modular synthesizer – Synecdoche

SOUNDWAVE : 133 : KMRU

Today’s guest deejay is Joseph Kamaru, AKA KMRU.

Having Joseph on the show is a bit of synchronicity. I became aware of Joseph’s music a few years ago while searching for music on Bandcamp. What immediately struck me was the sense of intimacy I experienced while listening to his music. Yes, I’m aware that the genres Joseph expresses himself through lend themselves to that kind of feeling. And I’m also aware that this is a complete projection, but I got the sense that a movement of thoughts and emotions conveyed in his music.

Shortly after conning across Joseph, guest deejays on Soundwave began including tracks from his album in their mixes. So, of course, I reached out to him to share select tracks on the show.

Joseph’s mix, like his releases, has that sense of interplay between thoughts and emotions. And, perhaps, sympathetically, Joseph’s mix stirred up thoughts and feelings in me, which is the whole point.

Join sun next week when our guest deejay will be protoU.

See you then.

Tenka “Nutrition ~ Microorganisms In The Darkness Of Life ~”
Gylden “Bug light”
Emily A. Sprague “Water Memory 2”
Félicia Atkinson “Our Tides”
Julia Reidy “World in World”
anthéne “Cedar Point II”
Emilía “Layover II”
naemi “rast”
LB Marszalek “Sorrow”
Hiroki Takahashi “Seed”
Belong “Vowel (Digital Bonus)”

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Logo by Rik Oostenbroek

SOUNDWAVE : 97 : ROBOT KOCH

Today’s guest deejay is Robert Koch, AKA Robot Koch.

Robert Koch is a German, Los Angeles-based artist, composer, and record producer. Koch made a name for himself as a member of the band Jahcoozi before launching a solo artist. His electronic music sound has been called “Wonderful and strange – pop music from the future” by John Peel.

Robert has woven a gorgeous mix that includes music from artists such as the late Harold Budd; Berlin-based musician, composer, and producer Midori Hirano; and Canadian instrumental music producer Jay Cliffen and select tracks from Robert’s new project Foam and Sand.

Foam and Sand is an ambient soundscape and visual endeavor inspired by Robert’s daily meditation habit.

The project took shape during the pandemic lockdown of 2020. Robert used tape recordings of slowed-down pianos, modular synths, and other sonic sources. The signature sound is created with loops that magnify the irregularities and imperfections of cassette recordings and that are then shaped by Robert into hazy meditative journeys. Through the process, the grainy subtleties of sound give way to vast and lush atmospheric soundscapes, making audible the complex interplay of micro and macro and highlighting the interconnectedness of these two spheres in life.

You can listen to Foam and Sand on Spotify.

You can find Robert on Instagram . You can also find his Foam and Sand project on Instagram.

Join us next week when our guest deejay will be Forest Robots.

See you then.

Harold Budd “Rosetti Noise”
J Foerster / N Kramer “Entrance”
Foam and Sand “Circle 26”
Midori Hirano “Patterns (Foam and Sand Remix)”
Foam and Sand “Circle 20”
Rosales “Nest”
Robot Koch “Movement I with Julien Marchal”
Diskret “Dazed (Foam and Sand Remix)”
Foam and Sand “Circle 7”
Foam and Sand “Circle 5”
Foam and Sand “Circle 6”
Jay Cliffen “Inure“

Subscribe to SOUNDWAVE on iTunes, Overcast, Castro and Pocketcasts.

Logo by Rik Oostenbroek

SOUNDWAVE : 92 : IU TAKAHASHI

Today’s guest deejay is Iu Takahashi.

Last May, I discovered Iu on Bandcamp’s The Best Ambient Music blog post and instantly became a fan. Iu’s songs delicately unfold as you listen to them. It feels that her music might immediately unravel with any sudden movement. Calmness and patience are required, which reinforces the experience of Iu’s gentle songs.

Iu herself does not appear in her mix, but I encourage you to listen to her new releases, both of which were released in December.

One release is her “Stay” EP from A RED THREAD. Iu made this work thinking about her grandparents, who have dementia. Both of them are now living in a facility. She stayed for a few days at their house, where no one lived, and was inspired by the clothing, dishes, and plants left there. For the sound source, she used environmental sounds coming from the house’s windows and an old electronic organ that she used to play when she was a kid. In the midst of realizing the changes in her daily life, the sounds of construction, cars, and crows cawing that may otherwise sound like noise make it feel as if time has stopped only in this house.

Iu’s second release is her “Interspace” EP from The Slow Music Movement. In these three tracks, she intentionally created gaps by reducing the number of notes, and she wanted to enjoy the coincidence and awareness with the outside sounds.

I can’t think of a better way to be in the New Year than listening to Iu’s music. And today’s mix, of course.

Before I go, I also ask that you listen to Genius and Soul, a new show that I launched with Soundwave guest deejays Fitz Gitler and Jason Smith.

Genius and Soul is a weekly show featuring jazz, Black classical music, and more, with mixes lovingly selected by our guest deejays. Our first guest is Brian Jackson, an American keyboardist, flautist, singer, composer, and producer. Brian has recorded and performed with everyone from Gil Scott-Heron to Stevie Wonder, and recently released an album with Jazz Is Dead’s Adrian Younge and Ali Shaheed Muhammad.

You can listen to our first episode on your favorite podcast app or listen here.

Join us next week when our guest deejay will be Christoph Berg.

See you then.

Grotta Veterano “Bleiweisova Cesta i (as the snow falls)”
Sarah Davachi “Third Hour”
Stijn Hüwels + Tomoyoshi Date Featuring Tadahito Ichinoseki “A Distant Fire, A Distant Cloud (遠き火、遠き雲)”
Masayoshi Fujita “Anakreon”
baechulgi “the breath of the moon”
Satoshi Ashikawa “Still Space”
Emily A. Sprague “Water Memory 1”
Yumiko Morioka “Moon Road”