SOUNDWAVE : 120 : RIZ MASLEN

SOUNDWAVE : 120 : RIZ MASLEN

Today’s guest deejay is Riz Maslen.

Alisú included Riz Maslen in her mix for Soundwave last fall, which led to me spending hours re-visiting the music Riz recorded as Neotropic, as well as her work with 4hero and The Future Sound of London. I invited Riz to share a mix with us, and it’s something else.

 

Riz Maslen
Riz Maslen. Photo by Rebecca Brooker Photography.

Riz mix begins with a piece by Freddie Philips, a British composer known for his work on television music, particularly the theme for Camberwick Green. It’s what I imagine a mix from Wes Anderson might sound like, and I would have been completely satisfied if Riz stayed within that genre. But Riz pivots to Egyptian jazz-inspired psychedelic rock, shifts to trip-hop, and never looks back. And yet, Riz’s mix never feels incongruous. Each track seamlessly blends into the next.

You’re in for quite the journey.

Each mix shared on Soundwave is special. When I say that, I’m not equivocating; they are unique. But some resonate with me more than others, and Riz’s mix is one of those mixes. As the pandemic continues to disrupt our lives, I’ve found Riz’s mix to sometimes act as a balm and other times a needed distraction.

I envy you. I wish I could hear Riz’s mix again for the first time.

Join us next week when our guest deejay will be Robocat.

See you then.

  1. Freddie Philips “Opening Music from Camberwick Green”
  2. Peter Schickele “The Space Fleet”
  3. John Berberiam and The Missile Eastern Ensemble “The Oud and the Fuzz”
  4. Digital Bled “Jo”
  5. Daniele Principato Arne Hiorth “Cuckoo Clock”
  6. Mike Lazarev “Where You Are”
  7. Alieno de Bootes “Sending the Clouds”
  8. Pole “Weit”
  9. Anne Garner & Mike Lazarev “Dust Devil (Mike Lazarev Pent Up Rework)”
  10. D Rothon & O Cherer “Silver Haze Dusk”
  11. Mark Beazley “Four Thirty Six”
  12. Alfred Deller & Elizabeth Harwood & Choirs Of Downside And Emanuel Schools & London Symphony Orchestra & Benjamin Britten “A Midsummer Night’s Dream / Act 2 – A Midsummer Night's Dream, Act 2: ‘On The Ground, Sleep Sound’”
  13. Ryuichi Sakamoto “Dolphins”
  14. Ekki Hugsa “Amsterdam”

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SOUNDWAVE : 96 : HARROLD ROELAND

SOUNDWAVE : 96 : HARROLD ROELAND

Today’s guest deejay is Harrold Roeland.

Harrold was our guest deejay back in December 2020. His mix spanned the gamut from Biosphere to John Coltrane. It was so gorgeous that I asked him if he would be so kind to grace us with another one. Today’s show is equally breath taking and the range is just as broad and unexpected yet some somehow manages to be cohesive.

Harrold is a trained composer, a poet, sound designer and performing musician, specializing in the use of environmental sounds and long attention spans. His works try to invoke the timelessness of the world and its landscapes. He sings medieval and renaissance music with Ensemble Vlechtwerk, and hosts the radio show Sensenta, a musical serial, at the Concertzender every Sunday evening that explores many of these themes.

Oh, and Harrold also shares his daily haiku+picture on Instagram, which you can experience here.

Special thanks again to Kirk Markarian of Neuro… No Neuro who introduced me to Harrold (listen to Kirk’s mix for SOUNDWAVE here).

Harrold has some words about today’s show below.

Join us next week when our guest deejay will be Robert Koch.

See you then.

 

Harrold Roeland
Harrold Roeland

A slightly moody mix. I couldn’t help but point to the current affairs in Afghanistan, which are much on my mind, as is the death of Raymond Murray Schafer. Such an admirable composer and thinker, such a loss for the music world. So there’s a reference to today in the description. I don’t mind if that has lost its urgency by the time this mix sees the light of day, but just so you know it’s there. The soundscape weeps today.

Toby Wren is an Australian guitarist who has an album called The Carnatic Jazz Experiment. As the title implies, it heavily uses Southern Indian Carnatic Rhythms. I think he’s a genius and this album deserves to be much more widely heard than it is now. The album is strictly acoustic, so the electronic echoes added in the end are my own, better to segue into the next track.

Lotto are from Poland, a band playing very minimalistic Post-Rock. Drones with drums. Once, for Sensenta, my weekly radio show at the Concertzender, I needed a variation on one of their tracks we played the week before. That’s the one you hear, the original but with little echo’s and delays added. I think it makes the track more hypnotic than it already is, and hope they will forgive me for messing around with their work. Both the original and this version appeared on Sensenta, and you can find their original version on their excellent album Elite Feline. If you like this music, check out their album VV too. It’s a gem.

To add some depth, Lull fades into the background around the 18 minute mark. Low frequencies galore. Though used for effect and drowned out here, Mick Harris’s album, Like A Slow River, is a beauty when it comes to dark, noisy ambient. Music like a haunted transistor radio.

Kloob hails from Spain. Synthesizer-based ambient is what he’s good at, and he seems to be getting better at it each year. This is an oldie, from his album Deep Emotional Phases, a remix found on the album as a bonus track.

Martin Stürtzer is next. I ran into his work through the Concertzender. A synthesizer wizard from Germany, he knows just how to twiddle those knobs and connect those modules to make splendid colourful textures. This is one of his more minimalist works, taken from, at the time of writing, a brand new album.

Martin Stültzer’s track turns out to combine well with another new work: Loscil’s “Lux”, from the album Clara. I mixed the two together on the radio the day prior to making this mix, and thought that move deserved repeating here. Loscil joins the mix from Canada. Pure blissful ambient.

Sedibus are The Orb’s Alex Paterson, and former Orb member Tony Falconer. Tony was around for the acclaimed album Adventures Beyond The Ultraworld. These two men meeting again in the studio, decades later, was the birth of a marvelous album. Classic Orb stuff, but from 2021.

And on to the final track.

The time of writing is 15 august 2021. In the wonderful country of Afghanistan the situation seems to be going completely down the drain. The news is worrying and hard to drive out of one’s mind. Thinking about what could happen to innocent people, especially girls and women, is enough to give you a knot in your stomach. Anouar Brahem’s work Improbable Day feels right. He is a famous Ud player from Tunesia. During the Arab Spring, he was home and couldn’t believe what was happening around him. He then wrote a full album about that. His opening track is our closing track for this mix. Yes, the context is much different than that of Afghanistan, but the music is fit for an Improbable Day.

  1. Toby Wren “Prologue”
  2. Lotto “Pointing to a Marvel (Sensenta edit)”
  3. Lull “Treeless Grounds”
  4. Kloob “Duran Vasquez”
  5. Martin Stürtzer “Energy Scale”
  6. Loscil “Lux”
  7. Sedibus “Papillons”
  8. Anouar Brahem “Improbable Day”

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SOUNDWAVE : 65 : YANN NOVAK

SOUNDWAVE : 65 : YANN NOVAK

Today’s guest deejay is Yann Novak, the founder of Dragon’s Eye Recordings.

I met Yann when I showcased his label on solipsistic NATION.

I discovered Yann’s label through Mike Lazarev’s music blog, Headphone Commute (if you enjoy Soundwave, you’re going to love Headphone Commute).

Yann curates a heady offer of music through Dragon’s Eye Recordings featuring notable artists such as Pinkcourtesyphone (Richard Chartier), Genrietta, and Lawrence English. Some of the label’s releases are whimsical, some challenging, and some so ephemeral that you might imagine you dreamt of hearing it. But all the releases on his label are lovingly selected and demands to be listened to just as Yann’s mix demands to be heard.

 

Yann Novak
Yann Novak
Photo Credit: Robert Crouch

A few highlights.

The hairs went up on the back of my neck when I instantly recognized Geinō Yamashirogumi’s score for the cyberpunk classic, Akira. Back in the 80s, the movie was considered as imponderable as 2001: A Space Odyssey, but Akira has influenced culture to such a degree that it seems straightforward by our current standards. Incidentally, you can purchase Kaneda’s jacket, who is the film’s protagonist.

Yann’s inclusion of Billie Eilish & ROSALÍA’s was an unexpected delight. Eilish is kind of cyberpunk herself, having sung about our anthropogenic doom and interviewed by an AI bot.

The Future Sound Of London make yet another appearance on Soundwave via Yann’s mix. So much of the electronic music that was fasionalble in the late 80s seems dated but The Future Sound of London still feel timeless.

Lloop was also a surprise. I first heard Lloop when I showcased The Agriculture label on solipsistic NATION (mumbles) 15 years ago.

I know it isn’t true but I can’t help but feel that Yann made this mix specifically for me. It’s uncanny.

Yann modestly didn’t include his own music in his mix but I wanted to mention that Friday he released his new album, Lifeblood of Light and Rapture., available through Room40 (streaming starts July 2). Yann is really proud of this album and he can’t wait for everyone to experience it! He hopes it’s just the kind of lightness… or darkness you need right now.

 

Frank Riggio’s Empreinte Musicale 3 LP
Frank Riggio’s Empreinte Musicale 3 LP

Before I wrap this up, there are two things I need to mention.

Frank Riggio just released the third and last installment of his new trilogy, Empreinte Musicale 3. It’s just as weird and wonderful as his previous two albums. Go listen to it, and then buy it, and afterwards, listen to Frank’s Soundwave mix.

Lastly, I believe I’ll wrap up Soundwave sometime in 2022. I launched Soundwave to cope with the stress and isolation of the pandemic. I told myself that once COVID-19 is no longer the threat that grinds nations to a halt that the show willhave served it’s purpose and that I’d bring it to an end. Unless the pandemic spirals out of control again or unless I change my mind, I will release all the remaining mixes our generous guest deejays have provided for us.

And on that note, please join us next week when our guest deejay will be Corey Parlamento.

See you then!

  1. Geinō Yamashirogumi “Requiem”
  2. Félicia Atkinson “Infant vampire”
  3. Tim Hecker “Arctic Lover’s Rock Pt. 2”
  4. Billie Eilish & ROSALÍA “Lo Vas A Olvidar”
  5. The Future Sound Of London “Domain”
  6. Braulio Lam “Dream Lens (Edit)”
  7. Fortresses “Spring”
  8. Labrinth “Forever (Euphoria: Special Episode 2)”
  9. Allen Ginsberg “Pacific High Studio Mantras (feat. Arthur Russell)”
  10. Byron Westbrook “Heavy Weather”
  11. Tim Hecker “The Return Of Sam Snead”
  12. Ian Wellman “Watershed”
  13. LLOOP “Track 1”
  14. Geinō Yamashirogumi “Requiem”

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Logo by Rik Oostenbroek