“Affectations” from DJ Shadow‘s Total Breakdown: Hidden Transmissions From The MPC Era, 1992-1996 album.
Why does nearly every song by DJ Shadow sound like it was composed in the rain?
Free download of “Affectations” here.
“Affectations” from DJ Shadow‘s Total Breakdown: Hidden Transmissions From The MPC Era, 1992-1996 album.
Why does nearly every song by DJ Shadow sound like it was composed in the rain?
Free download of “Affectations” here.
“Legend of Winter” from Busdriver‘s Running Up That Hill album. I’ve got a live set from these guys I can’t wait to share with you!
Welcome to #twittermix4!
And here’s the part where I explain what that means. Explaining what it means is actually one of the #twittermix traditions.
So here we go…
When I first joined Twitter there wasn’t a lot of labels or musicians on Twitter, which made it almost useless as far solipsistic NATION was concerned. But I stuck around and gradually more and more labels and musicians came online on Twitter, which is also right about the time when Twitter became my social media platform of choice. Twitter had two things going for it that I came to cherish: it was ubiquitous and concise. Twitter’s 140 character limit forced you to say what you wanted to say with laser-like intensity.
I thought it would be fun to put together a mix for solipsistic NATION featuring tracks from musicians on Twitter. I approached the artists I had met through Twitter for their participation and asked them to extend the invitation to musicians they new. I believe this was when retweeting came onto the scene. Heady times! Retweeting put me in touch with a lot of musicians I talk to to this day. Come to think of it, I guess that whole process is one of the traditions of the #twittermix.
Anyway, I got a lot of great tracks and the show was a success, but I have to tell you, today’s #twittermix is the best. Not to diminish the previous #twittermixs but this one’s pretty special. Not only is the music as diverse as Twitter itself but the music is topnotch! As an added bonus, we’ll also talk with Clay Nutting, who is one of the people organizing this year’s Sacramento Electronic Music Festival. I really hope to make it to the festival because the’ve got some incredible talent from folks like James & Evander, Shlohmo, Mux Mool and more. If you plan on going, Tweet me on Twitter at @solipsistic and maybe we can meet up.
Getting back to my point…
I think Twitter is important to me because it also represents the spirit of solipsistic NATION. Through Twitter I am able to informally approach musicians and labels I would otherwise never get the chance to talk to, and that’s led to a lot of incredible shows and struck up a lot of friendships. In turns, musicians and labels have contacted me through Twitter as well as listeners of the show and people who just show up because they got word of the show or are just curious or the other myriad reasons.
Twitter has helped me build up solipsistic NATION, reach out and collaborate and have a hell of a lot of fun. The more I think about it the more I’m convinced that solipsistic NATION could not exist without Twitter. Or be something very, very different without it.
Join us again next week when our guest will be Tripswitch‘s Nick Brennan. He’s got a very special live set for us.
See you then!
“Bon Bon Fire” from Busdriver‘s Beaus$Eros album. I dare you to not like this album.
“XYZ” by DJNSM from the Volume/One compilation album.
Lushtronica? Loungebeat? Worldexotica? This track cross pollinates so many different genres in the space of four minutes and thirty seconds it’s hard to know what to call it. I just know it’s my favorite song of the day!
Allow me to introduce you to your new favorite song. “Conte D’Eté” from Renart‘s Petits Charmes EP.
“When Only Sand Remains (Tripswich Remix)” by Tripswitch from the Desert Phase Remixes album.
Played this track while getting ready for my interview with Tripswitch’s Nick Brennan for next month’s live set. Instant classic!