SOUNDWAVE : 138 : GLYN BUSH

SOUNDWAVE : 138 : GLYN BUSH

Today’s guest deejay is Glyn Bush.

Last month I shared a retrospective mix from the Ambient Dub compilation series. It was a fantastic experience revisiting those albums, which also served as a touchstone to some beautiful times. Inspired, I reached out to as many of the musicians on the compilation album as possible, leading me to Glyn, whom I’ve always known as one-half of Original Rockers.

Glyn’s mix re-introduced me to gems from Durutti Column and Faust and introduced me to new favorites such as Chassol and Khotin. And Glyn’s mix is chock full of his music projects, such as Biggabush.

Glyn has some words about his mix below.

Join us next weekend when our guest deejay will be Rubén Tamayo.

See you then.

 

Glyn Bush
Glyn Bush

It was really nice to be asked to do an ambient mix as it’s a genre I always enjoy even if I don’t normally listen to it that much.

With Original Rockers/Rockers Hi-Fi, we were asked to do an “ambient dub” track by Mike Barnet from Beyond Records around 1992. We just went with our gut and very quickly produced “Sexy Selector.” I suppose we defined ambient dub as being quite lush, with deep chords, lots of space, sequences, and odd bits of vocal. At the time I was listening to The Orb’s Adventures Beyond the Ultraworld and going to a club called Oscillate in Birmingham and hearing quite a bit of what you might call ambient electronica, seeing people like Autechre play live, Alex Paterson on the decks and of course the Higher Intelligence Agency who ran the night.

So I’ve delved back into that era a bit in my mix and checked out some more contemporary stuff with tips from my daughter, re:ni, plus an ambient track we made together a couple of years ago using the sounds of glaciers crumbling, rainfall, and suchlike.

The opener by Richie Hawtin alias F.U.S.E. is one of my all-time fave tracks, just a slowly unfurling 303 looping over and over in its inimitable way.

I dropped a couple of bits from Chassol who makes really beautiful music, not necessarily defined as “ambient” but lush and interesting and full of surprises. He does incredible stuff with recordings of voices where he literally turns all the inflections of speech into musical notes. Check out his Barack Obama track too.

I included a track from my Sunken Foal Stories album, possibly my favourite release and unlike anything I’ve done before or since, with lots of random juxtapositions and happy accidents.

re:ni recommended a lovely track by MLO called ”Sleeper”, which didn’t make the cut, but I used a nice Wagon Christ remix of one of his tracks which I’d not heard before. I’m always happy to crowbar a Luke Vibert track into any mix.

Ghost Power is a collab between Tim Gane of Stereolab and Jeremy Novak of Dymaxion who do some really interesting stuff, mostly nothing like the track I used but all good.

Neotropic is Riz Maslen, who made lovely stuff in the early 90s. This was a fave on cassette back in the day.

Beak> is a Geoff Barrow from Portishead side project, doing a mix of krautrock-ish, motorik beats, plus some excellent synth work, quite soundtrack-y vibes.

Durutti Column was making ambient guitar stuff in the early 80s, of which this is a fine example and always makes me think of sunshine.

PLO Man and C3D-E are on the coveted Acting Press label, which I’d not heard of before re:ni gave me a tip, but it’s high-quality stuff. Likewise, Khotin – is a Canadian producer doing some lovely things on Bandcamp.

Faust was a bunch of crazy German guys who lived in their studio, recorded shedloads of improvisations, and wrote some beautiful songs. The two Faust tracks are from the The Faust Tapes, another all-time fave album of mine compiled from their unreleased tapes from the early 70s.

A couple of Bigga Bush tracks, one called “The Bells,” written in the mid-90s, and the collab mentioned above with re:ni, which was written for a DJs for Climate Action campaign using natural found sounds.

We close with the last ambient dub track recorded by Rockers Hi-Fi for the Ambient Dub Volume 3 (Aqua) album on Beyond, named ”Mecca of Space” after a FireballXL5 comic strip.

Cheers,

Glyn

  1. F.U.S.E. “Theychx (extract)”
  2. Chassol “I lôôôôve usometimes (extract)”
  3. Glyn Bigga Bush “Now There’s Pain”
  4. MLO “Spike (Wagon Christ Mix)”
  5. Edgar Broughton Band “The Dawn Crept Away (extract)”
  6. Ghost Power “Astral Melancholy Suite (extract)”
  7. Neotropic “Neotropic”
  8. Durutti Column “Conduct (edit)”
  9. PLO Man & C3D-E “100 Pt. II – Pt. III”
  10. Faust “Untitled (Arnulf on Drums 2)”
  11. Chassol “Les Oursses”
  12. Khotin “Dialogue 6”
  13. Faust “Rudolf der Pianist”
  14. BiggaBush “The Bells”
  15. BiggaBush & re:ni “Dub Plate Tectonics”
  16. Original Rockers “Mecca of Space”

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SOUNDWAVE : 126 : JOHAN DE REYBEKILL

SOUNDWAVE : 126 : JOHAN DE REYBEKILL

Today’s guest deejay is Johan de Reybekill, AKA Phaedrus.

I discovered Johan through Quasi, the album collaborated on with Dronny Darko (listen to Dronny’s mix for Soundwave here). I was swept away by the experience and listened to Johan’s projects and concerts. Of course, I invited Johan to guest deejay on Soundwave, and he’s shared something wonderful with us.

I have a routine for my four-year-old grandkid when it’s time to sleep. I tell him a story that includes events from his day and his friends, the Little Old Mouse and Purple Monster. Then I play some ambient music for him to drift away to, usually Brian Eno, whom we call Uncle Eno. My go-to’s are Eno’s Ambient 4: On Land and The Pearl, an album he recorded with the late Harold Budd. I’ve listed to a lot of Brian Eno since becoming a Dziadzia (that’s Polish for “grandpa”), and as much as I love Eno’s music, sometimes that means switching things up. Johan doesn’t know it, but I’ve used today’s mix to send my grandkid off to Sleepytime on more than one occasion.

Johan has words about today’s mix below.

Join us next week when our guest deejay will be Sunwarper.

See you then.

 

Johan de Reybekill, AKA Phaedrus
Johan de Reybekill, AKA Phaedrus

In this mix I have worked with subtle contrasts like: “noisy / minimalistic”, “melodic / droning”, “dark / gentle”, “static / volatile”. A majority of the pieces on the mix is from some of my favourite Scandinavian artists.

The process of creating the mix made me realise just how much I love listening to music in that special way, where I am actively listening to the music in depth; its composition, qualities and details.

I found myself going for long walks just to listen to the mix in its entirety, go home and make adjustments, go for another walk, and so on. I loved the process of working with my own and others’ music as an integral part of what came to be the mix. It was a pleasure and an honour to contribute to Soundwave.

Thanks, Joseph.

  1. Deru “1979 (On a Snowy February Day)”
  2. Badun “SP​-​0 (Space Leslie Lovers)”
  3. Maulex & Phaedrus “Ouatim”
  4. Phaedrus “Lnog”
  5. Fieldhead “Sky Peals”
  6. Sofie Birch “Begin Sync End”
  7. Kiloton “Disarray”
  8. Signelykke “Wetlands”
  9. ROSYAN “Retaw”
  10. Maulex “Reijka”
  11. Dronny Darko & Phaedrus “Ptolemy’s Parable”
  12. Phaedrus “Rooibos”

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Logo by Rik Oostenbroek