Tag: experimental

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SOUNDWAVE : 76 : MICHAEL DONALDSON

SOUNDWAVE : 76 : MICHAEL DONALDSON

Today’s guest deejay is Michael Donaldson.

I met Michael when he posted an interview with Daniel Fuzztone on Micro.blog. I enjoyed the interview and Michael’s other blog posts and Daniel’s music, so I invited both of them to guest deejay on Soundwave. We’ll hear Daniel’s mix in December.

I’m happy about the Micro.blog connection. It’s one of the aspects of social media I still like. When I joined Twitter 2006, it was easier to have actual conversations with people and establish friendships. It was also easier to chat with musicians, label owners, directors, etc and bypass the dual intermediaries. Those days are gone, and Micro.blog’s network is currently too small to be useful to me in that way, what it has going for it that’s invaluable is the conversations and connections you have there. It’s cosier. And because Micro.blog is subscription based, it eliminates the riff raft.

 

Michael Donaldson
Michael Donaldson

I got a kick out of Michael’s blog. It’s got a lot of 80/90s feel to it, so for me hearing Michael’s mix was like putting on a comfortable, worn-in sweater. Michael’s mix is wonderful, but the track that got me in the feels was My Bloody Valentine/Skylab’s “Incidental Peace.” It’s such an unlikely collaboration but somehow weaves a seamless blend of shoegaze and electronic music. It’s all kinds of wonderful and “Incidental Peace” is buttressed between music that is equally gorgeous.

I think what I love most about Michael’s mix is how dreamy it it. I’ll find myself listening to the it, and lose myself in the music and my own thoughts and feelings, only to resurface laster in the mix, uncertain how much time has passed.

Okay, time for me to pack it in. Tomorrow is my boy’s first baseball game of the season. I’ll be honest, even with social distancing I think it’s going to be unsettling being around so many people. At least we’ll all be outdoors.

Join us next week when our guest deejay will be Gert De Meeseter.

See you then!

  1. Gemini Revolution “Crumarooned”
  2. Bjørn Torske “HemmeligOrkester”
  3. Ralph Kinsella “Suffuse”
  4. Bill Nelson “Night Tides”
  5. More Ghost Than Man + San Mateo “11811 (Georgy Block 7.7)”
  6. Holger Czukay “Radio in an Hourglass”
  7. My Bloody Valentine meets Skylab “Incidental Peace”
  8. Fila Brazillia “Midnight Friends”
  9. Bill Nelson “Clothed in Light Amongst the Stars”
  10. Elijah Knutsen “Somewhere Knows”
  11. Q-Burns Abstract Message “The Burning City”

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SOUNDWAVE : 75 : COMPLEX HOLIDAY

SOUNDWAVE : 75 : COMPLEX HOLIDAY

Today’s guest deejay is Robert Farrugia, co-founder of Complex Holiday, an itinerant label for inside-out ambient and sound art tomfoolery.

I’m usually fastidious about tracking how I come to know guest deejays on Soundwave. Unfortunately, my initial conversation with Robert began on Facebook Messenger and that chat is lost to the ether. Well, really, Facebook has that conversation stored somewhere. But it’s as good as gone for me.

Whatever lead me to Robert, I’m glad I invited him to join us.

What you may or may not know is that I get the mixes you hear months in advance. I usually enjoy it for a week or two before I move on to listen to the next guest deejay’s mix. I’ll also re-listen to the mix a few weeks before their show is released. I listen to the mixes a lot.

 

Robert Farrugia
Robert Farrugia, Photograph by Chris Vella / Storbju

Robert’s mix was a welcome companion for the last week. Nationally, the U.S. is caught between wildfires and hurricanes. Internationally, the U.S. has left Afghanistan. And on a personal note, the was my kid’s first week at high school. While our area is 75% vaccinated, I’m still anxious about how this will work out. Within the first week there’s already been a report of a student with COVID-19. Robert’s mix felt like an echo of how I’ve been feeling about all of it.

There’s a tension that builds up early in Robert’s mix that unravels nearly halfway through before exploring different sonic territory. The mix ends hauntingly and somberly.

That feels right.

Join us next week when our guest deejay will be Michael Donaldson.

See you then!

  1. Dylan Henner “I Was Reading the News But I Felt So Sad I had to Stop”
  2. Snap Dragon “Breathe”
  3. Benoît Pioulard “Whose Palms Create”
  4. Robert Farrugia “Tlellix”
  5. Warmth “Cirrus”
  6. David Cordero “Sevredol (Sight Below Remix)”
  7. Marsha Fisher “Chapter House”
  8. Kurt Buttigieg “Confiance en quoi”

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SOUNDWAVE : 74 : ANTHÈNE

SOUNDWAVE : 74 : ANTHÈNE

Today’s guest deejay is Bradley Sean Alexander Deschamps, AKA Anthéne, curator of Polar Seas Recordings.

I discovered Anthéne when Ishmael Cormack (listen to his mix for Soundwave here) requested music recommendations on Twitter. There were some great suggrestions, and I listened to everything I could find on Bandcamp or Spotify. Anthéne’s music was warm, dreamy, and organic for all its etherealness. Naturally, I extended to Anthéne to guest deejay on Soundwave.

Last week I drove from San Diego to Sacramento with Jonanathan Ammons’s mix providing the soundtrack for that apocalyptic journey. This week Anthéne’s mix was the music for my night drive back to San Diego. This time there were no abandoned cars, wildfire smoke choked skies, or searing sunlight. Instead, a beautiful, three-quarter orange moon floated on the horizon while the stars came out, one by one. It was a long drive, and I played Anthéne’s mix several times, which got me as far as Los Angeles.

If you feel like sharing, please tell me where you listened to today’s show.

Join us next week when our guest deejay will be Complex Holiday.

 

Sean Alexander Deschamps, AKA Anthéne
Sean Alexander Deschamps, AKA Anthéne

  1. Mary Lattimore “Sometimes He’s In My Dreams”
  2. Drape “Solo In High Dreary”
  3. Sylvain Chauveau “Et peu à peu les flots respiraient comme on pleure”
  4. Keeley Forsyth “Photograph”
  5. Sarah Neufeld “Stories”
  6. Gia Margaret “No Sleep No Dream”
  7. Yasmin Williams “Juvenescence”
  8. Havenaire “Beta”
  9. Mount Eerie & Julie Doiron “Real Lost Wisdom”
  10. Leo Svirsky “River Without Banks”
  11. Slow Reels “Lakka”

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SOUNDWAVE : 73 : JONATHAN AMMONS

Today’s guest deejay is Jonathan Ammons.

Jonathan guest deejayed on the show last October. Jonathan’s mix was so moving that I invited him back to Soundwave. Today’s mix is equally remarkable. I had the unique opportunity to listen to it while driving from San Diego to Sacramento to visit my wife this weekend. It’s wildfire season in California (it’s always wildfire season), and Jonathan’s mix provided the soundtrack to my apocalyptic drive. The skies were tinted dirty brown from the ashes from the wildfires, but somehow the sun managed to blast the landscape with glaring light: grass and trees parched from California’s megadrought. Every 20 miles or so, I’d pass an abandoned car to the side of the highway. And yet, Jonathan’s mix somehow lent some beauty to such desolate scenery.

Jonathan has some words about his mix below.

Join us next week when our guest deejay will be anthéne.

See you then!

 

Jonathan Ammons
Jonathan Ammons

I think that my past year has looked like many people’s lives during the middle of one of the largest global pandemics in history. A lot of isolation, a lot of finding ways to busy yourself or occupy your mind. In the past, as someone who worked from home, I had enjoyed drone, ambient, and all of those experimental genres for the way they occupied a space without dominating it. If ambient music was created to generate music that did not evoke strong and tumultuous emotions — as Brian Eno claims— that was exactly what I wanted droning on in the background of my house while I pecked away at a keyboard for work. As a journalist, it provided this stoic, emotionless wallpaper for the background of my daily existence.

Covid changed a lot of that. They daily monotony left me just craving a change of emotion. But I didn’t want words; I didn’t want lyrics that would remind me of how things were when we were able to go places, meet people, kiss strangers at a bar… I wanted the same stability that the drone I’d come to love gave me, but I wanted something a little more expressive.

I also noticed that the more I used any streaming platform, the more the algorithm would eventually whittle things down to the same handful of artists. I wanted new things. I wanted variety in a locked-down life with no chance of spontaneity. So I decided to cut all algorithmic music out of my life. I stopped listening to Spotify or Pandora or any of those generated playlists and dialed back in to the radio.

I have to give a giant shoutout to Noods Radio out of Bristol, England, because they have been a major lifesaver. A station dedicated to the wild and weird sounds of Bristol. You never know what you’ll find, but the rich spread of creativity has introduced me to a slew of new artists. Props to BBC6’s great ambient show, as well.

Northern England’s A Beautiful Burning World make’s gorgeous sounds using very simple gear and tape loops. They even have a subscription system for $15 a year, and you can get their entire discography for cheaper than that! Much of this mix comes from artists discovered through the radio or combing around Bandcamp.

Seamstress makes delightful chill-out beats. Scanner gorgeously blends drone and ambient with deep arrangements that are so subtle, but meaningful. And I don’t know why it took me till now to notice Garth Stevenson’s incredible compositions. We really are in a golden age for the reinvention of modern classical music. Just look no further than Tristan Perich’s fantastic work.

I also have to give a shoutout to Kimathi Moore. Kima is an incredibly talented sound artist here in Asheville. His style’s shift between ambient, drone, and Edgard Varèse-like tone poems. I got the chance to work with him on a music video he shot for my latest album, and got to see just what a meticulous worker he is.No wonder his sounds are so precise and pristine.

Of course, I had to include some Harold Budd. I included a selection off of his album the Serpent (In Quicksilver) because I remember hearing an interview with him in which he claimed that it was his favorite record that he’d made. A major loss for the ambient music world, losing one of the original masters to this damned virus.

And lastly, the original tracks are two previously unreleased compositions. I started messing around with more tape loops in my studio this winter, and really decided to dive into it, which is how “The Same River” originated. The closing track is actually from a much larger piece I have coming out in the Fall. “A Certain Kind of Light” is a 40-minute piece in five movements. It was an experiment to see just how far I could go using only a single chord. The incredibly talented Olivia Springer performed all of the string parts for that piece. I’ve included the final movement of that piece to close out this mix as its debut.

Endless thanks to Joseph for having me back for another Soundwave mix. It’s been a pleasure to follow along and hear what everyone is listening to these days!

  1. Jonathan Ammons “The Same River”
  2. Scanner “The Ascent”
  3. Floating Points “Apoptose Pt. 1”
  4. Kimathi Moore “Eyris”
  5. Harold Budd “Rub with Ashes”
  6. Seamstress “Save the Bees”
  7. A Beautiful Burning World “Sonder: III”
  8. Garth Stevenson “The Southern Sea”
  9. Tristan Perich “Drift Multiply: Section 3”
  10. Jonathan Ammons “A Certain Kind of Light: Movement V”

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SOUNDWAVE : 72 : VARGKVINT

SOUNDWAVE : 72 : VARGKVINT

Today’s guest deejay is Sofia Nystrand, AKA Vargkvint.

For months, Sofia’s music kept appearing on my Spotify Discover Weekly playlists. If I didn’t find Sofia’s music there, she’d pop up on someone else’s playlist. Or I’d find her music on Bandcamp. In fact, Brueder Selke (CEEYS), played Sofia’s “Utåt” on their mix for Soundwave a few weeks ago.

There’s a reason for this, of course. Sofia has that magical ability to trasnport you to a world that is uniquely hers yet utterly familiar though her songs. Sofia deftly weaves folk, contemporary classical, pop, experimental music, and ambient. It’s a gorgeous thing to experience and I’m delighted to share her mix with you on today’s show.

If you’d like to hear more music from Sofia, she is featured on the Realismo Mágico compilation album from piano and coffee records. Some of the artists you’ll find on Sofia’s mix can also be found on the album (Klangriket, Sjors Mans, Jakob Lindhagen, Alexandra Hamilton-Ayres, Simeon Walker, Ceeys). Sofia has also just released a rework of the first track, “Pomegranate,” by Sergio Diaz de Rojas.

Sofia has some words about her mix below.

Before I get out of Dodge, I’m happy to report that this weekend I briefly had my wife and kids in the same house. It was short lived, though. My wife headed back to work Sunday evening, and the kids will be visiting their dad next week. But after months and months of being apart, it was a small blessing.

Join us next week when our guest deejay will be Jonathan Ammons.

See you then!

 

Sofia Nyland, AKA Vargkvint
Sofia Nyland, AKA Vargkvint

When I was working on this mixtape, I wanted it to be centered around collaboration and how music can change when being transformed by another person’s creativity. I’ve just released a rework album where people have reimagined my songs from the album Hav (I have two of them included in the mixtape), and it made me inspired to find other remixes or reworks to include. One of my favorite songs of this year is the rework that Alexandra Hamilton-Ayes have made of Frances Shelley’s ”Evening Star”. Apart from the amazing reworks, I have included a few newly released songs, and a couple of my personal favorites from artists who I really admire.

  • Sergio Diaz De Rojas “Pomegranate”
  • Rockettothesky “Grizzly Man”
  • Tim Linghaus “Love and Dust”
  • Joakim Alfvén “Opinium”
  • Richard Luke “Everything a Reason (Jakob Lindhagen Rework)”
  • Vargkvint “Fyr (Reimagined by Bonander)”
  • Justina Jaruševičiūtė “Prayer”
  • Frances Shelley & Alexandra Hamilton-Ayres “Evening Star (Alexandra Hamilton-Ayres Rework)”
  • Simeon Walker “Drift (Reworked by CEEYS)”
  • Marie Awadis “day 3”
  • Klangriket “Björk (Jakob Lindhagen & Vargkvint Rework)”
  • Bonander“Gone in the Wind”
  • Vargkvint “Stormen Kommer II (Reimagined by Klangriket & Sjors Mans)”
  • Simeon Walker “Compline”

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    SOUNDWAVE : 70 : BRUEDER SELKE (CEEYS)

    SOUNDWAVE : 70 : CEEYS

    Today’s guest deejays are Potsdam-based Brueder Selke, brothers Sebastian and Daniel Selke (CEEYS).

    Over the years, I’ve gotten quite good at jotting down notes on how I meet people. But sometimes, I forget to capture that information, and in this case, I don’t recall how I met Sebastian and Daniel. If I had to guess, I believe I discovered them while perusing Bandcamp for new music.

    CEEYS’s albums explore and combine experimental, minimalist, avant-garde, pop, jazz, ambient, and classical chamber music. I love all that stuff, and Sebastian and Daniel distill all those forms of music into a heady listening experience, something you can lose yourself in. I’ve had “Yes, Brick By Brick” on repeat for few hours, for example.

    Their mix for today’s show was a surprise. I trusted they would craft a mix worth hearing, and while it captures their musical sensibilities, it also subverted my expectations. And the mix is dense. In the space of 40+ minutes, you’re going to hear music from 28 different artists.

    Sebastian and Daniel have some words about their mix below.

     

    Paleowolfs Cenozoic alnum
    Paleowolf’s Cenozoic album

    Before I wrap things up, I want to mention that Paleowolf has released a new album, Cenozoic. Paleowolf continues to create music inspired by totems of prehistoric animals and describes Cenozoic as the spiritual successor to Megafauna Rituals. It’s impressive how much material Paleowolf has churned up within his self-created genre. Listen to the Soundwave Paleomix here.

    Joins us next week when our guest deejay will be Roel Funcken.

    See you then!

     

    Brueder Selke (CEEYS)
    Brueder Selke (CEEYS)

    For us, two brothers coming from beyond the Iron Curtain, the Wall, with a strikingly serene sense of modesty and humility, rooted in the daily improvisation to manage and resolve shortcomings during Communist-era GDR times and the later reunion of Germany, the most intrinsic part of being a musician is the encounter with like-minded friends and fellows.

    Collaboration has become an essential element of our musical approach manifesting itself in the 2020 EP, THESIS 17, alongside CONSTANT PRESENCE, the project between Peter Broderick and Daniel O’Sullivan, on Gregory Euclide’s Thesis Project.

    In fact, it was musicians like these and collaborations with others like Ólafur Arnalds, Masayoshi Fujita, Carlos Cipa , and Martyn Heyne (who mixed and mastered almost the entire CEEYS catalogue) that inspired us to found Q3AMBIENTFEST.

    The aim of this handpicked list of talent is to blend established and emerging artists from diverse genres and origins. Some even shared already the stage with us while others are invited to come over to our little filmtown Potsdam, in the future.

    Thanks to Joseph, who gave us the opportunity to curate this cozy playlist.

    1. Otto Lindholm “Lehena”
    2. Jakob Lindhagen “Tema”
    3. Anna von Hausswolff “The Miraculous”
    4. Midori Hirano “Night Traveling”
    5. Oneohtrix Point Never “Transmat Memories”
    6. David Allred “For Catherine E. Coulson (Solo Piano)”
    7. Sarah Neufeld “Where The Light Comes In”
    8. Shida Shahabi “Main Theme (Piano Version)”
    9. Matt Stewart-Evans “Horizon”
    10. Galya Bisengalieva “Kantubek”
    11. Takeshi Nishimoto “Straßenlaterne”
    12. Nils Frahm “Über”
    13. Brueder Selke x Eric Maltz “Crossing”
    14. Peter Broderick “Eyes Closed And Traveling”
    15. Library Tapes “Silhouettes”
    16. Aidan Baker “The Sea Swells A Bit 2006 (Full Album)”
    17. Mary Lattimore “II”
    18. Anne Müller “Heliopause”
    19. A-Sun Amissa “Out Past the Dark”
    20. Marie Awadis “Lounas Waltz”
    21. Hoshiko Yamane “Threads”
    22. Vargkvint “Utåt”
    23. Diane Barbé “Terra Sonus”
    24. Kinbrae “Isolated Sketch”
    25. Grand River “All There Now”
    26. Rauelsson “Hourglass I”
    27. Julia Kent “Heavy Eyes”
    28. Rone “Tempelhof”

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    SOUNDWAVE : 69 : FROM OVERSEAS

    This week’s deejay is Kévin Séry, AKA From Overseas. Kévin is also the label manager for Past Inside the Present, a label, and resource for the ambient listener.

    From Overseas is Kévin’s ambient project. Using his guitar as his tool of expression and looping techniques, he creates a multiplicity of layers, intense drones, and mesmerizing soundscapes both in the studio and in live performances.

    Originally from the tiny French Overseas Department and Region, Reunion Island, he routinely bounces between his home island, a small port town on the east coast of the US, and continental Europe, picking up fresh ideas and inspiration along the way.

    Kévin’s mix is very familiar, even though I’m unfamiliar with every song and musician featured in his mix. There’s something about Kévin’s mix that evokes the sound and feel of 4AD, a label that was known for alternative rock, post-punk, gothic rock, and dream pop albums. But if I had to narrow it down, I’d say that Kévin captures the spirit of 4AD’s This Mortal Coil. There’s something haunted in the selection of his songs but still quietly triumphant.

    Kévin has some words below about his mix.

    Join us next week when our guest deejays will be brothers Sebastian and Daniel Selke of CEEYS.

     

    Kévin Séry, AKA From Overseas
    Kévin Séry, AKA From Overseas

    It’s an honor to be part of the Soundwave series. I love doing mixes like this. It’s a great way to go on a unique journey and to immerse yourself in the work of amazing and influential artists. This mix was made on February 23rd, 2021, when winter was slowly giving space to spring. Hopefully, people feel what I feel and can discover a few gems.

    1. 36 & awakened souls “Guide Me Home (awakened souls – Shoegaze Version) ”
    2. Lucy Gooch “Ash and Orange”
    3. Emily A. Sprague “Woven”
    4. Chuck Johnson “Raz-de-Marée”
    5. Illuvia Iridescence”
    6. Ilyas Ahmed & Jefre Cantu-Ledesma “Ocean Blue”
    7. From Overseas “Rêve”
    8. Christina Giannone “Untitled111”
    9. Alex Somers “Sooner”
    10. Mogwai “Dry Fantasy”

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    SOUNDWAVE : 68 : ORPHAX

    SOUNDWAVE : 68 : ORPHPAX

    Today’s guest deejay is Sietse van Erve, AKA Orphax.

    I discovered Sietse on Bandcamp and, through him, his music label, Moving Furniture Records. Both Sietse’s music the artists on his label focus on drones, experimental ambient, minimalist, microtonal, and field-recordings music. Their music provides yet another example of the scope of ambient music, which is precisely why I invited Sietse to join us on today’s show.

    Sietse’s mix continues his fascination who those areas of ambient music. What struck me about his mix, however, was the physical sensations it invoked. I wasn’t aware of it at first, but after repeated listening, I gradually became conscious of a gentle pulse in my ears while Sietse’s mix played over my headphones. That realization was delicious. And when I played Sietse’s mix through my speakers, I slowly noticed a delicate pressure ebbing and flowing through my body.

    Furthermore, what was also remarkable was that I wasn’t playing Sietse’s mix particularly loud. Even so, I felt the music. I hope you have the same experience when you listen to today’s show.

    Sietse has some words about his mix below.

     

    The Universal by The Penitential Station
    The Universal by The Penitential Station

    Before I go, I want to alert you that one of my favorite music labels, Other Forms Of Consecrated Life (listen to their mix for Soundwave here), will be releasing a new album by The Penitential Station: The Universal by The Penitential Station. Like the album before it, The Cloud of Forgetting, The Penitential Station continues to delve into the music of Giovanni Pierluigi da Palestrina. The liner notes to The Universalexplains that the “interleaving of polyphonic voices explores German mystic Eckhart von Hochheim’s pantheistic notion of a ‘Universal Soul.’” That’s a philosophically heady description of The Penitential Station’s music. Mine is much simpler: it is an extended moment of grace.

    Join us next week when our guest deejays will be Kévin Séry, AKA From Overseas.

    See you then!

     

    Sieste van Erve, AKA Orphax
    Sieste van Erve, AKA Orphax

    When I am asked to make a mix, I always think about what to do. First of all, I am not a DJ. I’m a musician with a record label. And additionally, should I go for some music of the musicians on my label, should I go for some of my favorite tunes, or should I do a mix of both?

    Lately, I turn more to the first, as I love the music these people do, and I think they deserve to be heard. And even with a catalogue of over 90 releases, this is a rather difficult task, especially when limited to only 60 minutes.

    For this mix, I first selected from 20 of the albums that we’re released on Moving Furniture Records, followed by trying out a combination of tracks and, in such a way scrapping nine selected tracks. The mix ended up somewhere between minimalist drones and warm ambient sounds with some weird excursions to more abstract works.

    I hope you enjoy listening.

    And who knows, maybe next time I will do a mix with some personal (none-Moving Furniture Records releases) music. There is so much lovely work out there.

    Cheers,
    Sietse

    1. Ryan van Haesendonck “Sur La Plage”
    2. Richard Chartier “Conitinue 4”
    3. Gagi Petrovic “Diligence”
    4. Coen Oscar Polack “आवारा”
    5. Fani Konstantinidou “Winter”
    6. Orphax “Elisabeth (Rework)”
    7. Matthijs Kouw “Remembrance”
    8. Machinefabriek ”Dwaal (Nicola Ratti Version)”
    9. Frans de Waard, Peter Johan Nÿland, Richard Youngs “fpr_vii_fp_edit_(ext)”
    10. Bruno Duplant & Alfredo Costa Monteiro “Soleils Noirs (excerpt)
    11. Haarvöl “Small Scale And Isolated Occurrences (For Eliane)”

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    SOUNDWAVE : 67 : felt body

    Today’s guest deejay is Hunter Reyne; AKA felt body.

    Hunter is yet another talented musician I discovered through Bandcamp. What appealed to me was Hunter’s deft use of field recording in his music. He creates a very lived-in world and evokes imaginary memories of a time and place I’ve never experienced. It’s lovely. And of course, I invited Hunter to join us on Soundwave.

    What’s delightful about Hunter’s mix is while some of the songs reflect his sensibilities, some are entirely unexpected. I’m specifically thinking of his inclusion on Tôsha Suihô’s “時雨のあと(Shigure no Ato)” and an example. It’s those surprises that are one of the reasons I get excited about when I listen to our guest deejay’s mixes, and I hope you’ll feel the same.

    Hunter has some words about his mix, which you’ll find below.

    Before we get to that, I want to mention that guest deejay and Krautrock legend, Roedelius, has put together an excellent program for the music festival and symposium, More Ohr Less, that will have ended as of the release of today’s show. The event took place in his hometown in Baden, near Vienna. Some of the participants were Anna von Hausswolff, Carl-Michael von Hausswolff , Chandra Shukla, and many more. More Ohr Less will have been live-streamed, and if I know Roedelius, he’ll make the stream available to those who missed it.

    The other thing I wanted to mention is that a few weeks ago, I said I would wrap up Soundwave in early 2022. At the time, I felt the pandemic was winding down, and Soundwave will have served its purpose. I hadn’t realized that I was myopic. Yes, things are improving in the U.S., but here are parts of the world that are in a terrible state. I hope I’m not implying that Soundwave is some transcendent force for good. I mean that this little show provides solace or distraction for a brief period during the pandemic, then I will keep releasing shows.

    Join us next week when our guest deejay will be Orphax.

    See you then!

     

    Hunter Reyne, AKA felt body
    Hunter Reyne, AKA felt body

    I wanted to capture some of the ideas and inspirations that I’ve been taking from throughout Covid, as well as that latent sense of both anxiety and, in the end, a peacefulness – however, it’s achieved.

    Quarantine has had an odd effect on my lifestyle. I find I unable to make broad movements anymore (like taking a trip or even commuting to work). Still, my smaller movements, like simple walks along the river near my house, have become themselves opened-up and, in their way, as expansive as a weekend spent in a different country. I have become so attentive and enamored with the space around me. I have gone crazy, and I speak to it, and it speaks back to me. We are lovers.

    In making this mix, I was drawing from Guy Debord’s psychogeographyand also broader atmospheric theories put forward by theorists like Julianne Rebentisch and Tonino Griffero. Walking and movement, and momentum are essential to the worlds within these nine pieces, yet I find each of them incredibly still, meltingly so. This is the paradox at the heart of a psychogeographic outlook. As I move, I become more singular with the landscape around me, more fluent in its languages and behaviors, and poetries. I hope in listening you will find some stillness in movement, too.

    1. Toshiya Tsunoda “The Day After A Typhoon, Miyagawa”
    2. perila & ulla “blue drum”
    3. Maria Teresa Luciani “Giardini Pubblici”
    4. Gesellschaft Zur Emanzipation Des Samples “TaxiTrailer”
    5. Zdeněk Liška “A Small Stone in Space”
    6. Tôsha Suihô “時雨のあと(Shigure no Ato)”
    7. Tzvi Avni “Vocalise”
    8. Hiroshi Yoshimura “Horizon I’ve Ever Seen Before”
    9. Haco “Faito!”

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    Logo by Rik Oostenbroek

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    SOUNDWAVE : 66 : COREY PARLAMENTO

    SOUNDWAVE : 66 : COREY PARLAMENTO

    Today’s guest deejay is Corey Parlamento.

    Corey was on Soundwave last summer, and his mix was unique because it was an extension of his show on AshevilleFM, where he played instrumental soundtracks. Sadly, Corey no longer produces that show. Fortunately for us, Corey kept to that format for today’s mix.

    When I invite guest deejays on Soundwave, I’ll ask them to write up a description of their mix: the reason they chose songs, if there was a theme or story they wanted to convert through their mix, etc. The mixes speak for themselves, but I think it adds another level of appreciation for understanding their intentions.

    If they don’t send me a description, I’ll usually write my impressions of their mix. But for today’s show, I decided to call Corey and hear in his own words the motivations behind his mix.

     

    Corey Parlamento
    Corey Parlamento

    Corey’s mix is built around the kernel of Black to Comm’s “Stolen Androgens.” Corey said he listened to this track repeatedly long before he assembled today’s show. The song begins so abruptly and then loops itself around some fascinating accompaniment. He liked how voice is used in this track.

    Corey has had Yasuaki Shimizu’s Music for Commercials album for quite some time and incorporated it into his radio show for segues. The faint sound of water drops is what attracted him to Shimizu’s “Seiko 2.”

    Fatima Al Qadiri’s “Souleiman’s Theme” is taken from the Atlantic film score, Corey’s current favorite soundtracks of the last couple of years, and transitions nicely into Kali Malone’s “Hagakyrka Bells,” from her album, The Sacrificial Code.

    Corey also selected a track from the remastered soundtrack for Lady Macbeth by Third Ear Band, followed by Mary Steele’s “Al Rosana (My Rose),” which is available through Canary Records. This label specializes in archival music. “Al Rosana (My Rose)” is recorded from the 1920s in New York City and features a sonic blend of many cultures. Corey told me this piece is eery and conveyed a sense of decaying time.

    Lustmord follows Mary Steele with a piece from the First Reformed soundtrack. Up next is a track by Michael Gordon, a composer for the movie Decasia, directed by Bill Morrison, who assembles found damaged footage.

    Loren Connors takes it down a notch after Gordon, who is one of Corey’s favorite guitarists.

    Corey wanted to follow Connors with a longer track from Sean McCann’s “Puck” but settled on “Nightfall.” Corey describes the album that track was taken from as having a lot of space, weird vocalizations, subtle noises, drones, and crashing sounds.

    Corey closes his mix with a track of his own which he recorded under the name Livingdog. The track is taken from his album, The Four Times, released by Cold Moon Records out of New York City. This is the one-year anniversary of The Four Times, and Corey says the album was inspired by Le Quattro Volte. The movie has no soundtrack, but Corey’s imagination was capture by the meditations on a goat farmer who is reincarnated into a goat, then reincarnated into a tree which then turns into smoke.

    And there you have it, Corey’s mix.

    Oh, and Corey wanted me to tell you that he’s got a new album coming out on July 23 called Many Aways. I will, of course, remind you when the album is released

     

    Jon Hassell
    Jon Hassell

    Before I leave you to Corey’s wonderful and mysterious mix, I have some sad news. When I launched Soundwave, I didn’t anticipate having to say farewell to so many talented and wonderful musicians in one short year. Today it saddens me to tell you that Jon Hassell, a trumpet player pioneering electronic musician, left planet earth last week. Jon played with everyone, from Brian Eno to Peter Gabriel to Techno Animal. I first became aware of Jon on his appearance on the Myths 3 : La nouvelle sérénité compilation album, and he’s been part of the soundtrack to my life ever since. You owe it to yourself to make Jon part of the soundtrack to your own life. I encourage you to purchase his music or stream him on your favorite streaming service.

    Join us next week when our guest deejay will be felt body.

    See you then!

    1. Black To Comm “Stolen Androgens”
    2. Yasuaki Shimizu “Seiko 2”
    3. Fatima Al Qadiri “Souleiman’s Theme”
    4. Kali Malone “Hagakyrka Bells”
    5. Third Ear Band “LADY MACBETH”
    6. Mary Steele “Al Rosana (My Rose)”
    7. Lustmord “Hanstown Kills”
    8. Michael Gordon “Decasia, Part 5”
    9. Loren Connors “No Goodbyes”
    10. Sean McCann “Nightfall”
    11. Livingdog “Body Of A Tree”

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    Logo by Rik Oostenbroek