Tag: dark ambient

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SOUNDWAVE : 122 : HESSEL VELDMAN

SOUNDWAVE : 122 : HESSEL VELDMAN

Today’s guest deejay is Hessel Veldman.

I met Hessel through Soundwave guest deejay Harrold Roeland (listen to Harrold’s mix here and here). I asked Harrold who he thought would share a mix on Soundwave, and he recommended Hessel. I would have extended an invitation to Hessel based solely on Harrold’s word. However, listening to Hessel’s albums on his Bandcamp page merely confirmed Harrold’s regard for Hessel’s music.

Hessel is a musician, composer, and producer. In the 60s, Hessel’s fascination with electronic audio devices, in combination with a preference for writing and performing extremely idiosyncratic music, created a wide range of experimental electro-acoustic music, sound-poetry, and contemporary music radio productions.

Hessel ran a private cassette label Exart from 1982 to 1995 and released work under various pseudonyms such as Y Create, Forbidden Photographs, and Gorgonzola Legs. More recently, he has released Ymuiden, EPoX with Martijn Comes, and has a track featured in the Daredevil Meditations compilation album.

Hessel has some words about his mix below.

Join us next weekend when our guest deejay will be Survey Channel.

See you then.

 

Hessel Veldman
Hessel Veldman

Peter Rehberg “Inferno 01”, Inferno: Kurzfilme & Fragmente 1903 – 1924
Release: Verlag Filmarchiv Austria. (2012)

Musician, composer, and publisher Peter Rehberg unexpectedly passed away at 53 on 22 July 2021. Peter Rehberg was born in the UK in 1968 and returned to his family roots in Austria after growing up in Hertfordshire. He subsequently became a crucial figure in the world of contemporary electronic ‘underground’ music after making his debut in 1995. He achieved this mainly through the Viennese label Mego, renamed Editions Mego in 2005. Rehberg made his debut as Pita on the Mego label with the 12-inch Fridge, a collaboration with General Magic. A year later, his debut album Seven Tons For Free was released. The Mego label, especially after Rehberg took over as curator, grew into an influential label for new developments in electro-acoustic music. Mego became the catalyst for the musical adventures of artists such as Christian Fennesz, Jim O’Rourke, Stephen O’Malley, Russell Haswell, and Florian Hecker. Later, under Editions Mego, the label regularly released leading works by artists such as Oneohtrix Point Never, Kevin Drumm, Bruce Gilbert, Mark Fell, Oren Ambarchi, Bill Orcutt, and Emeralds. Peter Rehberg also continued to compose, produce and publish his music, often in collaboration with others. The collaboration with Stephen O’Malley under the name KTL resulted in several albums, of which KTL’s ‘VII’ from 2020 is the most recent.

Rafael Anton Irisarri “Mellified”, Peripeteia
Label: DAIS. (2020)

Irisarri’s album Peripeteia fuses drone, electronic and ambient music. His immersive compositions are visual, panoramic, and cinematic as sceneries and films inspire them. Some of his music would suit artistic sci-fi or horror movies. Irisarri’s newest album, Peripeteia is based on a sudden change of circumstances in his life.

Eli Keszler “The Basement”, The Scary Of Sixty-First (OST)
Label: Deeper Into Movies Records. (2021)

For the past five years, the London / NYC film collective Deeper Into Movies has been screening essential contemporary cinema, overlooked gems, and rarely seen documentaries in reparatory cinema and DIY spaces. In December 2021, they launched the new label Deeper Into Movies Records, which promises to continue Deeper’s mission into sonic form by releasing recent scores from emerging filmmakers and lost or rereleased soundtracks. This first release from the new label is Eli Keszler’s score for Dasha Nekrasova’s notorious award-winning debut feature film The Scary of Sixty-First.

Dale Cooper Quartet & The Dictaphones “Huis Chevêchette”, Astrild Astrild
Label: Denovali. (2017)

The characteristics of Astrild Astrild are classic drone soundscapes mixed with deep tone saxophone parts that became Dale Cooper Quartet’s trademark since the release of their debut album in 2006. Slowly paced, the new tracks follow the Quartet’s basic structure and classical sound. The new full-length conceals more live takes, including guitars, bass, and Rhodes keys. With these new elements, the songs of Astrild Astrild are pushed further into a large tunnel of deafening rhythmic parts and field ambient textures.

Claire Rousay “Peak Chroma”, A Softer Focus
Label: American Dream Records. (2021)

A Softer Focus, released on American Dreams Records, is a leap towards a neatly holistic perspective of music-making. American percussionist and sound artist Claire Rousay is an archaeologist. She digs and sifts. Different layers overlap different substrates of meaning, emotion, and compositional complexity. Dirt gets in the way, requiring a gentle brushing aside to unveil whatever unstable nugget lies beneath. “Peak Chroma” is one of the two non-instrumental tracks on the record. With its collage feel, it generates beauty in buzz.

Alessandro Cortini “Nessuno”, Scuro Chiaro
Label: Mute. (2021)

Cortini is best known as a longtime member of Nine Inch Nails. While NIN keeps him busy, he has also developed a reputation for collaborating with luminaries from the dimmer worlds of ambient, drone, and noise. The album Scuro Chiaro centers on one specific instrument, created by Cortini himself: the Strega. It is a semi-modular synth and effects box. With bass, percussive treble, and a flute-like whisper, Nessuno is one of Scuro Chiaro’s highlights. Cortini integrated his favorite features from various cult-legendary modular systems into one small unit. He uploaded his musical consciousness into this machine and subjugated it to his will.

Loscil “Orta”, Clara
Label: Kranky. (2021)

On the album, Clara composer Scott Morgan takes the source material and breaks it down to its most basic essences. With this foundation, he paints deep colored sound-beds. Morgan uses a three-minute composition performed by a 22-piece string orchestra in Budapest for this album.

The final piece mixes Sanctuary, Hessel Veldman, and Andy Stott.

Sanctuary “In Absolute”, Sanctuary Vol. 1
Label: Safari Riot. (2021)

Composer Jose A. Parody says: “In my mind, ‘In Absolute’ is a very visual piece. Much like a close-up shot in a film, slowly zooming out to reveal an intricate scene, ‘In Absolute’ embodies the same feeling. A simple idea ever-expanding. Without the brilliant string and woodwind ensembles we recorded in Iceland last summer, it would not have been possible.”

Hessel Veldman “Duinbeton”, Ymuiden
Label: Winter Light. (2022)

Ymuiden is an experimental audio sound map of IJmuiden (1876), Noord-Holland, The Netherlands; a city where Hessel grew up and still lives today. A place that has seen much happen has seen many changes, a place of hard labor and knows a short raw history. The album, comprised of seven experimental dark ambient soundscapes, is laced with industrial elements, creating a hypnotic, dark undercurrent of sound.

Andy Stott “How It Was”, Faith In Strangers
Label: Modern Love. (2014)

Faith In Strangers may be body music (in the broadest sense); it invariably favors the dripping, pulpy atmosphere over the vestigial pulse of Stott’s earlier work. “How It Was” exemplifies this approach: though a small army of drums gallops beneath the surface, we only hear the rattling of the metal wall they seem to be running into. Subdued pads carry the melody, and while they’re quieter than the stomping rhythms, they have the power to dominate the mix, smothering us with sweetness. I’m glad we published this on Production because it revealed some problems that were not apparent tint he developer device emulator.

Words by Jordan Rothlein

  1. Peter Rehberg “Inferno 01”
  2. Rafael Anton Irisarri “Mellified”
  3. Eli Keszler “The Basement”
  4. Dale Cooper Quartet & The Dictaphones “Huis Chevêchett”
  5. claire rousay “Peak Chroma”
  6. Alessandro Cortini “Nessuno”
  7. loscil “Orta”
  8. Sanctuary “In Absolute”
  9. Hessel Veldman “Duinbeton”
  10. Andy Stott “How It Was”

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SOUNDWAVE : 119 : COMPLEX HOLIDAY

SOUNDWAVE : 119 : COMPLEX HOLIDAY

Today’s guest deejay is Robert Farrugia, co-founder of Complex Holiday, an itinerant label for inside-out ambient and sound art tomfoolery.

Robert was our guest deejay last fall, and he returns to Soundwave sharing another lustrous mix.

For me, Robert’s mix captures the essence of ambient music, as explained by Brian Eno, who compared ambient music to a painting. You can enjoy a painting on two levels. On one level, you engage with the painting, looking at it, studying it, and reacting to it. But on another level, the same painting is on the periphery of your consciousness. But it’s still there, subtly affecting you.

I’d find myself immersed in Robert’s mix and then be distracted by an email or text message, lost in thought, and slowly becoming aware that Robert had shifted the territory in his sonic landscape. And then the cycle began again.

 

Robert Farrugia, Photograph by Chris Vella / Storbju
Robert Farrugia, Photograph by Chris Vella / Storbju

Robert has included a few releases from Complex Holiday on today’s show. Ben Mifsud Joslin album, New Life (Robert was involved in the recording process and performed additional instrumentation on Ben’s album), and Daniel Vujcic’s album, Palinopsia, will be released later this year. Robert himself makes an appearance with “Iota.”

Join us next week when our guest deejay will be Riz Maslen.

See you then.

  1. Warmth “Guiding Light”
  2. Robert Farrugia “Iota”
  3. Tone Color “Half-Remembered, Half-Forgotten”
  4. Ben Mifsud Joslin “New Life”
  5. Taylor Deupree “Twirl”
  6. Robert Farrugia “Digital Droplets”
  7. Daniel Vujcic “Quiblis Ark”
  8. Andrew Tasselmyer “Our Own Private Libraries”
  9. Daniel Vujcic “Volovod”
  10. David Allred “Potato”

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SOUNDWAVE : 114 : RAZIEL PANIC

SOUNDWAVE : 114 : RAZIEL PANIC

Today’s guest deejay is Raziel Panic.

I know Raziel from way back. We’re talking about the days when people would send cassette singles to radio stations for airplay. My memory is hazy, but I think I was aware that Raziel was part of the Boston music scene with his band You Shriek in the late 80s. Crazy.

When I say know, I mean more win the sense I knew of Raziel. The circles we traveled overlapped. I even had You Shriek perform on my show on WMFO. But we never really knew each other.

But thanks to social media, I get glimpses into Raziel’s life through his Instagram account, usually in beautiful black and white photos.

I extended Raziel an invitation to guest deejay on Soundwave and I was curious what I’d hear. Raziel is know for goth and industrial music, but that of course doesn’t encompass all the music he listens enjoys. It’s no incongruous that his mix ranges from Arvo Pärt to Einstürzende Neubauten to Kitaro. Marvelous stuff. But still a surprise.

 

Raziel Panic
Raziel Panic

The You Shriek track Raziel included in his mix was never released on digital. Contact me if you’d like a download Raziel’s track.

Raziel has a digital release in the wings, and I’ll let you know when it’s available.

I still don’t know Raziel, but I hope to hang out with him next time I’m on the East Coast.

Join us next week when our guest deejay will be Yann Novak.

See you then.

  1. Arvo Pärt “Cantus In Memory Of Benjamin Britten”
  2. zero zero island “From Pure Air… We Have Descended”
  3. Jon Hopkins “Abandon Window”
  4. Einstürzende Neubauten “Fiat Lux B) Maifestspiele”
  5. You Shriek “14: overexposure (200 Röntgens)”
  6. Takeshi Nakamura “River In The Ocean”
  7. Delia Derbyshire “Ziw-zih Ziw-zih oo-oo-oo”
  8. German and Japanese Commuter Trains, Found Sounds I
  9. Kraftwerk “Transistor”
  10. Kitaro “Aqua”
  11. German and Japanese Commuter Trains, Found Sounds II
  12. Tangerine Dream “Resurrection”
  13. Pieter Nooten & Michael Brook “Finally”

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SOUNDWAVE : 99 : MONTY ADKINS

SOUNDWAVE : 99 : MONTY ADKINS

Today’s guest deejay is Monty Adkins, AKA Skrika.

I discovered Monty when the Cryo Chamber label sent out an email announcing the release of Monty’s new album, Fifth Nature. Whenever Cryo Chamber drops an album I drop whatever I’m doing and listen to it because they never fail to deliver mind blowing. Fifth Nature was no exception.

 

Monty Adkins, Skrika
Monty Adkins, Skrika

The “liner notes” explains that Fifth Nature is the first of a series of albums set in the far distant future on a dying Earth. I appreciate concept albums that created their own mythology, but you certainly need to be aware of the backstory of Fifth Nature. The album stands on its own and you will lose yourself in its richly textures of a soundtrack for a distant apocalypse. Enjoy!

Monty’s mix draws upon the roster of artists on Cryo Chamber. Think of it as a compilation album as distilled by Monty. His mix captures the spirit of the label as well as reflecting Monty’s own tastes.

You’re going to love today’s mix. I encourage you listen to other artists from Cryo Chamber that appear in Monty’s mix such as Dronny Darko and Tineidae who have guest deejayed on Soundwave

Join us next week for our 100th episode when our guest deejay will be Justin Broadrick.

See you then.

  1. Randal Collier-Ford “Black Garden”
  2. Sphäre Sechs “Collapsing Cloud”
  3. Tineidae “Patterns in the Sky”
  4. SiJ & Textere Oris “The City that Fell Asleep in the Fog”
  5. Alphaxone & Xerxes the Dark “Induction”
  6. Sabled Sun “Acid Rain”
  7. Tineidae “Reconnection”
  8. Underwater Sleep Orchestra “A Sullen Slumber”
  9. Dronny Darko “The Knot of Time”
  10. Skrika “Flight of Souls”

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SOUNDWAVE : 96 : HARROLD ROELAND

SOUNDWAVE : 96 : HARROLD ROELAND

Today’s guest deejay is Harrold Roeland.

Harrold was our guest deejay back in December 2020. His mix spanned the gamut from Biosphere to John Coltrane. It was so gorgeous that I asked him if he would be so kind to grace us with another one. Today’s show is equally breath taking and the range is just as broad and unexpected yet some somehow manages to be cohesive.

Harrold is a trained composer, a poet, sound designer and performing musician, specializing in the use of environmental sounds and long attention spans. His works try to invoke the timelessness of the world and its landscapes. He sings medieval and renaissance music with Ensemble Vlechtwerk, and hosts the radio show Sensenta, a musical serial, at the Concertzender every Sunday evening that explores many of these themes.

Oh, and Harrold also shares his daily haiku+picture on Instagram, which you can experience here.

Special thanks again to Kirk Markarian of Neuro… No Neuro who introduced me to Harrold (listen to Kirk’s mix for SOUNDWAVE here).

Harrold has some words about today’s show below.

Join us next week when our guest deejay will be Robert Koch.

See you then.

 

Harrold Roeland
Harrold Roeland

A slightly moody mix. I couldn’t help but point to the current affairs in Afghanistan, which are much on my mind, as is the death of Raymond Murray Schafer. Such an admirable composer and thinker, such a loss for the music world. So there’s a reference to today in the description. I don’t mind if that has lost its urgency by the time this mix sees the light of day, but just so you know it’s there. The soundscape weeps today.

Toby Wren is an Australian guitarist who has an album called The Carnatic Jazz Experiment. As the title implies, it heavily uses Southern Indian Carnatic Rhythms. I think he’s a genius and this album deserves to be much more widely heard than it is now. The album is strictly acoustic, so the electronic echoes added in the end are my own, better to segue into the next track.

Lotto are from Poland, a band playing very minimalistic Post-Rock. Drones with drums. Once, for Sensenta, my weekly radio show at the Concertzender, I needed a variation on one of their tracks we played the week before. That’s the one you hear, the original but with little echo’s and delays added. I think it makes the track more hypnotic than it already is, and hope they will forgive me for messing around with their work. Both the original and this version appeared on Sensenta, and you can find their original version on their excellent album Elite Feline. If you like this music, check out their album VV too. It’s a gem.

To add some depth, Lull fades into the background around the 18 minute mark. Low frequencies galore. Though used for effect and drowned out here, Mick Harris’s album, Like A Slow River, is a beauty when it comes to dark, noisy ambient. Music like a haunted transistor radio.

Kloob hails from Spain. Synthesizer-based ambient is what he’s good at, and he seems to be getting better at it each year. This is an oldie, from his album Deep Emotional Phases, a remix found on the album as a bonus track.

Martin Stürtzer is next. I ran into his work through the Concertzender. A synthesizer wizard from Germany, he knows just how to twiddle those knobs and connect those modules to make splendid colourful textures. This is one of his more minimalist works, taken from, at the time of writing, a brand new album.

Martin Stültzer’s track turns out to combine well with another new work: Loscil’s “Lux”, from the album Clara. I mixed the two together on the radio the day prior to making this mix, and thought that move deserved repeating here. Loscil joins the mix from Canada. Pure blissful ambient.

Sedibus are The Orb’s Alex Paterson, and former Orb member Tony Falconer. Tony was around for the acclaimed album Adventures Beyond The Ultraworld. These two men meeting again in the studio, decades later, was the birth of a marvelous album. Classic Orb stuff, but from 2021.

And on to the final track.

The time of writing is 15 august 2021. In the wonderful country of Afghanistan the situation seems to be going completely down the drain. The news is worrying and hard to drive out of one’s mind. Thinking about what could happen to innocent people, especially girls and women, is enough to give you a knot in your stomach. Anouar Brahem’s work Improbable Day feels right. He is a famous Ud player from Tunesia. During the Arab Spring, he was home and couldn’t believe what was happening around him. He then wrote a full album about that. His opening track is our closing track for this mix. Yes, the context is much different than that of Afghanistan, but the music is fit for an Improbable Day.

  1. Toby Wren “Prologue”
  2. Lotto “Pointing to a Marvel (Sensenta edit)”
  3. Lull “Treeless Grounds”
  4. Kloob “Duran Vasquez”
  5. Martin Stürtzer “Energy Scale”
  6. Loscil “Lux”
  7. Sedibus “Papillons”
  8. Anouar Brahem “Improbable Day”

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SOUNDWAVE : 94 : KAZUYA NAGAYA

SOUNDWAVE : 94 : KAZUYA NAGAYA

Today’s guest deejay is Kazuya Nagaya.

Kazuya is a Japanese artist who creates immersive, ritualized compositions through bronze bells, gongs, and singing bowls. Kazuya’s music is rooted in Buddhist (Zenzhu) philosophy and sensibilities unique to Japan. Kazuya’s work and interests are also contemporary and span many cultures. Kazuya is also an award-winning writer and a connoisseur of Japanese Literature, Buddhist Folktales, and Zen Philosophical Works.

I came across Kazuya’s music at the beginning of the pandemic. At the time, my attention span had been whittled down to a blunt end. I could not read or watch anything. I couldn’t find escape in music because none of the lyrics of the songs I listened to spoke to the new reality in which we all found ourselves. The only thing that provided solace was ambient, classical, instrumental, and experimental music. The kind of music that was essentially free of lyrics. The kind of music you could project your own meaning on or lose yourself in.

I launched Soundwave to cope with the stress and isolation Brough about by the pandemic. I clutched at it like a drowning man grasps a life preserver. Soundwave gave me solace and succor in the months ahead that were far more challenging and heartbreaking than I could have imagined.

 

Kazuya Nagaya
Kazuya Nagaya

Kazuya was one of the first musicians I invited to participate in Soundwave (listen to Kazuya on the second episode of Soundwave). He could not have known when he recorded “Thanatos” from his Dream Interpretation album that I would play that song repeatedly for days. It seemed to sum up everything I was feeling in those early days of the pandemic. It was crucial to me to have Kazuya on Soundwave. It took over a year for Kazuya to find time to prepare his mix, and it took six months before Kazuya’s mix was scheduled to arrive in your ears. But here we are.

Nearly two years into the pandemic, I am in a very different place than I was initially. But Kazuya’s “Thanatos” and today’s mix ia a touchstone to those painful times. At the same time, the way out is through, and Kazuya’s music also served as a form of catharsis.

Join us next week when our guest deejay will be Kim Cascone.

  1. Kazuya Nagaya “Mother Wading In The River”
  2. Jóhann Jóhannsson “A Sparrow Alighted Upon Our Shoulder”
  3. Arvo Pärt “My Heart’s In The Highlands”
  4. Jóhann Jóhannsson “A Deal With Chaos”
  5. John Cage “In a Landscape”
  6. Jóhann Jóhannsson “A Song For Europe”
  7. Kazuya Nagaya “Thanatos”




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SOUNDWAVE : 93 : CHRISTOPH BERG

SOUNDWAVE : 93 : CHRISTOPH BERG

Today’s guest deejay is Christoph Berg.

Christoph is a composer and musician living and working in Berlin, focusing on chamber music and music for film. Besides releasing music on various imprints, Christoph runs his own record label Monochrome Editions. He also releases electroacoustic music as Field Rotation.

That’s all verbiage I copied and pasted from Discogs. I could use words like minimal, haunted, and mournful to describe it but you really, you need to experience Christoph’s music for yourself.

 

Christoph Berg
Christoph Berg

While writing this, I can tell you that I was listening to his Tape Anthology Vol. 1 album over my AirPods. My wife is asleep next to me, and I don’t want to disturb her. I was caught up in the emotions that Christoph was stirring in me when I began to be aware of the sounds of my stomach gurgling. But then it dawned on me that it wasn’t my stomach. It was gentle rumbling sounds within Christoph’s music. I’m sure that wasn’t Christoph’s intent, but for me, it gave an intimate and organic feel to his music. The experience endeared me to Christoph in an unexpected way.

Christoph’s mix, on the other hand, seems to capture the desolate spirit of our pandemic winter of 2022.

Everyone I know seems to have COVID. I have a dry, slight cough. It could be from the booster shot I received last week, a common cold I picked up, or the virus. And so, as part of my now monthly routine, I need to schedule yet another COVID test. But this is the shape of our lives now, so I square my shoulders and get on with it.

Christoph’s mix provides the soundtrack to what feels like it will be a very long winter.

Join us next week when our guest deejay will be Kazuya Nagaya.

See you then.

  1. Strain of Laws “Ordinary Mystique”
  2. Hildur Guðnadóttir “Gallery”
  3. Murcof “Dropped Soul/Shadow Surfing”
  4. Jasmine Guffond & Erik K Skodvin “The Burrower”
  5. Egisto Macchi “Segni Preistorici”
  6. John Wall “Stat:Unt:Dist”
  7. Tim Hecker and Daniel Lopatin “Vaccination No. 2”
  8. Black Merlin “Sibi”
  9. PDP III “Walls of Kyoto”
  10. Radiohead “The Jumbled Words of Climbing Up the Walls Read by Little Dan Clements”
  11. Makunouchi Bento “Jubokko”
  12. Meitei / 冥丁 “Jizo”
  13. Twinkle³ with Sidsel Endresen “Debris in L.E.O.”
  14. Mica Levi “Delete Beach (Japanese)
  15. Mikado Koko みかどここ “Ten Little Kuronbo”
  16. Demdike Stare x Il Gruppo Di Improvvisazione Nuova Consonanza “The Feed-Back Loop (excerpt)”
  17. Robert Millis “Only Here A Short While”

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SOUNDWAVE : 89 : DANIEL FUZZTONE

SOUNDWAVE : 89 : DANIEL FUZZTONE

Today’s guest deejay is danielfuzztone.

daniel’s mix is important to me for several reasons.

One reason is that I meant daniel through Soundwave guest deejay Michael Donaldson (listen to Michael’s mix here) when he posted an interview with daniel on his Micro.blog. Initially, I read the interview simply because it was on Micro.blog, a cool social media network I am a member of. But what hooked me was the interview itself and daniel’s exploration of sound through this music.

The other reason today’s show is important to me is that while I love all the mixes on Soundwave, and I mean that, daniel’s mix hit me in all the right places. He included some familiar and precious tracks from the likes of Miles Davis, This Mortal Coil and Skinny Puppy. This is stuff I immersed myself in the 80s and 90s, so it felt like putting on a well-worn sweater. But daniel’s mix included a lot of stuff I had never heard of before, like Oliver Coates, Besombes & Rizet, and Angelo Badalamenti. It was a perfect blend of the familiar and unfamiliar that his mix provided just under an hour’s with of dopamine hits.

The final reason is that I listened to daniel’s mix many places (while working, walking my dog, doing the dishes, etc.), but the place that had the most significance was in my car while driving my grandkid to day school. The experience is already special because I enjoy watching all the adults delivering their most precious of cargos and seeing the love and concern on their faces. daniel’s mix heightened and already tender experience.

daniel has words of his own regarding today’s mix below.

Join us next weekend when our guest deejay will be Sean Slight.

See you then!

 

danielfuzztone
danielfuzztone

Like much of the ambient-drone music I produce, this mix was born from a live performance and then manipulated in the digital domain via Audacity. Nothing beats the hardware-software hybrid.

While I’ve DJed for three decades years — including two long stretches of college radio — my skills were a bit rusty, to say the least. I wanted to showcase some of my long-time favorite artists — Brian Eno, Boards of Canada, Spacemen 3, Jean-Michel Jarre — along with several newer ones (and maybe even a few you wouldn’t necessarily think of in the ambient realm).

I performed the set in real time using two MacBooks as playback decks, connected to a cheapo RadioShack DJ mixer from the ’90s.* Recorded in Audacity. Numerous field recordings and samples were also added at this stage — including a mix-long drone of processed shortwave static.

The result is a dark, noisy vibe with bursts of melody, strands of light, and even occasional beats. It’s mysterious and romantic, a droning, pulsing soundtrack from the past 50 years. Enjoy and #DroneOn

— danielfuzztone

POST-SCRIPT: Look for several back-to-back releases in early 2022 via Bandcamp, as well as a live performance in January.

*Due to the lo-fi-meets-hi-fi nature of the recording, you’ll occasionally hear pops and ticks from some of the aging gear. Relax. It’s all part of the ride.

  1. danielfuzztone “Prima Facie”
  2. Brian Eno “Triennale”
  3. The House in the Woods "Bucolica”
  4. Mark Pritchard “?”
  5. Miles Davis “In a Silent Way”
  6. Steven R. Smith “Awake”
  7. William Basinski “The Wheel of Fortune”
  8. danielfuzztone “Nishiki 10-Speed Dream”
  9. Boards of Canada “XYZ”
  10. Cult48 “Deep Calls to Deep”
  11. Gong “Magick Mother Invocation”
  12. Besombes & Rizet “Evelyse”
  13. Godspeed You! Black Emperor “The Dead Flag Blues”
  14. Skinny Puppy “Fritter (Stella’s Home)”
  15. This Mortal Coil “Acid, Bitter and Sad”
  16. Sonic Youth “Providence”
  17. Windy & Carl “Antarctica”
  18. danielfuzztone “Transient Response”
  19. Tim Hecker “Celestina”
  20. Oliver Coates “Honey”
  21. My Bloody Valentine “Glider”
  22. Spacemen 3 “Ecstasy Symphony”
  23. Terry Riley “Poppy Nogood and the Phantom Band”
  24. M83 “Birds”
  25. Jean-Michel Jarre “Equinoxe Part 1”
  26. Emerald Web “The Dragon’s Gate”
  27. Angelo Badalamenti “The Voice of Love”
  28. Yo La Tengo “Shortwave”

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SOUNDWAVE : 88 : DEAD MELODIES

SOUNDWAVE : 88 : DEAD MELODIES

Today’s guest deejay is Tom Moore, AKA Dead Melodies.

After listening to his latest album, Fabled Machines of Old, I invited Tom to guest deejay on Soundwave back in June. The album was released on Cryo Chamber, and it’s what I’ve come to expect from every release from the label: exquisitely crafted dark ambient music that takes you on an emotional journey. Sometimes harrowing, but always rewarding.

Today’s show has been a different experience for me than what I’ve become accustomed to. Usually, I receive mixes for Soundwave six months before I share them with you. I do this for practical reasons. I like to have the mixes well before the release date, so I don’t have to scramble to get shows out weekly. I listened to the mixes you repeatedly hear for months, a byproduct of this arrangement. I become intimately acquainted with the music. They become the soundtrack for my life.

Tom’s schedule did not permit him to send me his mix in advance. I only just got his mix for Soundwave two weeks ago. I didn’t think that would be time enough to allow Tom’s mix to “breather,” but fortunately, I was able to lose myself in the music, and Tom’s mix quickly became an old friend.

Tom has some words about today’s show below.

As always, the shadow of the pandemic looms over Soundwave.

Yesterday I spoke with a professional colleague, and he shared that his production partner had come down with COVID. He told me that he had contracted COVID some months ago, and as a result, his blood pressure is up by 20%; he has experienced liver damage, and his joints ache. I wished him a speedy recovery and that his partner would not suffer lasting effects from the virus. There but for the grace of God goes I, as they say. Except that I expect to catch the virus myself at some point. I don’t know where you listen to Soundwave, but here in the U.S., it seems we want the pandemic to last as long as possible.

But today, I’m still healthy. And I have a lovely show to share with you.

Join us next week when our guest deejay will be danielfuzztone.

See you then!

 

Tom Moore, AKA Dead Melodies
Tom Moore, AKA Dead Melodies

Thanks for the invitation to put together a mix for the show. It was a fun challenge deciding what to do as I trawled through all my influences and favourite artists, but it wasn’t long before it dawned on me it was near impossible to capture even a fraction of the music that makes me tick in an hour-long cut. So I decided to look at my music, pick out some rarities and remixes, and see how best to present them. My output is pretty diverse, but these rarities seemed to tap into a dark-ambient meets post-rock style. I paired with a few popular tunes from my Cryo Chamber releases to keep on the theme and hopefully create a haunting yet soothing listening experience.

Honourable mentions to the collaborating artists named on the tracks – a remix is always much more than a reforming of stems, but a respectful collaboration with layers of new instruments added, paying homage to the original piece while expanding the sound. Thanks to; Everyday Dust, Zenjungle, Understated Theory (my side project/band), and Owsey. Thanks to Cryo Chamber and Sparkwood Records, who have published a few of the included tunes.

  1. Dead Melodies “Winter’s Bite”
  2. Everyday Dust “Where Light Fails (Dead Melodies Solar Frenzy Mix)”
  3. Dead Melodies “The Wake of Man”
  4. Zenjungle “Elegy for The Will (Dead Melodies’ Perspective)”
  5. Dead Melodies “Secrets Foretold”
  6. Understated Theory “Solitary Demons”
  7. Owsey “Thousands of Summer Twilights (Dead Melodies Remix)”
  8. Dead Melodies “A Trial of Crows and Blood”
  9. Dead Melodies “Certain Beasts”

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SOUNDWAVE : 87 : TEXTERE ORIS

SOUNDWAVE : 87 : TEXTERE ORIS

Today’s guest deejay is Ilya Fursov, AKA Textere Oris.

Ilya is yet another guest deejay that comes to us by way of the Cryo Chamber music label. I’m sometimes reluctant to feature musicians from Cryo Chamber because I showcase artists from their roster a lot. But that’s because the label’s releases are so good that why would I not invite them on Soundwave?

I was introduced to Ilya after listening to Reflections at the Sea, an album he released with Vladislav Sikach, AKA SiJ. Like most albums on Cryo Chamber, I was immersed in the world they unfolded through their music. I often listen to music while working or doing chores, but I often found myself pausing what I was doing as I got lost in Reflections. Ilya’s mix for today’s show is equally mysterious and magical.

 

Ilya Fursov, AKA Textere Oris
Ilya Fursov, AKA Textere Oris

Here in the States, we celebrated Thanksgiving. As I write this, I’m in Boston. This is the first time my father, uncle, brother, and sister have been under the same roof in decades. It wasn’t without family drama, but I suspect that’s part of the Thanksgiving tradition. I also got to spend time with some of my oldest and dearest friends.

I admit to being reluctant to travel to Boston. Mingling with people at the airport and flying with more people in a metal tube with people for five hours was unsettling. I certainly don’t want to catch the virus, and I wouldn’t want to pass the virus on to my family. My father and uncle are in their seventies, and I’m all too aware that my time with them shortens each year.

Like most people, I was able to put the pandemic out of my mind for a while and enjoy myself. But the Coronavirus is not done with us, and now we have to Omicron variant to contend with. Soundwave is my way of coping with the pandemic, and each time I think the show has served its purpose, there is yet another reason to continue sharing mixes with you. And here we are.

Join us next week when our guest deejay will be Dead Melodies.

See you then!

  1. Mayer Julcsa “Szundikál”
  2. Atrium Carceri, Cities Last Broadcast, God Body Disconnect “Quiet Days On Earth”
  3. Textere Oris & Montren “Warehouse”
  4. Runar Blesvik “Window”
  5. kj “Caro”
  6. Claustrum “Penitential”
  7. Textere Oris “Temple of Insomnia”
  8. Atrium Carceri “Reborn”
  9. Textere Oris “Encased (tribute version)”
  10. SiJ & Textere Oris “The City That Fell Asleep in the Fog”
  11. Textere Oris “New Hope”

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Logo by Rik Oostenbroek