”
  7. Offthesky & The Humble Bee “We Were The Hum of Dreams”
  8. Otto A. Totland “Grow”
  9. Raum “Walk Together”
  10. Henrik Lindstrand “Syrsor”

SOUNDWAVE : 88 : DEAD MELODIES

Today’s guest deejay is Tom Moore, AKA Dead Melodies.

After listening to his latest album, Fabled Machines of Old, I invited Tom to guest deejay on Soundwave back in June. The album was released on Cryo Chamber, and it’s what I’ve come to expect from every release from the label: exquisitely crafted dark ambient music that takes you on an emotional journey. Sometimes harrowing, but always rewarding.

Today’s show has been a different experience for me than what I’ve become accustomed to. Usually, I receive mixes for Soundwave six months before I share them with you. I do this for practical reasons. I like to have the mixes well before the release date, so I don’t have to scramble to get shows out weekly. I listened to the mixes you repeatedly hear for months, a byproduct of this arrangement. I become intimately acquainted with the music. They become the soundtrack for my life.

Tom’s schedule did not permit him to send me his mix in advance. I only just got his mix for Soundwave two weeks ago. I didn’t think that would be time enough to allow Tom’s mix to “breather,” but fortunately, I was able to lose myself in the music, and Tom’s mix quickly became an old friend.

Tom has some words about today’s show below.

As always, the shadow of the pandemic looms over Soundwave.

Yesterday I spoke with a professional colleague, and he shared that his production partner had come down with COVID. He told me that he had contracted COVID some months ago, and as a result, his blood pressure is up by 20%; he has experienced liver damage, and his joints ache. I wished him a speedy recovery and that his partner would not suffer lasting effects from the virus. There but for the grace of God goes I, as they say. Except that I expect to catch the virus myself at some point. I don’t know where you listen to Soundwave, but here in the U.S., it seems we want the pandemic to last as long as possible.

But today, I’m still healthy. And I have a lovely show to share with you.

Join us next week when our guest deejay will be danielfuzztone.

See you then!

 

Tom Moore, AKA Dead Melodies
Tom Moore, AKA Dead Melodies

Thanks for the invitation to put together a mix for the show. It was a fun challenge deciding what to do as I trawled through all my influences and favourite artists, but it wasn’t long before it dawned on me it was near impossible to capture even a fraction of the music that makes me tick in an hour-long cut. So I decided to look at my music, pick out some rarities and remixes, and see how best to present them. My output is pretty diverse, but these rarities seemed to tap into a dark-ambient meets post-rock style. I paired with a few popular tunes from my Cryo Chamber releases to keep on the theme and hopefully create a haunting yet soothing listening experience.

Honourable mentions to the collaborating artists named on the tracks – a remix is always much more than a reforming of stems, but a respectful collaboration with layers of new instruments added, paying homage to the original piece while expanding the sound. Thanks to; Everyday Dust, Zenjungle, Understated Theory (my side project/band), and Owsey. Thanks to Cryo Chamber and Sparkwood Records, who have published a few of the included tunes.

  1. Dead Melodies “Winter’s Bite”
  2. Everyday Dust “Where Light Fails (Dead Melodies Solar Frenzy Mix)”
  3. Dead Melodies “The Wake of Man”
  4. Zenjungle “Elegy for The Will (Dead Melodies’ Perspective)”
  5. Dead Melodies “Secrets Foretold”
  6. Understated Theory “Solitary Demons”
  7. Owsey “Thousands of Summer Twilights (Dead Melodies Remix)”
  8. Dead Melodies “A Trial of Crows and Blood”
  9. Dead Melodies “Certain Beasts”

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Logo by Rik Oostenbroek

SOUNDWAVE : 76 : MICHAEL DONALDSON

Today’s guest deejay is Michael Donaldson.

I met Michael when he posted an interview with Daniel Fuzztone on Micro.blog. I enjoyed the interview and Michael’s other blog posts and Daniel’s music, so I invited both of them to guest deejay on Soundwave. We’ll hear Daniel’s mix in December.

I’m happy about the Micro.blog connection. It’s one of the aspects of social media I still like. When I joined Twitter 2006, it was easier to have actual conversations with people and establish friendships. It was also easier to chat with musicians, label owners, directors, etc and bypass the dual intermediaries. Those days are gone, and Micro.blog’s network is currently too small to be useful to me in that way, what it has going for it that’s invaluable is the conversations and connections you have there. It’s cosier. And because Micro.blog is subscription based, it eliminates the riff raft.

 

Michael Donaldson
Michael Donaldson

I got a kick out of Michael’s blog. It’s got a lot of 80/90s feel to it, so for me hearing Michael’s mix was like putting on a comfortable, worn-in sweater. Michael’s mix is wonderful, but the track that got me in the feels was My Bloody Valentine/Skylab’s “Incidental Peace.” It’s such an unlikely collaboration but somehow weaves a seamless blend of shoegaze and electronic music. It’s all kinds of wonderful and “Incidental Peace” is buttressed between music that is equally gorgeous.

I think what I love most about Michael’s mix is how dreamy it it. I’ll find myself listening to the it, and lose myself in the music and my own thoughts and feelings, only to resurface laster in the mix, uncertain how much time has passed.

Okay, time for me to pack it in. Tomorrow is my boy’s first baseball game of the season. I’ll be honest, even with social distancing I think it’s going to be unsettling being around so many people. At least we’ll all be outdoors.

Join us next week when our guest deejay will be Gert De Meeseter.

See you then!

  1. Gemini Revolution “Crumarooned”
  2. Bjørn Torske “HemmeligOrkester”
  3. Ralph Kinsella “Suffuse”
  4. Bill Nelson “Night Tides”
  5. More Ghost Than Man + San Mateo “11811 (Georgy Block 7.7)”
  6. Holger Czukay “Radio in an Hourglass”
  7. My Bloody Valentine meets Skylab “Incidental Peace”
  8. Fila Brazillia “Midnight Friends”
  9. Bill Nelson “Clothed in Light Amongst the Stars”
  10. Elijah Knutsen “Somewhere Knows”
  11. Q-Burns Abstract Message “The Burning City”

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Logo by Rik Oostenbroek

SOUNDWAVE : 63 : PIERRE LAPLACE

Today’s guest deejay is Pierre Laplace.

I discovered Pierre while listening to his 2019 album, You Disappeared, recorded under the monicker Beyond the Ghost. You Disappeared felt like a soundtrack to a China Miéville novel. In fact, Miéville’s definition of weird fiction perfectly describes Pierre’s music; it “evokes a sense of the numinous.” His follow-up albums, Eternal Drift and his recently released The Last Resort continue to induce feelings of mystery and awe.

Inviting Pierre to be a guest deejay on Soundwave was a no-brainer. I was surprised, however, to hear his selections for today’s show.

When I extend invitations for guest deejays to participate in the show, I allow them latitude to explore the format of ambient, classical, experimental and instrumental music. Some of the guest deejays will play tracks of their own music, and that’s perfectly fine, but what I’m hoping for is a mix of songs from other musicians they love.

 

Pierre Laplace
Pierre Laplace

I expected Pierre’s mix to feature songs that are much like his own in feeling and tone. I was delighted to find his mix explored a different sonic landscape.

To begin with, he opens his mix with a track from Deru. I knew immediately that Pierre had something unusual in store for us. I’ve been a fan of Deru for over a decade (hear my interview with Deru and his live set for solipsistic NATION), so I was eager to go whatever journey Pierre was going to take me on.

There are many twists and turns.

Pierre’s inclusion of Morphine caught me by surprise but in context completely makes sense. Brian Eno and David Byrne’s My Life in the Bush of Ghosts is one of my favorite albums, and I was thrilled to hear a track from it included in Pierre’s mix. The appearance of Ennio Morricone was also a welcome surprise. I’m also a fan of The Kilimanjaro Darkjazz Ensemble and The Mount Fuji Doommjazz Corporation and have wondered when someone would play them on Soundwave. The Cinematic Orchestra makes perfect sense within Pierre’s mix, and David Bowie pops up once again on Soundwave, making him the show’s perhaps most featured artist.

Stock up on provisions because Pierre is about to take you on a dark vision quest.

Join us again next week when our guest deejay will be Sean Hocking.

See you then!

  1. Deru “Light The Pyre”
  2. Antonymes “A Fragile Acceptance”
  3. Atrium Carceri “Sheol”
  4. Morphine “Miles Davis’ Funeral”
  5. Brian Eno/David Byrne “A Secret Life”
  6. The Cinematic Orchestra “All Things”
  7. Ennio Morricone “El Castillo Encantado”
  8. Trigg & Gusset “Black Ocean”
  9. The Kilimanjaro Darkjazz Ensemble “Cotard Delusion”
  10. Deaf Center “White Lake”
  11. Bohren und der Club der Gore “Maximum Black”
  12. The Mount Fuji Doomjazz Corporation “The Admirals Game”
  13. David Bowie “Warszawa”
  14. Esbjörn Svensson Trio “Seven Days of Falling”

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Logo by Rik Oostenbroek