SOUNDWAVE : 53 : AMBIENTBLOG

SOUNDWAVE : 53 : AMBIENTBLOG

Today’s guest deejay is Peter van Cooten, host of Ambientblog and DreamScenes on Concertzender.

I ask each guest to deejay who they know who would be interested in participating in the show with a mix. Harrold Roeland, who was a guest deejay on Soundwave back in December, suggested Peter. I’ve known about Ambientblog for years and have listened to many of Peter’s mixes on Mixcloud. I’m thankful that Harrold made the introduction because Peter’s mix is exceptional.

 

Peter’s Soundwave mix.
Peter’s Soundwave mix.

Mix is not the word for what Peter does on today’s show.

It’s more accurate to say that Peter composed a concept album masterfully weaved from a multitude of sampled material. Take a look at the “playlist” below to get an idea of the scope of today’s show. It’s a work of art you get to immerse yourself in for the next hour.

Peter’s mix, like all of his Ambientblog shows, is an experience. Follow Ambientblog on Mixcloud to hear more of his work.

I’ve included an excerpt about today’s show from Peter’s website below.

Today’s show is special because it’s also Soundwave’s one-year anniversary.

I launched Soundwave to help me cope with the stress and isolation of COVID-19.

This close to what we all hope is the finish line of the pandemic its easy to forget that we were all white-knuckling it for the first couple of months. Every day was filled with existential dread. Would this trip to the grocery store kill me or someone I love? It’s exhausting to live that way.

During that time, I could not watch tv or movies or listen to music because they were not speaking to the truth of our new reality. I’d watch a tv show and fret how there was no social distancing and why the cast wasn’t wearing masks. Pop music was particularly difficult to listen to because it was so painfully vapid. How am I supposed to enjoy a love song when I might be a patient or a vector in this pandemic?

The only music that I could tolerate and gave me solace was ambient, classical, experimental, and instrumental music. It was the soundtrack for my stay-at-home lockdown. And if I found some relief with this music, why not share it with others? Any why not ask people I respect to share their mixes?

I’m humbled by everyone’s gift of generosity of time and effort. We’re all going through this together, each in our way. I’m grateful that during this pandemic that each guest deejay lovingly crafted mixes to share with us.

 

My first vaccination shot.
My first vaccination shot.

Today’s show is also special because today, I also got my first shot for the COVID-19 vaccination.

I was shopping for groceries when the Mercy Plaza Pharmacy called me and told me they had extra doses. Could I stop by for a vaccination? Most definitely.

My cilantro stymied the woman who was ringing up my items at the grocery store: were they regular cilantro or organic? She was about to do a price check when I explained that I needed to get the hell out of there to be vaccinated. I didn’t care about the cilantro’s cost; ring me up so I can leave! She understood.

The folks at Mercy Plaza Pharmacy couldn’t be nicer. They’re a family-owned business, and the owner checked up on me after my shot to see how I was feeling. We talked about San Diego, Sacramento, and our kids. This is going to sound weird, but I had such a great time that I can’t wait to go back.

So here we are a year later. We’re almost at the finish line. Hopefully, next year, this will be behind us, and we can all enjoy each other’s company. I’m looking forward to meeting some of you in person. Maybe I’ll even get to meet Peter.

Join us next week when our guest deejay will be Michał Milczarek.

See you then!

 

Ambientblog album art.
Ambientblog album art.

It’s my honour to open the second year of this series with my contribution. Of course, we can only hope that the series will continue for musical reasons, not because of the pandemic.

Clicking through the list of contributions, you’ll find that most of them are what I call mixtape-style compilations: a head-tail-mix of (full) tracks. Traditionally, my (Ambientblog) mixes are different (which does not mean necessarily ‘better’, by the way) in that they incorporate many sampled parts of tracks (a full-length track is either an exception or a very short track itself), mixed in a layered collage-style. I always try to shuffle the collage’s fragments so that they seem to melt together and thus start telling a different story.

Whether this is successful or not can only be determined by the listener.

This mix is simply named after the podcast Soundwave. It is a happy coincidence that it literally starts with waves—sonically manipulated by Jos Smolders—and ends with the same waves morphing into the sound of a cheering crowd.

Different kinds of soundwaves are all around us, every moment. Sometimes we’re aware; most of the time, we are not. This mix (hopefully) shows that it can be rewarding to take a moment’s rest to really listen and let the sounds affect you.

Thanks to Joseph Aleo for inviting me!

  1. Jos Smolders “Plate 7”
  2. Mia Zabelka & Icostech “The Final Stop”
  3. Robert Scott Thompson “Still The Syllables Of Water Whisper”
  4. Charley van Veldhoven & Túrion “Hemellichaam IV (Henrik Meierkord Recycle)”
  5. FM Einheit & Susie Green “Joyful Pleasure”
  6. Joey Largent “Below Diorite Waters”
  7. Barbara Ellison “De Auflaan de Pussychat”
  8. Jana Winderen “The Listener”
  9. Grace Ferguson “Barnumbirr”
  10. C-drík “An Imaginary Place Inhabited By Those Who Are Asleep”
  11. James Osland & Finn Kelvin “Things That Have Form Will Alway Disappear”
  12. Daniel Thomas Freeman “Crawling Out Of The Void”
  13. William Basinski “For Whom The Bell Tolls”
  14. Morgen Würde “Mittsommer”
  15. Biosphere “Stordjupta”
  16. Randal Collier-Ford “Eyes Of The Temple (feat. Northumbria)”
  17. Merope “Alma”
  18. Space Whisper “Park Date”
  19. Innesti “Dark Describes An Arc”
  20. Joost Lijbaart “Twinkling Night”
  21. Pinkcourtesyphone “Another Interior”
  22. f5point6 “Natural Selection”
  23. Andrew Heath “I Sleep Above The Forest”
  24. Lustmord “Journey Of The Dead Man”
  25. Bow Quintet feat. Aidan Baker “Bryanbaum Variation”
  26. Aase Frejadóttir “Saying It”
  27. James Rushford “Musica Callada, Book I – Angelico”
  28. Nick Luscombe “Tokyo Spring Birdsong”
  29. Akropolis Reed Quintet “Homage to Paradise Valley: I. Ghosts of Black Bottom”
  30. Kate Carr “I Spotted Some Backyard Dancing”
  31. Olivier Alary “Khaltoum”
  32. Kazuya Nagaya “the Book Of Sunken Memory”
  33. Jos Smolders “Plate 5”
  34. A Winged Victory For The Sullen “Every Solstice & Equinox”

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Logo by Rik Oostenbroek

SOUNDWAVE : 44 : ISHMAEL CORMACK

SOUNDWAVE : 44 : ISHMAEL CORMACK

Today’s guest deejay is Ishmael Cormack.

To date, nearly all the guest deejays on SOUNDWAVE are people I have relationships with or introduced to me through the guest deejays. Ishmael is different.

These days I purchase nearly all my music on Bandcamp. Yes, I said purchase. I’m old fashioned that way. Oh, I do more than my fair share of streaming, but if I find music I genuinely love, I’m happy to spend money on it. Bandcamp is my favorite platform to purchase music because the artists and labels are treated fairly, and they receive a higher percentage of money from sales than most other platforms. So I’m on Bandcamp a lot. And because of SOUNDWAVE, I tend to peruse releases from ambient, classical, experimental, and instrumental musicians.

If you enjoy music from any of those genres, you know from experience that most of it are dreck. The music tends to be bland or outright terrible. It isn’t easy to compose music in those genres that’s engaging and take you on an emotional journey. It’s refreshing to find musicians who do it well, and Ishmael is one of those artists.

I'm not a musician myself, so it’s difficult for me not to fall into clichés to describe Ishmael’s music using words like delicate, pretty, or sonorous. I’m reminded of an interview I once heard with Ben Frost where he complained of this very thing. I believe he said something to the effect that sommeliers have many metaphors to describe wines’ taste, but we lack the same when talking about music.

It’s almost a shame, then, that today’s mix from Ishmael does not feature his music. Almost, because Ishmael has lovingly selected tracks that are, sigh, delicate, pretty, and sonorous, but it’s true. It’s a wonderful mix.

If you enjoy today’s show, and I have no doubt you will, then support the artists by following my example and purchasing their music. And while you’re at it, listen to Ishmael’s releases on Bandcamp, and if you hear something like it, show him your appreciation by spending some money on his music.

Join us next week when our guest deejay will be Tim Six, founder of ΠΑΝΘΕΟΝ Records.

See you then!

Ishmael Cormack
Ishmael Cormack

  1. Andrew Chalk “The Flood”
  2. Taylor Deupree & Marcus Fischer “On Branches”
  3. Richard Ginns “Faded From The Winter”
  4. Tom Scott “Ribbon Glass”
  5. Jens Pauly “Licht”
  6. Cyril Secq “Huitiéme Branche”
  7. Morimoto Naoki “Nod”
  8. Suda Norihito “The Weather Of The Day Was To Calm Almost As If Nothing Had Happened”
  9. Melissa Pons “Screeching Dawn”
  10. Jodi Cave “For Sine And Breath Tones”
  11. Federico Durand “IIu Wouter”
  12. Van Veldhoven “First Lullaby”

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Logo by Rik Oostenbroek

SOUNDWAVE : 38 : HARROLD ROELAND

SOUNDWAVE : 38 : HARROLD ROELAND

Today’s guest deejay is Harrold Roeland. Harrold is a trained composer, a poet, sound designer and performing musician, specializing in the use of environmental sounds and long attention spans. His works try to invoke the timelessness of the world and its landscapes. He sings medieval and renaissance music with Ensemble Vlechtwerk, and hosts the radio show Sensenta, a musical serial, at the Concertzender every Sunday evening that explores many of these themes.

From the beginning, whenever I’ve had a guest deejay on SOUNDWAVE I’ve asked them who they know personally that they think would be interested in participating in the show with a mix of their own. I do this for several reasons. For one, I like the intimacy of the invitation. While I have no problem contacting people I don't know to be on SOUNDWAVE I prefer this more personal touch. It’s a network built up of likeminded people who actually know each other. Secondly, having guest deejay’s on the show introduces me to wider scope of music. I’d like to think my knowledge of music is fairly deep but I know its really shallow. The guest deejays on SOUNDWAVE open me up to having so much more music in my life. And so many surprises! Today’s show features both Yusef Lateef and John Coltrane.

Harrold’s mix has been my soundtrack to many a late night and I'm thrilled to share it with you. Harrold’s will take you by the hand down darkened paths. It’s the kind of mix I love that seamlessly blends each song into the next and takes me on an emotional journey. I recently had the opportunity to listen to Harrold’s mix while driving through a sun-blasted Arizona highway and all it did was make the shadows cast from Harrold’s mix longer

Special thanks to Kirk Markarian of Neuro… No Neuro who introduced us to Harrold (listen to Kirk’s mix for SOUNDWAVE here). I’m curious to know who Harrold will introduce us to.

Harrold has some word about his mix which you can read below. But first, a few items I wanted to discuss.

As I’ve mentioned many times before, I launched SOUNDWAVE to help me cope with the stress and isolation of being stuck in my house due to the stay at home orders brought about by COVID-19. It was a very lonely time in my life: my wife was away at work and our kids were with their dad’s. It was just me, my dog and my music. Here we are in the second wave of the virus and once my wife has been sent out of town and yesterday I dropped off the kids to be with their dad. The difference this time is that instead of waiting months to be with my wife I’m going to see her today's and work remotely for the next few days. As a bonus, I’m going to spend the eight or so hours in my car listening to mixes for upcoming editions of SOUNDWAVE.

Pauline Anne Strom
Pauline Anne Strom

Finally, last week we lost Harold Budd and this week we lost pioneering blind composer and synthesist Pauline Anne Strom. Pauline released music in the 1980s under the name Trans-Mellenia Consort and explored the ambient and new age. Pauline’s last album, Angel Tears in Sunlight, is her first new album in 30 years and is scheduled to be released in January 2021.

Join me next week when our guest deejay will be Applefish.

See you then!

Harrold Roeland
Harrold Roeland

This mix starts with jazz, an album by Yusuf Lateef which has a nicely worn out sound. Biosphere’s wonderful impression of breaking ice quickly enters the scene. As far as worn out and slightly off key sounds go, Denmark’s Øjerum is an expert on that. His works are often soothing and slightly disturbing at the same time, as are Roly Porter’s, entering the mix around the 7 minute mark. We take a step back then for the second third of the mix, combining IA’s “Mater Lacrimosa” with, again, the percussive side of Biosphere. The last third of the mix is a piling of works, as often happens in my radioshow Sensenta on the Dutch Concertzender. IA meets John Coltrane meets Markus Guentner meets the genius of Kaija Saariaho. And finally, since it’s polite to introduce oneself, the last notes of “Glacier Looming,” is an impression of the weight of the Franz Josef Glacier in New Zealand, a work using birdsong and semi-modular synthesis.

  1. Yusef Lateef “Purple Flower”
  2. Biosphere “Skålbrekka”
  3. Øjerum “The Forest Is Sleeping With The Trees, Part 1”
  4. Roly Porter “Inflation Field”
  5. IA “Mater Lacrimosa”
  6. Biosphere “Bergsbotn III”
  7. John Coltrane “The Drum Thing”
  8. Markus Guentner “Magnetar”
  9. Kaija Saariaho “Six Japanese Gardens IV”
  10. Harrold Roeland “Glacier Looming”

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Logo by Rik Oostenbroek

SOUNDWAVE : 25 : ADRIAN UTLEY

SOUNDWAVE : 25

I’m very excited about today’s show because our guest deejay is Adrian Utley!

Most likely you know Adrian from Portishead, the band that put trip hop on the map late last century. Or you many know Adrian more recently for the work he did with Will Gregory for the soundtrack to the motion picture Arcadia, which I featured on the first episode of SOUNDWAVE. Adrian is a man who cares deeply about his craft and his love of sound and music is expressed in any project he is involved with.

I want to give special thanks to Charles Hazelwood for putting me in contact with Adrian. After Charles’s mix for SOUNDWAVE went live I asked him who he knew personally who might be interested in participating in the show and he suggested Adrian and Hannah Peel (who will be our guest deejay on next week’s show). It’s little things like that that make this show feel special and more intimate. At least to me, anyway.

Okay, time for me to wrap this up. My family and I are going to take a little but much needed vacation and get away from the wildfires and earthquakes that have wracked California.

I hope you are safe and well. See you next week.

 

Adrian Utley
Adrian Utley

  1. Pulled by Magnets “Nowhere Nothing”
  2. Philip Glass “Music in Similar Motion”
  3. Townes Van Zandt “Sky Blue”
  4. Asher Gamedze “Movement Three: Synthesis”
  5. Robert Fripp & Brian Eno “Evening Star”
  6. Sonic Youth “Dirty Boots”
  7. Lee Morgan “Search for a New Land”
  8. Nick Cave and the Bad Seeds “Into My Arms”

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Logo by Rik Oostenbroek

SOUNDWAVE : 5 : VINCE MILLETT

SOUNDWAVE : 5

I’m writing the show notes you’re reading from my backyard. Vince Millett’s mix, today’s guest deejay, plays in the background. The sun is out, the sky is blue, birds are chirping and my dog is smelling a flower. It is an idyllic day. Except that it’s week seven of California’s safe at home. COVID-19 has completely disrupted civilization and we’ll feel the aftershocks for years, if not decades, to come. So, yeah except for that, I’m having a fantastic day.

Today’s mix, by the way, is spectacular.

Opening the show to guest deejays has been a great idea because it’s really exposed me to so many musicians I’ve never heard before. I was counting on Vince to turn me on to some great stuff and his mix does not disappoint. It is exactly why he was one of the first people I asked to guest deejay on SOUNDWAVE.

I met Vince eight years ago on Twitter. I was impressed with his netlabel, Broken Drum Records, and his podcast, Secret Archives of the Vatican, and invited him to be a guest deejay for solipsistic NATION, my electronic music podcast. You’ll want to listen to that episode as soon as you’re done with today’s show. Vince’s taste in music leans towards the Asian and Middle Eastern and that is reflected in today’s mix. Each song is a gem. Dhafer Youssef’s “Dawn Prayer,” for example, is gut wrenchingly beautiful

Vince will talk about his musical selections below but before I go, I want to thank everyone who has sent the mixes you will hear in the upcoming months.

In just a few short weeks I’ve received a lot of mixes for SOUNDWAVE from some amazing guest deejays. It’s humbling how everyone were so quick to respond to my requests and their generosity of their time.

Last week’s show featured a gorgeous mix by Steven Howard. Next week’s guest deejay is James Curcio and his mix was inspired by the three years he spent writing and researching for his book, MASKS: Bowie & Artists of Artifice, and is a meditation on mortality, futility, transience, being lost in the simulacra and isolation during the coronavirus.

See you then.

 

Vince Millett
Vince Millett

We open with “Kemancheh” by Moving Ninja. Some years back when I was first discovering dubstep, the folk music of my hometown Croydon, I was surprised to find tracks like this that were far away from the dancefloor and had some middle eastern influences. Genre labels can be so limiting and misleading.

We then move into one of my own, “Outremer” by Thousand Yard Prayer. This is built upon a simple Viola Da Gamba line playing an Arabian musical scale with some medieval frame drums, a Persian ney flute and some subtle Croydon post-dubstep bass wobble adding to the low end.

Tunisian born oud player and vocalist Dhafer Youssef then leads us into the exquisite “Dawn Prayer.” His music gets marketed as jazz but I’m not convinced. It is unique. Listen to that voice!

Next we head towards the world of film soundtracks with “Eastern Path” by Vangelis from the film Alexander. The duduk is one of the most expressive and melancholy instruments on the planet.

We continue to head east with “Battle Remembered” by Yo Yo Ma and the Silk Road Ensemble. I’m not a huge fan of western classical music but I love to hear musicians from that world working with highly skilled musicians from other traditions.

Bassist Jonas Hellborg recorded “Suriya” live in Aleppo in 1996. The whole album, Aram of the Two Rivers, is beautiful and is another example of superb musicians from disparate traditions creating something transcendent.

I finish this mix with my favourite piece of medieval music, “Palästinalied,” here played by Kalenda Maya from their album Pilegrimreiser. I have a Spotify playlist with 42 versions of this tune, all sounding different. This is a particularly chilled rendition.

  1. Moving Ninja “Kemancheh”
  2. Thousand Yard Prayer “Outremer”
  3. Dhafer Youssef “Dawn Prayer”
  4. Vangelis “Eastern Path”
  5. Yo-Yo Ma & The Silk Road Ensemble “Battle Remembered”
  6. Jonas Hellborg “Suriya”
  7. Kalenda Maya “Palästinalied”

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Logo by Rik Oostenbroek

Weekly Mix 7: February 19, 2017

I’ve been having a lot of fun producing The Weekly Mix. Its different from other shows I’ve produced in the past because it’s short and informal. I’m not trying to craft a seamless mix that’ll take you on an emotional journey like I’ve done on solipsistic NATION, the electronic music show I used to do. And when I do the occasional interview on The Weekly Mix they’re quick, usually around five minutes, instead of the long form interviews I’m used to doing.

I’m also not trying to build up an enormous audience for the show. It’s mostly for my friends and family to enjoy. But look, if you like the show and you want to turn other people on to The Weekly Mix, I’d certainly appreciate it. The more people who listen to the show the more musical guests I can get on the show. Besides, why keep The Weekly Mix to yourself?

The other thing I’ve been doing differently is using Periscope and Facebook Live to promote The Weekly Mix. I don’t know if it’s actually making a difference but it’s fun and I plan on exploring the possibilities of streaming video. For example, this Friday I’ll be interviewing The Brevet on Facebook Live when they perform here in San Diego at Lestat’s. I’ll also stream one or two of their songs they’ll be performing while in town. And I’ll also be using the Rode VideoMic Me that my friend Robin turned me on to, so I’ve got an extra reason to be excited about that show. Follow me on Twitter at @josephaleo if you want to know when that’ll be happening.

You can also listen to The Weekly Mix each week on KAOS Radio Austin every Sunday at 6PM Central and every Friday on Bondfire Radio at 11:30 AM Eastern Standard Time.

Okay, I’m out of here. See you next week!

  1. Dashboard Confessional “Love Yourself”
  2. Ivy Sole “Life (feat. Dave B)”
  3. Chet Baker “It’s Always You”
  4. Alemayehu Eshete “Feqer Feqer New”
  5. AfroCubism “Djelimady Rumba (feat. Toumani Diabaté, Eliades Ochoa & Bassekou Kouyaté)”
  6. Buena Vista Social Club “Chan Chan”
  7. Orishas “537 C.U.B.A.”

Illustration: GDBee ©2017