SOUNDWAVE : 77 : GERT DE MEESTER

Today’s guest deejay is Gert De Meester.

Gert appeared on Soundwave last year, and I enjoyed his mix so much I invited him back. Today’s show is equally fantastic. Gert can expect another invitation from me in 2022.

Gert says today’s show features a perfect mixture of tracks that have influenced him and tracks that currently influence him. He said they’re all such beautiful tracks, and what’s best, you can find them all on Bandcamp, some of them entirely for free.

Today’s mix also includes a track form Gert’s project, Distant Fires Burning. You’re gong to love today’s mix and you’ll want to hear more music from Gert. Good news! You can find his latest album, Inperspectycon Vol​.​1, here.

 

Gert De Meester
Gert De Meester

One thing that’s interesting about the 21st century is music is so freely available, and it’s nearly endless. Consequently, I don’t think most music gets the attention due, and I’m not wagging my finger. I’m just as guilty. It’s exceedingly rare that I will listen to a song or an album repeatedly. There’s so much I want to listen to, and I’m often impatient to listen to the next song, even while I’m listening to something that very moment.

Take today’s show. It’s spectacular. But you’ll listen to it once. Some of you might even listen to it twice. And then you’re on to the next show. Or the next song. Or the next video.

As the producer of Soundwave, however, I have a very different relationship with the music you hear.

I’m sure I’ve mentioned this before, but I receive these mixes months before I publish them on Soundwave. I live with these mixes. I marinate in these mixes.

I’ve become very familiar with Gert’s mix. It’s a gorgeous experience. But after repeated listening, I’ve come to appreciate just how dense the songs that appear in today’s show are. I’ve become intimately acquainted with every snap, crackle, and pop. I lose myself in the swooshes, the sizzle, and grit.

Gert’s mix is made for repeated listening. I encourage you to do so.

Join us next week when our guest deejay will be Michael Southard of Triplicate Records.

See you then!

  1. Taylor Dupree “Everything’s Gone Grey”
  2. Neuro… No Neuro “Blend With Internal Mirror”
  3. Loscil “First Narrows”
  4. Biosphere “Endurium”
  5. For Greater Good “Love You Terrorist (Stockholm Syndrome Mix by Distant Fires Burning)”
  6. Boards Of Canada “XYZ (Peel Session)”
  7. He Can Jog “My (Mother’s) Records”
  8. Umlaut “Audio(bulbs)”
  9. Jon Doe One “Karper”
  10. Autistici “Edall”
  11. Distant Fires Burning & Seigo Aoyama “Or The Horror Of It Now”
  12. Ashtoreth & Stratosphere “The Burning Spirit”
  13. Dadavistic Orchestra “Strung Valve Checkout”
  14. Oubys “ToweringWindTowering”
  15. Roel Funcken “Graydon Margolis AMB”
  16. Sonmi451 “Hippocampus”
  17. Darren McClure “Time Takes It’s Course”

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Logo by Rik Oostenbroek

SOUNDWAVE : 59 : HAITEKU

SOUNDWAVE : 59 : HAITEKU

Today’s guest deejay is Mauricio Sotelo, AKA Haiteku.

I met Mauricio through Axel Arturo Barceló, our guest deejay, last October (listen to Axel’s mix here). After Axel’s mix went out, I asked him who he knew that would be interested in guest deejaying on Soundwave, and he recommended Mauricio. And here we are.

Mauricio is an excellent deejay, and his mix is fantastic. His mix included music from several projects that he’s part of.

Mauricio is an audiovisual artist from the suburbs of Mexico City suburbs. Haiteku is his Techno project since 2010. He publishes works on labels like Blaq Records (Mexico-Berlin), Nova Fund Recordings (Mexico), and the now defunct PCCL.

Mauricio is also part of the WOS Colectivo, a label for for national and international producers of electronic music, sound experimentation, plastic, and visual arts. The WOS Colectivo promotes producers who are not a part of the mainstream and support their local scene. In addition to the WOS Colectivo, Mauricio is also a member of Abolipop Records, a label that producers, and we’re open to new platforms and formats. Suplex publishes EPs, unreleased tracks, live sessions, oddities, and reissues.

Mauricio has some words about his mix below.

Before we hear from Mauricio, I wanted to share how my feelings about Soundwave have changed.

When I launched Soundwave, it was my way of coping with the stress and isolation of the pandemic. My wife’s job took her away from San Diego, and my kids were with their bio dad. It was just my dog and me. I was sad, lonely, and wondered if every time I left the house, I would contract COVID-19 and die. Grim times.

A year later, living with the pandemic has become a routine. As of Monday, I will be fully vaccinated and live in the world without fear of getting ill or dying. I work remotely so I visit my wife and kids regularly, and in a few months, we’ll all be under the same roof again. During that time, Soundwave changed from a source of succor to a font of delight. The music is wonderful, and the relationships I’ve formed through the show are dear to me.

 

Gert De Meester's Die Geschwächten Kinder Von Empain EPGert De Meester’s Die Geschwächten Kinder Von Empain EP

Speaking of delight, guest deejay Gert De Meester of Distant Fires Burning has released a pay-what-you-want single on Bandcamp called Die Geschwächten Kinder Von Empain. Gert will donate the profits from his single to Dokters van de Wereld (Doctors of the World). Want to hear more music from Gert? Listen to his mix for Soundwave here.

Join us next week when our guest deejay will be Nate Heard.

See you then!

 

Mauricio Sotelo, AKA Haiteku
Mauricio Sotelo, AKA Haiteku

Altiplano is a short mixtape about contemporary Mexican electronic artists.

The “Altiplano” (the plateau region) is the zone of the center of Mexico, shaped for various states. From this zone, are the electronic artists that participate on this mixtape, all of them, independent producers.

The music of this material came from the independent label WOS Colectivo and Abolipop Records, on different releases and years.

  1. PCCL “Base Bells (Huixtralizer opposite blur structure remix)”
  2. Kiiote “Que desangraron los magueyes”
  3. Totore “Milagro”
  4. Broadband Star “Cereal Boreal”
  5. Antena “Alberca”
  6. The Hovering Cube “Windwalker”
  7. Undead Machine “Inchewe”
  8. José Soberanes “Disperso”

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Logo by Rik Oostenbroek

Weekly Mix 6: February 12, 2017

So here’s how we play the game: everday I post a song to Twitter and Facebook (#songoftheday) that I think is so marvelous and so spectacular that I have to share them with you. At the end of the week I gather those songs into The Weekly Mix for your listening pleasure. When possible, I accompany each song with a brief intro by the featured band or musician.

For example, on today’s show we’re going to hear from Eightch and one of the members of Ersatz. Nice, right?

Speaking of Erstaz, we’re going to kick off today’s show with their song, “Regret,” from their album, Hints of… “Regret” comes from their fourth album, which feels like it was recorded in some snowy vale, and I couldn’t imagine a better fate than a long and lustrous winter listening to this song.

After “Regret” we’ll hear “Midnight” by Monster Rally. I’m not sure how to describe this song, but it’s what I imagine what would be played in someone’s Space-Age bachelor pad during some long midnight of the soul. “Midnight” comes from Monster Rally’s 2016 Pelicans album, available on Gold Robot Records.

From Islam Chipsy we’ll hear “Trinity 2” featuring EEK from Chipsy’s album, The Bullet. Special thanks to Sean Hockings from Metal Postcard Records for tuning me on to this gem.

Following Islam Chipsy we’ll hear “Acceptance, Side 1” from Eightch. James Watson is the man behind Eightch and when I invited him to join us on today’s show we ended up talking for nearly an hour about music, the industry, technology, and about intergity and life and art. Good guy and I’m looking forward to meeting James in person some day in the near future. Anyway, I first heard this track on a rainy drive to work and it was the perfect soundtrack for that morning’s commute.

From Deodato well hear his funky disco cover of Franz Listz’s “Also Sprach Zarathustra.” Deodato’s a prolific guy and has produced or arranged music for more than 500 albums. That’s just crazy. “Also Sprach Zarathustra” comes from Deodato’s 1973 Prelude album on CTI Records.

We’ll also hear “My Hood” by Ray BLK. Ray is recognized as a new and exciting voice in grime and garage but you’d never know it from this soulful tune about her hood. I’m looking forward to hearing more songs from Ray’s 2016 album, Durt.

We’ll close today’ show with “Star Roving” by Slowdive. I was never really a fan of this band back in the 90s. I thought if you wanted to listen to shoegaze the only band worth listening to were My Bloody Valentine. Boy, was I wrong. I’ve spent the last couple months catching up on all the great shoegaze bands I missed. “Star Roving” comes from Slowdive’s forthcoming album, their first in over 20 years, in fact, which will be released later in 2017.

You can listen to The Weekly Mix every Sunday on KAOS Radio Austin at 6PM Central, and every Friday on Bondfire Radio at 11:30 AM Eastern.

You can find me online on Twitter @josephaleo.

See you next week!

  1. Ersatz “Regret”
  2. Monster Rally “Midnight”
  3. Islam Chipsy “Trinity (feat. Eek)”
  4. Eightch “Acceptance Side 1”
  5. Deodato “Also Sprach Zarathustra”
  6. RAY BLK “My Hood”
  7. Slowdive “Star Roving”

Illustration: GDBee ©2017

solipsistic NATION No. 310: Mutamassik, Live

Today on solipsistic NATION we’ll hear a live set from Giulia Loli from Mutamassik, which was originally recorded for Fari Bradley‘s Six Pillars radio show on Resonance FM to promote Giulia’s 2012 release, Rekkez, out on Ini.itu Records. In fact, there are quite a few tracks from Rekkez on today’s live set.

We’ll also talk to Giulia about balancing artistry with industry, and her growth as an artist, musician and as a DJ.

Today’s show is eight years in the making.

When I launched solipsistic NATION podcasts were a new thing and most people didn’t know what a podcast actually was, which made it difficult when I would email labels and ask for them to send me promotional CDs for the show. And even if a label knew what a podcast was I didn’t have the audience that I do now, so why mail out music to show that only had a few hundred listeners? I can’t blame them, really.

But one label I did approach was generous enough to send a CD. I had read a review about Mutamassik’s album, Masri Mokkassar: Definitive Works in XLR8R, back when it was still a print magazine. Definitive Works had been released by Sound-Ink Records and they sent me Mutamassik’s LP without questions or hassle.

Like I said, podcasts were an unknown quantity back then, so it meant a lot to me that Sound-Ink took me seriously enough to send me Mutamassik’s album. And it was a great album! I played it on the show and I played it on my iPod constantly. Someday, I told myself, I’m going to have Mutamassik on the show as a guest so I could get to know the person behind all this fantastic music!

That day is today. It took months of planning and aligning our schedules but it finally happened.

Join us again next week. I’m still getting my ducks in a row but I think our guests will be Known Rebel‘s Germán Escandell and Jaime Irles.

See you then!

  1. Mutamassik “Babomb”
  2. Interview with Giulia Loli of Mutamassik
  3. Mutamassik “Live”

solipsistic NATION No. 1: Relaunch!

I had always intended to bring solipsistic NATION out of retirement but there was always some sort of technical problem that prevented me from relaunching the podcast.

Originally I was going to use Macromedia‘s SoundEdit which came bundled with Director. Unfortunately, when I mixed down a set the track would be in mono and distorted. I tried doing the show using DJ-1800 and recording the set with WireTap Pro or Audio Hijack Pro but there was a touch of distortion in the recording I could never eliminate.

Last month the connection to the hard drive in my ancient G4 tower died. I didn’t have the cash to buy a new tower so I purchased a Mac Mini. The Mac Mini was much more powerful than my G4 and as an added bonus, it came pre-installed with GarageBand. Suddenly all my problems were resolved in one fell swoop.

There are some deejays who like to do everything live without a net and on the fly. I was never one of those deejays. Oh, I’m fine at improvising live sets but my preference has always been to map out my shows in advance, meticulously plotting the segues and overall flow of a mix. Given my anal retentiveness for planning shows GarageBand is perfect with how I like to work.

I hope you enjoy today’s first show in the relaunching of solipsistic NATION!

Photo credit: dro!d

  1. Thomas Feijk “Leak”
  2. Butcherd Beats “Butcherd Beats”
  3. DP-6 “Vital Force”
  4. Wade Robson “Battlewalk”
  5. OPGave “Hiroshima”
  6. Jerry Mane “Magnificent Growlla”
  7. African Express “Overtime & In The Zone”
  8. Oculus “Lo Ki”
  9. Chloe Day “Kingpin”
  10. Autolect & His Meltdown Movement “Calm”
  11. Acoustic Ladyland “Something Beautiful”
  12. Jel “WMD”
  13. Circuit Breaker “Left Hook”