atmospheric – Page 4

December 6, 2020July 1, 2021

SOUNDWAVE : 36 : JOEL SHEARER

This week our guest deejay is Joel Shearer, an international and highly regarded session and touring musician, composer and producer based in Los Angeles, CA.

I met Joel through Carmen Rizzo when he was our guest deejay back back in July (check out Carmen’s mix here). Carmen’s mix was beautiful and as is my wont I asked Carmen who he knew personally that would be interested in participating in the show and he recommended Joel. I can’t thank Carmen enough for introducing me to Joel because we very much need to hear Joel’s mix.

If you’re new to SOUNDWAVE then you should know that I launched the show to help cope with the isolation of stress of COVID-19 and the stay at home orders back in March. The only thing that gave me solace was ambient, classical, instrumental and experimental music and I decided to share what I was listening to whoever else might need to hear it as well.

Here we are nine months later in the second wave of COVID-19 infections and deaths. It's going entirely as predicted. What I don’t think think anyone could have predicted is the absolute magnitude of our current administrations ineptness at handling the pandemic. Several vaccines to combat the virus have been developed at astounding speed. That's breathtaking. Equally breathtaking is that instead of the 300 million doses the administration had promised before the end of the year the plan is now to only distribute 35 to 40 million doses. We’re at the beginning of a second wave with over 288,000 deaths and there’s finally a light at the end of the tunnel except that light is being blocked by an administration that seems to go out if its way to bungle the distribution of the vaccines.

When I began SOUNDWAVE there is no way I could have predicted these infuriating and crazy making responses to the pandemic by our current administration, which is why I, and maybe you, need to take comfort in Joel’s mix. It's exactly the kind of succor we need. I’m Listening to Joel’s mix as I write this and I find myself wrapping it around me like a cherished and well worn coat to keep me warm in the winter.

Joel has some words to share about today’s mix below but before we get to that I wanted let you know that guest deejay Robert Rich has released his new album, Neurogenesis, earlier this week.

Robert Rich's Neurogenesis album — Robert Rich’s *Neurogenesis* album

I’ve been listening to Robert’s music since last century when I heard I discovered him on the From Here To Tranquility Volume 2 compilation album. I later interviewed him and when I featured his live set on solipsistic NATION. I had the pleasure of finally meeting Robert face-to-face (at a safe and respectable six foot distance, of course) this summer while I was in Northern California and Robert was kind enough to play me a few tracks from Neurogenesis in his studio.

Robert started recording Neurogenesis in Spring of 2019 inspired by a lucid dream. Robert says Neurogenesis expresses optimism about the potential for human consciousness. At the start of pandemic lockdown in March he stopped working on Neurogenesis to record Offering to the Morning Fog because listeners were asking for something calm. He got back to work on Neurogenesis in June, and finished in late October. I’ve been listening to Neurogenesis all week and I’m glad Robert is able to share his album with the world.

You can hear more music from Robert in his mix for SOUNDWAVE here.

Join us next week when our guest deejay will be Christian Sager.

See you then!

Let’s hear from Joel about today's mix.

This playlist is intended to turn folks onto new music from known and unknown ambient artists.

Joseph August is new artist out of Los Angeles and a frequent guest for Secular Sabbath with Rhye, Diplo, Flume.

Clarice Jenson is best known for being the cellist for Max Richter’s Sleep amongst many others and an incredible solo artist in her own right.

“March” comes from my second release from my latest album, Hours, available on all digital outlets.

Orpheo McCord is the founding member of Ed Sharpe and The Magnetic Zeros, this song is off Orpheo’s first solo release. Epic ambient marimba beauty.

Naneum is an ambient artist out of New York, who’s played for many artists including Angus and Julia Stone and Passenger.

Jónsi is a member of Sigur Rós and composer and “Boy” is from Alex Somers’ second release.

Joseph August “A Soft Reflect”
Clarice Jensen “Final”
Joel Shearer “March”
Orpheo McCord “As Within”
Naneum “Accretion”
Jónsi and Alex “Boy”

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October 25, 2020July 1, 2021

SOUNDWAVE : 30 : JOSEPH ALEO

As I write this we’re driving to Arizona to pick up our daughter who we haven’t seen her in over seven months.

Before the self-quarantine in California began we took our kids to stay with their bio-dad and his partner. We didn't know how the virus was going to play out and my wife was certain she was going to be summoned for duty and I was going to work from home. Having them with their dad and his girlfriend was our best option.

We picked up our boy from Arizona a few months ago and by the end of the day all our family will finally be under the same roof again.

So here we are in the car and we’re listening to today’s mix. That’s my wife's idea, which is very flattering. Ambient and experimental music isn’t her thing.

This mix is very special to me.

I launched SOUNDWAVE to help cope with the stress and isolation of being under self-quarantine due to COVID-19.

We’ve been living with the Corona virus for over half a year now so it’s easy to forget that the during the early days of the self-quarantine we were all white knuckling it. We were all asking ourselves how long this would go on, what can we do to protect ourselves, and will we or our family members or friends die from the virus?

I don’t know about you but during that time I found it difficult to focus on anything outside of work, and work was a blessed distraction. My television could barely hold my attention and I’d turn it off in frustration. I found myself unable to read books and would read the same paragraphs over and over again. And I discovered that music no longer spoke to the truth of my new reality. Love songs in particular seemed inane. The only music I could listen to was ambient, classical, experimental and instrumental where there were no lyrics and I could infer or impart my own meeting. And if that was the only music that gave me solace then surely others needed it to, so why not share it?

Shortly after launching SOUNDWAVE I invited folks I knew to guest deejay on the show. I was overwhelmed by the responses so I sat on today’s mix until the right time.

So here we are. Finally.

The first track on today’s mix comes from Dronny Darko’s latest album, Origin. The entire album is fantastic and I was so impressed that I invited Dronny to be a guest deejay on SOUNDWAVE. Dronny Darko is on the roster of artist on the Cryo Chamber label, as is our next artist, Sabled Sun, which is Simon Heath, the founder Cryo Chamber. And from Sabled Sun we segue into Multicast Dynamics. Samuel van Dijk is the man behind Multicast Dynamics and today’s track comes form his fifth album, Lost World.

All of these songs seamlessly blend into each other until we fade into Ecker & Meulyzer, who I discovered n the Bandcamp Daily blog. Wonderful, spooky stuff full of powerful rhythms and raw swaths of sounds.

From there we hear a piece by West Dylan Thorsdon from the Split soundtrack. That man can do a lot with just a bow and a cello that’ll raise the hair on the back of your neck.

Our next song is from the Devs soundtrack by Ben Salisbury and Geoff Barrow. If you haven’t watched Devs, please do so. It’s written and directed by Alex Garland and I think it’s Alex working in peak form. And Ben and Geoff’s music elevate Devs into sublimity. Oh, and Geoff is also a member of Portishead and you should definitely listen to his bandmate, Adrian Utley, mix for SOUNDWAVE.

We end today’s show with a piece by Those Who Walk Away from composer Matthew Patton’s album, The Infected Mass. It’s a mournful song for a mournful show. Patton’s piece is accompanied By some words by Peter Wessel Zapffe from his book, The Last Messiah. Prior to the pandemic I was knee deep in the nihilism of Thomas Ligotti and Emil Ciordan and Zapffe’s name kept popping up so naturally I had to read his stuff. Being steeped in nihilism isn’t the healthiest frame of mind to be in during the self-quarantine so I exorcised it with today’s mix.

I love this mix and I’m happy to finally share it with you after listening it to it weekly for the six months. It’s also something of a relief because today’s mix is also a touchstone to very unhappy time in my life and I’m glad to finally let go of it.

Join us again next week when our guest deejay will be E & S from one of my favorite labels, Other Forms of Consecrated Life.

See you then!

Dronny Darko “Bioelectric Dive”
Sabled Sun “Silo”
Multicast Dynamics “Observation Deck”
Ecker & Meulyzer “Carbon Cycles”
West Dylan Thordson “Opening”
Ben Salisbury, Geoff Barrow “Suffocation”
Those Who Walk Away “First Degraded Hymn”
Peter Wessel Zapffe “The Last Messiah, Excerpt”

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October 18, 2020July 2, 2021

SOUNDWAVE : 29 : protoU

Today’s guest deejay is Sasha, AKA, protoU!

A few months ago Dronny Darko came on the show with a killer mix. As usually, I asked Dronny who he knew personally who would be interested in sharing a mix of their own for SOUNDWAVE and Dronny recommended protoU. It’s a dark and mysterious that’s both ethereal and earthy. Sasha’s mix resonates with me because it is reminiscent of the first two albums that introduced me to ambient music, Brian Eno’s Ambient 4: On Land and Apollo: Atmospheres and Soundtracks. Sasha’s mix also include’s Hivetribe’s “Uthernno”, which features one of my favorite recording of a 1950s housewife trying to describe a LSD experience.

You will not be disappointed with Sasha’s mix. I’ve had her mix on repeat for weeks and I still find something new in it.

In other news, this tiny show dedicated to niche genres of music that I launched to help cope with the stress of COVID-19 is growing ever so slightly, which is gratifying.

I don’t do much to promote SOUNDWAVE because it’s not that kind of show. It really is a form of therapy and I’m touched by every guest deejay’s generosity. I’m also moved that you, dear listener, take time out of your no doubt busy week to experience the mixes offered on this show. Maybe it’s time to share this show with more people. If you know of someone that you think would enjoy SOUNDWAVE, grab their phone and subscribe them to the podcast.

Join us again next week when our guest deejay will be… let me check my schedule… me!

Alphaxone & protoU “Consumed”
protoU “Transparent Clusters”
protoU “Unreal Symbols”
protoU “Dai Robsa Preah”
Dronny Darko & protoU “Riparian Forest [300 million years ago]”
Dronny Darko & protoU “Everything”
Untitledcloud “Waves”
Untitledcloud “Abstractions”
Hivetribe “Herbquake”
Hivetribe “Uthernno”

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June 14, 2020July 2, 2021

SOUNDWAVE : 11 : DRONNY DARKO

I’m writing this from a hotel room in Phoenix, Arizona. I’m wearing a N95 mask because we’re still in a pandemic, although Arizonans don’t seen to be taking it seriously because maybe 25% of the people I see are wearing masks and observing social distancing. That probably explains why Arizona is seeing a spike in infections. Anyway, I’m wearing a mask and it is clear that I should have brushed my teeth before sitting down to write today’s show notes because I’m basically inhaling the contents of my lungs. Gross.

Let me take care of that. Be right back.

So why am I in Arizona if it is a COVID-19 hotspot you might be asking yourself? I’m here to pick up my kid and his grandmother and bring them back with me to California.

The weekend before California shutdown my wife and I made the decision to take our kids to Arizona to be with their bio dad. They were going to spend spring break with him anyhow and it seemed prudent to leave them with him a few weeks early. I was going to be working from home and it was likely my wife was going to be relocated to help deal with COVID-19. But or boy is done with Arizona and wants to come home and his grandmother will be living with us.

It’s pretty much been me and my dog for the last three months and I’ve fallen into bachelor-like routines (staying up far too late, walking around all day in pajamas, eating breakfast for dinner, etc) so this will take a bit of readjustment for me. For all three of us, really.

So that’s why I’m in Arizona. And from what I’m seeing around here and from what I’ve been hearing from friends scattered about the U.S. it seems we’re going to be living with COVID-19 for quite a while. Which means SOUNDWAVE will continue indefinitely.

Today’s guest deejay is Dronny Darko and he’s got a mix of marvelous dark ambient music for us to enjoy.

When I launched SOUNDWAVE I reached out to friends and acquaintances to guest deejay on the show but I also reached out to folks whose music I’ve been enjoying for the last few years. There’s a net label out of Oregon called Cryo Chamber I discovered when I got back into role playing games. (RPGs) Seems music from Cryo Chamber is the default soundtrack for many horror RPGs. And for good reason, the music is atmospheric and often tinged with dread.

Most people unfamiliar with ambient music often mistake it for swaths of pretty sounds and while that’s true, it’s so much more than that. Ambient music has many moods and its the reason I was drawn to it when we were all under the stay-at-home self-quarantine. Pop music seemed inane and didn’t speak the truth of our new reality. But there are no lyrics in ambient music, just moods and sounds, and that I could listen to. Ambient, classical, experimental and instrumental music spoke to me in ways pop music could not. The dark ambient music from Cryo Chamber was the soundtrack to my existential dread, which helped my process everything I was experience in and come to some sort of terms with it.

One of the artists on Cryo Chamber that I particularly enjoy is Dronny Darko. I’ve lost count of how many times I’ve listened to his album, Origin. He was the first artists from Cryo Chamber I reached out to when I began SOUNDWAVE because his music had the most impact on me. It’s darkly lush, quietly epic, and strangely beautiful. If you enjoy Dronny’s mix, and I know you will, I highly encourage you to purchase his album.

Speaking of purchasing music, if you dig any of the songs on today’s show, purchase them, too, if you have the means. As we’re all learning, we need art to help get us through the most trying of times. Musicians pour their heart and soul into their music, spending hours, days, weeks and months for something we listen to in minutes. And for most musicians are already working full time job on top of perfecting their craft. And as writer Bruce Sterling often says, “whatever happens to musicians will happen to all of us.” So out of solidarity, spend some cash on their music. They deserve it and need it.

Join us again next week when our guest deejay will be Jaime Irles. See you then!

Red Fog “Arboria Institute”
Dronny Darko “Noumenon”
Line Spectrum “Unreleased”
Richard Chartier “Sketch For Winter”
protoU “Transparent Clusters”
Cryogenic Weekend “Unreleased”
Red Fog & Dronny Darko “Unreleased”
Sleeping On Lotus Ashes “Failure of the Material”
Ajna & Dronny Darko “Mutated DNA”

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June 7, 2020July 2, 2021

SOUNDWAVE : 10 : PLANET BOELEX

Well, that was a week.

Protests blazed across the US, sparked by the killing of George Floyd, from the kindling of over 150 years of police brutality, systemic racism and hundreds of years of slavery. I watched police cars run into protesters. I watched police officers beat and shoot peaceful protesters. I watched protesters raze property, sometimes from their own communities. I’ve even watched a man armed with a bow with an arrow notched aiming it at protesters who quickly took him down.

It is nauseating.

It makes me ill that it’s come to this. I want to hope that out of all this anger, suffering and pain that some good will come of it. But I don’t think my country is ready to have an honest conversation about race that might lead to the healing that this nation so desperately needs.

I’m fried. Once again this show is a balm and a welcome distraction, brief as it is.

Our guest deejay on today’s SOUNDWAVE is Planet Boelex.

I met Planet Boelex through Travis Nobles of hiddenplace music. He suggested that I feature one of Planet Boelex’s live sets on solipsistic NATION, the electronic music show I produced. Planet Boelex’s sound music is impressive because aside from being beautiful it was also distinct. His personality is imprinted onto his music. Electronic music often sound anonymous because some musicians use stock sounds and loops. When you hear a song by Planet Boelex you know it.

I hope today’s show gives you some respite.

Next week’s guest deejay is Dronny Darko. I hope were all in a better place by then.

I’ll leave you with two quotes.

“I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”

— James Baldwin

“One is responsible to life. It is the small beacon in that terrifying darkness from which we come and to which we return. One must negotiate this passage as nobly as possible, for the sake of those who are coming after us.”

—James Baldwin

Snorri Hallgrimsson “Chasing The Present”
Digitonal “Autumn Round (Planet Boelex remix)”
Mikael Fyrek “Bau”
Data Rebel “Collisions”
Mosaik “Heart Racer ft. Maria Seger”
Krister Linder “Other Skies”

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Logo by Rik Oostenbroek