Tag: darkambient

SOUNDWAVE : 116 : JOSEPH ALEO

This mix has been gestating for decades.

A year ago, I was rooting around my bins of CDs, gathering music I wanted to use in a future mix on Soundwave. There was a herculean amount of labor finding those CDs. It meant going into the garage, pulling out 75-100 lbs bins of CDs, and sorting through every CD to find what I needed. I have literally put sweat into this mix.

The mix features songs I’ve played many years ago when I deejayed at WMFO. From there I’d segue from one cluster of songs to the next. I know from experience that these songs slot together like sonic LEGOS. Okay, maybe not the most elegant analogy, but you get the idea.

These songs mean things to me.

Take Coil, for example. When Love’s Secret Domain was released, my fellow deejays at WMFO loved the album. I didn’t get it. But I had spent money on the CD, so I gave the album a few listens. And after a while, I came to see the genius in that album and became a fan of Coil.

I discovered C-Schulz on the Extreme Records’ X-X Section compilation album in the stacks of new CDs in the main studio at WMFO. I’d play “Fir” on repeat on my Discman and lose myself in itself Bladerunnerish beauty.

Z’EV, rest in peace. He left us five years ago, and we’ll not see his like again. I have RE/SEARCH to thank for turning me onto Z’EV and his percussive explorations of sound.

I’m a fan of Justin Broadrick and Kevin Martin. When they collaborated on Techno Animal, it was everything I had hoped for. “The Dream Forger” has particular significance to me for getting me through one long, heartbroken night. Listen to Justin’s mix for Soundwave here.

My buddy Steven Howard introduced me to Mono Pause and many other great bands from the fantastic America The Beautiful compilation album from RRRecords. Listen to Steven’s mix four Soundwave here.

Steven “Jesse” Bernstein was another WMFO find. There are many fantastic tracks from his Prison album, “More Noise Please” is the one that gets me all blubbery contemplating alienation in what sometimes seems like a madhouse of a world.

The Anti Group’s “A.A.A.A. (Accelerated Audio Alpha Activity)” from the Total – Volume One compilation album never fails to creep me out even after all these decades.

:Zoviet*France: is much loved, and “Voice Print Identification” is perhaps the song I love most from their wonderful and extensive catalog. I encourage you to listen to Zoviet’s A Duck in a Tree show.

Pornosect also appeared on Total – Volume One album, and like “A.A.A.A. (Accelerated Audio Alpha Activity)”; I still find “Media Termination” just as unsettling after all this time.

I hope you enjoy today’s show.

I discovered that when my CDs were in storage, nearly all the songs featured in today’s mix are no longer published. They’re rare gems.

Join us next week when our guest deejay will be Naneum.

See you then.

  1. Coil “Corybantic Ennui”
  2. Coil “Dismal Orb”
  3. C-Schulz “Firn”
  4. Z’EV “Superballed”
  5. Techno-Animal “The Dream Forger”
  6. Mono Pause “Come Into the Future”
  7. Steven Jesse Bernstein “More Noise Please”
  8. T.A.G.C. (The Anti Group Communication) “A.A.A.A. (Accelerated Audio Alpha Activity)”
  9. :Zoviet*France: “Voice Print Identification”
  10. Pornosect “Media Termination”

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Logo by Rik Oostenbroek

SOUNDWAVE : 56 : JOHN SHANAHAN

Today’s guest deejay is John Shanahan, host of the Hypnagogue Podcast.

I follow all the guest deejays on Twitter (check my SOUNDWAVE list here), and the Hypnagogue Podcast kept turning up on Kirk Markarian’s Twitter feed. I trust Kirk’s taste in music, so I listened to a few episodes of Hypnagoge. I loved everything I heard and invited John to guest deejay on SOUNDWAVE.

John’s mix is everything you’d expect in a SOUNDWAVE mix, but what especially delighted mas his selected dub tracks.

I’ve been a fan of dub since last century.

I first became aware of dub when I read William Gibson’s cyberpunk classic, Neuromancer. In the novel, Case, our protagonist, finds himself in a Jamaican space colony called Zion.

Case gradually became aware of the music that pulsed constantly through the cluster. It was called dub, a sensuous mosaic cooked from vast libraries of digitalized pop; it was worship, Molly said, and a sense of community.

I was intrigued by that mysterious description. Shortly afterwards I came across the 21st Century Dub album on ROIR. I was hooked and became a dub devotee. I even adopted the persona of a character called King Dub. I’d speak with an Jamaican patois, and combined with some echo and pitch-shifting, I became a deejay from the deepest realm of dub spinning tracks from everyone from Ras Michael and The Sons of Negus to The Orb.

When I launched SOUNDWAVE I assumed there would be a lot of dub. The genre is a natural fit for the format of those show. I’ve been disappointed that dub has been a blind spot and I’m relieved that John is the first guest deejay to include dub tracks in the mix. Hopefully he won’t be the last.

John has some words about his mix below.

 

Frank Riggio’s Empreinte Initiale EPFrank Riggio’s Empreinte Initiale EP

Before I wrap things up I want to let you know that guest deejay Frank Riggio has released his new single, Empreinte Initiale

Join us next week when our guest deejay will be Roedelius. Check out his livestream concert here.

 

John Shanahan
John Shanahan

The Hypnagogue Podcast began over a decade ago as an offshoot of the Hypnagogue Reviews site, which I ran from 2003 until 2017, when I decided I didn’t have anything worth saying anymore. Now the music does the eclectic talking for me every two weeks, built from the amazing range of music sent my way.

I laid down this Soundwave mix as I do my own show—picking an interesting place to start and following a stream of semi-conscsiousness through my library to see what associations arise. So we kick off with haunting sound-sculptor Joe Frawley and move with the piano into the sparse, emotional spaces of Memory Bell. The Detroit76, a Matt Borghi side project, shifts us smoothly into beat-driven groove territory, segueing into tasty licks from Austin funk-dub duo Canartic, which melts neatly into into vintage Cyberchump. Forest Robots offer a bridge by way of plucked-string tones in a wash of electronica, and Corciolli & Emmanuele Baldini use it to escort us further intro electro-acoustic territory. That put me in mind of the modern chamber music of Domingues and Kane, after which we flick the switch to Tim Story’s brand of electronic chamber music. At the end, the ride finishes courtesy of the person who brought my show to Joseph’s attention in the first place, Neuro…No Neuro, aka Kirk Markarian.

Thank you, Kirk!

  1. Joe Frawley “Sunday (Recurrences)”
  2. Memory Bell “Entropy, Obsolete”
  3. Matt Borghi and The Detroit76 “Space Telescope”
  4. Canartic “Aux 1”
  5. Cyberchump “Interstellar Dub Station Freakout”
  6. Forest Robots “On A Desolate Shore Under A Full Moon”
  7. Corciolli & Emmanuele Baldini “Glacier”
  8. Domingues & Kane “Lament No 7”
  9. Tim Story “The Woman Singing”
  10. Neuro…No Neuro “Much-needed Recharge”

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Logo by Rik Oostenbroek

SOUNDWAVE : 55 : INNESTI

Today’s guest deejay is Innesti.

Innesti’s mix concludes my deep dive of musicians I’ve discovered on Bandcamp and invited to deejay on SOUNDWAVE.

 

Innesti
Innesti

When I found Innesti on Bandcamp, I immersed myself in their music. I think it was Brian Eno who described ambient music in a metaphor of a painting: you can either have the painting as something that’s part of your background and enjoy it on that level, or you can choose to shift your focus to the painting and experience it at that level. Innesti’s music definitely fulfills those categories but awards active listening.

I’m listening to some of Innesti’s music as I write this. It’s the golden hour, and the kitchen I am writing you from is magically lit, and Innesti is providing the soundtrack to this enchanting moment.

I’ll most definitely feature more artists on Bandcamp on the show in the future, but not at the same volume.

If you’re unfamiliar with Bandcamp, it’s a service that sells music and gives musician and music labels a fair percentage of money generated from sales on Bandcamp.

 

The pilgrimage to Amoeba Music
The pilgrimage to Amoeba Music

Speaking of buying music, yesterday we took our son to Amoeba Music in Los Angeles. He recently got into vinyl, so and I’m happy to indulge him. California has leveled off on COVID-19 infections enough that the state is opening business to the public. Even so, there was a long line to get in the building because they can only admit people in at lowered numbers for everyone’s safety.

Our son picked up Tomahawk‘s Tonic Immobility and Crazy Horse and Neil Young‘s Zuma. I had a list of five CDs I was hoping to find but turned up nothing. When I got home, I found them all on eBay and Amazon. On the other hand, I did discover Killing Joke’s Malicious Damage, an album that includes some tracks I’m not used to seeing on their live albums, and Solti‘s Wagner‘s Götterdämmerung boxed set.

As soon as you feel safe enough, I encourage you to head out to your local music store and pick up some albums for yourself or someone as a gift. You or they deserve it, and your local music store needs your support.

Join us next week when our guest deejay will be John Shanahan, host of the Hypnagogue Podcast.

See you then!

  1. Innesti “Parenthetical Moments”
  2. In the Branches and Neglect “Stepping into the Past“
  3. echospace plays michael mantra “Sea Shell City (morning)”
  4. Eternell “cove (meditation)”
  5. Billow Observatory “Pankalia”
  6. Andrew Lahiff “This Side of Winter”

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Logo by Rik Oostenbroek

SOUNDWAVE : 53 : AMBIENTBLOG

Today’s guest deejay is Peter van Cooten, host of Ambientblog and DreamScenes on Concertzender.

I ask each guest to deejay who they know who would be interested in participating in the show with a mix. Harrold Roeland, who was a guest deejay on Soundwave back in December, suggested Peter. I’ve known about Ambientblog for years and have listened to many of Peter’s mixes on Mixcloud. I’m thankful that Harrold made the introduction because Peter’s mix is exceptional.

 

Peter’s Soundwave mix.
Peter’s Soundwave mix.

Mix is not the word for what Peter does on today’s show.

It’s more accurate to say that Peter composed a concept album masterfully weaved from a multitude of sampled material. Take a look at the “playlist” below to get an idea of the scope of today’s show. It’s a work of art you get to immerse yourself in for the next hour.

Peter’s mix, like all of his Ambientblog shows, is an experience. Follow Ambientblog on Mixcloud to hear more of his work.

I’ve included an excerpt about today’s show from Peter’s website below.

Today’s show is special because it’s also Soundwave’s one-year anniversary.

I launched Soundwave to help me cope with the stress and isolation of COVID-19.

This close to what we all hope is the finish line of the pandemic its easy to forget that we were all white-knuckling it for the first couple of months. Every day was filled with existential dread. Would this trip to the grocery store kill me or someone I love? It’s exhausting to live that way.

During that time, I could not watch tv or movies or listen to music because they were not speaking to the truth of our new reality. I’d watch a tv show and fret how there was no social distancing and why the cast wasn’t wearing masks. Pop music was particularly difficult to listen to because it was so painfully vapid. How am I supposed to enjoy a love song when I might be a patient or a vector in this pandemic?

The only music that I could tolerate and gave me solace was ambient, classical, experimental, and instrumental music. It was the soundtrack for my stay-at-home lockdown. And if I found some relief with this music, why not share it with others? Any why not ask people I respect to share their mixes?

I’m humbled by everyone’s gift of generosity of time and effort. We’re all going through this together, each in our way. I’m grateful that during this pandemic that each guest deejay lovingly crafted mixes to share with us.

 

My first vaccination shot.
My first vaccination shot.

Today’s show is also special because today, I also got my first shot for the COVID-19 vaccination.

I was shopping for groceries when the Mercy Plaza Pharmacy called me and told me they had extra doses. Could I stop by for a vaccination? Most definitely.

My cilantro stymied the woman who was ringing up my items at the grocery store: were they regular cilantro or organic? She was about to do a price check when I explained that I needed to get the hell out of there to be vaccinated. I didn’t care about the cilantro’s cost; ring me up so I can leave! She understood.

The folks at Mercy Plaza Pharmacy couldn’t be nicer. They’re a family-owned business, and the owner checked up on me after my shot to see how I was feeling. We talked about San Diego, Sacramento, and our kids. This is going to sound weird, but I had such a great time that I can’t wait to go back.

So here we are a year later. We’re almost at the finish line. Hopefully, next year, this will be behind us, and we can all enjoy each other’s company. I’m looking forward to meeting some of you in person. Maybe I’ll even get to meet Peter.

Join us next week when our guest deejay will be Michał Milczarek.

See you then!

 

Ambientblog album art.
Ambientblog album art.

It’s my honour to open the second year of this series with my contribution. Of course, we can only hope that the series will continue for musical reasons, not because of the pandemic.

Clicking through the list of contributions, you’ll find that most of them are what I call mixtape-style compilations: a head-tail-mix of (full) tracks. Traditionally, my (Ambientblog) mixes are different (which does not mean necessarily ‘better’, by the way) in that they incorporate many sampled parts of tracks (a full-length track is either an exception or a very short track itself), mixed in a layered collage-style. I always try to shuffle the collage’s fragments so that they seem to melt together and thus start telling a different story.

Whether this is successful or not can only be determined by the listener.

This mix is simply named after the podcast Soundwave. It is a happy coincidence that it literally starts with waves—sonically manipulated by Jos Smolders—and ends with the same waves morphing into the sound of a cheering crowd.

Different kinds of soundwaves are all around us, every moment. Sometimes we’re aware; most of the time, we are not. This mix (hopefully) shows that it can be rewarding to take a moment’s rest to really listen and let the sounds affect you.

Thanks to Joseph Aleo for inviting me!

  1. Jos Smolders “Plate 7”
  2. Mia Zabelka & Icostech “The Final Stop”
  3. Robert Scott Thompson “Still The Syllables Of Water Whisper”
  4. Charley van Veldhoven & Túrion “Hemellichaam IV (Henrik Meierkord Recycle)”
  5. FM Einheit & Susie Green “Joyful Pleasure”
  6. Joey Largent “Below Diorite Waters”
  7. Barbara Ellison “De Auflaan de Pussychat”
  8. Jana Winderen “The Listener”
  9. Grace Ferguson “Barnumbirr”
  10. C-drík “An Imaginary Place Inhabited By Those Who Are Asleep”
  11. James Osland & Finn Kelvin “Things That Have Form Will Alway Disappear”
  12. Daniel Thomas Freeman “Crawling Out Of The Void”
  13. William Basinski “For Whom The Bell Tolls”
  14. Morgen Würde “Mittsommer”
  15. Biosphere “Stordjupta”
  16. Randal Collier-Ford “Eyes Of The Temple (feat. Northumbria)”
  17. Merope “Alma”
  18. Space Whisper “Park Date”
  19. Innesti “Dark Describes An Arc”
  20. Joost Lijbaart “Twinkling Night”
  21. Pinkcourtesyphone “Another Interior”
  22. f5point6 “Natural Selection”
  23. Andrew Heath “I Sleep Above The Forest”
  24. Lustmord “Journey Of The Dead Man”
  25. Bow Quintet feat. Aidan Baker “Bryanbaum Variation”
  26. Aase Frejadóttir “Saying It”
  27. James Rushford “Musica Callada, Book I – Angelico”
  28. Nick Luscombe “Tokyo Spring Birdsong”
  29. Akropolis Reed Quintet “Homage to Paradise Valley: I. Ghosts of Black Bottom”
  30. Kate Carr “I Spotted Some Backyard Dancing”
  31. Olivier Alary “Khaltoum”
  32. Kazuya Nagaya “the Book Of Sunken Memory”
  33. Jos Smolders “Plate 5”
  34. A Winged Victory For The Sullen “Every Solstice & Equinox”

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Logo by Rik Oostenbroek

SOUNDWAVE : 50 : EMIL ZAPFFE

Today’s guest deejay is João Guimarães, AKA Emil Zapffe.

If you’ve been listening to SOUNDWAVE for the last few weeks, then it will come as no surprise that I discovered João on Bandcamp.

When SOUNDWAVE comes up in conversation with those unfamiliar with ambient music, I sometimes have to explain that not all ambient music is swathes of pretty sounds. Ambient can be haunting and discordant. Or, in João’s case, it’s grand in scope. If you want to experience it yourself, go to João’s Bandcamp page and play any of his songs with the volume cranked to 11. His music will shake your windows and vibrate dishes off your table. You’ve been warned.

But if you’re expecting that kind of experience on today’s show, then you’ll be just as surprised as I was. João’s mix covers quite the gamut. Yes, there is that big sound, but it’s also delicate, mournful, and lovely. It’s precisely the kind of mix I’d share with people I have to explain the depth and complexity ambient music offers.

Oh, and I also appreciate that João and I appreciate Peter Wessel Zapffe’s nihilist essay, “The Last Messiah” (listen to an excerpt from the essay on my October 2020 mix). I usually embrace Nietzche’s existential exuberance, but it’s easy to waffle and settle into existential dread, something Zapffe (Peter Wessel, not Emil) explores in his essay. As long as I don’t fall into Emil Cioran’s existential disgust, I guess I’m doing okay.

João has some words regarding his mix below.

Before I wrap this up, I feel the need to mention that it was this time last year that California went under lockdown. Like most people, I’ve gotten along with my life. I work from home, I rarely go out, and when I do, I wear a mask even when I don’t need to. Vaccinations for the entire U.S. are just around the corner. But a year ago, we were all white-knuckling it, and every day was filled with angst. I’m relieved that we’re about to turn the corner.

Join us next week when our guest deejay will be Rhucle.

See you then!

 

João Guimarães, AKA Emil Zapffe
João Guimarães, AKA Emil Zapffe

For this mixtape, I tried to make a selection of compositions that touched me this past year and permitted me to escape reality for a while. Our world outside changed, but our inner world changed too, with lots of questions about the nature of existence, the fabric of society, our strengths, and our deepest fears. Through these sounds, I could cope with reality and dream outside its claw, making my mind and spirit expand beyond self-imposed barriers. I hope the listeners can expand their senses and spirits, and for a while, inhabit their inner world, free of any form of limitation or weakness. In times of fear, all we have is our imagination.

Thanks to Joseph Aleo for this invitation, it’s an honor.

  1. Giulio Aldinucci “Phoenix”
  2. Emil Zapffe “Fragmented Anchors”
  3. SVLBRD “The Void”
  4. Mono Tape “Origin”
  5. Mount Shrine & Alphaxone “The Realms of Madmen”
  6. David Cordero “Tras la tormenta (feat. Carles Guajardo)”

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Logo by Rik Oostenbroek

SOUNDWAVE : 48 : KLOOB

Today’s guest deejay is Dani, AKA Kloob.

Dani’s mix is a special selection of some of the his deepest tracks.

Dani has been composing electronic music for 20 years, from underground electronic dance vibes to ambient atmospheric scapes. Dani has been deeply involved in ambient since 2010, and he has released under Relaxed Machinery and Winter-Light labels.

Dani is yet another musician I’ve discovered on Bandcamp. Unless Bandcamp has a predictive algorithm running behind the scene, I assume Bandcamp is pretty straightforward: what you see is what you get. Meaning, if you’re into, say, ambient music, then Bandcamp serves up a bunch of stuff in that category. As far as I know, they’re not displaying music based on your play count or rating or whatever.

That’s got me thinking. I love Spotify’s Discover Weekly playlists. After years of using it, it gets me. Spotify is just one of many platforms competing for my dollar, offering a set of services and options that they hope will entice me. But for SOUNDWAVE, I’ve found myself lately perusing ambient, classical, experimental, and instrumental music on Bandcamp based album covers, the names of the artists, and skimming through a couple of their tracks. I did it the old-fashioned way like a savage.

Dani had me hooked.

First, the name. Kloob? Really? I’m in.

His album covers are gorgeous.

And Dani’s music has got all the things I love in ambient. His mix ranges from the cosmic to the sublime to the primal. You’re in for quite a journey.

It didn’t take an algorithm. All it took was Dani delivering on the promise of an experience.

Join us next week when our guest deejay will be Julie Carpenter AKA Less Bells. You guessed it, she’s another musician I discovered on Bandcamp.

See you then!

 

Dani, AKA KLOOB
Dani, AKA KLOOB

  1. Kloob “Kochi Sunset”
  2. Kloob “A Special Glow”
  3. Kloob “Desprendido (Alternative Mix)”
  4. Kloob “Profound Invocation”
  5. Kloob “Endless Motion”

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Logo by Rik Oostenbroek

SOUNDWAVE : 47 : OUT OF HELL

Today’s guest deejay is Boris Tyurin, AKA Out of Hell.

Out of Hell continues my exploration of musicians who mine the ores of ambient, classical, experimental, and instrumental on Bandcamp. It’s been a successful endeavor, and previous Bandcamp artists who have been guest deejays on SOUNDWAVE are Ishmael Cormack, Tim Six of ΠΑΝΘΕΟΝ Records, and Ivan Somov, AKA Notnotice.

I’ll be honest, what made me listen to Out of Hell’s was the influence of horror writer H.P. Lovecraft on his music.

It’s interesting because Lovecraft’s books are in the public domain Lovecraft permeates popular culture. In particular, his Cthulhu mythos. You can find Lovecraft’s tentacled Elder God in the form of crochet toys, tiki mugs, and pajamas. The sublime terror of Cthulhu has been diminished into a safe, consumer item. The only people who tap into the nihilistic horror of Cthulhu are comic book writer Alan Moore, role-playing game creators, and bands such as Rudimentary Peni and Skinny Puppy.

Not everything Out of Hell records is touched by the tentacles of Cthulhu, but the influence is there. Out of Hell explores the realm of dark ambient. His music can be just as delicate and pretty as a lot of ambient music, but it’s mysterious and often tinged with dream and anxiety. His mix is more than a selection of some of his best work. It’s an experience to be had.

Join us next week when our guest deejay will be Dani, founder of Kloob Music.

See you then!

 

Boris Tyurin, AKA Out of Hell
Boris Tyurin, AKA Out of Hell

  1. Out of Hell “The Dark”
  2. Ouy of Hell “Symphony in Moonlight and Nightmares”
  3. Out of Hell “The Temple”
  4. Out of Hell “The Whisperer in Darkness”
  5. Out of Hell “The Voice of the Night”
  6. Out of Hell “The Ruins”
  7. Out of Hell “Introspection”

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SOUNDWAVE : 46 : IVAN SOMOV

Happy Valentine’s Day!

Today’s guest deejay is Ivan Somov, AKA Notnotice.

While I stream music like everyone else, I’m also old fashioned and still purchase songs and albums. Bandcamp is my preferred vendor because they give the music labels and artists a generous share of the money generated from Bandcamp sales.

I spend an hour at least an hour a week exploring Bandcamp and listened to great music. If I came across someone I thought would be a good fit for SOUNDWAVE, I’d invite them to be a guest deejay. It’s a no-brainer, really, and we’ve heard great mixed from folks such as Tim Six, who runs ΠΑΝΘΕΟΝ Records with his wife, Mila, and Ishmael Cormack . Next week’s show will feature Out of Hell, and in the weeks to come our guest deejays will be Less Bells, Emil Zapffe, and Rhucle.

Ivan is yet another talented musician I discovered after searching Bandcamp for ambient, classical, experimental, and instrumental music to listen to. These are difficult genres. It’s easy to record music in those genres that are awful, hard to do mediocre, hard still to record something great, and a challenge to create something great. When I find something great, as I said, I am compelled to reach out to the artist and invite them to be a guest deejay on SOUNDWAVE. And that brings us to today’s show, which I’m listening to as I write this.

Ivan’s mix is going to take you on a journey. To me, that is the point of art. It’s not enough to craft a pretty or catching sound. Evoking emotion is one thing, but if the music can transport you to somewhere else and spur your imagination, that’s magic. And Ivan’s mix is magic and will be your soundscape for today’s sonic safari. The mix is the map. Your destination will be your own for you to discover.

Quick note: Ivan begins today’s mix with a track from Symphocat, a Russian musician and label owner. Tim Six also featured Symphocat on last week’s show. I’m taking that as a sign that I need to extend an invitation to guest deejay on the show.

Ivan has some words about Notice that he’d like to share with you below.

Join us next week when our guest deejay will be Out of Hell.

See you then!

 

Ivan Somov, AKA Notnotice
Ivan Somov, AKA Notnotice

Notnotice – a project created to implement the ambient and not only the mood of the author. Originally was written only dark ambient, but later decided not limited by the rigid framework, but at the same time, the music has not lost the original dark and cold, Notnotice tries to embody in their tracks the idea of loneliness and alienation.

  1. Symphocat “Svifa I Himininn”
  2. Forest Management “Fill In The Blank”
  3. unknown “Way number 3”
  4. Notnotice “Stockholm Syndrome”
  5. Acronym “Rails”
  6. очень длинный кот “v parallelnih mirah”
  7. Bad Sector & Tommaso Lisa “Untitled”
  8. kmerl “Constellation”
  9. Stanislav Tolkachev “Borderland”
  10. Canadian Rifles “1812”
  11. FH HF “Seconds Remain As Abstract Strokes”
  12. gacha bakradze “Broken Keyboard”
  13. Jeremiah M. Carter & Chelsea Bridges “White Rose Royale”
  14. Appropriate Savagery “Makeup & Ketamine, During a Quiet Evening”
  15. Christian Michael Filardo “Charm Syndicate”
  16. Concrete Fantasies “stealth2 (Agadez Magi)”
  17. Varg2™ “600 Lives To Become Nothing But A Memory (ft. Soho Rezanejad)”
  18. Cio D’Or “Triplet”
  19. EyeScream “(A)(ny)(thing)(ll)”

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SOUNDWAVE : 45 : ΠΑΝΘΕΟΝ RECORDS

Today’s guest deejay is Crimean drone artist Tim Six, who along with his wife, Mila, run ΠΑΝΘΕΟΝ Records.

I discovered ΠΑΝΘΕΟΝ Records while searching for ambient, classical, experimental and instrumental music on Bandcamp. These days there are hundreds of ways to find new music. There’s Spotify, Apple Music, YouTube, etcetera, and while I use all those services, I find myself drawn to Bandcamp more and more. Partly it’s because of the social aspects of Bandcamp. I like seeing and listening to what other Bandcamp customers have purchased. Partly because I know that Bandcamp is one of the few services that offer musicians and labels a higher percentage of money format the sales they make from music purchased on Bandcamp. In fact, on the first Friday of every month, they’ve waived their revenue share to help support the many artists who have seen their livelihoods disrupted by the pandemic.

I’ve come across so much beautiful music on Bandcamp that I extended invitations to musicians and labels to guest deejay on SOUNDWAVE. Ishmael Cormack curated last week’s show, and in the future, we’ll hear mixes from Out of Hell, Less Bells, Emil Zapffe, and more. I noticed that many of the albums that struck me deeply were all releases from ΠΑΝΘΕΟΝ Records. I reached out to Tim, and he was generous enough to put together today’s mix. You’ll find it gentle, mysterious, and at times, sublime.

I encourage you to spend a few dollars on any of the songs you hear on today’s show mix to support the artists.

Tim has a few words about his label and today’s mix below.

Join us next week when our guest deejay will be Ivan Somov.

See you then!

Tim Six
Tim Six

ΠΑΝΘΕΟΝ Records / Pantheon is an independent D.I.Y. music label from St. Petersburg, Russia, releasing various kinds of lesser-known artist from all around the globe. Our label specializes in limited editions of cassettes and CDs in handcrafted packaging and releasing digital-only albums.

All tracks for today’s show are from albums released on ΠΑΝΘΕΟΝ Records (2014-2020).

All tracks for today’s show are from albums released on ΠΑΝΘΕΟΝ Records (2014-2020).

Find us at:

https://www.facebook.com/pantheophania

https://instagram.com/pantheophania

https://pantheophania.bandcamp.com

https://twitter.com/pantheophania

Thank you for listening!

  1. tremorkikimor “lunaria”
  2. Mitseliy & Konstantin Beresnev “Blurred Intensity III”
  3. Symphocat “Stream Harmony”
  4. Dynastor “Crystalline Caverns”
  5. Blear Moon “Rising late”
  6. July in January “About dreams and visions”
  7. Dvory “Nisargadatta”
  8. Highland Spokesman “two”

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Logo by Rik Oostenbroek

SOUNDWAVE : 41 : TINEIDAE

Today’s guest deejay is Pavlo Storonsky, AKA Tineidae.

I discovered Pavlo while perusing artists on the Cryo Chamber label on Bandcamp. Cryo Chamber has been one of my favorite music labels since being introduced to them through a friend who played music from their catalog to provide the soundtrack to our Vampire: The Masquerade game sessions. I’ve never heard a Cryo Chamber release I didn’t like; there are just some I like more than others. I was hooked when I heard Pavlo’s Exo album. It’s as dark, ominous, and cinematic as everything else on Cryo Chamber but with a science fiction-horror vibe.

That’s not to say that Pavlo’s mix for today’s show sounds like that. But it's undoubtedly moody, atmospheric, and beautiful. I’ve been listing to it all week, and it’s exactly what I needed to help get me through Trump’s attempted coup here in the U.S. and 4,000+ dying a day from COVID-19. It’s surreal that I just wrote that sentence, but here we are.

Tineidae
Elliott Sharp’s Filiseti Mekidesi album

Before I go, I wanted to mention that last month Elliott Sharp (who did a mix for SOUNDWAVE) released his new album, Filiseti Mekidesi. The album is a meditation on the search for safety and neutrality, a place free from danger. It’s an opera, yes, but it’s an opera by Elliott Sharp, so it’s as unique and distinct as the rest of his oeuvre.

Join us next week when our guest deejay will be Mike Cadoo, founder of the record label, n5MD.

See you then!

Tineidae
Tineidae

  1. 36 “Cocoon”
  2. Burial “Forgive”
  3. Blackhill Transmitter “Five Twenty Seven”
  4. Access to Arasaka “char *argv[]”
  5. Valance Drakes “Until Either Comes To Pass”
  6. Lorn “SILHOUETTE”
  7. Bad Sector “Ampòs”
  8. Ghost Factory “It Will Be Okay. We Can Walk Through This Forest Together.”
  9. Subheim “Streets”
  10. the_empath “silberstreif”
  11. Glanko “AC”
  12. Mønic “Morse”
  13. Tineidae “Gas Mask (Ambient Version)”

Subscribe to SOUNDWAVE on iTunes, Overcast, Castro and Pocketcasts.

Logo by Rik Oostenbroek